The nonconformist's memorial: poems
The Nonconformist's Memorial is a gathering of four long sequences that underscores Susan Howe's reputation as one of the leading experimentalists writing today. Howe is a poet of language in history whose work resonates back through Melville, Dickinson, and Shelley to the seventeenth-cent...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
New Directions Publ. Corp.
1993
|
| Schriftenreihe: | A New Directions book
|
| Zusammenfassung: | The Nonconformist's Memorial is a gathering of four long sequences that underscores Susan Howe's reputation as one of the leading experimentalists writing today. Howe is a poet of language in history whose work resonates back through Melville, Dickinson, and Shelley to the seventeenth-century Metaphysicals and Puritans (the nonconformism of the title), and forward again to T.S. Eliot and the abstract expressionists The sequences fall into two sections, "Turning" and "Conversion," in half-ironic nonconforming counterpoint to Eliot's Four Quartets. Her collaging and mirror-imaging of words are concretions of verbal static, visual meditations on what can and cannot be said. For Howe, "Melville's Marginalia" is the essential poem in the collection, an approach to an elusive and allusive mind through Melville's own reading and the notations in his library books. This, says Howe, is "Language a wood for thought. |
| Beschreibung: | VII, 150 S. |
| ISBN: | 0811212297 |
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| 520 | 3 | |a The Nonconformist's Memorial is a gathering of four long sequences that underscores Susan Howe's reputation as one of the leading experimentalists writing today. Howe is a poet of language in history whose work resonates back through Melville, Dickinson, and Shelley to the seventeenth-century Metaphysicals and Puritans (the nonconformism of the title), and forward again to T.S. Eliot and the abstract expressionists | |
| 520 | |a The sequences fall into two sections, "Turning" and "Conversion," in half-ironic nonconforming counterpoint to Eliot's Four Quartets. Her collaging and mirror-imaging of words are concretions of verbal static, visual meditations on what can and cannot be said. For Howe, "Melville's Marginalia" is the essential poem in the collection, an approach to an elusive and allusive mind through Melville's own reading and the notations in his library books. This, says Howe, is "Language a wood for thought. | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-005400873 | ||
Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author | Howe, Susan 1937- |
| author_GND | (DE-588)119017830 |
| author_facet | Howe, Susan 1937- |
| author_role | aut |
| author_sort | Howe, Susan 1937- |
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| callnumber-first | P - Language and Literature |
| callnumber-label | PS3558 |
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| callnumber-subject | PS - American Literature |
| classification_rvk | HU 9800 |
| ctrlnum | (OCoLC)26853192 (DE-599)BVBBV008183671 |
| dewey-full | 813/.54 811/.54 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 813 - American fiction in English 811 - American poetry in English |
| dewey-raw | 813/.54 811/.54 |
| dewey-search | 813/.54 811/.54 |
| dewey-sort | 3813 254 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| format | Book |
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| id | DE-604.BV008183671 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T17:15:57Z |
| institution | BVB |
| isbn | 0811212297 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-005400873 |
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| physical | VII, 150 S. |
| publishDate | 1993 |
| publishDateSearch | 1993 |
| publishDateSort | 1993 |
| publisher | New Directions Publ. Corp. |
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| series2 | A New Directions book |
| spelling | Howe, Susan 1937- Verfasser (DE-588)119017830 aut The nonconformist's memorial poems by Susan Howe New York New Directions Publ. Corp. 1993 VII, 150 S. txt rdacontent n rdamedia nc rdacarrier A New Directions book The Nonconformist's Memorial is a gathering of four long sequences that underscores Susan Howe's reputation as one of the leading experimentalists writing today. Howe is a poet of language in history whose work resonates back through Melville, Dickinson, and Shelley to the seventeenth-century Metaphysicals and Puritans (the nonconformism of the title), and forward again to T.S. Eliot and the abstract expressionists The sequences fall into two sections, "Turning" and "Conversion," in half-ironic nonconforming counterpoint to Eliot's Four Quartets. Her collaging and mirror-imaging of words are concretions of verbal static, visual meditations on what can and cannot be said. For Howe, "Melville's Marginalia" is the essential poem in the collection, an approach to an elusive and allusive mind through Melville's own reading and the notations in his library books. This, says Howe, is "Language a wood for thought. |
| spellingShingle | Howe, Susan 1937- The nonconformist's memorial poems |
| title | The nonconformist's memorial poems |
| title_auth | The nonconformist's memorial poems |
| title_exact_search | The nonconformist's memorial poems |
| title_full | The nonconformist's memorial poems by Susan Howe |
| title_fullStr | The nonconformist's memorial poems by Susan Howe |
| title_full_unstemmed | The nonconformist's memorial poems by Susan Howe |
| title_short | The nonconformist's memorial |
| title_sort | the nonconformist s memorial poems |
| title_sub | poems |
| work_keys_str_mv | AT howesusan thenonconformistsmemorialpoems |