Cancelled words: rediscovering Thomas Hardy
The manuscript of Hardy's first great novel, Far From the Madding Crowd, vanished shortly after its first publication. Rediscovered in 1918 and sold into private hands, it was eventually bequeathed to the Beinecke Rare Books Library at Yale University and studied here in depth, for the first ti...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London [u.a.]
Routledge
1992
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Zusammenfassung: | The manuscript of Hardy's first great novel, Far From the Madding Crowd, vanished shortly after its first publication. Rediscovered in 1918 and sold into private hands, it was eventually bequeathed to the Beinecke Rare Books Library at Yale University and studied here in depth, for the first time, by Rosemarie Morgan. This lost manuscript sheds remarkable new light not only on this novel but on the whole of Hardy's work. The manuscript pages, facsimiles of which are reproduced here, reveal Hardy's original composition in the novel and the reluctantly 'cancelled words' which were the result of a long struggle with Sir Leslie Stephen, Hardy's editor. The book was originally commissioned as a rural piece, yet Hardy had other ideas, and author and editor battled over the novel's development. Professor Morgan reveals that Hardy's chief concerns - the development of artistic balance, the role and position of women, his critical view of class distinction - are all articulated much more clearly in the first version than in the printed text. She demonstrates, moreover, that these pages, with words scored through, sentences overwritten and paragraphs revised, show his progressive development as a twentieth-century 'modernist' in the last quarter of the nineteenth century. He was 'father' of the modern novel's valorization of the 'low-life' hero and heroine. Cancelled Words reveals the manner in which Hardy worked: his resistance to censorship, his scrupulous attention to detail and precision, and the often concealed processes underlying his authorship. Ultimately, it serves to shape our understanding of the development of the modern novel. |
Beschreibung: | XI, 215 S. |
ISBN: | 0415068258 |
Internformat
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520 | 3 | |a The manuscript of Hardy's first great novel, Far From the Madding Crowd, vanished shortly after its first publication. Rediscovered in 1918 and sold into private hands, it was eventually bequeathed to the Beinecke Rare Books Library at Yale University and studied here in depth, for the first time, by Rosemarie Morgan. This lost manuscript sheds remarkable new light not only on this novel but on the whole of Hardy's work. The manuscript pages, facsimiles of which are reproduced here, reveal Hardy's original composition in the novel and the reluctantly 'cancelled words' which were the result of a long struggle with Sir Leslie Stephen, Hardy's editor. The book was originally commissioned as a rural piece, yet Hardy had other ideas, and author and editor battled over the novel's development. Professor Morgan reveals that Hardy's chief concerns - the development of artistic balance, the role and position of women, his critical view of class distinction - are all articulated much more clearly in the first version than in the printed text. She demonstrates, moreover, that these pages, with words scored through, sentences overwritten and paragraphs revised, show his progressive development as a twentieth-century 'modernist' in the last quarter of the nineteenth century. He was 'father' of the modern novel's valorization of the 'low-life' hero and heroine. Cancelled Words reveals the manner in which Hardy worked: his resistance to censorship, his scrupulous attention to detail and precision, and the often concealed processes underlying his authorship. Ultimately, it serves to shape our understanding of the development of the modern novel. | |
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Datensatz im Suchindex
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---|---|
any_adam_object | |
author | Morgan, Rosemarie |
author_GND | (DE-588)143381970 |
author_facet | Morgan, Rosemarie |
author_role | aut |
author_sort | Morgan, Rosemarie |
author_variant | r m rm |
building | Verbundindex |
bvnumber | BV006399734 |
callnumber-first | P - Language and Literature |
callnumber-label | PR4745 |
callnumber-raw | PR4745 |
callnumber-search | PR4745 |
callnumber-sort | PR 44745 |
callnumber-subject | PR - English Literature |
classification_rvk | HL 2985 |
ctrlnum | (OCoLC)24695653 (DE-599)BVBBV006399734 |
dewey-full | 823/.8 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 823 - English fiction |
dewey-raw | 823/.8 |
dewey-search | 823/.8 |
dewey-sort | 3823 18 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
edition | 1. publ. |
format | Book |
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id | DE-604.BV006399734 |
illustrated | Not Illustrated |
indexdate | 2024-07-09T16:45:25Z |
institution | BVB |
isbn | 0415068258 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-004052574 |
oclc_num | 24695653 |
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physical | XI, 215 S. |
publishDate | 1992 |
publishDateSearch | 1992 |
publishDateSort | 1992 |
publisher | Routledge |
record_format | marc |
spelling | Morgan, Rosemarie Verfasser (DE-588)143381970 aut Cancelled words rediscovering Thomas Hardy Rosemarie Morgan 1. publ. London [u.a.] Routledge 1992 XI, 215 S. txt rdacontent n rdamedia nc rdacarrier The manuscript of Hardy's first great novel, Far From the Madding Crowd, vanished shortly after its first publication. Rediscovered in 1918 and sold into private hands, it was eventually bequeathed to the Beinecke Rare Books Library at Yale University and studied here in depth, for the first time, by Rosemarie Morgan. This lost manuscript sheds remarkable new light not only on this novel but on the whole of Hardy's work. The manuscript pages, facsimiles of which are reproduced here, reveal Hardy's original composition in the novel and the reluctantly 'cancelled words' which were the result of a long struggle with Sir Leslie Stephen, Hardy's editor. The book was originally commissioned as a rural piece, yet Hardy had other ideas, and author and editor battled over the novel's development. Professor Morgan reveals that Hardy's chief concerns - the development of artistic balance, the role and position of women, his critical view of class distinction - are all articulated much more clearly in the first version than in the printed text. She demonstrates, moreover, that these pages, with words scored through, sentences overwritten and paragraphs revised, show his progressive development as a twentieth-century 'modernist' in the last quarter of the nineteenth century. He was 'father' of the modern novel's valorization of the 'low-life' hero and heroine. Cancelled Words reveals the manner in which Hardy worked: his resistance to censorship, his scrupulous attention to detail and precision, and the often concealed processes underlying his authorship. Ultimately, it serves to shape our understanding of the development of the modern novel. Hardy, Thomas <1840-1928> / Far from the madding crowd Hardy, Thomas <1840-1928> Far from the madding crowd Criticism, Textual Stephen, Leslie <Sir, 1832-1904> Hardy, Thomas 1840-1928 Far from the madding crowd (DE-588)4347376-3 gnd rswk-swf Far from the madding crowd (Hardy) gtt Textkritik (DE-588)4059657-6 gnd rswk-swf Textgeschichte (DE-588)4117192-5 gnd rswk-swf Hardy, Thomas 1840-1928 Far from the madding crowd (DE-588)4347376-3 u Textgeschichte (DE-588)4117192-5 s DE-604 Textkritik (DE-588)4059657-6 s DE-188 |
spellingShingle | Morgan, Rosemarie Cancelled words rediscovering Thomas Hardy Hardy, Thomas <1840-1928> / Far from the madding crowd Hardy, Thomas <1840-1928> Far from the madding crowd Criticism, Textual Stephen, Leslie <Sir, 1832-1904> Hardy, Thomas 1840-1928 Far from the madding crowd (DE-588)4347376-3 gnd Far from the madding crowd (Hardy) gtt Textkritik (DE-588)4059657-6 gnd Textgeschichte (DE-588)4117192-5 gnd |
subject_GND | (DE-588)4347376-3 (DE-588)4059657-6 (DE-588)4117192-5 |
title | Cancelled words rediscovering Thomas Hardy |
title_auth | Cancelled words rediscovering Thomas Hardy |
title_exact_search | Cancelled words rediscovering Thomas Hardy |
title_full | Cancelled words rediscovering Thomas Hardy Rosemarie Morgan |
title_fullStr | Cancelled words rediscovering Thomas Hardy Rosemarie Morgan |
title_full_unstemmed | Cancelled words rediscovering Thomas Hardy Rosemarie Morgan |
title_short | Cancelled words |
title_sort | cancelled words rediscovering thomas hardy |
title_sub | rediscovering Thomas Hardy |
topic | Hardy, Thomas <1840-1928> / Far from the madding crowd Hardy, Thomas <1840-1928> Far from the madding crowd Criticism, Textual Stephen, Leslie <Sir, 1832-1904> Hardy, Thomas 1840-1928 Far from the madding crowd (DE-588)4347376-3 gnd Far from the madding crowd (Hardy) gtt Textkritik (DE-588)4059657-6 gnd Textgeschichte (DE-588)4117192-5 gnd |
topic_facet | Hardy, Thomas <1840-1928> / Far from the madding crowd Hardy, Thomas <1840-1928> Far from the madding crowd Criticism, Textual Stephen, Leslie <Sir, 1832-1904> Hardy, Thomas 1840-1928 Far from the madding crowd Far from the madding crowd (Hardy) Textkritik Textgeschichte |
work_keys_str_mv | AT morganrosemarie cancelledwordsrediscoveringthomashardy |