Beyond the brillo box: the visual arts in post-historical perspective
A ground-breaking contribution to contemporary thinking about aesthetics, Arthur C. Danto's new collection of interconnected essays grapples with the most challenging issues in art today, among them the problems of contemporary pluralism and the dilemmas of censorship and state support for arti...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Farrar, Straus, Giroux
1992
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Ausgabe: | 1 ed. |
Schlagworte: | |
Zusammenfassung: | A ground-breaking contribution to contemporary thinking about aesthetics, Arthur C. Danto's new collection of interconnected essays grapples with the most challenging issues in art today, among them the problems of contemporary pluralism and the dilemmas of censorship and state support for artists. Andy Warhol's Brillo Box of 1964 constituted a radical attack on traditional definitions of the artwork and, in Danto's view, brought the history of Western art to a close. Beyond the Brillo Box considers the aftermath and the consequences of Warhol's work on three levels. Danto first discusses what he calls the master narrative of Western art, showing how even the most revolutionary pre-Pop movements were nourished by a common conception of art which lay securely within the Western tradition, and contrasting this tradition to parallel narratives in the East and in Africa. He then takes up the current, post-historical period, which began with Warhol and the collision of "high" and "low" art, and discusses how the pluralism it engendered has changed the way art is made, perceived, and exhibited. Finally, Danto addresses the philosophical idea of the master narrative from Plato to Wittgenstein and beyond by exploring the ways art has a history, the different kinds of history it has in different cultures, and the degree to which narratives are real and not simply intellectual constructs. Arthur C. Danto's criticism, which has been published principally in The Nation, since 1984, has made him one of our leading art critics. Here he discusses the philosophical concerns that underlie his provocative and illuminating engagements with the art of our time. Urgently committed yet always witty and deeply humane, Danto is the most enlightening--and exciting--thinker about the problems of aesthetics today. Beyond the Brillo Box is a work of immediate--and more than immediate--importance. |
Beschreibung: | X, 263 S. Ill. |
ISBN: | 0374112428 |
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520 | 3 | |a A ground-breaking contribution to contemporary thinking about aesthetics, Arthur C. Danto's new collection of interconnected essays grapples with the most challenging issues in art today, among them the problems of contemporary pluralism and the dilemmas of censorship and state support for artists. Andy Warhol's Brillo Box of 1964 constituted a radical attack on traditional definitions of the artwork and, in Danto's view, brought the history of Western art to a close. Beyond the Brillo Box considers the aftermath and the consequences of Warhol's work on three levels. Danto first discusses what he calls the master narrative of Western art, showing how even the most revolutionary pre-Pop movements were nourished by a common conception of art which lay securely within the Western tradition, and contrasting this tradition to parallel narratives in the East and in Africa. He then takes up the current, post-historical period, which began with Warhol and the collision of "high" and "low" art, and discusses how the pluralism it engendered has changed the way art is made, perceived, and exhibited. Finally, Danto addresses the philosophical idea of the master narrative from Plato to Wittgenstein and beyond by exploring the ways art has a history, the different kinds of history it has in different cultures, and the degree to which narratives are real and not simply intellectual constructs. Arthur C. Danto's criticism, which has been published principally in The Nation, since 1984, has made him one of our leading art critics. Here he discusses the philosophical concerns that underlie his provocative and illuminating engagements with the art of our time. Urgently committed yet always witty and deeply humane, Danto is the most enlightening--and exciting--thinker about the problems of aesthetics today. Beyond the Brillo Box is a work of immediate--and more than immediate--importance. | |
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Datensatz im Suchindex
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any_adam_object | |
author | Danto, Arthur Coleman 1924-2013 |
author_GND | (DE-588)118523724 |
author_facet | Danto, Arthur Coleman 1924-2013 |
author_role | aut |
author_sort | Danto, Arthur Coleman 1924-2013 |
author_variant | a c d ac acd |
building | Verbundindex |
bvnumber | BV006628258 |
callnumber-first | B - Philosophy, Psychology, Religion |
callnumber-label | BH39 |
callnumber-raw | BH39 |
callnumber-search | BH39 |
callnumber-sort | BH 239 |
callnumber-subject | BH - Aesthetics |
ctrlnum | (OCoLC)25200627 (DE-599)BVBBV006628258 |
dewey-full | 111/.85 |
dewey-hundreds | 100 - Philosophy & psychology |
dewey-ones | 111 - Ontology |
dewey-raw | 111/.85 |
dewey-search | 111/.85 |
dewey-sort | 3111 285 |
dewey-tens | 110 - Metaphysics |
discipline | Philosophie |
edition | 1 ed. |
era | Geschichte 1900-2000 gnd |
era_facet | Geschichte 1900-2000 |
format | Book |
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spelling | Danto, Arthur Coleman 1924-2013 Verfasser (DE-588)118523724 aut Beyond the brillo box the visual arts in post-historical perspective Arthur C. Danto 1 ed. New York Farrar, Straus, Giroux 1992 X, 263 S. Ill. txt rdacontent n rdamedia nc rdacarrier A ground-breaking contribution to contemporary thinking about aesthetics, Arthur C. Danto's new collection of interconnected essays grapples with the most challenging issues in art today, among them the problems of contemporary pluralism and the dilemmas of censorship and state support for artists. Andy Warhol's Brillo Box of 1964 constituted a radical attack on traditional definitions of the artwork and, in Danto's view, brought the history of Western art to a close. Beyond the Brillo Box considers the aftermath and the consequences of Warhol's work on three levels. Danto first discusses what he calls the master narrative of Western art, showing how even the most revolutionary pre-Pop movements were nourished by a common conception of art which lay securely within the Western tradition, and contrasting this tradition to parallel narratives in the East and in Africa. He then takes up the current, post-historical period, which began with Warhol and the collision of "high" and "low" art, and discusses how the pluralism it engendered has changed the way art is made, perceived, and exhibited. Finally, Danto addresses the philosophical idea of the master narrative from Plato to Wittgenstein and beyond by exploring the ways art has a history, the different kinds of history it has in different cultures, and the degree to which narratives are real and not simply intellectual constructs. Arthur C. Danto's criticism, which has been published principally in The Nation, since 1984, has made him one of our leading art critics. Here he discusses the philosophical concerns that underlie his provocative and illuminating engagements with the art of our time. Urgently committed yet always witty and deeply humane, Danto is the most enlightening--and exciting--thinker about the problems of aesthetics today. Beyond the Brillo Box is a work of immediate--and more than immediate--importance. Geschichte 1900-2000 gnd rswk-swf Beeldende kunsten gtt Esthétique Filosofische aspecten gtt Kunst Philosophie Ästhetik Aesthetics Kunstbetrachtung (DE-588)4125321-8 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Posthistoire (DE-588)4222123-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Ästhetik (DE-588)4000626-8 s DE-604 Kunst (DE-588)4114333-4 s Posthistoire (DE-588)4222123-7 s Geschichte 1900-2000 z Kunstbetrachtung (DE-588)4125321-8 s |
spellingShingle | Danto, Arthur Coleman 1924-2013 Beyond the brillo box the visual arts in post-historical perspective Beeldende kunsten gtt Esthétique Filosofische aspecten gtt Kunst Philosophie Ästhetik Aesthetics Kunstbetrachtung (DE-588)4125321-8 gnd Ästhetik (DE-588)4000626-8 gnd Kunst (DE-588)4114333-4 gnd Posthistoire (DE-588)4222123-7 gnd |
subject_GND | (DE-588)4125321-8 (DE-588)4000626-8 (DE-588)4114333-4 (DE-588)4222123-7 (DE-588)4143413-4 |
title | Beyond the brillo box the visual arts in post-historical perspective |
title_auth | Beyond the brillo box the visual arts in post-historical perspective |
title_exact_search | Beyond the brillo box the visual arts in post-historical perspective |
title_full | Beyond the brillo box the visual arts in post-historical perspective Arthur C. Danto |
title_fullStr | Beyond the brillo box the visual arts in post-historical perspective Arthur C. Danto |
title_full_unstemmed | Beyond the brillo box the visual arts in post-historical perspective Arthur C. Danto |
title_short | Beyond the brillo box |
title_sort | beyond the brillo box the visual arts in post historical perspective |
title_sub | the visual arts in post-historical perspective |
topic | Beeldende kunsten gtt Esthétique Filosofische aspecten gtt Kunst Philosophie Ästhetik Aesthetics Kunstbetrachtung (DE-588)4125321-8 gnd Ästhetik (DE-588)4000626-8 gnd Kunst (DE-588)4114333-4 gnd Posthistoire (DE-588)4222123-7 gnd |
topic_facet | Beeldende kunsten Esthétique Filosofische aspecten Kunst Philosophie Ästhetik Aesthetics Kunstbetrachtung Posthistoire Aufsatzsammlung |
work_keys_str_mv | AT dantoarthurcoleman beyondthebrilloboxthevisualartsinposthistoricalperspective |