Philosophie des Films: seine ästhetischen und metaphysischen Grundlagen
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | German |
| Veröffentlicht: |
Zürich
Rohr
1970
|
| Ausgabe: | Unveränd. fotomechan. Nachdr. d. Orig.-Ausg. Leipzig, 1926 |
| Schriftenreihe: | Filmwissenschaftliche Studientexte
3 |
| Schlagworte: | |
| Beschreibung: | VII, 191 S. |
Internformat
MARC
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| 245 | 1 | 0 | |a Philosophie des Films |b seine ästhetischen und metaphysischen Grundlagen |c Rudolf Harms |
| 250 | |a Unveränd. fotomechan. Nachdr. d. Orig.-Ausg. Leipzig, 1926 | ||
| 264 | 1 | |a Zürich |b Rohr |c 1970 | |
| 300 | |a VII, 191 S. | ||
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| 490 | 1 | |a Filmwissenschaftliche Studientexte |v 3 | |
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Datensatz im Suchindex
| _version_ | 1804119188900413440 |
|---|---|
| any_adam_object | |
| author | Harms, Rudolf |
| author_facet | Harms, Rudolf |
| author_role | aut |
| author_sort | Harms, Rudolf |
| author_variant | r h rh |
| building | Verbundindex |
| bvnumber | BV005077386 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995 |
| callnumber-search | PN1995 |
| callnumber-sort | PN 41995 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 45400 |
| ctrlnum | (OCoLC)1687905 (DE-599)BVBBV005077386 |
| discipline | Allgemeines |
| edition | Unveränd. fotomechan. Nachdr. d. Orig.-Ausg. Leipzig, 1926 |
| era | Geschichte 1926 gnd |
| era_facet | Geschichte 1926 |
| format | Book |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-09T16:22:14Z |
| institution | BVB |
| language | German |
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| physical | VII, 191 S. |
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| publishDate | 1970 |
| publishDateSearch | 1970 |
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| publisher | Rohr |
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| series | Filmwissenschaftliche Studientexte |
| series2 | Filmwissenschaftliche Studientexte |
| spelling | Harms, Rudolf Verfasser aut Philosophie des Films seine ästhetischen und metaphysischen Grundlagen Rudolf Harms Unveränd. fotomechan. Nachdr. d. Orig.-Ausg. Leipzig, 1926 Zürich Rohr 1970 VII, 191 S. txt rdacontent n rdamedia nc rdacarrier Filmwissenschaftliche Studientexte 3 Geschichte 1926 gnd rswk-swf Film Motion pictures Film (DE-588)4017102-4 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Filmästhetik (DE-588)4140881-0 gnd rswk-swf 1\p (DE-588)4135952-5 Quelle gnd-content Film (DE-588)4017102-4 s Philosophie (DE-588)4045791-6 s 2\p DE-604 Filmästhetik (DE-588)4140881-0 s Geschichte 1926 z 3\p DE-604 Filmwissenschaftliche Studientexte 3 (DE-604)BV002787357 3 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Harms, Rudolf Philosophie des Films seine ästhetischen und metaphysischen Grundlagen Filmwissenschaftliche Studientexte Film Motion pictures Film (DE-588)4017102-4 gnd Philosophie (DE-588)4045791-6 gnd Filmästhetik (DE-588)4140881-0 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4045791-6 (DE-588)4140881-0 (DE-588)4135952-5 |
| title | Philosophie des Films seine ästhetischen und metaphysischen Grundlagen |
| title_auth | Philosophie des Films seine ästhetischen und metaphysischen Grundlagen |
| title_exact_search | Philosophie des Films seine ästhetischen und metaphysischen Grundlagen |
| title_full | Philosophie des Films seine ästhetischen und metaphysischen Grundlagen Rudolf Harms |
| title_fullStr | Philosophie des Films seine ästhetischen und metaphysischen Grundlagen Rudolf Harms |
| title_full_unstemmed | Philosophie des Films seine ästhetischen und metaphysischen Grundlagen Rudolf Harms |
| title_short | Philosophie des Films |
| title_sort | philosophie des films seine asthetischen und metaphysischen grundlagen |
| title_sub | seine ästhetischen und metaphysischen Grundlagen |
| topic | Film Motion pictures Film (DE-588)4017102-4 gnd Philosophie (DE-588)4045791-6 gnd Filmästhetik (DE-588)4140881-0 gnd |
| topic_facet | Film Motion pictures Philosophie Filmästhetik Quelle |
| volume_link | (DE-604)BV002787357 |
| work_keys_str_mv | AT harmsrudolf philosophiedesfilmsseineasthetischenundmetaphysischengrundlagen |