Understanding dance:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Undetermined |
| Veröffentlicht: |
London u.a.
Routledge
1992
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VIII, 344 S. |
| ISBN: | 0415078091 0415078105 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Introduction 1
The project 2
Style, structure and audience 3
Autonomy for dance studies? 5
Rigour 6
Philosophy 8
Acknowledgements 11
Part I Groundwork
1 Basic Concepts for Aesthetics 15
Definition and deftniteness 16
The objectivity of appreciation 21
The artistic and the (merely) aesthetic 38
Conclusion 44
Part II The Nature of Dance
2 Dance as Action 49
The importance of the issue 50
Dance as a Special kind of movement 51
Understanding action 52
People, not machines 55
Two ways of talking 57
The importance of context 58
Insights from the two-language view 59
A technical point: defeasibility 61
Conclusion 65
3 Dance as Art 67
Tradition and Conventions of art 67
Conventions and understanding 69
An institutional account of art 71
A fundamental objection to institutional theories of art 74
A reply to this objection 75
A diagnosis of the origin of the objection 79
Digression: the Community view of concepts 82
Outcomes of the institutional analysis 84
Conclusion 86
v
CONTENTS
4 Dance as a Performing Art 88
Performing arts, multiples and identity 88
Type/token 90
The creation of the type-work 94
The thesis of notationality 97
Interpretation and Performance 99
Performers interpretations 103
Further considerations 104
Re-evaluation 106
Variety among Performances 108
Conclusion 110
5 Dance as an Object of Understanding 112
Meaning, understanding and explanation 113
Meaning and institutional concepts 116
Two difficulties for the dance/language analogy 117
Objections from structural linguistics: an example 120
An area of disanalogy? 122
Interpretation and Performance (again) 123
Conclusion 125
Part III Understanding of Dance
6 Understanding and Dance Criticism 129
Three topics for the understanding of dance 129
Two unsatisfactory accounts of criticism: rules and scrutiny 131
A modest proposal for the extension of the critic s cognitive stock 135
Two provisos for an account of criticism as noticing 138
The restrictive proviso reconsidered 140
Arbitrariness and reading in 142
Some criticisms of the view of criticism as noticing 145
7 Understanding, Experience and Criticism 148
Dance as an object of understanding 149
The meaning of dances identified with informed criticism 152
Interpretation and emotional education (I) 154
Interpretation and emotional education (II) 157
The knowledge-base of criticism 159
Conclusion 160
8 The Point of Dance 164
Purposive versus artistic justification 165
Emotional education and conceptual change 168
The objects of emotions 171
vi
CONTENTS
Art and life issues 173
Art works and art forms 179
Two theses for an account of art 182
Life issues and the familiär 185
Conclusion 191
Part IV Concepts for Understanding
9 Style and Technique 197
The notion of individual style 197
Two characteristics of style 198
The place of technique (I) 201
Four notes of caution 204
Outcomes of the style/technique connection 205
Condition three: psychological reality 208
The place of technique (II) 211
Conclusion 212
10 Imagination and Understanding 214
Imagination and perception 215
Some objections considered 218
Three other ideas of the imaginary 220
Conclusion 225
11 Intention and Understanding 226
Intentionalist and anti-intentionalist positions 226
The public character of intention 232
Choreographer s intention and Black Angels 237
12 Expression in Dance 242
Expressiveness in dance versus expressiveness in movement 242
Expression and artistic concepts 245
Expression and understanding 248
Expressive of what? 254
Conclusion 258
Part V Applications and Implications
13 Aesthetic Education: Some Myths 263
The very idea of a kinaesthetic sense 264
The importance of Performance 273
The creative process 276
The very idea of an aesthetic education 282
vii
CONTENTS
14 Dance and Society 284
The meaning of the word dance 284
Dance as natural 292
An art-shaped hole in the theory 294
A sense of history 297
Relativism and understanding 301
Conclusion 309
Conclusion 310
A necessary limitation on the presentation 310
Methods and a key assumption of the text 311
Two fundamental principles of aesthetics 313
Dance in education . 314
Notes 315
Bibliography 328
Index 339
viü
|
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| illustrated | Not Illustrated |
| indexdate | 2024-07-09T16:39:37Z |
| institution | BVB |
| isbn | 0415078091 0415078105 |
| language | Undetermined |
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| physical | VIII, 344 S. |
| publishDate | 1992 |
| publishDateSearch | 1992 |
| publishDateSort | 1992 |
| publisher | Routledge |
| record_format | marc |
| spelling | MacFee, Graham Verfasser aut Understanding dance Graham McFee 1. publ. London u.a. Routledge 1992 VIII, 344 S. txt rdacontent n rdamedia nc rdacarrier Philosophie Ästhetik Aesthetics Dance Philosophy Ästhetik (DE-588)4000626-8 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf Tanz (DE-588)4059028-8 s Ästhetik (DE-588)4000626-8 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=003824753&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | MacFee, Graham Understanding dance Philosophie Ästhetik Aesthetics Dance Philosophy Ästhetik (DE-588)4000626-8 gnd Tanz (DE-588)4059028-8 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4059028-8 |
| title | Understanding dance |
| title_auth | Understanding dance |
| title_exact_search | Understanding dance |
| title_full | Understanding dance Graham McFee |
| title_fullStr | Understanding dance Graham McFee |
| title_full_unstemmed | Understanding dance Graham McFee |
| title_short | Understanding dance |
| title_sort | understanding dance |
| topic | Philosophie Ästhetik Aesthetics Dance Philosophy Ästhetik (DE-588)4000626-8 gnd Tanz (DE-588)4059028-8 gnd |
| topic_facet | Philosophie Ästhetik Aesthetics Dance Philosophy Tanz |
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