Nietzsche's philosophy of art:
This is the first comprehensive treatment of Nietzsche's philosophy of art to appear in English. Julian Young argues that Nietzsche's thought about art can be understood only in the context of his wider philosophy. In particular, he discusses the dramatic changes in Nietzschean aesthetics...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge u.a.
Cambridge Univ. Press
1992
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| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Zusammenfassung: | This is the first comprehensive treatment of Nietzsche's philosophy of art to appear in English. Julian Young argues that Nietzsche's thought about art can be understood only in the context of his wider philosophy. In particular, he discusses the dramatic changes in Nietzschean aesthetics against the background of the celebrated themes of the death of God, eternal recurrence and the idea of the Ubermensch. The first chapter deals with Schopenhauer, who, along with Wagner, is viewed as the essential reference point for all of Nietzsche's thought. Young then divides Nietzsche's career, and his philosophy of art, into four distinct phases, but suggests that these phases describe a circle. An attempt at world-affirmation is made in the central phases, but Nietzsche is predominantly influenced at the beginning and end of his career by a Schopenhauerian pessimism. At the beginning and end art is important because it "redeems" us from life. This is a clear and lucid account of Nietzsche's philosophy of art. It combines exegesis, interpretation, and criticism in a judicious balance, and will be essential reading for all scholars of philosophy and German studies with an interest in Nietzsche or aesthetics. |
| Beschreibung: | XIII, 170 S. |
| ISBN: | 0521411246 |
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| 520 | 3 | |a This is the first comprehensive treatment of Nietzsche's philosophy of art to appear in English. Julian Young argues that Nietzsche's thought about art can be understood only in the context of his wider philosophy. In particular, he discusses the dramatic changes in Nietzschean aesthetics against the background of the celebrated themes of the death of God, eternal recurrence and the idea of the Ubermensch. The first chapter deals with Schopenhauer, who, along with Wagner, is viewed as the essential reference point for all of Nietzsche's thought. Young then divides Nietzsche's career, and his philosophy of art, into four distinct phases, but suggests that these phases describe a circle. An attempt at world-affirmation is made in the central phases, but Nietzsche is predominantly influenced at the beginning and end of his career by a Schopenhauerian pessimism. At the beginning and end art is important because it "redeems" us from life. This is a clear and lucid account of Nietzsche's philosophy of art. It combines exegesis, interpretation, and criticism in a judicious balance, and will be essential reading for all scholars of philosophy and German studies with an interest in Nietzsche or aesthetics. | |
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Datensatz im Suchindex
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| callnumber-first | B - Philosophy, Psychology, Religion |
| callnumber-label | B3318 |
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| callnumber-search | B3318.A4 |
| callnumber-sort | B 43318 A4 |
| callnumber-subject | B - Philosophy |
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| dewey-full | 111/.85/092 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 111 - Ontology |
| dewey-raw | 111/.85/092 |
| dewey-search | 111/.85/092 |
| dewey-sort | 3111 285 292 |
| dewey-tens | 110 - Metaphysics |
| discipline | Kunstgeschichte Philosophie |
| edition | 1. publ. |
| era | Geschichte 1800-1900 |
| era_facet | Geschichte 1800-1900 |
| format | Book |
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| id | DE-604.BV005465196 |
| illustrated | Not Illustrated |
| indexdate | 2024-10-21T12:02:02Z |
| institution | BVB |
| isbn | 0521411246 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-003421163 |
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| physical | XIII, 170 S. |
| publishDate | 1992 |
| publishDateSearch | 1992 |
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| publisher | Cambridge Univ. Press |
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| spelling | Young, Julian 1943- Verfasser (DE-588)131848895 aut Nietzsche's philosophy of art Julian Young 1. publ. Cambridge u.a. Cambridge Univ. Press 1992 XIII, 170 S. txt rdacontent n rdamedia nc rdacarrier This is the first comprehensive treatment of Nietzsche's philosophy of art to appear in English. Julian Young argues that Nietzsche's thought about art can be understood only in the context of his wider philosophy. In particular, he discusses the dramatic changes in Nietzschean aesthetics against the background of the celebrated themes of the death of God, eternal recurrence and the idea of the Ubermensch. The first chapter deals with Schopenhauer, who, along with Wagner, is viewed as the essential reference point for all of Nietzsche's thought. Young then divides Nietzsche's career, and his philosophy of art, into four distinct phases, but suggests that these phases describe a circle. An attempt at world-affirmation is made in the central phases, but Nietzsche is predominantly influenced at the beginning and end of his career by a Schopenhauerian pessimism. At the beginning and end art is important because it "redeems" us from life. This is a clear and lucid account of Nietzsche's philosophy of art. It combines exegesis, interpretation, and criticism in a judicious balance, and will be essential reading for all scholars of philosophy and German studies with an interest in Nietzsche or aesthetics. Nietzsche, Friedrich <1844-1900> Nietzsche, Friedrich Wilhelm <1844-1900> - Esthétique Nietzsche, Friedrich Wilhelm <1844-1900> Aesthetics Nietzsche, Friedrich 1844-1900 (DE-588)118587943 gnd rswk-swf Geschichte 1800-1900 Esthetica gtt Esthétique - 19e siècle Ästhetik Aesthetics, Modern 19th century Ästhetik (DE-588)4000626-8 gnd rswk-swf Nietzsche, Friedrich 1844-1900 (DE-588)118587943 p Ästhetik (DE-588)4000626-8 s DE-604 |
| spellingShingle | Young, Julian 1943- Nietzsche's philosophy of art Nietzsche, Friedrich <1844-1900> Nietzsche, Friedrich Wilhelm <1844-1900> - Esthétique Nietzsche, Friedrich Wilhelm <1844-1900> Aesthetics Nietzsche, Friedrich 1844-1900 (DE-588)118587943 gnd Esthetica gtt Esthétique - 19e siècle Ästhetik Aesthetics, Modern 19th century Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)118587943 (DE-588)4000626-8 |
| title | Nietzsche's philosophy of art |
| title_auth | Nietzsche's philosophy of art |
| title_exact_search | Nietzsche's philosophy of art |
| title_full | Nietzsche's philosophy of art Julian Young |
| title_fullStr | Nietzsche's philosophy of art Julian Young |
| title_full_unstemmed | Nietzsche's philosophy of art Julian Young |
| title_short | Nietzsche's philosophy of art |
| title_sort | nietzsche s philosophy of art |
| topic | Nietzsche, Friedrich <1844-1900> Nietzsche, Friedrich Wilhelm <1844-1900> - Esthétique Nietzsche, Friedrich Wilhelm <1844-1900> Aesthetics Nietzsche, Friedrich 1844-1900 (DE-588)118587943 gnd Esthetica gtt Esthétique - 19e siècle Ästhetik Aesthetics, Modern 19th century Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Nietzsche, Friedrich <1844-1900> Nietzsche, Friedrich Wilhelm <1844-1900> - Esthétique Nietzsche, Friedrich Wilhelm <1844-1900> Aesthetics Nietzsche, Friedrich 1844-1900 Esthetica Esthétique - 19e siècle Ästhetik Aesthetics, Modern 19th century |
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