The creation of jazz: music, race, and culture in urban America
As musicians, listeners, and scholars have sensed for many years, the story of jazz is more than a history of the music. Burton Peretti presents a fascinating account of how the racial and cultural dynamics of American cities created the music, life, and business that was jazz. From its origins in t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Urbana, Ill. u.a.
Univ. of Illinois Press
1992
|
| Schriftenreihe: | Music in American life
Blacks in the New World |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | As musicians, listeners, and scholars have sensed for many years, the story of jazz is more than a history of the music. Burton Peretti presents a fascinating account of how the racial and cultural dynamics of American cities created the music, life, and business that was jazz. From its origins in the jook joints of sharecroppers and the streets and dance halls of 1890s New Orleans, through its later metamorphoses in the cities of the North, Peretti charts the life of jazz culture to the eve of bebop and World War II. In the course of those fifty years, jazz was the story of players who made the transition from childhood spasm bands to Carnegie Hall and worldwide touring and fame. It became the music of the Twenties, a decade of Prohibition, of adolescent discontent, of Harlem pride, and of Americans hoping to preserve cultural traditions in an urban, commercial age. And jazz was where black and white musicians performed together, as uneasy partners, in the big bands of Artie Shaw and Benny Goodman. "Blacks fought back by using jazz," states Peretti, "with its unique cultural and intellectual properties, to prove, assess, and evade the "dynamic of minstrelsy." Drawing on newspaper reports of the times and on the firsthand testimony of more than seventy prominent musicians and singers (among them Benny Carter, Bud Freeman, Kid Ory, and Mary Lou Williams), The Creation of Jazz is the first comprehensive analysis of the role of early jazz in American social history. |
| Beschreibung: | XII, 277 S. Ill. |
| ISBN: | 0252017080 |
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgments xi
Introduction 1
1. / Couldn t See Anything but Music
African and Rural Roots 11
2. He Should Throw That Club at You
Urban Origins in New Orleans 22
3. Therefore, I Got to Go
Jazz and the Great Northern Migration 39
4. Changing, Changing
The Forging of Northern Black Communities 58
5. The Great Travelers
White Jazz Musicians of the 1920s 76
6. Turn the Bitters into Sweets
The Musical Culture of Jazz 100
7. Being Crazy Don t Make Music
Searching for a Jazz Subculture 120
x Contents
8. Money Finding Music
Jazz as a Commodity 145
9. Wacky State of Affairs
The Depression, Swing Era, and Revolt 164
10. The Wedding of the Races ?
Jazz and the Color Line 177
Epilogue 211
Notes 219
Oral Histories Consulted 261
Index 263
Illustrations follow page 132.
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| spelling | Peretti, Burton W. Verfasser aut The creation of jazz music, race, and culture in urban America Burton W. Peretti Urbana, Ill. u.a. Univ. of Illinois Press 1992 XII, 277 S. Ill. txt rdacontent n rdamedia nc rdacarrier Music in American life Blacks in the New World As musicians, listeners, and scholars have sensed for many years, the story of jazz is more than a history of the music. Burton Peretti presents a fascinating account of how the racial and cultural dynamics of American cities created the music, life, and business that was jazz. From its origins in the jook joints of sharecroppers and the streets and dance halls of 1890s New Orleans, through its later metamorphoses in the cities of the North, Peretti charts the life of jazz culture to the eve of bebop and World War II. In the course of those fifty years, jazz was the story of players who made the transition from childhood spasm bands to Carnegie Hall and worldwide touring and fame. It became the music of the Twenties, a decade of Prohibition, of adolescent discontent, of Harlem pride, and of Americans hoping to preserve cultural traditions in an urban, commercial age. And jazz was where black and white musicians performed together, as uneasy partners, in the big bands of Artie Shaw and Benny Goodman. "Blacks fought back by using jazz," states Peretti, "with its unique cultural and intellectual properties, to prove, assess, and evade the "dynamic of minstrelsy." Drawing on newspaper reports of the times and on the firsthand testimony of more than seventy prominent musicians and singers (among them Benny Carter, Bud Freeman, Kid Ory, and Mary Lou Williams), The Creation of Jazz is the first comprehensive analysis of the role of early jazz in American social history. Geschichte 1880-1940 gnd rswk-swf Jazz gtt Muzieksociologie gtt Musik Schwarze. USA African Americans Music History and criticism Jazz History and criticism Jazz (DE-588)4028532-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Jazz (DE-588)4028532-7 s Geschichte 1880-1940 z DE-604 1\p DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=004076344&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
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