Pictorial concepts: inquiries into the semiotic heritage and its relevance to the interpretation of the visual world
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lund
Lund Univ. Press [u.a.]
1989
|
| Schriftenreihe: | Aris / Nova series
4 |
| Schlagworte: | |
| Online-Zugang: | Volltext Inhaltsverzeichnis |
| Beschreibung: | Literaturverz. S. 354 - 366 |
| Beschreibung: | 367 S. Ill., graph. Darst. |
| ISBN: | 9179660622 086238205X |
Internformat
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| 245 | 1 | 0 | |a Pictorial concepts |b inquiries into the semiotic heritage and its relevance to the interpretation of the visual world |c Göran Sonesson |
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| 912 | |a ebook | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-003196603 | ||
Datensatz im Suchindex
| _version_ | 1804119327079661568 |
|---|---|
| adam_text | Contents
Preface 7
Introduction: Pictorial semiotics between the Pro-
crustean bed and the Tower of Babel 9
Part I. UNMASKING LÉVI-STRAUSS; OR:
BEYOND STRUCTURALISM IN SEMIOTICS 14
Chapter 1.1. The quest for semiotic specificity 15
1.1.1. In search of history. Regilding the legend 15
1.1.2. The linguistic model. A view from the
semiotic tripod 17
1.1.3. The recourse to method. The dandelion
case 18
1.1.4. The point of view is the point of view. The
Chapter 1.4. Quadratures of the hermeneutic
circle. The problem of a logic of qualities 90
1.4.1. Complex oppositions. How to quadrate
the circle 91
1.4.2. The meanings of meaning 2: signs vs
categories 94
1.4.3. On the logic of qualities. Gardner reads
Piaget and Lévi-Strauss 96
1.4.4. On the qualities of logic. Gurwitsch reads
Husserl and Piaget 97
1.4.5. Figurativity. How to eat your cake and
have it too 101
1.4.6. The skate and other small mythologies.
On the principles of relevance 106
1.4.7. Summary and conclusions 109
1.1.5. qualitative reduction 26 Part 1: Summary and preview 110
Summary and conclusions 29
Part II. CONSTRASTS IN PICTORIAL SEMIO¬
Chapter 1.2 Unwinding Ariadne’s string. Problems TICS: FLOCH VS BARTHES; THE PROBLEM OF
of the Lifeworld 30 SECONDARY LANGUAGES 113
1.2.1. Why there are no camels in the Koran. Chapter II. 1. Barthes on the language of connota¬
The world taken for granted 30 tion 114
I.2.2. Problems of perception. A theory of tea¬
cups and dice 34 11.1.1. Structuralist metaphysics - the Panzani
I.2.3. On Holmesian tracks. Indexicality and version 114
abduction 38 11.1.2. Conceptual sundries. Four notions of
I.2.4. Parts and neighbourhoods: from the connotation 119
Indian Elephant predicament to the 11.1.3. Barthes and Panofsky. The case re¬
Original Serendipity case 43 opened 123
I.2.5. A critique of indexicality. The backwoods¬ 11.1.4. Panzani-land revisited. How Barthes
man meets the wood-feller 49 reads a picture 125
I.2.6. The intrinsic indexicalitles of picturehood 60 11.1.5. Summary and conclusions 132
I.2.7. Summary and conclusions 65
Chapter 11.2. Armchair semiotics - Further
Chapter 1.3. Systema culturae. Semiotics as the problems of the Lifeworld 132
extended theory of categories 65 11.2.1. Meaning as use and use as meaning.
1.3.1. Searching the Chinese Dictionary. Four
categories of categories 66
1.3.2. The cannibal’s body image. Intensional
and extensional hierarchies 72
1.3.3. Marilyn and other meanings. On relations
In general and oppositions in particular 76
1.3.4. The meanings of meaning 1: structure vs
configuration 81
1.3.5. Back to the Levi-Straussian masque-
rade. Structure and abduction 86
1.3.6. Summary and conclusions 90
The turning of a corkscrew 133
11.2.2. The science of the tomato. Identification
and structure 137
11.2.3. The Flatland part of Panzaniland. The
pictorial surface 147
11.2.4. Summary and conclusions 149
Chapter 11.3. Floch on plastic language 150
11.3.1. Iconic and plastic layers of the picture 150
11.3.2. Kandinsky’s “macchia” and the plastic
reduction 152
5
11.3.3. Reading the News”, Structure or config-
uration
11.3.4. The blind spot of the analysis: iconic lan-
guage
11.3.5. Symbolicity and semi-symbolicity. Thor-
valdsen’s Christ, Barbara, and Maluma
11.3.6. The autonomy of plastic language. Tam-
ing the hobby horse
11.3.7. Summary and conclusions
Chapter 11.4. The classical theory of connotation
11.4.1. Metz on Hjelmslev on connotation
11.4.2. Heterogeneity. Intuitive foundations of
Hjelmslev s theory
11.4.3. The dialectics of the invariant and its
variants
11.4.4. Beyond classicism in the theory of con-
notation
11.4.5. Summary and conclusions
Part II. Summary and preview
Part III. PICTURES AS CLOUDS AND MIRRORS;
OR: VARIATIONS ON THE LAW OF TOPFFER
Chapter 111.1. Mirrors - The theory of ¡conical
signs
111.1.1. The Peircean and the Saussurean sign -
from the point of view of iconicity
111.1.2. Convention and different species of icon-
icity
111.1.3. Hendrickje causing Bathsheba. On the
ambiguities of reference
111.1.4. Motivation and effect. Also a defence of
Magritte’s pipe
111.1.5. Summary and conclusions
Chapter III.2. Clouds - The critique of iconicity
111.2.1. Bierman on there being no iconic signs;
an investigation of the Blueprint murder
111.2.2. On conventions; or: the Elephant re-
viewed by his blind men, even
111.2.3. Goodman against similarity; also a phi-
losophy of the scribble
111.2.4. Goodman’s counter-proposal: the ex-
pression scheme. Approaches to Mt.
Fujiyama
111.2.5. Goodman’s counter-proposal: content
and/or reference schemes. The picture
as a multi-dimensional thermometer
111.2.6. Eco’s first critique of iconicity. The art of
zebra watching
111.2.7. Eco’s second critique of iconicity. A taste
of saccharin
111.2.8. Other conceptions of iconicity; with sum-
mary and conclusions
Chapter II 1.3. Mirrored clouds - The psychology
and phenomenology of picture perception 251
111.3.1. Children and other savages look at
pictures 251
111.3.2. A glance through Alberti s window.
Gibsonian phenomenology” 255
111.3.3. In the looking-glace, somewhat darkly.
Hochberg and constructionism 262
111.3.4. The Escher/Reutersvard connection. Im-
possible objects and the perceptual
theme 266
111.3.5. The rabbit transmuted into the duck.
Wittgenstein, Wollheim, and Husserl on
“seeing-as” and “seeing-in 270
111.3.6. Pictorial consciousness and sign func-
tion; including a visit to the Upside-
Downs 276
111.3.7. Summary and conclusions 281
Chapter 111.4. Cloudy mirrors - On the semio-
genesis of pictorial meaning 282
111.4.1. Bringing the hobby horse back home.
Some features of features 283
111.4.2. The myth of the triple articulation 291
111.4.3. Pictorial semiogenesis. How pictures
mean 295
111.4.4. Summary and conclusions 300
Chapter 111.5. Cloudlands in the mirror - The
varieties of pictorial meaning 301
111.5.1. On the exhibitive import of pictorial signs 302
111.5.2. The pictorial reanalysis of the perceptual
world. Matisse’s Blue Body 310
111.5.3. Information packages and thresholds of
iconicity in Schulz s “Peanuts” 316
111.5.4. Summary and conclusions 323
Chapter 111.6. Beyond clouds and mirrors -
Pictures and other ¡conical signs 324
111.6.1. The limits of Goodmanian density. The
picture as an ungraduated thermometer 324
111.6.2. The sign of the twin. Symmetrical and
asymmetrical likenesses 327
111.6.3. Bats out of the belfry. Continuous and
discontinuous likenesses 330
111.6.4. Feline features of a coffee pot. Pictorial
metaphors and the picture as a metaphor 333
111.6.5. Olympia and the lion. The picture, the
dummy, and the Goethean symbol 336
111.6.6. Summary and conclusions 341
Part III and General: Conclusion and further tasks 342
Notes 345
References 354
156
159
163
173
178
179
180
183
187
193
198
199
201
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209
213
219
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| spelling | Sonesson, Göran Verfasser aut Pictorial concepts inquiries into the semiotic heritage and its relevance to the interpretation of the visual world Göran Sonesson Lund Lund Univ. Press [u.a.] 1989 367 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Aris / Nova series 4 Literaturverz. S. 354 - 366 Beeldcommunicatie gtt Semiotiek gtt Sémiotique Sémiotique et arts Semiotics and the arts Bild (DE-588)4006568-6 gnd rswk-swf Semiotik (DE-588)4054498-9 gnd rswk-swf Bild (DE-588)4006568-6 s Semiotik (DE-588)4054498-9 s DE-604 Nova series Aris 4 (DE-604)BV000007273 4 http://lup.lub.lu.se/record/1789584/file/1833636.pdf Verlag kostenfrei Volltext Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=003196603&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Sonesson, Göran Pictorial concepts inquiries into the semiotic heritage and its relevance to the interpretation of the visual world Beeldcommunicatie gtt Semiotiek gtt Sémiotique Sémiotique et arts Semiotics and the arts Bild (DE-588)4006568-6 gnd Semiotik (DE-588)4054498-9 gnd |
| subject_GND | (DE-588)4006568-6 (DE-588)4054498-9 |
| title | Pictorial concepts inquiries into the semiotic heritage and its relevance to the interpretation of the visual world |
| title_auth | Pictorial concepts inquiries into the semiotic heritage and its relevance to the interpretation of the visual world |
| title_exact_search | Pictorial concepts inquiries into the semiotic heritage and its relevance to the interpretation of the visual world |
| title_full | Pictorial concepts inquiries into the semiotic heritage and its relevance to the interpretation of the visual world Göran Sonesson |
| title_fullStr | Pictorial concepts inquiries into the semiotic heritage and its relevance to the interpretation of the visual world Göran Sonesson |
| title_full_unstemmed | Pictorial concepts inquiries into the semiotic heritage and its relevance to the interpretation of the visual world Göran Sonesson |
| title_short | Pictorial concepts |
| title_sort | pictorial concepts inquiries into the semiotic heritage and its relevance to the interpretation of the visual world |
| title_sub | inquiries into the semiotic heritage and its relevance to the interpretation of the visual world |
| topic | Beeldcommunicatie gtt Semiotiek gtt Sémiotique Sémiotique et arts Semiotics and the arts Bild (DE-588)4006568-6 gnd Semiotik (DE-588)4054498-9 gnd |
| topic_facet | Beeldcommunicatie Semiotiek Sémiotique Sémiotique et arts Semiotics and the arts Bild Semiotik |
| url | http://lup.lub.lu.se/record/1789584/file/1833636.pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=003196603&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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