O'Neil Ford, architect:
Himself designated a National Historical Landmark by the National Council on the Arts, O'Neil Ford with his associates designed some of the most famous architectural landmarks in Texas and elsewhere in the nation: the Texas Instruments Semiconductor Building in Dallas, the Little Chapel in the...
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
College Station, Tex.
Texas A & M Univ. Press
1992
|
Schriftenreihe: | Sara and John Lindsey series in the arts and humanities
1 |
Schlagworte: | |
Zusammenfassung: | Himself designated a National Historical Landmark by the National Council on the Arts, O'Neil Ford with his associates designed some of the most famous architectural landmarks in Texas and elsewhere in the nation: the Texas Instruments Semiconductor Building in Dallas, the Little Chapel in the Woods at Texas Woman's University, campuses of the University of Texas at San Antonio, Skidmore College in New York, and Trinity University, San Antonio. The list of credits goes on and on for this remarkable architect who brought an indigenous Southwestern flair to homes, public buildings, and businesses. From the mid-1930s until his death in 1982, Ford was a pied piper for young architects, and the message he piped was always the same: sensitivity to the nature of materials the earth provided; concern for timelessness and the performance of a building over the long haul; adaptability to changing needs; and innovative approaches to budgetary constraints. In short, he advocated and practiced the building of structures that are expressions of something real and lasting. With 36 full-color photographs and 124 black-and-white pictures, this volume lavishly illustrates his vision and his legacy. O'Neil Ford was controversial, paradoxical, contradictory. No one who knew him or his work was lukewarm about him. Nor was he lukewarm about others. In his world there were only heroes and villains; the villains were the |
Beschreibung: | XIII, 273 S. zahlr. Ill. |
ISBN: | 0890964335 |
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490 | 1 | |a Sara and John Lindsey series in the arts and humanities |v 1 | |
520 | 3 | |a Himself designated a National Historical Landmark by the National Council on the Arts, O'Neil Ford with his associates designed some of the most famous architectural landmarks in Texas and elsewhere in the nation: the Texas Instruments Semiconductor Building in Dallas, the Little Chapel in the Woods at Texas Woman's University, campuses of the University of Texas at San Antonio, Skidmore College in New York, and Trinity University, San Antonio. The list of credits goes | |
520 | 3 | |a on and on for this remarkable architect who brought an indigenous Southwestern flair to homes, public buildings, and businesses. From the mid-1930s until his death in 1982, Ford was a pied piper for young architects, and the message he piped was always the same: sensitivity to the nature of materials the earth provided; concern for timelessness and the performance of a building over the long haul; adaptability to changing needs; and innovative approaches to budgetary | |
520 | 3 | |a constraints. In short, he advocated and practiced the building of structures that are expressions of something real and lasting. With 36 full-color photographs and 124 black-and-white pictures, this volume lavishly illustrates his vision and his legacy. O'Neil Ford was controversial, paradoxical, contradictory. No one who knew him or his work was lukewarm about him. Nor was he lukewarm about others. In his world there were only heroes and villains; the villains were the | |
600 | 1 | 4 | |a Ford, O'Neil <1905-1982> |x Criticism and interpretation |
600 | 1 | 7 | |a Ford, O'Neil |d 1905-1982 |0 (DE-588)119104903 |2 gnd |9 rswk-swf |
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700 | 1 | |a Ford, O'Neil |d 1905-1982 |e Sonstige |0 (DE-588)119104903 |4 oth | |
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Datensatz im Suchindex
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any_adam_object | |
author_GND | (DE-588)119104903 |
building | Verbundindex |
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dewey-ones | 720 - Architecture |
dewey-raw | 720/.92 |
dewey-search | 720/.92 |
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dewey-tens | 720 - Architecture |
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illustrated | Illustrated |
indexdate | 2024-07-09T16:41:13Z |
institution | BVB |
isbn | 0890964335 |
language | English |
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oclc_num | 23975799 |
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owner_facet | DE-12 DE-83 |
physical | XIII, 273 S. zahlr. Ill. |
publishDate | 1992 |
publishDateSearch | 1992 |
publishDateSort | 1992 |
publisher | Texas A & M Univ. Press |
record_format | marc |
series | Sara and John Lindsey series in the arts and humanities |
series2 | Sara and John Lindsey series in the arts and humanities |
spelling | O'Neil Ford, architect Mary Carolyn Hollers George College Station, Tex. Texas A & M Univ. Press 1992 XIII, 273 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Sara and John Lindsey series in the arts and humanities 1 Himself designated a National Historical Landmark by the National Council on the Arts, O'Neil Ford with his associates designed some of the most famous architectural landmarks in Texas and elsewhere in the nation: the Texas Instruments Semiconductor Building in Dallas, the Little Chapel in the Woods at Texas Woman's University, campuses of the University of Texas at San Antonio, Skidmore College in New York, and Trinity University, San Antonio. The list of credits goes on and on for this remarkable architect who brought an indigenous Southwestern flair to homes, public buildings, and businesses. From the mid-1930s until his death in 1982, Ford was a pied piper for young architects, and the message he piped was always the same: sensitivity to the nature of materials the earth provided; concern for timelessness and the performance of a building over the long haul; adaptability to changing needs; and innovative approaches to budgetary constraints. In short, he advocated and practiced the building of structures that are expressions of something real and lasting. With 36 full-color photographs and 124 black-and-white pictures, this volume lavishly illustrates his vision and his legacy. O'Neil Ford was controversial, paradoxical, contradictory. No one who knew him or his work was lukewarm about him. Nor was he lukewarm about others. In his world there were only heroes and villains; the villains were the Ford, O'Neil <1905-1982> Criticism and interpretation Ford, O'Neil 1905-1982 (DE-588)119104903 gnd rswk-swf Ford, O'Neil 1905-1982 (DE-588)119104903 p DE-604 George, Mary C. Sonstige oth Ford, O'Neil 1905-1982 Sonstige (DE-588)119104903 oth Sara and John Lindsey series in the arts and humanities 1 (DE-604)BV006155149 1 |
spellingShingle | O'Neil Ford, architect Sara and John Lindsey series in the arts and humanities Ford, O'Neil <1905-1982> Criticism and interpretation Ford, O'Neil 1905-1982 (DE-588)119104903 gnd |
subject_GND | (DE-588)119104903 |
title | O'Neil Ford, architect |
title_auth | O'Neil Ford, architect |
title_exact_search | O'Neil Ford, architect |
title_full | O'Neil Ford, architect Mary Carolyn Hollers George |
title_fullStr | O'Neil Ford, architect Mary Carolyn Hollers George |
title_full_unstemmed | O'Neil Ford, architect Mary Carolyn Hollers George |
title_short | O'Neil Ford, architect |
title_sort | o neil ford architect |
topic | Ford, O'Neil <1905-1982> Criticism and interpretation Ford, O'Neil 1905-1982 (DE-588)119104903 gnd |
topic_facet | Ford, O'Neil <1905-1982> Criticism and interpretation Ford, O'Neil 1905-1982 |
volume_link | (DE-604)BV006155149 |
work_keys_str_mv | AT georgemaryc oneilfordarchitect AT fordoneil oneilfordarchitect |