Avant-garde film: motion studies
"The past thirty years have seen the proliferation of forms of independent cinema that critique the conventions of mass-market commercial movies from within the movie theater. Motion Studies examines fifteen of the most suggestive and useful films from this film tradition: No. 4 (Bottoms) by Yo...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge u.a.
Cambridge Univ. Press
1993
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Cambridge film classics
|
| Schlagworte: | |
| Zusammenfassung: | "The past thirty years have seen the proliferation of forms of independent cinema that critique the conventions of mass-market commercial movies from within the movie theater. Motion Studies examines fifteen of the most suggestive and useful films from this film tradition: No. 4 (Bottoms) by Yoko Ono, Wavelength by Michael Snow, Serene Velocity by Ernie Gehr, Print Generation by J. J. Murphy, Standard Gauge by Morgan Fisher, Zorns Lemma by Hollis Frampton, Riddles of the Sphinx by Laura Mulvey and Peter Wollen, American Dreams by James Benning, The Ties that Bind by Su Friedrich, From the Pole to the Equator by Yervant Gianikian and Angela Ricci Lucchi, The Carriage Trade by Warren Sonbert, Powaqqatsi by Godfrey Reggio, Naked Spaces - Living Is Round by Trinh T Minh-ha, Journeys from Berlin 1971 by Yvonne Rainer and The Journey by Peter Watkins. Through in-depth readings of these works, Scott MacDonald takes viewers on a critical circumnavigation of the conventions of moviegoing as seen by filmmakers who have rebelled against the conventions. MacDonald's discussions do not merely analyze the films; they provide a useful, accessible, jargon-free critical apparatus for viewing avant-garde film, which communicates the author's pleasure in exploring "impenetrable" works with students and public audiences."--BOOK JACKET. |
| Beschreibung: | VIII, 199 S. Ill. |
| ISBN: | 0521381290 052138821X |
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| 520 | 1 | |a "The past thirty years have seen the proliferation of forms of independent cinema that critique the conventions of mass-market commercial movies from within the movie theater. Motion Studies examines fifteen of the most suggestive and useful films from this film tradition: No. 4 (Bottoms) by Yoko Ono, Wavelength by Michael Snow, Serene Velocity by Ernie Gehr, Print Generation by J. J. Murphy, Standard Gauge by Morgan Fisher, Zorns Lemma by Hollis Frampton, Riddles of the Sphinx by Laura Mulvey and Peter Wollen, American Dreams by James Benning, The Ties that Bind by Su Friedrich, From the Pole to the Equator by Yervant Gianikian and Angela Ricci Lucchi, The Carriage Trade by Warren Sonbert, Powaqqatsi by Godfrey Reggio, Naked Spaces - Living Is Round by Trinh T Minh-ha, Journeys from Berlin 1971 by Yvonne Rainer and The Journey by Peter Watkins. Through in-depth readings of these works, Scott MacDonald takes viewers on a critical circumnavigation of the conventions of moviegoing as seen by filmmakers who have rebelled against the conventions. MacDonald's discussions do not merely analyze the films; they provide a useful, accessible, jargon-free critical apparatus for viewing avant-garde film, which communicates the author's pleasure in exploring "impenetrable" works with students and public audiences."--BOOK JACKET. | |
| 648 | 7 | |a Geschichte 1940-1988 |2 gnd |9 rswk-swf | |
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| 650 | 7 | |a Experimentele filmkunst |2 gtt | |
| 650 | 4 | |a Films expérimentaux - Histoire et critique | |
| 650 | 7 | |a Films |2 gtt | |
| 650 | 7 | |a Filmtheorie |2 gtt | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Experimental films |x History and criticism | |
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Datensatz im Suchindex
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| any_adam_object | |
| author | MacDonald, Scott 1942- |
| author_GND | (DE-588)132565900 |
| author_facet | MacDonald, Scott 1942- |
| author_role | aut |
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| building | Verbundindex |
| bvnumber | BV008163980 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.E96 |
| callnumber-search | PN1995.9.E96 |
| callnumber-sort | PN 41995.9 E96 |
| callnumber-subject | PN - General Literature |
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| ctrlnum | (OCoLC)25874269 (DE-599)BVBBV008163980 |
| dewey-full | 791.43/75 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/75 |
| dewey-search | 791.43/75 |
| dewey-sort | 3791.43 275 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | 1. publ. |
| era | Geschichte 1940-1988 gnd |
| era_facet | Geschichte 1940-1988 |
| format | Book |
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| isbn | 0521381290 052138821X |
| language | English |
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| physical | VIII, 199 S. Ill. |
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| spelling | MacDonald, Scott 1942- Verfasser (DE-588)132565900 aut Avant-garde film motion studies Scott MacDonald 1. publ. Cambridge u.a. Cambridge Univ. Press 1993 VIII, 199 S. Ill. txt rdacontent n rdamedia nc rdacarrier Cambridge film classics "The past thirty years have seen the proliferation of forms of independent cinema that critique the conventions of mass-market commercial movies from within the movie theater. Motion Studies examines fifteen of the most suggestive and useful films from this film tradition: No. 4 (Bottoms) by Yoko Ono, Wavelength by Michael Snow, Serene Velocity by Ernie Gehr, Print Generation by J. J. Murphy, Standard Gauge by Morgan Fisher, Zorns Lemma by Hollis Frampton, Riddles of the Sphinx by Laura Mulvey and Peter Wollen, American Dreams by James Benning, The Ties that Bind by Su Friedrich, From the Pole to the Equator by Yervant Gianikian and Angela Ricci Lucchi, The Carriage Trade by Warren Sonbert, Powaqqatsi by Godfrey Reggio, Naked Spaces - Living Is Round by Trinh T Minh-ha, Journeys from Berlin 1971 by Yvonne Rainer and The Journey by Peter Watkins. Through in-depth readings of these works, Scott MacDonald takes viewers on a critical circumnavigation of the conventions of moviegoing as seen by filmmakers who have rebelled against the conventions. MacDonald's discussions do not merely analyze the films; they provide a useful, accessible, jargon-free critical apparatus for viewing avant-garde film, which communicates the author's pleasure in exploring "impenetrable" works with students and public audiences."--BOOK JACKET. Geschichte 1940-1988 gnd rswk-swf Avant-garde gtt Cinema (critica) larpcal Cinema (historia) larpcal Experimentele filmkunst gtt Films expérimentaux - Histoire et critique Films gtt Filmtheorie gtt Film Experimental films History and criticism Experimentalfilm (DE-588)4153359-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Experimentalfilm (DE-588)4153359-8 s Geschichte 1940-1988 z 1\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | MacDonald, Scott 1942- Avant-garde film motion studies Avant-garde gtt Cinema (critica) larpcal Cinema (historia) larpcal Experimentele filmkunst gtt Films expérimentaux - Histoire et critique Films gtt Filmtheorie gtt Film Experimental films History and criticism Experimentalfilm (DE-588)4153359-8 gnd |
| subject_GND | (DE-588)4153359-8 (DE-588)4143413-4 |
| title | Avant-garde film motion studies |
| title_auth | Avant-garde film motion studies |
| title_exact_search | Avant-garde film motion studies |
| title_full | Avant-garde film motion studies Scott MacDonald |
| title_fullStr | Avant-garde film motion studies Scott MacDonald |
| title_full_unstemmed | Avant-garde film motion studies Scott MacDonald |
| title_short | Avant-garde film |
| title_sort | avant garde film motion studies |
| title_sub | motion studies |
| topic | Avant-garde gtt Cinema (critica) larpcal Cinema (historia) larpcal Experimentele filmkunst gtt Films expérimentaux - Histoire et critique Films gtt Filmtheorie gtt Film Experimental films History and criticism Experimentalfilm (DE-588)4153359-8 gnd |
| topic_facet | Avant-garde Cinema (critica) Cinema (historia) Experimentele filmkunst Films expérimentaux - Histoire et critique Films Filmtheorie Film Experimental films History and criticism Experimentalfilm Aufsatzsammlung |
| work_keys_str_mv | AT macdonaldscott avantgardefilmmotionstudies |