Verfügbarkeit: European theories of the drama

European theories of the drama: with a supplement on the American drama ...

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Bibliographische Detailangaben
Format:	Buch
Sprache:	English
Veröffentlicht:	New York Crown 1978
Ausgabe:	Newly rev.
Schlagworte:	Geschichte Dramaturgie Toneel Theater Dramentheorie Quelle
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	XIV, 628 S.
ISBN:	0517505398

Internformat

MARC


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Datensatz im Suchindex

_version_	1804120518510510080
adam_text	CONTENTS PAGE Introduction to the 1947 Edition ....... , ν Preface to the Revised Edition .,,...,..., vii Greek. Dramatic Criticism ............ 3 Aristotle ................. 3 The Poetic ................ 4 Latin Dramatic Criticism ,..,,....... 23 Horace ................. 23 The Art of Poetry ........... ... 24 Dramatic Criticism of the Middle Ages ..... ... 33 Donatus ................ 33 On Comedy and Tragedy ............ 34 Dante ................. 36 Epistle to Can Grande ......... . ... 37 Italian Dramatic Criticism of the Renaissance ...... 38 Daniello ................. 40 Poetics ............. ... 40 Minturno ................ 41 The Art of Poetry ............. . 41 Scaliger ................. 45 Poetics ................. 46 Castelvetro ................ 48 Poetics .............. ... 48 French Dramatic Criticism of the Renaissance . . . . . .51 Sebillet ................. 53 The Art of Poetry ........... ... 53 De la Taille ............. ... 55 The Art of Tragedy ............. 55 Spanish Dramatic Criticism of the Golden Age ...... 58 ______________CONTENTS______________________ix PAGE Spanish Dramatic Criticism of the Eighteenth Century ... 59 Spanish Dramatic Criticism of the Nineteenth and Twentieth Centuries ...,.,,,.... ... 60 Cervantes ................ 60 Don Quixote ..,.,,...,.,.,. 61 Lope de Vega..... .,,,,., ... 63 The New Art of Writing Plays ,,.,,., ... 63 Tirso de Molina ........... ... 6? The Orchards of Toledo ......... ... 68 Lorca.............. ... 69 The Authority of the Theatre ........... 69 Elizabethan Dramatic Criticism .......... 71 Sidney .......... ..... 73 An Apologie for Poetry ............ 74 Jonson ................. 76 Timber; or, Discoveries, etc ............ 77 To the Readers (Dedication of Se janus) ........ 80 Dedication to Volpone ............. 80 French Dramatic Criticism of the Seventeenth Century . . .81 Ogier .................82 Preface to Tyre and Sidon ............83 Chapelain ................88 Opinions of the French Academy .......... 89 Summary of a Poetic of the Drama ......... 91 Abbé d Aubignac .............. 92 The Whole Art of the Stage ........ ... 93 Corneille ............. ... 99 Discourse on the Uses and Elements of Dramatic Poetry , , ,100 Molière ................. ПО School for Wives Criticized , , . . , . . . . , ,111 Preface to Tartufe .............. 11 S? Racine ................. і 13 Preface to La Thébaïde . , , , , . , , . . , lié First Preface, to Aiidromaqtie . ■. , . . . . , , , ,114 First Preface to Britanniens , . . , , . . . , , , 115 Preface to Bérénice , , , . , , , , , . , , .116 PAGE Preface to Phèdre .............. 117 Boileau ................. 118 The Art of Poetry .............. 119 Saint-Evremond .............. 123 Of Ancient and Modern Tragedy .......... 123 Restoration and Eighteenth Century English Dramatic Criticism 127 Dryden ...... ........... 130 An Essay of Dramatiek Poesie.......... 130 Preface to Troilus and Cressida . ........ 147 Milton ................. 156 Preface to Samson Agonistes ....... , ... 167 Rymer ................. 158 A Short View of Tragedy ............ 158 Congreve ................ 163 Concerning Humour in Comedy ........ . ,164 Farquhar ................ 168 A Discourse upon Comedy .......- ... 169 Addison ................ . 178 The Spectator ............... 179 Johnson ................. 180 Preface to Shakespeare ......... ... 182 Goldsmith ................ 190 An Essay on the Theatre ....., . . . . . .191 Hume ................. 193 xOf Tragedy ................ 194 Italian Dramatic Criticism of the Seventeenth Century . , .198 Italian Dramatic Criticism of the Eighteenth Century . . .198 Italian Dramatic Criticism of the Nineteenth and Twentieth Centuries ..............199 Goldoni ................. 199 The Comic Theater .............. 200 Memoirs ................ 201 Gozzi ................. 204 Useless Memoirs .............. 205 Pirandello ................ 206 Preface to Six Characters in Search of an Author ..... 206 PAGE German Dramatic Criticism from the Beginning to Lessing . .213 Lessing................. 214 Hamburg Dramaturgy .............215 French Dramatic Criticism of the Eighteenth Century . . . 227 Voltaire ..............., , 228 Preface to Herod and Marianině ....., , , . ,230 Letter to Father Porée (Preface to Œdipus) ...... 282 A Discourse on Tragedy (Preface to Brutus) . , , , , ,283 Diderot .................. 237 On Dramatic Poetry ............. 238 Beaumarchais .,,..,,,,,.. . 261 Essay on the Serious Draina . , . . , . . . , . ,253 Dedicatory Letter to The Barber of Seville ....... 259 Modern German Dramatic Criticism ....... 260 Schiller .................262 Preface to The Robbers ............263 On Tragic Art , . . . . .........265 Goethe .................268 Conversations ...............269 Epic and Dramatic Poetry . , ,......, .281 Schlegel.................283 Lectures on Dramatic Art and Literature ........ 284 Wagner ................. 288 The Purpose of the Opera ............ 289 Nietzsche ................ 296 The Birth of Tragedy from the Spirit of Music ...... 296 Freud ................. 304- Oedipus and Hamlet ...,...,.,. ... 304. Brecht .............. ... 307 Theatre for Learning ..,,,.,.,. ... 307 Duerrenmatt . . . , . , . . , . , . , , .312 Problems of the Theatre , , , , , , , , , : . ,313 Scandinavian Dramatic Criticism . . . , , , , , , =318 Ibsen .....,.,.,,... , 819 On the Poet s Vision ...... . . . , . . .819 PAGE To the Norwegian Women s Rights League ....... 320 Ibsen and Socialism ............. 321 Strindberg ................ 321 Author s Foreword to Miss Julie .......... 322 Russian Dramatic Criticism ............328 Chekov .................329 Letters on the Drama .............329 Stanislavsky ............. ... 337 The Magic Ifs ............., . 338 Plekhanov ............. ... 341 French Drama of the Eighteenth Century .... ... 342 Korneichuk ................ 348 The Author and Society ; The Soviet Point of View ..... 348 French Dramatic Criticism of the Nineteenth and Twentieth Centuries ............... 349 Stendhal .......... ...... 352 Racine or Shakespeare? ............352 Hugo ................. 356 Preface to Cromwell .............357 Dumas fils .................370 Preface to A Prodigal Father ......... . 371 Zola ..................376 Preface to Thérèse Raquin ......... ... 377 Brunetière ................379 The Law of the Drama ............ 380 Bergson ................. 386 The Comic Element ............. 386 Maeterlinck. ............... 392 The Tragical in Daily Life ........... 393 Preface to the Plays ............. 394 Artaud ................. 397 The Theatre and Cruelty ............ 397 Sartre ................. 399 Forgers of Myths ..............399 Ionesco ................. 404 There Is No Avant-garde Theatre .........404 PAGE Dramatic Criticism of the Nineteenth and Twentieth Centuries ...............407 Coleridge ................409 Greek Drama ...............409 The Progress of Drama ........ ... 412 The Drama Generally, and Public Taste ........413 Notes on the Tempest .............416 Shakespeare s English Historical Plays ........418 Notes on Othello ..............420 Lamb .............■ 420 On the Artificial Comedy of the Last Century , . , , , .421 Hazlitt .............. ... 426 On the Comic Writers of the Last Century ....... 426 Meredith ............. ... 438 An Essay on Comedy ............. 438 Shaw ................. 441 The Author s Apology ............. 441 The Problem Play .............. 443 Archer .................447 Playmaking ................448 Yeats .................452 Emotion of Multitude ............. 452 The Reform of the Theatre ........... 453 Synge ................ 454 Preface to The Playboy of the Western World . , . . , .455 Preface to The Tinker s Wedding .......... 456 O Casey. ............... . 456 Green Goddess of Realism ......... ... 457 Eliot ................. 460 Poetry and Drama .............. 460 SUPPLEMENT ON THE UNITED STATES Dramatic Criticism of the United States ..,.,.,» 470 Matthews .......,,.,,,.„» 472 The Art of the Dramatist ............ 473 Baker ...... ........... 476 The Essentials of Drama ............ 477 xiv CONTENTS PAGE Nathan.................482 The Diamo as an Art .............482 Lewisohn ................490 Speaking of the Theater ............490 Krutch ................. 492 The Tragic Fallacy ..............492 O Neill ................. 501 O Neill Talks About His Plays ..........602 Memoranda on Masks .......... ... 503 Neglected Poet ...............504 Lawson ........ ......... 505 The Law of Conflict ............. 505 Anderson ............. ... 509 The Essence of Tragedy ,..,......,. 510 Gassner . . . . . . . . . . . . . . . . .514 Catharsis and the Modern Theater . . . . . . . . .514 Brown .................518 The Tragic Blueprint .............518 Fergusson ................ 523 Oedipus Rex . . ............523 Williams ................528 The Timeless World of a Play ...........528 Frye ..................530 Specific Forms of Drama ............531 Miller .................536 Tragedy and the Common Man . . . .......537 Bentley .................539 What Is Theatre? A Point of View ......... 539 Bibliography ................ 543 Index ................... 614
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discipline	Anglistik / Amerikanistik Literaturwissenschaft
edition	Newly rev.
era	Geschichte gnd
era_facet	Geschichte
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title	European theories of the drama with a supplement on the American drama ...
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title_full	European theories of the drama with a supplement on the American drama ... by Barrett H. Clark
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