Troilus and Criseyde: the poem and the frame
If "variety distinguishes Chaucer's handling of his materials," as Allen J. Frantzen writes his preface to this volume, it also distinguishes Frantzen's handling of his materials - the contents and contexts of Troilus and Criseyde. Of the few available introductory studies on Cha...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Twayne u.a.
1993
|
Schriftenreihe: | Twayne's masterwork studies
113 |
Schlagworte: | |
Zusammenfassung: | If "variety distinguishes Chaucer's handling of his materials," as Allen J. Frantzen writes his preface to this volume, it also distinguishes Frantzen's handling of his materials - the contents and contexts of Troilus and Criseyde. Of the few available introductory studies on Chaucer's poem, fewer still accommodate the multiplicity of ideas at play both within the text and among the various interpretations of it that have fallen in and out of vogue since the work first appeared in medieval London. Troilus and Criseyde's story of failed love amid the ruins of war often yields discussion of the traditions of courtly love and other nuances of medieval aristocratic and intellectual life. Frantzen, offering a complex analysis of the narrative that asks readers to grapple with its social, sexual, philosophical, and even comedic motifs, challenges many preconceived ideas about medieval culture and about Chaucer as its chief spokesman The device Frantzen uses to focus on the poem from so many perspectives is the frame. The textual frame delineates the reader's view of a narrative "exactly as a visual frame encloses a picture," Frantzen writes. "History has placed many frames around Troilus and Criseyde, and Chaucer has placed many frames within the poem as a means of structuring his complex plot. To concentrate on the frame is not to forget the text but is rather to ask how and where we see its edges, its openings, its points of contact with the world around it." In the early chapters of this volume Frantzen presents many of the almost innumerable and sometimes contradictory frames that Chaucer and history have provided: Troilus and Criseyde as tragedy, as comedy, as philosophy; as tale of the inevitable failure of romantic love, of betrayal, of morality, of Christian piety, of the evils of fallen womanhood, of the evils of men's victimization of women. For the balance of the study Frantzen offers his own close reading of the poem, regarding each of its five books from a distinct, though not exclusive, frame of reference: the narrator; Pandarus, Troilus's influential friend; love; war; and fate |
Beschreibung: | XIV, 158 S. |
ISBN: | 0805794271 0805785817 |
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520 | 3 | |a If "variety distinguishes Chaucer's handling of his materials," as Allen J. Frantzen writes his preface to this volume, it also distinguishes Frantzen's handling of his materials - the contents and contexts of Troilus and Criseyde. Of the few available introductory studies on Chaucer's poem, fewer still accommodate the multiplicity of ideas at play both within the text and among the various interpretations of it that have fallen in and out of vogue since the work first appeared in medieval London. Troilus and Criseyde's story of failed love amid the ruins of war often yields discussion of the traditions of courtly love and other nuances of medieval aristocratic and intellectual life. Frantzen, offering a complex analysis of the narrative that asks readers to grapple with its social, sexual, philosophical, and even comedic motifs, challenges many preconceived ideas about medieval culture and about Chaucer as its chief spokesman | |
520 | |a The device Frantzen uses to focus on the poem from so many perspectives is the frame. The textual frame delineates the reader's view of a narrative "exactly as a visual frame encloses a picture," Frantzen writes. "History has placed many frames around Troilus and Criseyde, and Chaucer has placed many frames within the poem as a means of structuring his complex plot. To concentrate on the frame is not to forget the text but is rather to ask how and where we see its edges, its openings, its points of contact with the world around it." | ||
520 | |a In the early chapters of this volume Frantzen presents many of the almost innumerable and sometimes contradictory frames that Chaucer and history have provided: Troilus and Criseyde as tragedy, as comedy, as philosophy; as tale of the inevitable failure of romantic love, of betrayal, of morality, of Christian piety, of the evils of fallen womanhood, of the evils of men's victimization of women. For the balance of the study Frantzen offers his own close reading of the poem, regarding each of its five books from a distinct, though not exclusive, frame of reference: the narrator; Pandarus, Troilus's influential friend; love; war; and fate | ||
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Datensatz im Suchindex
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author | Frantzen, Allen J. 1947- |
author_GND | (DE-588)132281333 |
author_facet | Frantzen, Allen J. 1947- |
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dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 821 - English poetry |
dewey-raw | 821/.1 |
dewey-search | 821/.1 |
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dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
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id | DE-604.BV008193868 |
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indexdate | 2024-07-09T17:16:05Z |
institution | BVB |
isbn | 0805794271 0805785817 |
language | English |
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physical | XIV, 158 S. |
publishDate | 1993 |
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spelling | Frantzen, Allen J. 1947- Verfasser (DE-588)132281333 aut Troilus and Criseyde the poem and the frame Allen J. Frantzen New York Twayne u.a. 1993 XIV, 158 S. txt rdacontent n rdamedia nc rdacarrier Twayne's masterwork studies 113 A reader's companion If "variety distinguishes Chaucer's handling of his materials," as Allen J. Frantzen writes his preface to this volume, it also distinguishes Frantzen's handling of his materials - the contents and contexts of Troilus and Criseyde. Of the few available introductory studies on Chaucer's poem, fewer still accommodate the multiplicity of ideas at play both within the text and among the various interpretations of it that have fallen in and out of vogue since the work first appeared in medieval London. Troilus and Criseyde's story of failed love amid the ruins of war often yields discussion of the traditions of courtly love and other nuances of medieval aristocratic and intellectual life. Frantzen, offering a complex analysis of the narrative that asks readers to grapple with its social, sexual, philosophical, and even comedic motifs, challenges many preconceived ideas about medieval culture and about Chaucer as its chief spokesman The device Frantzen uses to focus on the poem from so many perspectives is the frame. The textual frame delineates the reader's view of a narrative "exactly as a visual frame encloses a picture," Frantzen writes. "History has placed many frames around Troilus and Criseyde, and Chaucer has placed many frames within the poem as a means of structuring his complex plot. To concentrate on the frame is not to forget the text but is rather to ask how and where we see its edges, its openings, its points of contact with the world around it." In the early chapters of this volume Frantzen presents many of the almost innumerable and sometimes contradictory frames that Chaucer and history have provided: Troilus and Criseyde as tragedy, as comedy, as philosophy; as tale of the inevitable failure of romantic love, of betrayal, of morality, of Christian piety, of the evils of fallen womanhood, of the evils of men's victimization of women. For the balance of the study Frantzen offers his own close reading of the poem, regarding each of its five books from a distinct, though not exclusive, frame of reference: the narrator; Pandarus, Troilus's influential friend; love; war; and fate Chaucer, Geoffrey <d. 1400> Troilus and Criseyde Chaucer, Geoffrey 1343-1400 Troilus and Criseyde (DE-588)4123002-4 gnd rswk-swf Troylus and Cryseyde (Chaucer) gtt Cressida (Fictitious character) Frame-stories History and criticism Troilus (Legendary character) in literature Trojan War Literature and the war Chaucer, Geoffrey 1343-1400 Troilus and Criseyde (DE-588)4123002-4 u DE-604 Twayne's masterwork studies 113 (DE-604)BV000023029 113 |
spellingShingle | Frantzen, Allen J. 1947- Troilus and Criseyde the poem and the frame Twayne's masterwork studies Chaucer, Geoffrey <d. 1400> Troilus and Criseyde Chaucer, Geoffrey 1343-1400 Troilus and Criseyde (DE-588)4123002-4 gnd Troylus and Cryseyde (Chaucer) gtt Cressida (Fictitious character) Frame-stories History and criticism Troilus (Legendary character) in literature Trojan War Literature and the war |
subject_GND | (DE-588)4123002-4 |
title | Troilus and Criseyde the poem and the frame |
title_auth | Troilus and Criseyde the poem and the frame |
title_exact_search | Troilus and Criseyde the poem and the frame |
title_full | Troilus and Criseyde the poem and the frame Allen J. Frantzen |
title_fullStr | Troilus and Criseyde the poem and the frame Allen J. Frantzen |
title_full_unstemmed | Troilus and Criseyde the poem and the frame Allen J. Frantzen |
title_short | Troilus and Criseyde |
title_sort | troilus and criseyde the poem and the frame |
title_sub | the poem and the frame |
topic | Chaucer, Geoffrey <d. 1400> Troilus and Criseyde Chaucer, Geoffrey 1343-1400 Troilus and Criseyde (DE-588)4123002-4 gnd Troylus and Cryseyde (Chaucer) gtt Cressida (Fictitious character) Frame-stories History and criticism Troilus (Legendary character) in literature Trojan War Literature and the war |
topic_facet | Chaucer, Geoffrey <d. 1400> Troilus and Criseyde Chaucer, Geoffrey 1343-1400 Troilus and Criseyde Troylus and Cryseyde (Chaucer) Cressida (Fictitious character) Frame-stories History and criticism Troilus (Legendary character) in literature Trojan War Literature and the war |
volume_link | (DE-604)BV000023029 |
work_keys_str_mv | AT frantzenallenj troilusandcriseydethepoemandtheframe |