European theories of the drama: with a supplement on the American drama ...
Saved in:
| Format: | Book |
|---|---|
| Language: | English |
| Published: |
New York
Crown
1978
|
| Edition: | Newly rev. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XIV, 628 S. |
| ISBN: | 0517505398 |
Staff View
MARC
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| 245 | 1 | 0 | |a European theories of the drama |b with a supplement on the American drama ... |c by Barrett H. Clark |
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Record in the Search Index
| _version_ | 1804120518510510080 |
|---|---|
| adam_text | CONTENTS
PAGE
Introduction to the
1947
Edition
.......
, ν
Preface to the Revised Edition
.,,...,...,
vii
Greek. Dramatic Criticism
............ 3
Aristotle
................. 3
The Poetic
................ 4
Latin Dramatic Criticism
,..,,....... 23
Horace
................. 23
The Art of Poetry
........... ... 24
Dramatic Criticism of the Middle Ages
..... ... 33
Donatus
................ 33
On Comedy and Tragedy
............ 34
Dante
................. 36
Epistle to Can Grande
......... . ... 37
Italian Dramatic Criticism of the Renaissance
...... 38
Daniello
................. 40
Poetics
............. ... 40
Minturno
................ 41
The Art of Poetry
............. . 41
Scaliger
................. 45
Poetics
................. 46
Castelvetro
................ 48
Poetics
.............. ... 48
French Dramatic Criticism of the Renaissance
. . . . . .51
Sebillet
................. 53
The Art of Poetry
........... ... 53
De la
Taille
............. ... 55
The Art of Tragedy
............. 55
Spanish Dramatic Criticism of the Golden Age
...... 58
______________CONTENTS______________________ix
PAGE
Spanish Dramatic Criticism of the Eighteenth Century
... 59
Spanish Dramatic Criticism of the Nineteenth and Twentieth
Centuries
...,.,,,.... ... 60
Cervantes
................ 60
Don Quixote
..,.,,...,.,.,. 61
Lope de Vega.....
.,,,,., ... 63
The New Art of Writing Plays
,,.,,., ... 63
Tirso de
Molina
........... ... 6?
The Orchards of Toledo
......... ... 68
Lorca.............. ... 69
The Authority of the Theatre
........... 69
Elizabethan Dramatic Criticism
.......... 71
Sidney
.......... ..... 73
An
Apologie
for Poetry
............ 74
Jonson
................. 76
Timber; or, Discoveries, etc
............ 77
To the Readers (Dedication of
Se janus)
........ 80
Dedication to Volpone
............. 80
French Dramatic Criticism of the Seventeenth Century
. . .81
Ogier
.................82
Preface to Tyre and Sidon
............83
Chapelain
................88
Opinions of the French Academy
.......... 89
Summary of a Poetic of the Drama
......... 91
Abbé
d Aubignac
.............. 92
The Whole Art of the Stage
........ ... 93
Corneille
............. ... 99
Discourse on the Uses and Elements of Dramatic Poetry
, , ,100
Molière
.................
ПО
School for Wives Criticized
, , . . , . . . . , ,111
Preface to
Tartufe
.............. 11
S?
Racine
.................
і
13
Preface to
La Thébaïde
. , , , , . , , . . ,
lié
First Preface, to Aiidromaqtie
. ■. , . . . . , , , ,114
First Preface to
Britanniens , . . , , . . . , , , 115
Preface to
Bérénice
, , , . , , , , , . , , .116
PAGE
Preface to
Phèdre
.............. 117
Boileau
................. 118
The Art of Poetry
.............. 119
Saint-Evremond
.............. 123
Of Ancient and Modern Tragedy
.......... 123
Restoration and Eighteenth Century English Dramatic Criticism
127
Dryden
...... ........... 130
An Essay of
Dramatiek
Poesie.......... 130
Preface to Troilus and Cressida
. ........ 147
Milton
................. 156
Preface to Samson Agonistes
....... , ... 167
Rymer
................. 158
A Short View of Tragedy
............ 158
Congreve
................ 163
Concerning Humour in Comedy
........ . ,164
Farquhar
................ 168
A Discourse upon Comedy
.......- ... 169
Addison
................ . 178
The Spectator
............... 179
Johnson
................. 180
Preface to Shakespeare
......... ... 182
Goldsmith
................ 190
An Essay on the Theatre
....., . . . . . .191
Hume
................. 193
xOf Tragedy
................ 194
Italian Dramatic Criticism of the Seventeenth Century
. , .198
Italian Dramatic Criticism of the Eighteenth Century
. . .198
Italian Dramatic Criticism of the Nineteenth and Twentieth
Centuries
..............199
Goldoni
................. 199
The Comic Theater
.............. 200
Memoirs
................ 201
Gozzi
................. 204
Useless Memoirs
.............. 205
Pirandello
................ 206
Preface to Six Characters in Search of an Author
..... 206
PAGE
German Dramatic Criticism from the Beginning to
Lessing
. .213
Lessing.................
214
Hamburg Dramaturgy
.............215
French Dramatic Criticism of the Eighteenth Century
. . . 227
Voltaire
..............., , 228
Preface to Herod and
Marianině
....., , , . ,230
Letter to Father
Porée
(Preface to
Œdipus)
...... 282
A Discourse on Tragedy (Preface to Brutus)
. , , , , ,283
Diderot
.................. 237
On Dramatic Poetry
............. 238
Beaumarchais
.,,..,,,,,.. . 261
Essay on the Serious
Draina
. , . . , . . . , . ,253
Dedicatory Letter to The Barber of Seville
....... 259
Modern German Dramatic Criticism
....... 260
Schiller
.................262
Preface to The Robbers
............263
On Tragic Art
, . . . . .........265
Goethe
.................268
Conversations
...............269
Epic and Dramatic Poetry
. , ,......, .281
Schlegel.................283
Lectures on Dramatic Art and Literature
........ 284
Wagner
................. 288
The Purpose of the Opera
............ 289
Nietzsche
................ 296
The Birth of Tragedy from the Spirit of Music
...... 296
Freud
................. 304-
Oedipus and Hamlet
...,...,.,. ... 304.
Brecht .............. ... 307
Theatre for Learning
..,,,.,.,. ... 307
Duerrenmatt
. . . , . , . . , . , . , , .312
Problems of the Theatre
, , , , , , , , ,
:
. ,313
Scandinavian Dramatic Criticism
. . . , , , , , , =318
Ibsen
.....,.,.,,... , 819
On the Poet s Vision
...... . . . , . . .819
PAGE
To the Norwegian Women s Rights League
....... 320
Ibsen and Socialism
............. 321
Strindberg
................ 321
Author s Foreword to Miss Julie
.......... 322
Russian Dramatic Criticism
............328
Chekov
.................329
Letters on the Drama
.............329
Stanislavsky
............. ... 337
The Magic Ifs
............., . 338
Plekhanov
............. ... 341
French Drama of the Eighteenth Century
.... ... 342
Korneichuk
................ 348
The Author and Society
;
The Soviet Point of View
..... 348
French Dramatic Criticism of the Nineteenth and Twentieth
Centuries
............... 349
Stendhal
.......... ...... 352
Racine or Shakespeare?
............352
Hugo
................. 356
Preface to Cromwell
.............357
Dumas
fils
.................370
Preface to A Prodigal Father
......... . 371
Zola
..................376
Preface to
Thérèse Raquin
......... ... 377
Brunetière
................379
The Law of the Drama
............ 380
Bergson
................. 386
The Comic Element
............. 386
Maeterlinck.
............... 392
The Tragical in Daily Life
........... 393
Preface to the Plays
............. 394
Artaud
................. 397
The Theatre and Cruelty
............ 397
Sartre
................. 399
Forgers of Myths
..............399
Ionesco
................. 404
There Is No Avant-garde Theatre
.........404
PAGE
Dramatic Criticism of the Nineteenth and Twentieth
Centuries
...............407
Coleridge
................409
Greek Drama
...............409
The Progress of Drama
........ ... 412
The Drama Generally, and Public Taste
........413
Notes on the Tempest
.............416
Shakespeare s English Historical Plays
........418
Notes on Othello
..............420
Lamb
.............■ 420
On the Artificial Comedy of the Last Century
, . , , , .421
Hazlitt
.............. ... 426
On the Comic Writers of the Last Century
....... 426
Meredith
............. ... 438
An Essay on Comedy
............. 438
Shaw
................. 441
The Author s Apology
............. 441
The Problem Play
.............. 443
Archer
.................447
Playmaking
................448
Yeats
.................452
Emotion of Multitude
............. 452
The Reform of the Theatre
........... 453
Synge
................ 454
Preface to The Playboy of the Western World
. , . . , .455
Preface to The Tinker s Wedding
.......... 456
O Casey.
............... . 456
Green Goddess of Realism
......... ... 457
Eliot
................. 460
Poetry and Drama
.............. 460
SUPPLEMENT ON THE UNITED STATES
Dramatic Criticism of the United States
..,.,.,» 470
Matthews
.......,,.,,,.„» 472
The Art of the Dramatist
............ 473
Baker
...... ........... 476
The Essentials of Drama
............ 477
xiv CONTENTS
PAGE
Nathan.................482
The
Diamo
as an Art
.............482
Lewisohn
................490
Speaking of the Theater
............490
Krutch
................. 492
The Tragic Fallacy
..............492
O Neill
................. 501
O Neill Talks About His Plays
..........602
Memoranda on Masks
.......... ... 503
Neglected Poet
...............504
Lawson
........ ......... 505
The Law of Conflict
............. 505
Anderson
............. ... 509
The Essence of Tragedy
,..,......,. 510
Gassner
. . . . . . . . . . . . . . . . .514
Catharsis and the Modern Theater
. . . . . . . . .514
Brown
.................518
The Tragic Blueprint
.............518
Fergusson
................ 523
Oedipus Rex
. . ............523
Williams
................528
The Timeless World of a Play
...........528
Frye
..................530
Specific Forms of Drama
............531
Miller
.................536
Tragedy and the Common Man
. . . .......537
Bentley
.................539
What Is Theatre? A Point of View
......... 539
Bibliography
................ 543
Index
................... 614
|
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| title | European theories of the drama with a supplement on the American drama ... |
| title_auth | European theories of the drama with a supplement on the American drama ... |
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| title_full | European theories of the drama with a supplement on the American drama ... by Barrett H. Clark |
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