Singing techniques and vocal pedagogy:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York u. a.
Garland
1989
|
| Schriftenreihe: | Outstanding dissertations in music from British universities
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Zugl.: Guildford, Univ., Diss. |
| Beschreibung: | 394 S. Ill., graph. Darst. |
| ISBN: | 0824020464 |
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| adam_text | (Singing
Techniques and
Vocal Pedagogy
5rian White
Garland Publishing, Inc
New York amp; London 1989
Contents
List of Tables and Illustrations
Acknowledgments
Prefatory Notes
Chapter 1 Introduction and background to the present study 1
Chapter 2 An Historical Review of the Scientific Study of the
Voice and the Teaching of Singing 4
Chapter 3 Posture and Breathing in Relation to Singing 16
3 1 Posture and singing 16
3 2 Breathing and singing 22
Chapter 4 The Functioning of the Larynx in Relation to
Singing 37
4 1 Introduction 37
4 2 The shock of the glottis 37^
4 3 The action of the true vocal folds during phonation 40
4 4 Sinus tone production 47
Chapter 5 Vocal Registers 50
5 1 Introduction 50
5 2 Modern scientific evidence for registers 56
5 3 Modal registers 60
5 4 The falsetto register 64
5 5 High adult male voices 71
Chapter 6 Vocal Acoustics 78
6 1 Introduction 78
6 2 Periodicity 79
6 3 White voices 81
6 4 The trill 82
6 5 The wobble 83
6 6 The tremolo 83
6 7 Sound spectra 84
6 8 The resonance properties of body cavities 106
Chapter 7 The Analysis of Recorded Voices (I) 122
7 1 Introduction 122
7 2 Explanations of the waveform diagrams 123
7 3 Explanations of the sound spectra diagrams 126
7 4 The chest resonance experiment 128
7 5 The analysis of recordings accompanying Lucie Manen s
book, The Art of Singing (197r4) 139
76A comparison of the results from the chest resonance ex-
periment with those from the analysis of the Manen record-
ings 151
7 7 Overall conclusions which may be applicable to the analy-
sis of singers voices in general 152
Chapter 8 The Analysis of Recorded Voices (II) 155
8 1 Introduction 155
8 2 The choice of notes for analysis 156
8 3 Details relating to the recordings, waveforms and sound
spectrographs 157
8 4 Discussion of the observations summarized in Table 8 1
Chapter 9 The Results of a Survey of British Singing Teachers
9 1 Introduction 233
9 2 Vocal science questionnaire 234
9-3 Discussion of results 241
9 4 Conclusions 247
Chapter 10 Summary and General Conclusions 248
10 1 Introduction 248
10 2 Aim: to provide an historical account to show how
singing teaching has been influenced by scientific discover-
ies about the voice 248
10 3 Aim: a clear description of the anatomy, physiology, and
acoustics of the vocal organs, in relation to the singing
voice, so far as these are known at present 250
10 4 Aim: a review of many aspects of vocal pedagogy, with
criticisms based upon a strictly scientific approach 253
10 5 Aim: the analysis of the recorded voices of some famous
singers, with attempts to clarify some fundamental aspects
of voice production 254
10 6 Epilogue 255
Bibliography 256
Appendix A A Brief Chronological Account of Important Voice
Scientists, Singing Teachers and Their Works 281
Al Introduction 281
A2 B C -1599 281
A3 1600-1699 283
A4 1700-1799 287
A5 1800-1853 291
A6 1854-1899 297
A7 1900-1982 303
Appendix B The Alexander Technique and Related Postural
Ideas 309
Bl Introduction 309
B2 Correction of faulty posture 313
Appendix C The Anatomy and Physiology of the Respiratory
System 317
Cl The mechanism of breathing 317
C2 Methods used to study breathing in singers 323
C3 The larynx 324
Appendix D Voice Types 336
Dl Introduction 336
D2 Castrati singers 338
Appendix E Acoustics 343
El Vibrato 345
E2 The acoustical properties of violins 349
E3 Artificial models of the living vocal tract 350
Appendix F Technical Matters Relating to the Analysis of Re-
corded Voices, and Details of the Equipment Used 353
Fl Problems associated with the study of gramaphone record-
ing 353
F2 The transfer of notes for analysis 359
F3 The transfer of disc recordings 359
F4 The recordings for the chest resonance experiment 360
F5 The playing back of recordings into the Nova 4 computer
and the Briiel and Kjaer 3347 Analyzer 360
F6 The use of the Nova 4 computer 363
F7 The use of the Briiel and Kjaer Real-Time Third Octave
Analyzer Type 3347 365
Appendix G Sources of Gramophone Recordings 369
Appendix H Brief Details of the Singers Mentioned in This
Work 375
Appendix J Summary of Relevant Results and Conclusions
From M Phil Thesis 390
Jl Skeletal factors 391
J2 Lung function 391
J3 Vocal acoustics and hearing 391
J4 General conclusion 394
Tables and Illustrations
Fig 3 1 Correct and faulty head positions 17
Fig 3-2 The process of expiration likened to a hydraulic press
Tab 3-1 Air flow and sound intensity 30
Fig 4 1 The larynx closed immediately before phonation 40
Fig 4 2 Schematic view of the sinuses 48
Tab 51A summary of early theories of registers 53
Tab 5 2 Average transition pitches for registers 57
Tab 5-3 Differences of laryngeal function in chest and falsetto
registers of the male 70
Fig 6 1 An example of a vibration pattern of a complex note
Fig 6 2 The modification of the voice source spectrum by
formants 84
Fig 6 3 Section through the head showing the vocal organs
and details of formant production 87
Fig 6 4 Points of constriction in the vocal tract which modify
formant frequencies 88
Tab 6 1 The first two vowel formants 89
Fig 6 5 The position of the first formant of ah and the sing-
ing formant in relation to the harmonics of D3, D4, and D5
Tab 6 2 Average transition pitches from the middle register to
the head register at mf 103
Fig 6 6 The vocal tract described as a series of Helmholtz
resonators 107
Fig 7 1 An example of a waveform produced by the B PLOT
program on the Nova 4 computer 124
Fig 7 2 Blank grid on which the Briiel amp; Kjaer 2305 Level
Recorder draws a sound spectrum 126
Fig 7 3 Background noise produced by the Briiel amp; Kjaer
apparatus 128
Tab 7 1 Velocity of sound 130
Tab 7 2 Details of notes sung in chest resonance experiment
Fig 7 4 Chest resonance experiment, waveforms and spectro-
graphs 133-135
Fig 7 5 Manen recordings: waveforms and spectrographs
143-146
Fig 8 1 Waveforms and spectrographs of famous singers
159-190
Tab 8 1 Summary of observations from Figs 7 4, 7 5, and 8 1
191-201
Tab 8 2 Supposed formant areas of eh and a when sung
with a fundamental of 250 Hz 210
Tab 8 3 Details of spectra which were averaged 214-215
Fig 8 2 Average spectra 216-219
Fig 8 3 Waveforms adapted from Miller (1934) 222
Fig 8 4 Effect on the resultant waveform of changing the
relative phase of the second harmonic 223
Tab 8 4 Notes sung by Caruso 229
Tab 9 1 Replies to the vocal science questionnaire 239
Fig Al Two important seventeenth- and eighteenth-century
Italian Schools of singing 285
Fig A2 The Garcia family and two of its famous pupils 291
Fig Cl The intercostal muscles 318
Fig C2 Movements of the thorax during breathing 319
Fig C3 Extreme positions of the thorax and diaphragm during
breathing 321
Tab Cl Units of pressure 323
Fig C4 Basic structure of the larynx 327
Fig C5 The extrinsic laryngeal musculature 329
Fig C6 Superior aspect of the larynx 331
Fig C7 The interior of the larynx, seen from behind 331
Fig C8 The actions of some of the internal muscles of the
larynx 333
Tab C2 Average dimensions of the larynx in European adults
Tab El Frequencies of notes in the tempered scale 344
Fig El An electrical analogue of the vocal tract 352
Fig Fl Circuit diagram of the ionizer built to remove static
electricity from gramophone records 356
Pla Fl Nova 4 computer 362
Pla F2 Briiel amp; Kjaer Analyzer 362
Tab Fl Centre frequencies of the 30 third octave filters 366
Fig F2 Spectrograph of Gigli singing G#4; produced by the
Nicolet Mini-Ubiquitous Spectrum Analyzer, 440A 367
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| series2 | Outstanding dissertations in music from British universities |
| spelling | White, Brian Verfasser aut Singing techniques and vocal pedagogy New York u. a. Garland 1989 394 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Outstanding dissertations in music from British universities Zugl.: Guildford, Univ., Diss. Uitvoeringspraktijk gtt Zangkunst gtt Singing Instruction and study Gesangunterricht (DE-588)4156945-3 gnd rswk-swf Gesangstechnik (DE-588)4156939-8 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Gesangunterricht (DE-588)4156945-3 s DE-604 Gesangstechnik (DE-588)4156939-8 s HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=003838096&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | White, Brian Singing techniques and vocal pedagogy Uitvoeringspraktijk gtt Zangkunst gtt Singing Instruction and study Gesangunterricht (DE-588)4156945-3 gnd Gesangstechnik (DE-588)4156939-8 gnd |
| subject_GND | (DE-588)4156945-3 (DE-588)4156939-8 (DE-588)4113937-9 |
| title | Singing techniques and vocal pedagogy |
| title_auth | Singing techniques and vocal pedagogy |
| title_exact_search | Singing techniques and vocal pedagogy |
| title_full | Singing techniques and vocal pedagogy |
| title_fullStr | Singing techniques and vocal pedagogy |
| title_full_unstemmed | Singing techniques and vocal pedagogy |
| title_short | Singing techniques and vocal pedagogy |
| title_sort | singing techniques and vocal pedagogy |
| topic | Uitvoeringspraktijk gtt Zangkunst gtt Singing Instruction and study Gesangunterricht (DE-588)4156945-3 gnd Gesangstechnik (DE-588)4156939-8 gnd |
| topic_facet | Uitvoeringspraktijk Zangkunst Singing Instruction and study Gesangunterricht Gesangstechnik Hochschulschrift |
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