Who needs theatre: dramatic opinions
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Atlantic Monthly Press
1987
|
| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIV, 320 S. |
| ISBN: | 0871132060 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804120828094185472 |
|---|---|
| adam_text | Table
of Contents
Preface
/ xiii
Introduction: Who Needs Theatre?
/ 1
PART I: PREDECESSORS
Strindberg:
New Light on a Dark Dramatist I
7
The Two Americas of
Bertolt Brecht
I
14
The Prodigal Clifford
Odets
I
22
The Vitality of Harold Clurman I
29
Lee
Strasberg:
Portraits of the Master I
34
John Houseman: Memoirs of a Moonlighter I
39
Lillian Hellman: Epilogue to Anger I
43
Laurence Olivier: Once More into the Breach I
47
PART H: PRODUCTIONS
Contemporary American Playwrights: Children of O Neill
Two Couples (Talley s Folly; Marie and Bruce)
/57
The Play You re Not Allowed to Hate (Children of a Lesser God)
/ 61
χ
/ Contents
Don t Read This Review! ( night Mother)
/ 64
Show and Tell (Death of a Salesman; Glengarry Glen Ross)
/ 67
Painless Dentistry (Hurlyburly)
/72
The Best of Broadway (Biloxi Blues)
/ 76
Combating Amnesia (The Marriage of
Bette
and Boo)
/ 79
The Shepard Enigma (A Lie of the Mind)
/83
Addressing a Hostile Audience (Aunt Dan and Lemon)
/ 87
Highballs and Ballups (Rum and Coke)
/91
A Shaggy Dog Story (The House of Blue Leaves)
/ 95
Souls on Ice (The Iceman Cometh)
/ 98
An Englishman in New York (Fifth Row Center)
/ 101
Here Are the Playwrights
/106
The
Auteur
Director: The
Avant-Garde
and the Classics
Shakespeare in Extremis (The Tempest)
/
111
Serban under Siege (Uncle Vanya)
/ 115
The Premature Death of Modernism (Through the Leaves; Laurie
Anderson in Concert)
/ 119
Expanding Einstein s Universe (Einstein on the Beach)
/ 123
Theaterphobia (The Garden of Earthly Delights)
/ 127
Carmen Without Chorus, Chekhov Without Walls
(La Tragédie de
Carmen; The Seagull)
/ 132
A Bottomless Dream (A Midsummer Night s Dream)
/ 135
Rumania
,
Rumania (Hamlet; The Wild Duck)
/ 139
Advanced Machines (Hamletmachine)
/ 144
Viennese Dreams (Vienna:
Lusthaus) / 148
The Century of Directors (Great Directors at Work;
Groto
wski and
His Laboratory)
/150
The Broadway Musical
Nostalgia Glands (42nd Street)
/ 157
Musical into Opera
(Candide)
/ 159
Arguing with a Tank (Dreamgirls)
/ 162
Thh Money-Got
,
Mechanic Age (Cats)
/ 165
Musicalized
Propaganda (La Cage
aux Folles) /
167
Singing the Set (Sunday in the Park with George)
/ 171
Blurring the Edges (Pacific Overtures;
La Bohème)
/174
Contents
f
xi
Oroodling
(The Mystery of Edwin Drood)
/ 179
Advertising a Dying Industry (The Tony Awards)
/ 182
The British Conquest
Tbe Triumph ofMediocrity
(Amadeus)
/ 187
Good and Plenty (Plenty)
/ 191
Tbe Pleasure of a Company (Nicholas Nickleby)
/194
The Paradox of Actors (Edmund Kean)
/ 198
Hippolytus Can Feel! (The Real Thing)
/ 201
Royal Tourist Attraction (Cyrano
de Bergerac;
Much Ado about
Nothing)
/ 204
Olivier s Lear (King Lear)
/ 208
Tbe Fascination
ofWhaťs
Difficult (Peter Hall1 s Diaries)
/211
Tbe Infidelity Play (Benefactors)
/217
Tbe British Have Come! The British Have Come!
/ 219
Prospects from Abroad
Comparing Theatrical Resources (Peer Gynt)
/223
Festival Fever (Avignon: Ankoku Butoh)
/ 226
Tbe Quest of Peter Brook
(L Os;
Ubu
Roi;
The Ik)
/ 229
Coming at History from Two Sides (Master Harold
. . .
and the Boys;
Wielpole-Wielpole)
/233
Tbe Tragedies of Apartheid (Born in the RS A)
/237
Tbe Stratford Dilemma (Waiting for Godot; A Midsummer Night s
Dream; Love s Labour s Lost)
/241
Tbe Classical
Avant-Garde (Clytemnestra;
The Seven Deadly
Sins)
/ 245
Private Views, Public Vistas (A Private View)
/249
A Polish Political Fable (Cinders)
/253
An Existential Ballet (Crime and Punishment)
/256
Jan Kotty Super
Dramaturg
(The Theatre of Essence)
/260
PART
Ш:
POSITIONS
Opinions and Convictions I
269
Varieties of Theatrical Experience
f
274
Boards versus Artists I
211
xii / Contents
The Ant and the Grasshopper I
281
Muskał
Chairs
і
285
Moonlighting
/289
Moonlighting II I
293
Liberty and Liberties I
296
The
Post-Modern
Blues (The
Post-Modern
Aura)
/301
Snarls from the Bedclothes I
305
The Humanist and the Artist
í
310
|
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| author | Brustein, Robert Sanford 1927-2023 |
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| ctrlnum | (OCoLC)15518021 (DE-599)BVBBV006558070 |
| dewey-full | 809.2 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809.2 |
| dewey-search | 809.2 |
| dewey-sort | 3809.2 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Anglistik / Amerikanistik Literaturwissenschaft |
| edition | 1. ed. |
| format | Book |
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| isbn | 0871132060 |
| language | English |
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| publishDate | 1987 |
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| publishDateSort | 1987 |
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| spelling | Brustein, Robert Sanford 1927-2023 Verfasser (DE-588)132986728 aut Who needs theatre dramatic opinions Robert Brustein 1. ed. New York Atlantic Monthly Press 1987 XIV, 320 S. txt rdacontent n rdamedia nc rdacarrier Théâtre Théâtre (Genre littéraire) Drama Theater Aufführung (DE-588)4143388-9 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Theater (DE-588)4059702-7 s Aufführung (DE-588)4143388-9 s DE-604 Drama (DE-588)4012899-4 s 1\p DE-604 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=004182118&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Brustein, Robert Sanford 1927-2023 Who needs theatre dramatic opinions Théâtre Théâtre (Genre littéraire) Drama Theater Aufführung (DE-588)4143388-9 gnd Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4143388-9 (DE-588)4012899-4 (DE-588)4059702-7 |
| title | Who needs theatre dramatic opinions |
| title_auth | Who needs theatre dramatic opinions |
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| title_full | Who needs theatre dramatic opinions Robert Brustein |
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| title_full_unstemmed | Who needs theatre dramatic opinions Robert Brustein |
| title_short | Who needs theatre |
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