Selected writings and interviews:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Knopf
1990
|
| Ausgabe: | 1. ed. |
| Schriftenreihe: | Borzoi book
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 331 S. Ill. |
| ISBN: | 0394580389 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
Acknowledgments xi
Introduction xiii
Chronology xxix
I THE ARTIST- CITIZEN
On the Need for Political Action by Men of Culture (1933) 4
From The Answer—America’s Civil Service Magazine (1936) 9
Civil Service—The American Way Out (1936) 13
Interview with Thomas Hart Benton (1938) 14
Can We Draw? The Board of Examiners Says—No! (1938) 18
What About Isolationist Art? (1942) 20
American Modern Artists (1943) 29
New York (1943 or 1944) 30
i
vi Contents
Drafts of a Protest Against Recent Art Criticism and of
a Letter to the Editor, The New York Times (1950) 34
Open Letter to Roland L. Redmond,
President of the Metropolitan Museum of Art (1952) 36
Open Letter to William A. M. Burden,
President of the Museum of Modern Art (1953) 38
Letter to the Editor, The New York Times Magazine (1954) 40
Letter to John C. Warner,
President of the Carnegie Institute (1961) 42
Letter to C. C. Cunningham,
Director of the Art Institute of Chicago (1968) 43
The True Revolution Is Anarchist!”: Foreword to
Memoirs of a Revolutionist by Peter Kropotkin (1968) 44
II THE ARTIST- CRITIC
Critic Turned Artist (1925) 54
Concerning Objective Criticism (1926) 56
Letter to Adolph and Esther Gottlieb (1943 or 1944) 58
Adolph Gottlieb (1944) 60
Pre-Columbian Stone Sculpture (1944) 61
Pre-Columbian Stone Sculpture (1944) 62
On Modern Art: Inquiry and Confirmation (1944) 66
The Painting of Tamayo and Gottlieb (1945) 71
Milton Avery (1945) 77
The Problem of Subject Matter (1944—45) 80
The Anglo-Saxon Tradition in Art Criticism (c. 1944—45) 83
Painting and Prose / Frankenstein (1945) 86
Conten ts vii
Surrealism and the War (1945) 94
Memorial Letter for Howard Putzel (1945) 96
Art of the South Seas (1946) 98
Peggy Guggenheim (1946) 103
Teresa Zarnower (1946) 103
Northwest Coast Indian Painting (1946) 105
The Ideographic Picture (1947) 107
Stamos (1947) 109
Ferber (1947-48) 110
Arshile Gorky: Poet and Immolator (1948) 111
To Be or Not—From ”6 Opinions on Dr. Trigant Burrow’s
The Neuroses of Man” (1949) 113
Review of Abstract Painting: Background and American Phase
by Thomas B. Hess (1951) 118
Embattled Lamb: Review of Embattled Critic
by John Canaday (1962) 124
Amlash Sculpture from Iran (1963) 129
For Impassioned Criticism. (1968) 130
III THE ARTIST-THINKER
The Plasmic Image (1945) x 138
The First Man Was an Artist (1947) 156
From The Ides of Art: The Attitudes of Ten Artists
on Their Art and Contemporaneousness” (1947) 160
Response to Clement Greenberg (1947) 161
The New Sense of Fate (1947—48)
164
viii Contents
The Object and the Image (1948) 170
The Sublime Is Now (1948) 170
Ohio, 1949 (1949) 174
IV STATEMENTS
Statement (1950) 178
Statement (1951) 178
From The New American Painting (1957—58) 178
From Recent American Synagogue Architecture (1963) 180
Preface to 18 Cantos (1963—64) 182
On Emma Lake (1964) 184
From Exhibition of the United States of America (1965) 186
From Barnett Newman: The Stations of the Cross,
Lema Sabachthani (1966) 187
The Fourteen Stations of the Cross, 1958—1966 (1966) 189
From Jackson Pollock: An Artists’ Symposium, Part I”
(1967) 191
From Art Now: New York (1969) 192
Chartres and Jericho (1969) 193
In Front of the Real Thing (1970) 195
V CORRESPONDENCE
Letter to Alfonso Ossorio (1953) 198
Letter to the Editor, ARTnews (1955) 199
Letter to Sidney Janis (1955) 200
Letter to Clement Greenberg (1955) 202
Contents
IX
Letter to John I. H. Baur,
Director of the Whitney Museum of American Art (1955) 204
Letter to Betty Parsons (1955) 206
Letter to John I. H. Baur,
Director of the Whitney Museum of American Art (1957) 207
Letter to the Editor, The New Republic (1957) 209
Letter to Howard Nemerov (1958) 211
Letter to W. McNeil Lowry,
Director of the Ford Foundation (1958) 212
Letter to the Editor, ARTnews (1959) 214
Letters to the Editor (Replies to Erwin Panofsky),
ARTnews (1961) 216
Letter to John Gordon, Curator,
The Whitney Museum of American Art (1962) 221
Letter to Harold Rosenberg (1963) 222
Letter to the Editor, ARTnews (1965) , 223
Letters to the Editor (Replies to Robert Motherwell),
Art International (1967— 68) 225
Letter to the Editor, ARTnews (1968) 233
Letters to William S. Rubin, Curator,
The Museum of Modern Art (1968) 234
VI COLLOQUIES .
Remarks at Artists’ Sessions at Studio 35 (1950) 240
Remarks at the Fourth Annual Woodstock Art Conference
(1952) 242
Frontiers of Space” Interview with Dorothy Gees Seckler
(1962) 247
Interview with Lane Slate (1963) 251
X
Contents
Interview with David Sylvester (1965) 254
The New York School Question
Interview with Neil A. Levine (1965) 259
The Case for Exporting’ Nation’s Avant-Garde Art”
Interview with Andrew Hudson (1966) 268
A Conversation: Barnett Newman and Thomas B. Hess (1966) 273
Response to the Reverend Thomas F. Mathews (1967) 286
Through the Louvre with Barnett Newman,”
by Pierre Schneider (1969) 290
Interview with Emile de Antonio (1970) 302
Index 309
Illustrations follow page 158
|
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