The works: 1773
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Hildesheim
Olms
1969
|
| Ausgabe: | Reprografischer Nachdr. der Ausg. London 1773 |
| Schriftenreihe: | Anglistica et Americana
37 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIX, 346 S. |
Internformat
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Datensatz im Suchindex
| _version_ | 1804120474798522368 |
|---|---|
| adam_text | J
THE
CONTENTS
O F T H E
ESSAY
ON THE
THEORY of PAINTING.
PREFACE
— —
Pagei
A difcourfe on the art of painting
;
its
ufefulnefs, and the proper qualifications of a
painter
— — —
ι
Introduction to the main work
— 20
Of Invention
— —> 22
Exprtffion
«— —- 48
Compofition
— —,64
Defign or Drawing
—
Jj
Colouring
Of
x
CONTENTS.
Of Handling
__. ___
Grace and Greatnefi
_
^
Ц
The Sublime
_ _
93
Hiftorical and chronological
feries
of the
prľ„!
opal
profeíľor,
of painting
_
P
THE
[ xi 3
THE
CONTENTS
O F T H E
ESSAY
O N T H E
ART of CRITICISM.
ТПНЕ
introduction
—
Page
ι6ι
Of the Goodnefs of a Picture, &c.
No picture without
fome
faults
— 166
Two ways of judging; directly from the thing
itfelf, and obliquely by authority. The
latter of thefe I meddle not with ibid.
Avoid prejudices
— 167
And certain improper arguments
168
No regard to be had to what perhaps the mailer
intended, but judge from what appears
170
Eílabliíh
CONTENTS.
Page i7l
Ľíhbíiŕb
rules
—
An
аЬЛтаЛ
or
thelê
— 172
Be
acquainted with the befl: things
174
Oí*
the
fubîime
— — 175
Bendes
that
goodnefs
which
conflits
in a con¬
formity to the rules of art, there is another
kind, and that is as the thing anfwers the
ends
— — 176
The principal end of painting is the improve¬
ment of the mind, and next to that mere
pleafure
— —
ibid,
in what proportion the feveral kinds and parts
of painting anfwer the ends
■— 178
A picture or drawing ihould be confidered dif-
tinctly
— — 182
And with method and order
—
ibid.
What order
beft
to be obferved
183
A leale
of merit propofed
—
ibid.
A diflènation on a
half-length portrait of Van¬
dyke
— — 184
On a hiftory of Nicolas Pouffin
192.
A
Љ
orter
way of confidering a picture, exem¬
plified upon one of Annibale Carracci
200
Of the Knowledge of Hands.
In all pictures and drawings, the thought and
the hand is to be confidered
— 202
No
CONTENTS.
ХШ
No two men think and act alike Page
203
There is a real difference therefore in the works
of the feveral mailers
—
ibid.
And that difcernable
— 204
But in
fome
more than in others ibid.
The way to know hands is to get an idea of the
mailers
— — 205
From hiftory
— — 206
From their works
— 207
Cautions to be obferved in the
ufe
of the
former
— —
ibid.
Obfervations on the
ufe
of the other
209
The mailers have differed from themfelves as
well as from each other; all their feveral
manners therefore
muil
be known
211
Some account of thefe
—
ibid.
Care mult be taken that the works on which
we form our ideas of a mailer be genuine
219
What helps a beginner may have in this par¬
ticular
— — — 2
го
Requintes
to a connoifieur in hands
:
1.
To be acquainted with the hiftory of paint¬
ing, and of the mailers
o
221
2.
To be able to form clear and juft ideas
222
3.
Particular application
—· —
ibid.
Of
xiv CONTENTS.
Cf
Originals
and Copies.
The feveral kinds and degrees of thefe Page
223
Equivocal works
— — 225
The queftion, Whether a picture or a draw¬
ing is an original or a copy
?
ftated
226
Arguments to be rejected
— 227
1.
The ftate of the queftion [Is it original, or
copy at large?] fpoken to
— 228
2.
Is it of
fuch
a hand, or after him
? 229
An objection anfwered
— — 231
3.
Is this of
fuch
a mailer s own invention, or
copied by him after
fome
other? ibid.
4.
Is it done by the mailer from the life, or
invention, or after another picture of his
own?
— — — —
ibid.
Of prints
— — — 233
It is
neceíľary
to have clear and
diftinćt
ideas
2a6
THE
THE
O N T E N T S
O F T H
E
r G U M E N T
IN BEHALF OF THE
SCIENCE
of a CONNOISSEUR.
TNTRODUCTION
—
Page
241
■·■
The fcience recommended by its dignity,
certainty, pleafure, and advantage
244
An idea of painting, whereby it appears that it
is not only a fine piece of workmanihip, and
an exact imitation of common nature·, its bu-
fineû
is chiefly to raife and improve nature,
and above all to communicate ideas
245
Painting
xvi
CONTENTS.
Painting compared with hiftory, poetry, and
fculpture
;
particularly with the latter, and
preferred
— —
Page
252
liiuftrated in the hiftory of count Ugolino of
Pifa,
by Viilani
— — — 256
The fame ftory as managed by Dante
259
A baiìò-relievo
oí
the fame by Michael
Angelo
262
Painting, and the fcience of a connoifieur might
be made very beneficial to the public
267
1.
In the reformation of our manners
268
2.
The improvement of our people
27г
З·
The increafe of our wealth, &c.
272
The dignity of the fcience farther appears from
the qualifications
requinte
to a connoiflcur
285
Amongft others (which are mentioned) he
muit
be a good hiftorian
— —· 284
Hiftory of painting
— — 286
Account of the fevtral fchools of modern paint¬
ing
— -—
o
be known by a connoiifcur
A general idea of them
—
296
The
CONTENTS.
xvii
The works of thg mailers completes their
hiftory
— — —
Page
301
Thofe of the greateft quality not only con-
noifièurs, but
fome
of them have painted
alfo
— — — —
ibid.
SECT. II.
The preceding difcourfe applied to the fciencc
of a connoiiTeur
<— — 302
The rules for judging of the goodnefs of a
picture, &c. inconteftable
;
with a Ihorter
abftraćt
of thefe than in the former treatife
3°3
The like aflurance in many cafes as to the
hands and originality
— —· 305
Others lefs certain
— — —- 306
Others more doubtful
— — 308
But in the
moft
material cafes we are
moft
affured
—- — — —
ibid.
Objection from the variety of opinions of con-
noiíľeurs
— — 309
This does not always happen from the obfeu-
rity of the fcience, but from
fome
defect in
the men
«— —
ibid.
b Nor
XVíll
CONTENTS.
Nor
is there
ίο
great a difference in opinions as
there feems to be.
—
Page
3
1
г
SECT. III.
The fcience recommended by the pleafure
к
affords
— — 319
In difcovering the great effects and beauties of
art
■— — — 321
The
fubjećr.
being raifed
<— — 322
And with variety according to the feveral tem¬
pers of the
m
afters
— — 323
By this means the beauties of nature are better
feen
— — — —
ibid.
And the mind filled with great and lovely
images
—· — 324
The rarity gives pleafure
— 325
Incidental pleafures
— -— 326
Pleafures from the knowledge of hands when
we confider the hiftory of the mailers at the
fame time we fee their works
327
And when we compare them one with another,
and with themfclves, being a fine exercife of
our reafon
—- ,—. 231
And wherein we are at full liberty
332
SECT,
CONTENTS.
SECT. IV.
The advantages of the fcience Page 33a
1.
The reformation of our manners, refine¬
ment of our pleafures, increafe of our for¬
tunes and reputation
—« 334
Improvement to painters, fculptors, &c.
^ţ
2.
It is an accompliihment proper for a gentle¬
man
— — —- 336
3.
By this we are enabled to judge for our-
felves
------ ------ ------ 339
A
N
|
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| edition | Reprografischer Nachdr. der Ausg. London 1773 |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-09T16:42:40Z |
| institution | BVB |
| language | English |
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| physical | XIX, 346 S. |
| publishDate | 1969 |
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| publisher | Olms |
| record_format | marc |
| series | Anglistica et Americana |
| series2 | Anglistica et Americana |
| spelling | Richardson, Jonathan 1694-1771 Verfasser (DE-588)135550564 aut Sammlung The works 1773 Jonathan Richardson Reprografischer Nachdr. der Ausg. London 1773 Hildesheim Olms 1969 XIX, 346 S. txt rdacontent n rdamedia nc rdacarrier Anglistica et Americana 37 Richardson, Jonathan 1694-1771 Traité de la peinture et de la sculpture (DE-588)7612271-2 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Richardson, Jonathan 1694-1771 Traité de la peinture et de la sculpture (DE-588)7612271-2 u Ästhetik (DE-588)4000626-8 s Kunstkritik (DE-588)4033659-1 s DE-604 Anglistica et Americana 37 (DE-604)BV000005936 37 Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=003954397&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Richardson, Jonathan 1694-1771 The works 1773 Anglistica et Americana Richardson, Jonathan 1694-1771 Traité de la peinture et de la sculpture (DE-588)7612271-2 gnd Kunstkritik (DE-588)4033659-1 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)7612271-2 (DE-588)4033659-1 (DE-588)4000626-8 |
| title | The works 1773 |
| title_auth | The works 1773 |
| title_exact_search | The works 1773 |
| title_full | The works 1773 Jonathan Richardson |
| title_fullStr | The works 1773 Jonathan Richardson |
| title_full_unstemmed | The works 1773 Jonathan Richardson |
| title_short | The works |
| title_sort | the works 1773 |
| title_sub | 1773 |
| topic | Richardson, Jonathan 1694-1771 Traité de la peinture et de la sculpture (DE-588)7612271-2 gnd Kunstkritik (DE-588)4033659-1 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Richardson, Jonathan 1694-1771 Traité de la peinture et de la sculpture Kunstkritik Ästhetik |
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