Robert Altman's Amerika:
Robert Altman is the most quintessentially American of contemporary directors. His films cut across virtually all genres, and though few have met with huge commercial success (apart from the blockbuster M*A*S*H), Altman's unique vision of our society, his distinctive directorial signature, and...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York u.a.
Oxford Univ. Press
1991
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| Schlagworte: | |
| Zusammenfassung: | Robert Altman is the most quintessentially American of contemporary directors. His films cut across virtually all genres, and though few have met with huge commercial success (apart from the blockbuster M*A*S*H), Altman's unique vision of our society, his distinctive directorial signature, and his defiance of conventional film "language" have all helped reinvent the way we look at America. Keyssar shows why it is time for us to consider this unusual auteur among the pantheon of great directors. She identifies the peculiarities of the Altman style, discusses his films from both a feminist and political perspective, and offers a chapter-length discussion of one of his most important films, Nashville (1975), a "gleeful vision of an American landscape perpetually exploding upon itself."--Publisher description. |
| Beschreibung: | XIII, 372 S. Ill. |
| ISBN: | 0195048695 0195048709 |
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| 520 | 3 | |a Robert Altman is the most quintessentially American of contemporary directors. His films cut across virtually all genres, and though few have met with huge commercial success (apart from the blockbuster M*A*S*H), Altman's unique vision of our society, his distinctive directorial signature, and his defiance of conventional film "language" have all helped reinvent the way we look at America. Keyssar shows why it is time for us to consider this unusual auteur among the pantheon of great directors. She identifies the peculiarities of the Altman style, discusses his films from both a feminist and political perspective, and offers a chapter-length discussion of one of his most important films, Nashville (1975), a "gleeful vision of an American landscape perpetually exploding upon itself."--Publisher description. | |
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| id | DE-604.BV007703858 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T17:07:59Z |
| institution | BVB |
| isbn | 0195048695 0195048709 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-005059092 |
| oclc_num | 22764234 |
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| physical | XIII, 372 S. Ill. |
| publishDate | 1991 |
| publishDateSearch | 1991 |
| publishDateSort | 1991 |
| publisher | Oxford Univ. Press |
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| spelling | Keyssar, Helene Verfasser aut Robert Altman's Amerika Helene Keyssar New York u.a. Oxford Univ. Press 1991 XIII, 372 S. Ill. txt rdacontent n rdamedia nc rdacarrier Robert Altman is the most quintessentially American of contemporary directors. His films cut across virtually all genres, and though few have met with huge commercial success (apart from the blockbuster M*A*S*H), Altman's unique vision of our society, his distinctive directorial signature, and his defiance of conventional film "language" have all helped reinvent the way we look at America. Keyssar shows why it is time for us to consider this unusual auteur among the pantheon of great directors. She identifies the peculiarities of the Altman style, discusses his films from both a feminist and political perspective, and offers a chapter-length discussion of one of his most important films, Nashville (1975), a "gleeful vision of an American landscape perpetually exploding upon itself."--Publisher description. Altman, Robert <1925-2006> Altman, Robert <1925-2006> - Critique et interprétation Altman, Robert <1925-2006> Criticism and interpretation Altman, Robert 1925-2006 (DE-588)11850231X gnd rswk-swf Beeldvorming gtt Films gtt Darstellung Film Altman, Robert 1925-2006 (DE-588)11850231X p DE-604 |
| spellingShingle | Keyssar, Helene Robert Altman's Amerika Altman, Robert <1925-2006> Altman, Robert <1925-2006> - Critique et interprétation Altman, Robert <1925-2006> Criticism and interpretation Altman, Robert 1925-2006 (DE-588)11850231X gnd Beeldvorming gtt Films gtt Darstellung Film |
| subject_GND | (DE-588)11850231X |
| title | Robert Altman's Amerika |
| title_auth | Robert Altman's Amerika |
| title_exact_search | Robert Altman's Amerika |
| title_full | Robert Altman's Amerika Helene Keyssar |
| title_fullStr | Robert Altman's Amerika Helene Keyssar |
| title_full_unstemmed | Robert Altman's Amerika Helene Keyssar |
| title_short | Robert Altman's Amerika |
| title_sort | robert altman s amerika |
| topic | Altman, Robert <1925-2006> Altman, Robert <1925-2006> - Critique et interprétation Altman, Robert <1925-2006> Criticism and interpretation Altman, Robert 1925-2006 (DE-588)11850231X gnd Beeldvorming gtt Films gtt Darstellung Film |
| topic_facet | Altman, Robert <1925-2006> Altman, Robert <1925-2006> - Critique et interprétation Altman, Robert <1925-2006> Criticism and interpretation Altman, Robert 1925-2006 Beeldvorming Films Darstellung Film |
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