The return of the visible in British Romanticism:
In this path-breaking study William Galperin offers a major revisionist reading of Romanticism that emphasizes the visible - as opposed to visionary - impulse in British Romantic poetry and prose. Employing a wide variety of theoretical insights, Galperin shows not only that the visual impulse is ce...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Baltimore u.a.
Johns Hopkins Univ. Press
1993
|
| Schlagworte: | |
| Zusammenfassung: | In this path-breaking study William Galperin offers a major revisionist reading of Romanticism that emphasizes the visible - as opposed to visionary - impulse in British Romantic poetry and prose. Employing a wide variety of theoretical insights, Galperin shows not only that the visual impulse is central to an understanding of Romanticism but also that the Romantic preoccupation with the "world seen" forms an integral part of the prehistory of cinema. Galperin challenges the assumption that a single philosophy characterized the art and culture of high Romanticism. Instead, he argues, the culture of the period - both high and low - was a site of competing ideas. From the poetry of Wordsworth and Byron to the painting of John Constable and Caspar David Friedrich to the precinematic institutions of the panorama and the diorama, The Return of the Visible in British Romanticism lends new vigor to ongoing debates about the nature of Romanticism lends new vigor to ongoing debates about the nature of Romanticism, nineteenth-century culture, and the origins of cinema. |
| Beschreibung: | XIV, 327 S. Ill. |
| ISBN: | 080184505X |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV008169815 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 930812s1993 a||| |||| 00||| eng d | ||
| 020 | |a 080184505X |9 0-8018-4505-X | ||
| 035 | |a (OCoLC)26502064 | ||
| 035 | |a (DE-599)BVBBV008169815 | ||
| 040 | |a DE-604 |b ger |e rakddb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-739 |a DE-12 |a DE-355 |a DE-20 |a DE-703 |a DE-19 |a DE-188 | ||
| 050 | 0 | |a PR457 | |
| 082 | 0 | |a 820.9/145 |2 20 | |
| 084 | |a HL 1130 |0 (DE-625)50385: |2 rvk | ||
| 084 | |a HL 1131 |0 (DE-625)50386: |2 rvk | ||
| 100 | 1 | |a Galperin, William H. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The return of the visible in British Romanticism |c William H. Galperin |
| 264 | 1 | |a Baltimore u.a. |b Johns Hopkins Univ. Press |c 1993 | |
| 300 | |a XIV, 327 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a In this path-breaking study William Galperin offers a major revisionist reading of Romanticism that emphasizes the visible - as opposed to visionary - impulse in British Romantic poetry and prose. Employing a wide variety of theoretical insights, Galperin shows not only that the visual impulse is central to an understanding of Romanticism but also that the Romantic preoccupation with the "world seen" forms an integral part of the prehistory of cinema. Galperin challenges the assumption that a single philosophy characterized the art and culture of high Romanticism. Instead, he argues, the culture of the period - both high and low - was a site of competing ideas. From the poetry of Wordsworth and Byron to the painting of John Constable and Caspar David Friedrich to the precinematic institutions of the panorama and the diorama, The Return of the Visible in British Romanticism lends new vigor to ongoing debates about the nature of Romanticism lends new vigor to ongoing debates about the nature of Romanticism, nineteenth-century culture, and the origins of cinema. | |
| 648 | 4 | |a Geschichte 1800-1900 | |
| 648 | 7 | |a Geschichte 1793-1825 |2 gnd |9 rswk-swf | |
| 648 | 7 | |a Geschichte 1798-1832 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Art and literature |z Great Britain |x History |y 19th century | |
| 650 | 4 | |a Description (Rhetoric) |x History |y 19th century | |
| 650 | 4 | |a English literature |y 19th century |x History and criticism | |
| 650 | 4 | |a Romanticism |z Great Britain | |
| 650 | 4 | |a Ut pictura poesis (Aesthetics) | |
| 650 | 4 | |a Visual perception in literature | |
| 650 | 0 | 7 | |a Romantik |0 (DE-588)4050491-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Poetik |0 (DE-588)4046449-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Visuelle Wahrnehmung |0 (DE-588)4078921-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetische Wahrnehmung |0 (DE-588)4193317-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Malerei |0 (DE-588)4037220-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Englisch |0 (DE-588)4014777-0 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Großbritannien | |
| 651 | 7 | |a Großbritannien |0 (DE-588)4022153-2 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Romantik |0 (DE-588)4050491-8 |D s |
| 689 | 0 | 1 | |a Poetik |0 (DE-588)4046449-0 |D s |
| 689 | 0 | 2 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
| 689 | 1 | 1 | |a Poetik |0 (DE-588)4046449-0 |D s |
| 689 | 1 | 2 | |a Geschichte 1793-1825 |A z |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Englisch |0 (DE-588)4014777-0 |D s |
| 689 | 2 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 2 | 2 | |a Visuelle Wahrnehmung |0 (DE-588)4078921-4 |D s |
| 689 | 2 | 3 | |a Geschichte 1793-1825 |A z |
| 689 | 2 | |5 DE-604 | |
| 689 | 3 | 0 | |a Romantik |0 (DE-588)4050491-8 |D s |
| 689 | 3 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 3 | 2 | |a Englisch |0 (DE-588)4014777-0 |D s |
| 689 | 3 | 3 | |a Visuelle Wahrnehmung |0 (DE-588)4078921-4 |D s |
| 689 | 3 | |5 DE-604 | |
| 689 | 4 | 0 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
| 689 | 4 | 1 | |a Malerei |0 (DE-588)4037220-0 |D s |
| 689 | 4 | 2 | |a Visuelle Wahrnehmung |0 (DE-588)4078921-4 |D s |
| 689 | 4 | 3 | |a Geschichte 1793-1825 |A z |
| 689 | 4 | |5 DE-604 | |
| 689 | 5 | 0 | |a Englisch |0 (DE-588)4014777-0 |D s |
| 689 | 5 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 5 | 2 | |a Visuelle Wahrnehmung |0 (DE-588)4078921-4 |D s |
| 689 | 5 | 3 | |a Geschichte 1798-1832 |A z |
| 689 | 5 | |5 DE-604 | |
| 689 | 6 | 0 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
| 689 | 6 | 1 | |a Malerei |0 (DE-588)4037220-0 |D s |
| 689 | 6 | 2 | |a Visuelle Wahrnehmung |0 (DE-588)4078921-4 |D s |
| 689 | 6 | 3 | |a Geschichte 1798-1832 |A z |
| 689 | 6 | |5 DE-604 | |
| 689 | 7 | 0 | |a Romantik |0 (DE-588)4050491-8 |D s |
| 689 | 7 | 1 | |a Ästhetische Wahrnehmung |0 (DE-588)4193317-5 |D s |
| 689 | 7 | 2 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
| 689 | 7 | |5 DE-604 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-005390575 | ||
Datensatz im Suchindex
| _version_ | 1804122552932499456 |
|---|---|
| any_adam_object | |
| author | Galperin, William H. |
| author_facet | Galperin, William H. |
| author_role | aut |
| author_sort | Galperin, William H. |
| author_variant | w h g wh whg |
| building | Verbundindex |
| bvnumber | BV008169815 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR457 |
| callnumber-raw | PR457 |
| callnumber-search | PR457 |
| callnumber-sort | PR 3457 |
| callnumber-subject | PR - English Literature |
| classification_rvk | HL 1130 HL 1131 |
| ctrlnum | (OCoLC)26502064 (DE-599)BVBBV008169815 |
| dewey-full | 820.9/145 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 820 - English & Old English literatures |
| dewey-raw | 820.9/145 |
| dewey-search | 820.9/145 |
| dewey-sort | 3820.9 3145 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1800-1900 Geschichte 1793-1825 gnd Geschichte 1798-1832 gnd |
| era_facet | Geschichte 1800-1900 Geschichte 1793-1825 Geschichte 1798-1832 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04691nam a2200985 c 4500</leader><controlfield tag="001">BV008169815</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">930812s1993 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">080184505X</subfield><subfield code="9">0-8018-4505-X</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)26502064</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV008169815</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-739</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-20</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PR457</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">820.9/145</subfield><subfield code="2">20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HL 1130</subfield><subfield code="0">(DE-625)50385:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HL 1131</subfield><subfield code="0">(DE-625)50386:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Galperin, William H.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The return of the visible in British Romanticism</subfield><subfield code="c">William H. Galperin</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Baltimore u.a.</subfield><subfield code="b">Johns Hopkins Univ. Press</subfield><subfield code="c">1993</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XIV, 327 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">In this path-breaking study William Galperin offers a major revisionist reading of Romanticism that emphasizes the visible - as opposed to visionary - impulse in British Romantic poetry and prose. Employing a wide variety of theoretical insights, Galperin shows not only that the visual impulse is central to an understanding of Romanticism but also that the Romantic preoccupation with the "world seen" forms an integral part of the prehistory of cinema. Galperin challenges the assumption that a single philosophy characterized the art and culture of high Romanticism. Instead, he argues, the culture of the period - both high and low - was a site of competing ideas. From the poetry of Wordsworth and Byron to the painting of John Constable and Caspar David Friedrich to the precinematic institutions of the panorama and the diorama, The Return of the Visible in British Romanticism lends new vigor to ongoing debates about the nature of Romanticism lends new vigor to ongoing debates about the nature of Romanticism, nineteenth-century culture, and the origins of cinema.</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1800-1900</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1793-1825</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1798-1832</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art and literature</subfield><subfield code="z">Great Britain</subfield><subfield code="x">History</subfield><subfield code="y">19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Description (Rhetoric)</subfield><subfield code="x">History</subfield><subfield code="y">19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English literature</subfield><subfield code="y">19th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Romanticism</subfield><subfield code="z">Great Britain</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Ut pictura poesis (Aesthetics)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Visual perception in literature</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Romantik</subfield><subfield code="0">(DE-588)4050491-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Poetik</subfield><subfield code="0">(DE-588)4046449-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Visuelle Wahrnehmung</subfield><subfield code="0">(DE-588)4078921-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetische Wahrnehmung</subfield><subfield code="0">(DE-588)4193317-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Großbritannien</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Romantik</subfield><subfield code="0">(DE-588)4050491-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Poetik</subfield><subfield code="0">(DE-588)4046449-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Poetik</subfield><subfield code="0">(DE-588)4046449-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte 1793-1825</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Visuelle Wahrnehmung</subfield><subfield code="0">(DE-588)4078921-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="3"><subfield code="a">Geschichte 1793-1825</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="3" ind2="0"><subfield code="a">Romantik</subfield><subfield code="0">(DE-588)4050491-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="2"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="3"><subfield code="a">Visuelle Wahrnehmung</subfield><subfield code="0">(DE-588)4078921-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="4" ind2="0"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="4" ind2="1"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2="2"><subfield code="a">Visuelle Wahrnehmung</subfield><subfield code="0">(DE-588)4078921-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2="3"><subfield code="a">Geschichte 1793-1825</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="4" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="5" ind2="0"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="5" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="5" ind2="2"><subfield code="a">Visuelle Wahrnehmung</subfield><subfield code="0">(DE-588)4078921-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="5" ind2="3"><subfield code="a">Geschichte 1798-1832</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="5" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="6" ind2="0"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="6" ind2="1"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="6" ind2="2"><subfield code="a">Visuelle Wahrnehmung</subfield><subfield code="0">(DE-588)4078921-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="6" ind2="3"><subfield code="a">Geschichte 1798-1832</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="6" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="7" ind2="0"><subfield code="a">Romantik</subfield><subfield code="0">(DE-588)4050491-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="7" ind2="1"><subfield code="a">Ästhetische Wahrnehmung</subfield><subfield code="0">(DE-588)4193317-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="7" ind2="2"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="7" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-005390575</subfield></datafield></record></collection> |
| geographic | Großbritannien Großbritannien (DE-588)4022153-2 gnd |
| geographic_facet | Großbritannien |
| id | DE-604.BV008169815 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T17:15:42Z |
| institution | BVB |
| isbn | 080184505X |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-005390575 |
| oclc_num | 26502064 |
| open_access_boolean | |
| owner | DE-739 DE-12 DE-355 DE-BY-UBR DE-20 DE-703 DE-19 DE-BY-UBM DE-188 |
| owner_facet | DE-739 DE-12 DE-355 DE-BY-UBR DE-20 DE-703 DE-19 DE-BY-UBM DE-188 |
| physical | XIV, 327 S. Ill. |
| publishDate | 1993 |
| publishDateSearch | 1993 |
| publishDateSort | 1993 |
| publisher | Johns Hopkins Univ. Press |
| record_format | marc |
| spelling | Galperin, William H. Verfasser aut The return of the visible in British Romanticism William H. Galperin Baltimore u.a. Johns Hopkins Univ. Press 1993 XIV, 327 S. Ill. txt rdacontent n rdamedia nc rdacarrier In this path-breaking study William Galperin offers a major revisionist reading of Romanticism that emphasizes the visible - as opposed to visionary - impulse in British Romantic poetry and prose. Employing a wide variety of theoretical insights, Galperin shows not only that the visual impulse is central to an understanding of Romanticism but also that the Romantic preoccupation with the "world seen" forms an integral part of the prehistory of cinema. Galperin challenges the assumption that a single philosophy characterized the art and culture of high Romanticism. Instead, he argues, the culture of the period - both high and low - was a site of competing ideas. From the poetry of Wordsworth and Byron to the painting of John Constable and Caspar David Friedrich to the precinematic institutions of the panorama and the diorama, The Return of the Visible in British Romanticism lends new vigor to ongoing debates about the nature of Romanticism lends new vigor to ongoing debates about the nature of Romanticism, nineteenth-century culture, and the origins of cinema. Geschichte 1800-1900 Geschichte 1793-1825 gnd rswk-swf Geschichte 1798-1832 gnd rswk-swf Geschichte Art and literature Great Britain History 19th century Description (Rhetoric) History 19th century English literature 19th century History and criticism Romanticism Great Britain Ut pictura poesis (Aesthetics) Visual perception in literature Romantik (DE-588)4050491-8 gnd rswk-swf Poetik (DE-588)4046449-0 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Visuelle Wahrnehmung (DE-588)4078921-4 gnd rswk-swf Ästhetische Wahrnehmung (DE-588)4193317-5 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf Romantik (DE-588)4050491-8 s Poetik (DE-588)4046449-0 s Großbritannien (DE-588)4022153-2 g DE-604 Geschichte 1793-1825 z Englisch (DE-588)4014777-0 s Literatur (DE-588)4035964-5 s Visuelle Wahrnehmung (DE-588)4078921-4 s Malerei (DE-588)4037220-0 s Geschichte 1798-1832 z Ästhetische Wahrnehmung (DE-588)4193317-5 s |
| spellingShingle | Galperin, William H. The return of the visible in British Romanticism Geschichte Art and literature Great Britain History 19th century Description (Rhetoric) History 19th century English literature 19th century History and criticism Romanticism Great Britain Ut pictura poesis (Aesthetics) Visual perception in literature Romantik (DE-588)4050491-8 gnd Poetik (DE-588)4046449-0 gnd Literatur (DE-588)4035964-5 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Ästhetische Wahrnehmung (DE-588)4193317-5 gnd Malerei (DE-588)4037220-0 gnd Englisch (DE-588)4014777-0 gnd |
| subject_GND | (DE-588)4050491-8 (DE-588)4046449-0 (DE-588)4035964-5 (DE-588)4078921-4 (DE-588)4193317-5 (DE-588)4037220-0 (DE-588)4014777-0 (DE-588)4022153-2 |
| title | The return of the visible in British Romanticism |
| title_auth | The return of the visible in British Romanticism |
| title_exact_search | The return of the visible in British Romanticism |
| title_full | The return of the visible in British Romanticism William H. Galperin |
| title_fullStr | The return of the visible in British Romanticism William H. Galperin |
| title_full_unstemmed | The return of the visible in British Romanticism William H. Galperin |
| title_short | The return of the visible in British Romanticism |
| title_sort | the return of the visible in british romanticism |
| topic | Geschichte Art and literature Great Britain History 19th century Description (Rhetoric) History 19th century English literature 19th century History and criticism Romanticism Great Britain Ut pictura poesis (Aesthetics) Visual perception in literature Romantik (DE-588)4050491-8 gnd Poetik (DE-588)4046449-0 gnd Literatur (DE-588)4035964-5 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Ästhetische Wahrnehmung (DE-588)4193317-5 gnd Malerei (DE-588)4037220-0 gnd Englisch (DE-588)4014777-0 gnd |
| topic_facet | Geschichte Art and literature Great Britain History 19th century Description (Rhetoric) History 19th century English literature 19th century History and criticism Romanticism Great Britain Ut pictura poesis (Aesthetics) Visual perception in literature Romantik Poetik Literatur Visuelle Wahrnehmung Ästhetische Wahrnehmung Malerei Englisch Großbritannien |
| work_keys_str_mv | AT galperinwilliamh thereturnofthevisibleinbritishromanticism |