Imagining the Pacific: in the wake of the Cook voyages
In this book Bernard Smith explores in more depth the issues first dealt with in his classic European Vision and the South Pacific. He continues his careful examination of how European artists and scientists travelling to the Pacific during the time of Cook's voyages were stimulated to see the...
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1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New Haven u.a.
Yale Univ. Press
1992
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | In this book Bernard Smith explores in more depth the issues first dealt with in his classic European Vision and the South Pacific. He continues his careful examination of how European artists and scientists travelling to the Pacific during the time of Cook's voyages were stimulated to see the world in new and creative ways. In analysing intensely personal responses to a newly accessible environment, Bernard Smith shows how science, topography and travel had an impact on current pictorial genres, how an empirical naturalism affected long-standing classical conventions, and how difficult it was for the artists to portray people and places they knew little about Smith's scrutiny of the pictorial and documentary evidence results in some surprising findings. He argues that the obligation science placed on art to provide information was a factor in the triumph of Impressionism during the late nineteenth century. He points out, for example, that William Hodges, Cook's official artist on his second voyage to the Pacific, was one of the first artists to adopt plein-air methods of painting. Describing the impact of the Pacific world on burgeoning English Romanticism, Smith tells of the crucial influence of Cook's astronomer, William Wales, on S.T. Coleridge's imaginative development. He describes how John Webber's apparently documentary art was fashioned to suit political concerns. He examines critically the relevance of Edward Said's Orientalism for our understanding of European perceptions of the Pacific With its breadth of vision and attention to detail, its exploration of the complex relationship between the pursuit of knowledge and the exercise of power, Imagining the Pacific will take its place alongside Bernard Smith's earlier work as a milestone in historical scholarship and a major contribution to an understanding of the development of European art |
Beschreibung: | XIII, 262 S. zahlr. Ill. |
ISBN: | 0300050534 |
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520 | 3 | |a In this book Bernard Smith explores in more depth the issues first dealt with in his classic European Vision and the South Pacific. He continues his careful examination of how European artists and scientists travelling to the Pacific during the time of Cook's voyages were stimulated to see the world in new and creative ways. In analysing intensely personal responses to a newly accessible environment, Bernard Smith shows how science, topography and travel had an impact on current pictorial genres, how an empirical naturalism affected long-standing classical conventions, and how difficult it was for the artists to portray people and places they knew little about | |
520 | |a Smith's scrutiny of the pictorial and documentary evidence results in some surprising findings. He argues that the obligation science placed on art to provide information was a factor in the triumph of Impressionism during the late nineteenth century. He points out, for example, that William Hodges, Cook's official artist on his second voyage to the Pacific, was one of the first artists to adopt plein-air methods of painting. Describing the impact of the Pacific world on burgeoning English Romanticism, Smith tells of the crucial influence of Cook's astronomer, William Wales, on S.T. Coleridge's imaginative development. He describes how John Webber's apparently documentary art was fashioned to suit political concerns. He examines critically the relevance of Edward Said's Orientalism for our understanding of European perceptions of the Pacific | ||
520 | |a With its breadth of vision and attention to detail, its exploration of the complex relationship between the pursuit of knowledge and the exercise of power, Imagining the Pacific will take its place alongside Bernard Smith's earlier work as a milestone in historical scholarship and a major contribution to an understanding of the development of European art | ||
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Datensatz im Suchindex
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adam_text | CONTENTS Preface Acknowledgements ix xiii 1 Art in the Service of Science and Travel 2 The Intellectual and Artistic Framework of CaptainCook’s Voyages 41 3 Art as Information 51 4 Portraying Pacific People 77 5 William Hodges and English Plein-air Painting 111 6 Coleridge’s Ancient Mariner and Cook’s Second Voyage 135 7 Style, Information and Image in the Art of Cook’s Voyages 173 8 Constructing ‘Pacific’ People 193 9 Greece and the Colonisation of the Pacific 213 10 Cook’s Posthumous Reputation 1 225 Notes 241 Select Bibliography 249 List of Illustrations 253 Index 258
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any_adam_object | 1 |
author | Smith, Bernard 1916-2011 |
author_GND | (DE-588)120168723 |
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building | Verbundindex |
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callnumber-first | G - Geography, Anthropology, Recreation |
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ctrlnum | (OCoLC)24670086 (DE-599)BVBBV007006325 |
dewey-full | 910 |
dewey-hundreds | 900 - History & geography |
dewey-ones | 910 - Geography and travel |
dewey-raw | 910 |
dewey-search | 910 |
dewey-sort | 3910 |
dewey-tens | 910 - Geography and travel |
discipline | Kunstgeschichte Geographie |
format | Book |
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spelling | Smith, Bernard 1916-2011 Verfasser (DE-588)120168723 aut Imagining the Pacific in the wake of the Cook voyages Bernard Smith New Haven u.a. Yale Univ. Press 1992 XIII, 262 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier In this book Bernard Smith explores in more depth the issues first dealt with in his classic European Vision and the South Pacific. He continues his careful examination of how European artists and scientists travelling to the Pacific during the time of Cook's voyages were stimulated to see the world in new and creative ways. In analysing intensely personal responses to a newly accessible environment, Bernard Smith shows how science, topography and travel had an impact on current pictorial genres, how an empirical naturalism affected long-standing classical conventions, and how difficult it was for the artists to portray people and places they knew little about Smith's scrutiny of the pictorial and documentary evidence results in some surprising findings. He argues that the obligation science placed on art to provide information was a factor in the triumph of Impressionism during the late nineteenth century. He points out, for example, that William Hodges, Cook's official artist on his second voyage to the Pacific, was one of the first artists to adopt plein-air methods of painting. Describing the impact of the Pacific world on burgeoning English Romanticism, Smith tells of the crucial influence of Cook's astronomer, William Wales, on S.T. Coleridge's imaginative development. He describes how John Webber's apparently documentary art was fashioned to suit political concerns. He examines critically the relevance of Edward Said's Orientalism for our understanding of European perceptions of the Pacific With its breadth of vision and attention to detail, its exploration of the complex relationship between the pursuit of knowledge and the exercise of power, Imagining the Pacific will take its place alongside Bernard Smith's earlier work as a milestone in historical scholarship and a major contribution to an understanding of the development of European art Cook, James <1728-1779> Travel Cook, James 1728-1779 (DE-588)118522027 gnd rswk-swf Kunst gtt Oceanië gtt Pacific Area in art Voyages around the world Entdeckungsreise (DE-588)4014842-7 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Cook, James 1728-1779 (DE-588)118522027 p Entdeckungsreise (DE-588)4014842-7 s Europa (DE-588)4015701-5 g Künste (DE-588)4033422-3 s DE-604 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=004437317&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Smith, Bernard 1916-2011 Imagining the Pacific in the wake of the Cook voyages Cook, James <1728-1779> Travel Cook, James 1728-1779 (DE-588)118522027 gnd Kunst gtt Oceanië gtt Pacific Area in art Voyages around the world Entdeckungsreise (DE-588)4014842-7 gnd Künste (DE-588)4033422-3 gnd |
subject_GND | (DE-588)118522027 (DE-588)4014842-7 (DE-588)4033422-3 (DE-588)4015701-5 |
title | Imagining the Pacific in the wake of the Cook voyages |
title_auth | Imagining the Pacific in the wake of the Cook voyages |
title_exact_search | Imagining the Pacific in the wake of the Cook voyages |
title_full | Imagining the Pacific in the wake of the Cook voyages Bernard Smith |
title_fullStr | Imagining the Pacific in the wake of the Cook voyages Bernard Smith |
title_full_unstemmed | Imagining the Pacific in the wake of the Cook voyages Bernard Smith |
title_short | Imagining the Pacific |
title_sort | imagining the pacific in the wake of the cook voyages |
title_sub | in the wake of the Cook voyages |
topic | Cook, James <1728-1779> Travel Cook, James 1728-1779 (DE-588)118522027 gnd Kunst gtt Oceanië gtt Pacific Area in art Voyages around the world Entdeckungsreise (DE-588)4014842-7 gnd Künste (DE-588)4033422-3 gnd |
topic_facet | Cook, James <1728-1779> Travel Cook, James 1728-1779 Kunst Oceanië Pacific Area in art Voyages around the world Entdeckungsreise Künste Europa |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=004437317&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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