Denise Levertov: the poetry of engagement
This study is concerned with both Denise Levertov's social consciousness as manifested in her earliest poetry and with her growth as a "poet in the world." Early in her career, Levertov was highly praised as a lyric poet of considerable sensitivity whose poems were succinct (at times...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Rutherford [u.a.]
Fairleigh Dickinson Univ. Press [u.a.]
1993
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Schlagworte: | |
Zusammenfassung: | This study is concerned with both Denise Levertov's social consciousness as manifested in her earliest poetry and with her growth as a "poet in the world." Early in her career, Levertov was highly praised as a lyric poet of considerable sensitivity whose poems were succinct (at times mystical, at times sensuous) and whose technical gifts were impeccable. During the height of her emergence as a political dissident during the Vietnam War, the "Orphic" poet was seen as having traded aesthetics for polemics. Audrey T. Rodgers works to disprove the assumption that art and politics are mutually exclusive entities in Levertov's work Through careful analysis of Levertov's social verse, she demonstrates that there is a consistency and pattern in what the artist herself has termed the "poems of engagement." Denise Levertov began her career in England as a lyric poet in the Romantic mode, but even then was touched by the reductive nature of war, revealed in her first published poem, "Listening to Distant Guns." During the mid-1960s Levertov's social conscience, notably her strong antiwar sentiment, was reawakened by the Vietnam War. This reawakening resulted in several volumes of poetry that mirrored her concerns with the war (and political activism at home) and her perplexity at the nature of human beings - often great and compassionate, but at times cruel and insensitive. There exists a common thread in Levertov's pilgrimage from her beginning as a lyric poet to her status as an artist definitively in the world: she has always responded to everything within the compass of her experience From To Stay Alive to The Jacob's Ladder and The Sorrow Dance - from Relearning the Alphabet to O Taste and See, Footprints, and Life in the Forest - Levertov covers a wide range of emotion. Sorrow, joy and celebration, empathy, perplexity, rage, and despair are treated to be sure, but overriding is a hope and profound sensitivity to beauty amid chaos. This appreciation of beauty is central to her later volumes - Candles in Babylon, Oblique Prayers, Breathing the Water, and A Door in the Hive - as well. In these, Levertov does not ignore social injustice, yet manages to inspire through images of nature, a search for a transcendent faith, and an exploration of human potential, love, and friendship |
Beschreibung: | 237 S. Ill. |
ISBN: | 083863494X |
Internformat
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520 | 3 | |a This study is concerned with both Denise Levertov's social consciousness as manifested in her earliest poetry and with her growth as a "poet in the world." Early in her career, Levertov was highly praised as a lyric poet of considerable sensitivity whose poems were succinct (at times mystical, at times sensuous) and whose technical gifts were impeccable. During the height of her emergence as a political dissident during the Vietnam War, the "Orphic" poet was seen as having traded aesthetics for polemics. Audrey T. Rodgers works to disprove the assumption that art and politics are mutually exclusive entities in Levertov's work | |
520 | 3 | |a Through careful analysis of Levertov's social verse, she demonstrates that there is a consistency and pattern in what the artist herself has termed the "poems of engagement." Denise Levertov began her career in England as a lyric poet in the Romantic mode, but even then was touched by the reductive nature of war, revealed in her first published poem, "Listening to Distant Guns." During the mid-1960s Levertov's social conscience, notably her strong antiwar sentiment, was reawakened by the Vietnam War. This reawakening resulted in several volumes of poetry that mirrored her concerns with the war (and political activism at home) and her perplexity at the nature of human beings - often great and compassionate, but at times cruel and insensitive. There exists a common thread in Levertov's pilgrimage from her beginning as a lyric poet to her status as an artist definitively in the world: she has always responded to everything within the compass of her experience | |
520 | 3 | |a From To Stay Alive to The Jacob's Ladder and The Sorrow Dance - from Relearning the Alphabet to O Taste and See, Footprints, and Life in the Forest - Levertov covers a wide range of emotion. Sorrow, joy and celebration, empathy, perplexity, rage, and despair are treated to be sure, but overriding is a hope and profound sensitivity to beauty amid chaos. This appreciation of beauty is central to her later volumes - Candles in Babylon, Oblique Prayers, Breathing the Water, and A Door in the Hive - as well. In these, Levertov does not ignore social injustice, yet manages to inspire through images of nature, a search for a transcendent faith, and an exploration of human potential, love, and friendship | |
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Datensatz im Suchindex
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any_adam_object | |
author | Rodgers, Audrey T. |
author_facet | Rodgers, Audrey T. |
author_role | aut |
author_sort | Rodgers, Audrey T. |
author_variant | a t r at atr |
building | Verbundindex |
bvnumber | BV008219695 |
callnumber-first | P - Language and Literature |
callnumber-label | PS3562 |
callnumber-raw | PS3562.E8876 |
callnumber-search | PS3562.E8876 |
callnumber-sort | PS 43562 E8876 |
callnumber-subject | PS - American Literature |
classification_rvk | HU 4217 |
ctrlnum | (OCoLC)26399213 (DE-599)BVBBV008219695 |
dewey-full | 811/.54 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 811 - American poetry in English |
dewey-raw | 811/.54 |
dewey-search | 811/.54 |
dewey-sort | 3811 254 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
era | Geschichte 1900-2000 |
era_facet | Geschichte 1900-2000 |
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geographic_facet | USA |
id | DE-604.BV008219695 |
illustrated | Illustrated |
indexdate | 2024-07-09T17:16:34Z |
institution | BVB |
isbn | 083863494X |
language | English |
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physical | 237 S. Ill. |
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publisher | Fairleigh Dickinson Univ. Press [u.a.] |
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spelling | Rodgers, Audrey T. Verfasser aut Denise Levertov the poetry of engagement Audrey T. Rodgers Rutherford [u.a.] Fairleigh Dickinson Univ. Press [u.a.] 1993 237 S. Ill. txt rdacontent n rdamedia nc rdacarrier This study is concerned with both Denise Levertov's social consciousness as manifested in her earliest poetry and with her growth as a "poet in the world." Early in her career, Levertov was highly praised as a lyric poet of considerable sensitivity whose poems were succinct (at times mystical, at times sensuous) and whose technical gifts were impeccable. During the height of her emergence as a political dissident during the Vietnam War, the "Orphic" poet was seen as having traded aesthetics for polemics. Audrey T. Rodgers works to disprove the assumption that art and politics are mutually exclusive entities in Levertov's work Through careful analysis of Levertov's social verse, she demonstrates that there is a consistency and pattern in what the artist herself has termed the "poems of engagement." Denise Levertov began her career in England as a lyric poet in the Romantic mode, but even then was touched by the reductive nature of war, revealed in her first published poem, "Listening to Distant Guns." During the mid-1960s Levertov's social conscience, notably her strong antiwar sentiment, was reawakened by the Vietnam War. This reawakening resulted in several volumes of poetry that mirrored her concerns with the war (and political activism at home) and her perplexity at the nature of human beings - often great and compassionate, but at times cruel and insensitive. There exists a common thread in Levertov's pilgrimage from her beginning as a lyric poet to her status as an artist definitively in the world: she has always responded to everything within the compass of her experience From To Stay Alive to The Jacob's Ladder and The Sorrow Dance - from Relearning the Alphabet to O Taste and See, Footprints, and Life in the Forest - Levertov covers a wide range of emotion. Sorrow, joy and celebration, empathy, perplexity, rage, and despair are treated to be sure, but overriding is a hope and profound sensitivity to beauty amid chaos. This appreciation of beauty is central to her later volumes - Candles in Babylon, Oblique Prayers, Breathing the Water, and A Door in the Hive - as well. In these, Levertov does not ignore social injustice, yet manages to inspire through images of nature, a search for a transcendent faith, and an exploration of human potential, love, and friendship Levertov, Denise <1923-1997> Criticism and interpretation Levertov, Denise 1923-1997 (DE-588)118876899 gnd rswk-swf Geschichte 1900-2000 Gedichten gtt Geschichte Lyrik Women and literature United States History 20th century Lyrik (DE-588)4036774-5 gnd rswk-swf USA Levertov, Denise 1923-1997 (DE-588)118876899 p Lyrik (DE-588)4036774-5 s DE-604 |
spellingShingle | Rodgers, Audrey T. Denise Levertov the poetry of engagement Levertov, Denise <1923-1997> Criticism and interpretation Levertov, Denise 1923-1997 (DE-588)118876899 gnd Gedichten gtt Geschichte Lyrik Women and literature United States History 20th century Lyrik (DE-588)4036774-5 gnd |
subject_GND | (DE-588)118876899 (DE-588)4036774-5 |
title | Denise Levertov the poetry of engagement |
title_auth | Denise Levertov the poetry of engagement |
title_exact_search | Denise Levertov the poetry of engagement |
title_full | Denise Levertov the poetry of engagement Audrey T. Rodgers |
title_fullStr | Denise Levertov the poetry of engagement Audrey T. Rodgers |
title_full_unstemmed | Denise Levertov the poetry of engagement Audrey T. Rodgers |
title_short | Denise Levertov |
title_sort | denise levertov the poetry of engagement |
title_sub | the poetry of engagement |
topic | Levertov, Denise <1923-1997> Criticism and interpretation Levertov, Denise 1923-1997 (DE-588)118876899 gnd Gedichten gtt Geschichte Lyrik Women and literature United States History 20th century Lyrik (DE-588)4036774-5 gnd |
topic_facet | Levertov, Denise <1923-1997> Criticism and interpretation Levertov, Denise 1923-1997 Gedichten Geschichte Lyrik Women and literature United States History 20th century USA |
work_keys_str_mv | AT rodgersaudreyt deniselevertovthepoetryofengagement |