Writing for daytime drama:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Undetermined |
| Veröffentlicht: |
Boston u.a.
Focal
1992
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Bibliogr. S. (343)-345 |
| Beschreibung: | XVI, 356 S. |
| ISBN: | 0240801024 |
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Datensatz im Suchindex
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|---|---|
| adam_text | IMAGE 1
WRITING FOR DAYTIME
DRAMA
JEAN ROUVEROL
FOCAL PRESS BOSTON LONDON
IMAGE 2
CONTENTS
PREFACE XIII
ACKNOWLEDGMENTS XV
1 BEGINNINGS 1
THE TRIALS OF LITTLE NELL * AND NOW A WORD . . . THE SOAP FACTORY *
REQUIEM FOR RADIO * LONG LIVE THE KING * SHAPING TODAY S SOAPS * TROUBLE
IN PARADISE
2 THE ASSEMBLY LINE 11
THE WEEKLY AND THE DAILY THRUST * TIME IS STILL A-FLYING * RETURN FOR
REWRITE * FROM PAGE TO TAPE * A DAY IN THE LIFE OF . . . THE RUSH OF
ADRENALINE
3 THE NOT-SO-WINGED MUSE 23
TO MURDER AND CREATE * MODUS OPERANDI * LONG, HOT SUMMER * MURDER MOST
INEVITABLE * DRAGONS TEETH
4 HEAD WRITING: NUTS AND BOLTS 33
THE PLOTTING PROCESS * THE TERRITORIAL IMPERATIVE? * MAKE LOVE, NOT WAR
* AND ONE THING MORE . . . HEADWRITERS HEADACHES * FROM LIMBO TO
LOCATION * THE HEADWRITER KNOWS BEST * NO REST FOR THE WEARY
(HEADWRITER) * THE 90-MINUTE HOUR
5 THE DAILY BREAKDOWN 47
BEGINNING THE BLUEPRINT * YESTERDAY, TODAY, AND TOMORROW * DIVERSIONS,
DISTRACTIONS, AND TRICKS OF THE TRADE * THE CLOCK IS TICKING * DAY TO
NIGHT * CHECKLIST * GETTING IT RIGHT
IX
IMAGE 3
X CONTENTS
6 BY WAY OF ILLUSTRATION 57
FROM PAGE ONE
7 THE ASSOCIATE WRITER 79
WHAT IT TAKES * BREAKING IN * NO SHORTCUTS * BEST FOOT FORWARD * SAMPLE
VERSUS TRIAL * RULES OF THUMB * STAYING ON THE TEAM
8 BUILDING A BOAT IN A BOTTLE 91
PACE, STYLE, AND TEXTURE * THE SHAPE OF THE PAGE * PLAYING IT AGAIN *
PACING ONESELF * TECHNOLOGICAL TOOLS * NOW, ABOUT STAGE DIRECTIONS *
EXQUISITE FRUSTRATION
9 ANOTHER BLUEPRINT 107
10 DANCE WITH IT A LITTLE 127
11 THE HALF-HOUR SHOW: LOVING 183
AN EXAMPLE * A CLOSER LOOK * THEME AND SUBSTANCE
12 THE HALF-HOUR SHOW: THE BOLD AND THE BEAUTIFUL 221
13 THE RAW MATERIAL 247
FILLING IN THE CANVAS * THE BEST-LAID PLANS * GIMMICKS, FADS, AND TABOOS
* CONTROVERSY AND RESPONSIBILITY * SOME THOUGHTS FROM AN EXPERT
14 USING RELEVANT MATERIAL: AS THE WORLD TURNS 257
15 SPEAK THE SPEECH, I PRAY YOU 275
WORDS LEFT UNWRITTEN * BETWEEN WRITER AND ACTOR * THE ACTOR AND THE
CHARACTER * THE ACTOR AND THE STORY LINE * CREDIT WHERE IT S DUE
16 THE CRAFT SO LONG TO LERNE 285
HANDY HOME REFERENCE SHELF * THE LEARNING GROUND * READING FOR INSIGHT *
THE DEEP ROOTS OF STORYTELLING
17 THE ROOT OF ALL EVIL 293
IT PAYS TO ADVERTISE * THE ESSENTIAL AFFILIATES * BY THE NUMBERS *
COUNTING SAND IN THE SAHARA? * THE WAY THE MONEY GOES
IMAGE 4
CONTENTS XI
18 A LAST WORD 305
APPENDIX 307
GLOSSARY 339
BIBLIOGRAPHY 341
INDEX 347
|
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| indexdate | 2024-07-09T17:10:43Z |
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| spelling | Rouverol, Jean Verfasser aut Writing for daytime drama Jean Rouverol Boston u.a. Focal 1992 XVI, 356 S. txt rdacontent n rdamedia nc rdacarrier Bibliogr. S. (343)-345 Drehbuch (DE-588)4127976-1 gnd rswk-swf Soapopera (DE-588)4181712-6 gnd rswk-swf Soapopera (DE-588)4181712-6 s Drehbuch (DE-588)4127976-1 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=005174869&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Writing for daytime drama |
| title_auth | Writing for daytime drama |
| title_exact_search | Writing for daytime drama |
| title_full | Writing for daytime drama Jean Rouverol |
| title_fullStr | Writing for daytime drama Jean Rouverol |
| title_full_unstemmed | Writing for daytime drama Jean Rouverol |
| title_short | Writing for daytime drama |
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