The analysis and cognition of melodic complexity: the implication-realization model
In this work, Eugene Narmour extends the unique theories of musical perception presented in The Analysis and Cognition of Basic Melodic Structures. The two books together constitute the first comprehensive theory of melody founded on psychological research. Narmour's earlier study dealt with co...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago u.a.
Univ. of Chicago Press
1992
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In this work, Eugene Narmour extends the unique theories of musical perception presented in The Analysis and Cognition of Basic Melodic Structures. The two books together constitute the first comprehensive theory of melody founded on psychological research. Narmour's earlier study dealt with cognitive relations between melodic tones at their most basic level. After summarizing the formalized methodology of the theory described in that work, Narmour develops an elaborate and original symbology to show how sixteen archetypes can combine to form some 200 complex structures that, in turn, can chain together in a theoretically infinite number of ways. He then explains and speculates on the cognitive operations by which listeners assimilate and ultimately encode these complex melodic structures. More than 250 musical examples from different historical periods and non-Western cultures demonstrate the panstylistic scope of Narmour's model. Of particular importance to music theorists and music historians is Narmour's argument that melodic analysis and formal analysis, though often treated separately, are in fact indissolubly linked. The Analysis and Cognition of Melodic Complexity will also appeal to ethnomusicologists, psychologists, and cognitive scientists. |
| Beschreibung: | XII, 431 S. zahlr. Notenbeisp. |
| ISBN: | 0226568423 |
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| 520 | 3 | |a In this work, Eugene Narmour extends the unique theories of musical perception presented in The Analysis and Cognition of Basic Melodic Structures. The two books together constitute the first comprehensive theory of melody founded on psychological research. Narmour's earlier study dealt with cognitive relations between melodic tones at their most basic level. After summarizing the formalized methodology of the theory described in that work, Narmour develops an elaborate and original symbology to show how sixteen archetypes can combine to form some 200 complex structures that, in turn, can chain together in a theoretically infinite number of ways. He then explains and speculates on the cognitive operations by which listeners assimilate and ultimately encode these complex melodic structures. More than 250 musical examples from different historical periods and non-Western cultures demonstrate the panstylistic scope of Narmour's model. Of particular importance to music theorists and music historians is Narmour's argument that melodic analysis and formal analysis, though often treated separately, are in fact indissolubly linked. The Analysis and Cognition of Melodic Complexity will also appeal to ethnomusicologists, psychologists, and cognitive scientists. | |
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Datensatz im Suchindex
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|---|---|
| adam_text | PHONETICS and PHONOLOGY
VOLUME 3
Current Issues in ASL Phonology
Edited by
Geoffrey R Coulter
Department of Psychology
University of Rochester
Rochester, New York
ACADEMIC PRESS, INC
Harcourt Brace Jovanovich, Publishers
San Diego New York Boston
London Sydney Tokyo Toronto
CONTENTS
s
Contributors xi
Introduction l
GEOFFREY R COULTER AND STEPHEN R ANDERSON
1 Overview 1
2 A Few Notes about ASL: The Language and Its Users 2
3 Phonology and Signed Languages 5
4 The Present Volume 13
References 16
Secondary Licensing and the Nondominant Hand
in ASL Phonology 19
DIANE BRENTARI AND JOHN A GOLDSMITH
1 Introduction 19
2 Autosegmental Licensing 21
3 Levels 24
V4 The Syllable in ASL 25
5 The Nondominant Hand as a Secondary Licenser 29
6 Word and Discourse Structure Considerations 34
7 Conclusion 35
8 Appendix: Example Signs 36
References 40
VI Contents
The Nature of Constraints on the Nondominant
Hand in ASL 43
JULIETTE BLEVINS
1 Introductory Remarks 43
2 Theories of Autosegmental Licensing 44
3 Models of ASL Syllable Structure 50
4 The Nondominant Hand in ASL Phonology 52
5 Summary 55
6 Appendix: ASL Signs 56
References 61
To Branch or Not to Branch: Underspecification in ASL
Handshape Contours 63
DAVID P CORINA
1 Introduction 63
2 Handshape Sequences in ASL 64
3 Spoken Language Contour Segments 68
4 Featural Representation of ASL Handshapes 71
5 Nonbranching Representation of an ASL Contour Handshape 80
6 Asymmetries in Timing of ASL Contours 84
7 Conclusion 89
8 Appendix: Comparisons to Other Approaches 90
References 94
Reflections on the Nature of ASL and the Development
of ASL Linguistics: Comments on Corina s Article 97
JAMES PAUL GEE
1 Introduction 97
2 ASL as a Language 97
3 ASL in Linguistic Theory 98
References 101
Linearization of Phonological Tiers in ASL 103
WENDY SANDLER
1 Introduction 103
2 The Model in Brief 104
Contents vii
3 Some Morphological Templates in Two Sign Languages 112
4 Temporal Interpretation of the Representation 117
5 Linearization 118
6 Consequences 121
7 Summary and Conclusion 124
References 127
Response to Sandler s Linearization of Phonological
Tiers in ASL 131
CAROL A PADDEN
1 Introduction 131
2 Applications of the Two Analyses 132
References 134
Syllables and Segments: Hold the Movement and
Move the Holds! 135
RONNIE B WILBUR
1 Introduction 135
2 Segmental Models 137
3 Interpretations of Segment 139
4 The Lack of Phonological Utility of M and H 144
5 The Predictability/Redundancy of H Segments 145
6 Feature versus Segment Behavior 146
7 A Model without Segments 147
8 Timing and Syllable Structure 157
9 Theoretical Implications 158
10 Conclusion 160
References 166
A Psycholinguistic Perspective on Phonological
Segmentation in Sign and Speech 169
RICHARD P MEIER
1 Introduction 169
2 Why Is the Debate about Segments Important? 170
3 Sequential Structure in ASL 177
4 Conclusion 184
References 186
Vlll Contents
Holds and Positions: Comparing Two Models of
Segmentation in ASL 189
SCOTT K LIDDELL
1 Introduction 189
2 Moras and Syllable Structure 190
3 The MH Account of Holds 193
4 The Distribution of Holds 195
5 Different Predictions of the Two Models 197
6 Summary 208
References -210
Against Movement: Comments on Liddell s Article 21$
BRUCE HAYES ^
1 Introduction 213
2 Liddell s Arguments against Perlmutter s Theory 213
3 Against Movement 218
4 Conclusion 224
References 225
Sonority and Syllable Structure in American Sign Language 227
DAVID M PERLMUTTER
1 Goals 227
2 Secondary Movements 230
3 An Explanation: Syllable Structure and the Sonority Hierarchy 234
4 Handshape Changes 238
5 The Prosodic Domain of Handshape Features: Some Contrasts
Explained 241
6 On the Distribution of P-Syllables in Lexemes 248
7 What Constitutes a Well-formed Syllable in ASL? 249
8 The Modality-Specific, the Language-Particular, and the Universal 252
References 259
Phrase-level Prosody in ASL: Final Lengthening
and Phrasal Contours 263
GEOFFREY R COULTER
1 Introduction 263
2 Final Lengthening 264
Contents ix
3 Hand Height Contour 267
4 Summary and Conclusions - 270
References 271
Linguistic Expression and Its Relation to Modality 273
STEPHEN R ANDERSON
1 Introduction 273
2 Signed Languages Are Natural Languages 274
3 Apparent Similarities between Signed and Spoken Languages 276
4 Differences between Signed and Spoken Languages 279
5 Conclusions 287
References 290
Index 291
|
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| spelling | Narmour, Eugene 1939- Verfasser (DE-588)1045008443 aut The analysis and cognition of melodic complexity the implication-realization model Eugene Narmour Chicago u.a. Univ. of Chicago Press 1992 XII, 431 S. zahlr. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier In this work, Eugene Narmour extends the unique theories of musical perception presented in The Analysis and Cognition of Basic Melodic Structures. The two books together constitute the first comprehensive theory of melody founded on psychological research. Narmour's earlier study dealt with cognitive relations between melodic tones at their most basic level. After summarizing the formalized methodology of the theory described in that work, Narmour develops an elaborate and original symbology to show how sixteen archetypes can combine to form some 200 complex structures that, in turn, can chain together in a theoretically infinite number of ways. He then explains and speculates on the cognitive operations by which listeners assimilate and ultimately encode these complex melodic structures. More than 250 musical examples from different historical periods and non-Western cultures demonstrate the panstylistic scope of Narmour's model. Of particular importance to music theorists and music historians is Narmour's argument that melodic analysis and formal analysis, though often treated separately, are in fact indissolubly linked. The Analysis and Cognition of Melodic Complexity will also appeal to ethnomusicologists, psychologists, and cognitive scientists. Muziektheorie gtt Música (teoria) larpcal Musik Psychologie Melodic analysis Music Psychological aspects Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Melodie (DE-588)4139233-4 gnd rswk-swf Melodie (DE-588)4139233-4 s Musikalische Analyse (DE-588)4040814-0 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=004226653&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Narmour, Eugene 1939- The analysis and cognition of melodic complexity the implication-realization model Muziektheorie gtt Música (teoria) larpcal Musik Psychologie Melodic analysis Music Psychological aspects Musikalische Analyse (DE-588)4040814-0 gnd Melodie (DE-588)4139233-4 gnd |
| subject_GND | (DE-588)4040814-0 (DE-588)4139233-4 |
| title | The analysis and cognition of melodic complexity the implication-realization model |
| title_auth | The analysis and cognition of melodic complexity the implication-realization model |
| title_exact_search | The analysis and cognition of melodic complexity the implication-realization model |
| title_full | The analysis and cognition of melodic complexity the implication-realization model Eugene Narmour |
| title_fullStr | The analysis and cognition of melodic complexity the implication-realization model Eugene Narmour |
| title_full_unstemmed | The analysis and cognition of melodic complexity the implication-realization model Eugene Narmour |
| title_short | The analysis and cognition of melodic complexity |
| title_sort | the analysis and cognition of melodic complexity the implication realization model |
| title_sub | the implication-realization model |
| topic | Muziektheorie gtt Música (teoria) larpcal Musik Psychologie Melodic analysis Music Psychological aspects Musikalische Analyse (DE-588)4040814-0 gnd Melodie (DE-588)4139233-4 gnd |
| topic_facet | Muziektheorie Música (teoria) Musik Psychologie Melodic analysis Music Psychological aspects Musikalische Analyse Melodie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=004226653&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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