Classical music: the 50 greatest composers and their 1000 greatest works
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Fawcett Columbine
1992
|
| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIX, 635 S. Ill. |
| ISBN: | 0449903567 |
Internformat
MARC
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
LIST OF ILLUSTRATIONS X
PREFACE XÜi
PART ONE. THE TRANSITION FROM BAROQUE: MUSIC
TO 1760
chapter i The Background to Eighteenth Century 3
Thought
Art and the Philosopher • The Musician as Philoso¬
pher • The Importance of Taste in the Eighteenth
Century
chapter ii The Musician in Society 17
The System of Patronage • Printing and Publishing
• The Beginnings of the Public Concert • Instruc
tional Literature
chapter in Music for Private Performance 32
The Style Galant • Solo Sonata with Basso Continuo •
The Trio Sonata • The Solo Keyboard Sonata • The
Empfindsamer Stil • Other Keyboard Forms • The
Song
chapter iv Music for Public Performance 73
The Symphony • The Concerto
chapter v Words and Music on the Stage 83
The Theater as a Social Center • The Singers • The
Dramatic Conventions • Italian Opera Seria • Reci
tative and Ana • Pastiche • Italian Opera Buffa • French
Opera • Opera in Italy • Opera in German Speaking
Countries • Opera in London • Opera in Paris
vi CONTENTS
PART TWO. EMBRACING THE NEW STYLE: MUSIC 1760 80
chapter vi The Social and Philosophical Milieu 111
The Beautiful and the Sublime • Literary Antiquari
anism • Sturm und Drang • The Concept of Classi
cal and its Opposites
chapter vii The Musician s Livelihood 122
Concert Organizations • Music Publishing • Writ
ings about Music
chapter vin Music in the Home 129
Further Evolution of the Sonata with Continuo • The
Keyboard Sonata • The Keyboard Sonata with
Optional Accompaniment • The String Trio • The
String Quartet • The String Quintet • Vocal Music
chapter ix Concert and Church Music 154
The Emergence of the Classical Symphony • The
Symphonie Concertante • The Solo Concerto • Music
in the Service of God • Religious Music in Roman
Catholic Europe • Church Music in Non Catholic
Europe
chapter x Opera 178
Serious Opera in Italy • The Changing Italian Opera
Buffa • Serious Opera Outside Italy • Comic Opera
in France • Comic Opera in London • Comic Opera
in Germany
PART THREE. HAYDN, THE DEVELOPING MASTER
chapter xi The Early Years: 1732 60 199
Early Life • Compositions
chapter xii The First Esterhazy Years: to 1770 211
The Beginnings of Recognition • Compositions
chapter xiii The Great Stylistic Break: 1770 79 238
Haydn s Duties at Esterhäza • Compositions
PART FOUR. MOZART, GENIUS APPARENT
chapter xiv The Wunderkind Years: 1756 73 261
The First Tours • Back Home: Salzburg and Vienna
• The Italian Tours
CONTENTS VÜ
chapter xv Early Style 274
The First Keyboard Works • String Quartets • Sym
phonies • Concertos • Operatic Works • Church
Music
chapter xvi The Colloredo Years: 1773 81 295
The Patron • The Products of Patronage • Broaden
ing Expressivity • The Second Journey to Paris • The
Salzburg Employee Once Again
chapter xvn The High Salzburg Style 307
Keyboard Works • Accompanied Sonatas • Cham
ber Music without Keyboard • Symphonies • Ser¬
enades and Divertimentos • Concertos • Operatic
Works • Religious Music
PART FIVE. THE CLASSICAL STYLE AT ITS APOGEE: 1780
1800
chapter xviii Years of Revolution and Change 335
Science and Industry • The French Revolution •
Changing Philosophies
chapter xix The Changing Status of the Musician 344
Concert Societies • Music Publishing: The Begin
ning of an Industry • The Virtuoso • The Musician
as Author
chapter xx Solo and Chamber Music 353
The Decline of the Continuo • From the Harpsichord
to the Fortepiano • The Accompanied Keyboard
Sonata • Chamber Music for Strings • Music for Voice
and Piano
chapter xxi The Preeminence of the Symphony and the 379
Concerto
The Symphony in Vienna • The Concerto
chapter xxii The Various Faces of Musical Theater 394
The Opera Seria • The Flourishing Opera Bujfa • The
Tragedie Lyrique • The Effect of the Revolution on
the Opera Comique • The Singspiel • Operatic Enter¬
tainment in London
VÜi CONTENTS
PART SIX. HAYDN, THE ACKNOWLEDGED MASTER
chapter xxin The Last Years at Esterhäza: 1780 90 423
Daily Life and Responsibilities • The Solo Keyboard
Sonatas • The Accompanied Keyboard Sonata • The
String Quartet • Songs • Symphonies • Concertos •
The Operas • Church Music
chapter xxiv Freedom at Last 446
Haydn in London • Return to Vienna • Back to Lon¬
don • The Final Return • The Last Compositions
PART SEVEN. MOZART, GENIUS ACHIEVED
chapter xxv The Last Ten Years: 1781 91 479
Breaking with Colloredo • Mozart s Marriage • An
Ideal Realized: Die Entfiihrung • Life in Vienna •
Mozart and Da Ponte • Financial Problems
chapter xxvi The Great Works of the Final Decade 500
The Late Piano Works • Sonatas for Violin and Piano •
The Piano Trios • The Piano Quartets • The Piano
Quintet • Chamber Music for Strings Alone • The
Song • The Symphony • The Concertos • Sere¬
nades, Divertimentos, and Dances • Operas • Church
Music
PART EIGHT. BEETHOVEN: 1770 1827
chapter xxvii The Giant Astride the Centuries 553
The Beginnings in Bonn • The Early Years in Vienna •
Recognition and Success • Enlightened Patronage and
Other Sources of Income • The Last Years
chapter xxviii The Entire Oeuvre 579
The First Style Period to 1802 • Sonatas for Piano
Solo • The Sonatas for Piano with One Instrument •
The Trios and Larger Works with Piano • The String
Quartet * Music for Larger Chamber Ensembles • The
Concertos • The Symphonies and Orchestral Music
• The Second Style Period: 1803 14 • Piano Sonatas
• Sonatas for Piano and One Other Instrument • Piano
Trios • String Quartets • The Symphonies • Con¬
certos • Fidelio • The Third Style Period: 1816 27 •
Solo Piano Works • Cello Sonatas and Songs • The
String Quartet • The Ninth Symphony • The Missa
solemnis
CONTENTS ix
PART NINE. THE EIGHTEENTH CENTURY HERITAGE AT
WORK IN THE EARLY NINETEENTH
CENTURY
chapter xxix Post Revolutionary Changes in Society and 627
the Arts
Napoleonic Power and its Consequences • Eclecti
cism in the Arts • Philosophie Commentary on the
Arts
chapter xxx The Business and the Institutions of Music 632
Concert Organizations • Music Publishing • Musi¬
cal Writings • The Paris Conservatory
chapter xxxi Chamber Music in the Concert Hall 638
The Transformation of the Sonata • The Changing
Role of the Piano • The Piano in Large Chamber
Ensembles • String Music and Virtuosity • Large
Chamber Ensembles
chapter xxxii The Loss of Intimacy: Performance 653
Triumphant
Haydn s Legacy • The Virtuoso Concerto • The
Persistence of the Operatic Tradition in Italy • Cho¬
ral Music at the Start of a New Tradition • Epilogue
BIBLIOGRAPHY 669
INDEX 677
|
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| discipline | Musikwissenschaft |
| edition | 1. ed. |
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| spelling | Goulding, Phil G. Verfasser aut Classical music the 50 greatest composers and their 1000 greatest works Phil G. Goulding 1. ed. New York Fawcett Columbine 1992 XIX, 635 S. Ill. txt rdacontent n rdamedia nc rdacarrier Music appreciation Klassische Musik (DE-588)4164043-3 gnd rswk-swf Klassische Musik (DE-588)4164043-3 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=004629235&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Classical music the 50 greatest composers and their 1000 greatest works |
| title_auth | Classical music the 50 greatest composers and their 1000 greatest works |
| title_exact_search | Classical music the 50 greatest composers and their 1000 greatest works |
| title_full | Classical music the 50 greatest composers and their 1000 greatest works Phil G. Goulding |
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| title_short | Classical music |
| title_sort | classical music the 50 greatest composers and their 1000 greatest works |
| title_sub | the 50 greatest composers and their 1000 greatest works |
| topic | Music appreciation Klassische Musik (DE-588)4164043-3 gnd |
| topic_facet | Music appreciation Klassische Musik |
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