A director's method for film and television:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Undetermined |
| Veröffentlicht: |
Boston u.a.
Focal pr.
1992
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XI, 257 S. Ill. |
| ISBN: | 0240801199 |
Internformat
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Datensatz im Suchindex
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| adam_text | RON RICHARDS A DIRECTOR S METHOD FOR FILM AND TELEVISION * FOCAL PRESS
BOSTON LONDON CONTENTS PREFACE ACKNOWLEDGMENTS PART 1: A CREATIVE
CONCEPTUALIZATION CHAPTER 1. INTRODUCTION THE METHOD THE CHECKLIST
LANGUAGES OF THE FILM DIRECTOR CHAPTER 2. THE DIRECTOR S PRIME DIRECTIVE
DEFINING THE DIRECTOR A SCREENING ROOM ANALOGY THE PRIME DIRECTIVE
CHAPTER 3. THE CENTRAL THEME THE CHECKLIST FORM WHAT IS THE CENTRAL
THEME? FINDING THE CENTRAL THEME PART 2: THE LITERARY LANGUAGE CHAPTER
4. RULES OF A SCREENPLAY DEFINING THE TERM EMPATHY THE CENTRAL THEME
CONFLICT CHARACTERS CHAPTER 5. STRUCTURE OF A SCREENPLAY POINT OF ATTACK
THE OBLIGATORY SCENE RISING ACTION THREE-ACT STRUCTURE MISE-EN-SCENE D I
R E C T O R S M E T H O D CHAPTER 6. SCREENPLAY FORMATS 47 TREATMENT
47 TYPES OF SCREENPLAY FORMAT 49 PART 3: THE VISUAL
LANGUAGE*UNDERSTANDING THE CINEMA LANGUAGE CHAPTER CHAPTER CHAPTER PART
4 CHAPTER CHAPTER CHAPTER 7. 8. 9. THE SHOT COMPOSITION GRAMMAR OF THE
CAMERA PICTURIZATION CINEMA LANGUAGES THE DEVELOPMENT OF CINEMA LANGUAGE
TIME SPACE RULES OF CINEMA LANGUAGE REPETITIVE SHOTS REVEALMENT
ORCHESTRATION THE VISUAL LANGUAGE*THE 12 CINEMA LANGUAGES 10. 11. 12.
THE MOST-USED CINEMA LANGUAGES MASTER SCENE CINEMA LANGUAGE
INTERPERSONAL CINEMA LANGUAGE CONTRASTING CINEMA LANGUAGES CONSTRUCTIVE
CINEMA LANGUAGE ADVANTAGES DISADVANTAGES HOW TO PLAN FRAGMENTED CINEMA
LANGUAGE OTHER CINEMA LANGUAGES SYMBOLIC CINEMA LANGUAGE PARALLEL CINEMA
LANGUAGE COLLISION CINEMA LANGUAGE VORKAPICH CINEMA LANGUAGE SUBJECTIVE
CINEMA LANGUAGE 65 65 72 76 79 79 80 82 83 83 84 85 89 89 111 135 135
136 137 137 141 147 147 149 151 153 154 C O N T E N T S TRANSITION
CINEMA LANGUAGE CINE VERITE CINEMA LANGUAGE COMBINATIONS OF LANGUAGES
CHAPTER 13. MOVEMENT DEFINITION THE PURPOSE OF MOVEMENT COMPOSITION
RULES OF MOVEMENT MOVEMENT IN PICTURIZATION EMPHASIS MOVEMENT RULES FOR
SUBJECTS THE GRAMMAR OF CAMERA MOVEMENT PERSPECTIVE MOVEMENT RULES OF
THE CAMERA THE SUBJECT AND CAMERA OPTICS CHAPTER 14. MOVEMENT CINEMA
LANGUAGE RULES MOVEMENT MASTER SCENE MAKING DIALOGUE VISUAL MOVEMENT
INTERPERSONAL CONSTRUCTIVE MOVEMENT FRAGMENTED MOVEMENT SYMBOLIC
MOVEMENT PARALLEL MOVEMENT COLLISION MOVEMENT VORKAPICH MOVEMENT
SUBJECTIVE MOVEMENT TRANSITION MOVEMENT CINE VERITE MOVEMENT MIXTURE OF
MOVEMENT PART 5: THE ACTOR S LANGUAGE CHAPTER 15. UNDERSTANDING THE
ACTOR THE GRAMMAR OF THE ACTOR ACTING LANGUAGE FILM ACTING PROFESSIONAL
FILM ACTING CHAPTER 16. THE DIRECTOR PREPARES FOR THE ACTOR FINDING THE
BEAT VIII A D I R E C T O R S M E T H O D NAMING THE CHARACTER S
MOTIVATION CHARACTER ANALYSIS CHARTING ENTRANCES AND EXITS IMMEDIACY,
THE KEY TO FILM ACTING CHAPTER 17. THE ACTOR S LANGUAGE STANISLAVSKY S
METHOD METHOD PROCEDURES PART 6: THE PRODUCTION LANGUAGE CHAPTER 18.
PREPARING THE CHECKLIST FORM PREPARATION IMPLEMENTATION CHAPTER 19. THE
DILEMMA S ANSWER THE FIRST READING THE SECOND READING THE THIRD READING
CHAPTER 20. CONCLUSION APPENDIX RECOMMENDED FILMS RECOMMENDED BOOKS
INDEX
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| physical | XI, 257 S. Ill. |
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| spelling | Richards, Ron Verfasser aut A director's method for film and television Ron Richards Boston u.a. Focal pr. 1992 XI, 257 S. Ill. txt rdacontent n rdamedia nc rdacarrier Fernsehproduktion (DE-588)4127335-7 gnd rswk-swf Filmregie (DE-588)4129888-3 gnd rswk-swf Filmproduktion (DE-588)4124971-9 gnd rswk-swf Fernsehregie gnd rswk-swf Filmregie (DE-588)4129888-3 s DE-604 Filmproduktion (DE-588)4124971-9 s Fernsehproduktion (DE-588)4127335-7 s Fernsehregie f GBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=004936994&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Richards, Ron A director's method for film and television Fernsehproduktion (DE-588)4127335-7 gnd Filmregie (DE-588)4129888-3 gnd Filmproduktion (DE-588)4124971-9 gnd |
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| title | A director's method for film and television |
| title_auth | A director's method for film and television |
| title_exact_search | A director's method for film and television |
| title_full | A director's method for film and television Ron Richards |
| title_fullStr | A director's method for film and television Ron Richards |
| title_full_unstemmed | A director's method for film and television Ron Richards |
| title_short | A director's method for film and television |
| title_sort | a director s method for film and television |
| topic | Fernsehproduktion (DE-588)4127335-7 gnd Filmregie (DE-588)4129888-3 gnd Filmproduktion (DE-588)4124971-9 gnd |
| topic_facet | Fernsehproduktion Filmregie Filmproduktion Fernsehregie |
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