The rhetoric of fiction:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago
Univ. of Chicago Press
1966
|
| Ausgabe: | 6. impr. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIII, 455 S. |
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Datensatz im Suchindex
| _version_ | 1804121142632382464 |
|---|---|
| adam_text | CONTENTS PART I: ARTISTIC PURITY AND THE RHETORIC OF FICTION I TELLING
AND SHOWING 3 AUTHORITATIVE TELLING IN EARLY NARRATION 3 TWO STORIES
FROM THE DECAMERON 9 THE AUTHOR S MANY VOICES 16 II GENERAL RULES, I:
TRUE NOVELS MUST BE REALISTIC 23 FROM JUSTIFIED REVOLT TO CRIPPLING
DOGMA 23 FROM DIFFERENTIATED KINDS TO UNIVERSAL QUALITIES 29 GENERAL
CRITERIA IN EARLIER PERIODS 33 THREE SOURCES OF GENERAL CRITERIA: THE
WORK, THE AUTHOR, THE READER 37 INTENSITY OF REALISTIC ILLUSION 40 THE
NOVEL AS UNMEDIATED REALITY 50 ON DISCRIMINATING AMONG REALISMS 53 THE
ORDERING OF INTENSITIES 60 III GENERAL RULES, II: ALL AUTHORS SHOULD BE
OBJECTIVE 67 NEUTRALITY AND THE AUTHOR S SECOND SELF 67 IMPARTIALITY
AND UNFAIR EMPHASIS 77 IMPASSIBILITE 81 SUBJECTIVISM ENCOURAGED BY
IMPERSONAL TECHNIQUES 83 IV GENERAL RULES, III: TRUE AIT IGNOIES THE
AUDIENCE 89 TRUE ARTISTS WRITE ONLY FOR THEMSELVES 89 THEORIES OF
PURE ART 91 THE IMPURITY OF GREAT LITERATURE 98 IS A PURE FICTION
THEORETICALLY DESIRABLE? 109 V GENERAL RULES, IV: EMOTIONS, BELIEFS, AND
THE READ- ER S OBJECTIVITY 119 TEARS AND LAUGHTER ARE, AESTHETICALLY,
FRAUDS 119 TYPES OF LITERARY INTEREST (AND DISTANCE) 125 COMBINATIONS
AND CONFLICTS OF INTERESTS 133 THE ROLE OF BELIEF 137 BELIEF
ILLUSTRATED: THE OLD WIVES TALE 144 VI TYPES OF NARRATION 149 PERSON
150 DRAMATIZED AND UNDRAMATIZED NARRATORS 151 OBSERVERS AND NARRA
TOR-AGENTS 153 SCENE AND SUMMARY 154 COMMENTARY 155 SELF-CONSCIOUS
NARRATORS 155 VARIATIONS OF DISTANCE 155 VARIATIONS IN SUPPORT OR
CORRECTION 159 PRIVILEGE 160 INSIDE VIEWS 163 PART II : THE AUTHOR S
VOICE IN FICTION VII THE USES OF RELIABLE COMMENTARY 169 PROVIDING THE
FACTS, PICTURE, OR SUMMARY 169 MOLDING BELIEFS 177 RELATING PARTICULARS
TO THE ESTABLISHED NORMS 182 HEIGHTENING THE SIGNIFICANCE OF EVENTS 196
GENERALIZING THE SIGNIFICANCE OF THE WHOLE WORK 197 MANIPULATING MOOD
200 COMMENTING DIRECTLY ON THE WORK ITSELF 205 VIII TELLING AS SHOWING:
DRAMATIZED NARRATORS, RELIABLE AND UNRELIABLE 211 RELIABLE NARRATORS AS
DRAMATIZED SPOKESMEN FOR THE IM- PLIED AUTHOR 211 FIELDING IN TOM
JONES 215 IMITATORS OF FIELDING 218 TRISTRAM SHANDY AND THE PROBLEM OF
FORMAL COHERENCE 221 THREE FORMAL TRADITIONS: COMIC NOVEL, COLLECTION,
AND SATIRE 224 THE UNITY OF TRISTRAM SHANDY 229 SHANDEAN COMMENTARY,
GOOD AND BAD 234 IX CONTROL OF DISTANCE IN JANE AUSTEN S EMMA 243
SYMPATHY AND JUDGMENT IN EMMA 243 SYMPATHY THROUGH CONTROL OF INSIDE
VIEWS 245 CONTROL OF JUDGMENT 249 THE RELIABLE NARRATOR AND THE NORMS OF
EMMA 256 EXPLICIT JUDGMENTS ON EMMA WOODHOUSE 262 THE IMPLIED AUTHOR AS
FRIEND AND GUIDE 264 PART III: IMPERSONAL NARRATION X THE USES OF
AUTHORIAL SILENCE 271 EXIT AUTHOR ONCE AGAIN 271 CONTROL OF SYMPATHY
274 CONTROL OF CLARITY AND CONFUSION 284 SECRET COMMUNION BETWEEN
AUTHOR AND READER 300 XI THE PRICE OF IMPERSONAL NARRATION, I: CONFUSION
OF DISTANCE 311 THE TURN OF THE SCREW AS PUZZLE 311 TROUBLES WITH IRONY
IN EARLIER LITERATURE 316 THE PROBLEM OF DISTANCE IN A PORTRAIT OF THE
ARTIST 323 XII THE PRICE OF IMPERSONAL NARRATION, II: HENRY JAMES AND
THE UNRELIABLE NARRATOR 339 THE DEVELOPMENT FROM FLAWED REFLECTOR INTO
SUBJECT 340 THE TWO LIARS IN THE LIAR 347 THE PURLOINING OF THE
ASPERN PAPERS OR THE EVOCA- TION OF VENICE ? 354 DEEP READERS OF THE
WORLD, BEWARE! 364 XIII THE MORALITY OF IMPERSONAL NARRATION 377
MORALITY AND TECHNIQUE 377 THE SEDUCTIVE POINT OF VIEW: CELINE AS
EXAMPLE 379 THE AUTHOR S MORAL JUDGMENT OBSCURED 385 THE MORALITY OF
ELITISM 391 BIBLIOGRAPHY 399 INDEX 435 PPN: 002935368 TITEL: THE
RHETORIC OF FICTION / WAYNE C. BOOTH. - . - CHICAGO : UNIV. OF CHICAGO
PR., 1966 BIBLIOGRAPHISCHER DATENSATZ IM SWB-VERBUND
|
| any_adam_object | 1 |
| author | Booth, Wayne C. 1921-2005 |
| author_GND | (DE-588)119270722 |
| author_facet | Booth, Wayne C. 1921-2005 |
| author_role | aut |
| author_sort | Booth, Wayne C. 1921-2005 |
| author_variant | w c b wc wcb |
| building | Verbundindex |
| bvnumber | BV006985337 |
| classification_rvk | EC 4620 |
| ctrlnum | (OCoLC)310555138 (DE-599)BVBBV006985337 |
| discipline | Literaturwissenschaft |
| edition | 6. impr. |
| format | Book |
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| id | DE-604.BV006985337 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T16:53:17Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-004419645 |
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| physical | XIII, 455 S. |
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| publishDate | 1966 |
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| publisher | Univ. of Chicago Press |
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| spelling | Booth, Wayne C. 1921-2005 Verfasser (DE-588)119270722 aut The rhetoric of fiction 6. impr. Chicago Univ. of Chicago Press 1966 XIII, 455 S. txt rdacontent n rdamedia nc rdacarrier Erzähltheorie (DE-588)4152975-3 gnd rswk-swf Poetik (DE-588)4046449-0 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf Rhetorik (DE-588)4076704-8 gnd rswk-swf Romantheorie (DE-588)4076830-2 gnd rswk-swf Prosa (DE-588)4047497-5 gnd rswk-swf Erzähltechnik (DE-588)4124854-5 gnd rswk-swf Epik (DE-588)4015025-2 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Prosa (DE-588)4047497-5 s Erzähltechnik (DE-588)4124854-5 s DE-604 Englisch (DE-588)4014777-0 s Roman (DE-588)4050479-7 s Romantheorie (DE-588)4076830-2 s 1\p DE-604 Rhetorik (DE-588)4076704-8 s 2\p DE-604 3\p DE-604 Epik (DE-588)4015025-2 s Poetik (DE-588)4046449-0 s 4\p DE-604 5\p DE-604 Erzähltheorie (DE-588)4152975-3 s 6\p DE-604 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=004419645&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 5\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 6\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Booth, Wayne C. 1921-2005 The rhetoric of fiction Erzähltheorie (DE-588)4152975-3 gnd Poetik (DE-588)4046449-0 gnd Roman (DE-588)4050479-7 gnd Rhetorik (DE-588)4076704-8 gnd Romantheorie (DE-588)4076830-2 gnd Prosa (DE-588)4047497-5 gnd Erzähltechnik (DE-588)4124854-5 gnd Epik (DE-588)4015025-2 gnd Englisch (DE-588)4014777-0 gnd |
| subject_GND | (DE-588)4152975-3 (DE-588)4046449-0 (DE-588)4050479-7 (DE-588)4076704-8 (DE-588)4076830-2 (DE-588)4047497-5 (DE-588)4124854-5 (DE-588)4015025-2 (DE-588)4014777-0 |
| title | The rhetoric of fiction |
| title_auth | The rhetoric of fiction |
| title_exact_search | The rhetoric of fiction |
| title_full | The rhetoric of fiction |
| title_fullStr | The rhetoric of fiction |
| title_full_unstemmed | The rhetoric of fiction |
| title_short | The rhetoric of fiction |
| title_sort | the rhetoric of fiction |
| topic | Erzähltheorie (DE-588)4152975-3 gnd Poetik (DE-588)4046449-0 gnd Roman (DE-588)4050479-7 gnd Rhetorik (DE-588)4076704-8 gnd Romantheorie (DE-588)4076830-2 gnd Prosa (DE-588)4047497-5 gnd Erzähltechnik (DE-588)4124854-5 gnd Epik (DE-588)4015025-2 gnd Englisch (DE-588)4014777-0 gnd |
| topic_facet | Erzähltheorie Poetik Roman Rhetorik Romantheorie Prosa Erzähltechnik Epik Englisch |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=004419645&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT boothwaynec therhetoricoffiction |