Modernities: art-matters in the present
Joseph Masheck wants to take art, historical and modern, as a field of lively interrelations (as if in "random-access memory" retrieval), rather than just second the motion that art history should be nonlinear; and he takes the task of art criticism to be theory in practice. Thus significa...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
University Park, Pa.
Pennsylvania State Univ. Press
1993
|
| Schlagworte: | |
| Zusammenfassung: | Joseph Masheck wants to take art, historical and modern, as a field of lively interrelations (as if in "random-access memory" retrieval), rather than just second the motion that art history should be nonlinear; and he takes the task of art criticism to be theory in practice. Thus significant new art is represented in the thirty essays in Modernities, besides already "classic" modern architecture, sculpture, and photography, and contemporary painting by artists. Alternating between a comprehensive sense of art history and engagement with the new and unplumbed contemporary arts, he considers himself a kind of aesthetic double agent. Because Masheck is concerned with the concrete standing of artworks, he speculates on how works of art, including Marcel Duchamp's "ready-mades," relate to other things. More general themes range from the origin of the modern sense of form in prehistoric an to the historical underpinnings of expressionism and on to latter-day "graffiti" culture. |
| Beschreibung: | XVI, 304 S. Ill. |
| ISBN: | 0271008083 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV007739707 | ||
| 003 | DE-604 | ||
| 005 | 20130611 | ||
| 007 | t | ||
| 008 | 930615s1993 a||| |||| 00||| engod | ||
| 020 | |a 0271008083 |9 0-271-00808-3 | ||
| 035 | |a (OCoLC)24065950 | ||
| 035 | |a (DE-599)BVBBV007739707 | ||
| 040 | |a DE-604 |b ger |e rakddb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-255 | ||
| 050 | 0 | |a N6494.M64 | |
| 082 | 0 | |a 720/.9/04 |2 20 | |
| 100 | 1 | |a Masheck, Joseph |d 1942- |e Verfasser |0 (DE-588)1035683083 |4 aut | |
| 245 | 1 | 0 | |a Modernities |b art-matters in the present |c Joseph Masheck |
| 264 | 1 | |a University Park, Pa. |b Pennsylvania State Univ. Press |c 1993 | |
| 300 | |a XVI, 304 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a Joseph Masheck wants to take art, historical and modern, as a field of lively interrelations (as if in "random-access memory" retrieval), rather than just second the motion that art history should be nonlinear; and he takes the task of art criticism to be theory in practice. Thus significant new art is represented in the thirty essays in Modernities, besides already "classic" modern architecture, sculpture, and photography, and contemporary painting by artists. Alternating between a comprehensive sense of art history and engagement with the new and unplumbed contemporary arts, he considers himself a kind of aesthetic double agent. Because Masheck is concerned with the concrete standing of artworks, he speculates on how works of art, including Marcel Duchamp's "ready-mades," relate to other things. More general themes range from the origin of the modern sense of form in prehistoric an to the historical underpinnings of expressionism and on to latter-day "graffiti" culture. | |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1900-1990 |2 gnd |9 rswk-swf | |
| 648 | 7 | |a Geschichte 1900-2000 |2 gnd |9 rswk-swf | |
| 650 | 7 | |a Art - 20e siècle |2 ram | |
| 650 | 7 | |a Modernisme (art) |2 ram | |
| 650 | 7 | |a Modernisme (cultuur) |2 gtt | |
| 650 | 7 | |a Postmodernisme |2 gtt | |
| 650 | 7 | |a Postmodernisme |2 ram | |
| 650 | 4 | |a Kunst | |
| 650 | 4 | |a Postmoderne | |
| 650 | 4 | |a Art, Modern |y 20th century | |
| 650 | 4 | |a Modernism (Art) | |
| 650 | 4 | |a Postmodernism | |
| 650 | 0 | 7 | |a Kunstbetrachtung |0 (DE-588)4125321-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | 1 | |a Geschichte 1900-1990 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Kunstbetrachtung |0 (DE-588)4125321-8 |D s |
| 689 | 1 | 1 | |a Geschichte 1900-2000 |A z |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Kunstbetrachtung |0 (DE-588)4125321-8 |D s |
| 689 | 2 | 1 | |a Geschichte 1900-2000 |A z |
| 689 | 2 | |5 DE-604 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-005088360 | ||
Datensatz im Suchindex
| _version_ | 1804122111344640000 |
|---|---|
| any_adam_object | |
| author | Masheck, Joseph 1942- |
| author_GND | (DE-588)1035683083 |
| author_facet | Masheck, Joseph 1942- |
| author_role | aut |
| author_sort | Masheck, Joseph 1942- |
| author_variant | j m jm |
| building | Verbundindex |
| bvnumber | BV007739707 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6494 |
| callnumber-raw | N6494.M64 |
| callnumber-search | N6494.M64 |
| callnumber-sort | N 46494 M64 |
| callnumber-subject | N - Visual Arts |
| ctrlnum | (OCoLC)24065950 (DE-599)BVBBV007739707 |
| dewey-full | 720/.9/04 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 720 - Architecture |
| dewey-raw | 720/.9/04 |
| dewey-search | 720/.9/04 |
| dewey-sort | 3720 19 14 |
| dewey-tens | 720 - Architecture |
| discipline | Architektur |
| era | Geschichte 1900-2000 Geschichte 1900-1990 gnd Geschichte 1900-2000 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1900-1990 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02839nam a2200589 c 4500</leader><controlfield tag="001">BV007739707</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20130611 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">930615s1993 a||| |||| 00||| engod</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0271008083</subfield><subfield code="9">0-271-00808-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)24065950</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV007739707</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">N6494.M64</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">720/.9/04</subfield><subfield code="2">20</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Masheck, Joseph</subfield><subfield code="d">1942-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1035683083</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Modernities</subfield><subfield code="b">art-matters in the present</subfield><subfield code="c">Joseph Masheck</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">University Park, Pa.</subfield><subfield code="b">Pennsylvania State Univ. Press</subfield><subfield code="c">1993</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XVI, 304 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Joseph Masheck wants to take art, historical and modern, as a field of lively interrelations (as if in "random-access memory" retrieval), rather than just second the motion that art history should be nonlinear; and he takes the task of art criticism to be theory in practice. Thus significant new art is represented in the thirty essays in Modernities, besides already "classic" modern architecture, sculpture, and photography, and contemporary painting by artists. Alternating between a comprehensive sense of art history and engagement with the new and unplumbed contemporary arts, he considers himself a kind of aesthetic double agent. Because Masheck is concerned with the concrete standing of artworks, he speculates on how works of art, including Marcel Duchamp's "ready-mades," relate to other things. More general themes range from the origin of the modern sense of form in prehistoric an to the historical underpinnings of expressionism and on to latter-day "graffiti" culture.</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-1990</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Art - 20e siècle</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Modernisme (art)</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Modernisme (cultuur)</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Postmodernisme</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Postmodernisme</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Kunst</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Postmoderne</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art, Modern</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Modernism (Art)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Postmodernism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstbetrachtung</subfield><subfield code="0">(DE-588)4125321-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte 1900-1990</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Kunstbetrachtung</subfield><subfield code="0">(DE-588)4125321-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Kunstbetrachtung</subfield><subfield code="0">(DE-588)4125321-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-005088360</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV007739707 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T17:08:41Z |
| institution | BVB |
| isbn | 0271008083 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-005088360 |
| oclc_num | 24065950 |
| open_access_boolean | |
| owner | DE-12 DE-255 |
| owner_facet | DE-12 DE-255 |
| physical | XVI, 304 S. Ill. |
| publishDate | 1993 |
| publishDateSearch | 1993 |
| publishDateSort | 1993 |
| publisher | Pennsylvania State Univ. Press |
| record_format | marc |
| spelling | Masheck, Joseph 1942- Verfasser (DE-588)1035683083 aut Modernities art-matters in the present Joseph Masheck University Park, Pa. Pennsylvania State Univ. Press 1993 XVI, 304 S. Ill. txt rdacontent n rdamedia nc rdacarrier Joseph Masheck wants to take art, historical and modern, as a field of lively interrelations (as if in "random-access memory" retrieval), rather than just second the motion that art history should be nonlinear; and he takes the task of art criticism to be theory in practice. Thus significant new art is represented in the thirty essays in Modernities, besides already "classic" modern architecture, sculpture, and photography, and contemporary painting by artists. Alternating between a comprehensive sense of art history and engagement with the new and unplumbed contemporary arts, he considers himself a kind of aesthetic double agent. Because Masheck is concerned with the concrete standing of artworks, he speculates on how works of art, including Marcel Duchamp's "ready-mades," relate to other things. More general themes range from the origin of the modern sense of form in prehistoric an to the historical underpinnings of expressionism and on to latter-day "graffiti" culture. Geschichte 1900-2000 Geschichte 1900-1990 gnd rswk-swf Geschichte 1900-2000 gnd rswk-swf Art - 20e siècle ram Modernisme (art) ram Modernisme (cultuur) gtt Postmodernisme gtt Postmodernisme ram Kunst Postmoderne Art, Modern 20th century Modernism (Art) Postmodernism Kunstbetrachtung (DE-588)4125321-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Kunst (DE-588)4114333-4 s Geschichte 1900-1990 z DE-604 Kunstbetrachtung (DE-588)4125321-8 s Geschichte 1900-2000 z |
| spellingShingle | Masheck, Joseph 1942- Modernities art-matters in the present Art - 20e siècle ram Modernisme (art) ram Modernisme (cultuur) gtt Postmodernisme gtt Postmodernisme ram Kunst Postmoderne Art, Modern 20th century Modernism (Art) Postmodernism Kunstbetrachtung (DE-588)4125321-8 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4125321-8 (DE-588)4114333-4 (DE-588)4143413-4 |
| title | Modernities art-matters in the present |
| title_auth | Modernities art-matters in the present |
| title_exact_search | Modernities art-matters in the present |
| title_full | Modernities art-matters in the present Joseph Masheck |
| title_fullStr | Modernities art-matters in the present Joseph Masheck |
| title_full_unstemmed | Modernities art-matters in the present Joseph Masheck |
| title_short | Modernities |
| title_sort | modernities art matters in the present |
| title_sub | art-matters in the present |
| topic | Art - 20e siècle ram Modernisme (art) ram Modernisme (cultuur) gtt Postmodernisme gtt Postmodernisme ram Kunst Postmoderne Art, Modern 20th century Modernism (Art) Postmodernism Kunstbetrachtung (DE-588)4125321-8 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Art - 20e siècle Modernisme (art) Modernisme (cultuur) Postmodernisme Kunst Postmoderne Art, Modern 20th century Modernism (Art) Postmodernism Kunstbetrachtung Aufsatzsammlung |
| work_keys_str_mv | AT masheckjoseph modernitiesartmattersinthepresent |