Authenticity in performance: eighteenth-century case studies
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Cambridge u.a.
Cambridge Univ. Press
1990
|
| Edition: | 1. publ. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XVI, 202 S. Ill. |
| ISBN: | 0521390443 |
Staff View
MARC
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Record in the Search Index
| _version_ | 1804118508546555904 |
|---|---|
| adam_text | Contents
List ofmusic examples page xi
Preface xv
Acknowledgements xvii
1 Thespiritofauthenticity i
2 Bach s C major Prelude BWV 870 and 870a 5
3 Corelli s Violin Sonata Op. 5 No. 11 24
4 Couperin s Huitüme Ordre 45
5 Bach s Ouvertüre in D BWV 1068 70
6 Handel s Messiah 82
7 Bach s C minor Passacaglia BWV 582 102
8 Mozart s D minor String Quartet K421: a contemporary
analysis 113
9 Leopold Mozart and the K421 String Quartet 123
10 Haydn s Drum Roll Symphony in EflatNo. 103 149
11 Beethoven s Moonlight Sonata and late
eighteenth-century pianism 164
Notes 187
Contemporary writings on Performance practice 195
Index ofmusical works cited 197
Index ofnames 199
Index of subjects 201
Music examples
1 J. S. Bach, Applicatio for Wilhelm Friedemann page 9
2 J. S. Bach, Praeludium BWV 870a, with fingering 10
3 J. S. Bach, Praeludium BWV 870, edited by Czerny 11
4 Phrasings inj. S. Bach s Das wohltemperirte Ciavier 15
5 Quantz: phrasing and rhythm 16
6 C. P. E. Bach: slurs and articulation marks 17
7 J. S. Bach, Praeludium BWV 870, fingered by Samuels 18
8 The upper line of Bach s Praeludium BWV 870 in graph
form 20
9 The harmonic flow of the opening bars of the Praeludium
BWV 870 21
10 Muffat s Italian and French bowings 26
11 Muffat s bowing principles 27
12 Corelli, Sonata Op. 5 No. 11: a nineteenth-century edition
compared with the original 29
13 Corelli, Op. 5 No. 11: Allegro 30
14 Corelli, Op. 5 No. 11: Vivace 30
15 Corelli, Op. 5 No. 5: Giga 31
16 Corelli, Op. 5 No. 7: Giga 31
17 Corelli, Op. 5 No. 3: Allegro (finale) 32
18 Corelli, Op. 5 No. 12 33
19 Handel, Messiah: O thou that teilest 35
20 Handel, Trio Sonata Op. 2 No. 4 40
21 Vivaldi, Concerto P428: Allegro 41
22 Corelli, Op. 5 No. 11: Adagio 42
23 Corelli, graced by Corelli and Dubourg 42
24 Couperin, Huitieme Ordre: La Raphaele 47
25 Couperin, Huitieme Ordre: Allemande, L Ausoniene 48
26 Couperin, Huitieme Ordre: Courantes 49
27 Couperin, Huitieme Ordre: Sarabande, L Unique 50
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| language | English |
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| spelling | Le Huray, Peter 1930-1992 Verfasser (DE-588)1041844948 aut Authenticity in performance eighteenth-century case studies Peter LeHuray 1. publ. Cambridge u.a. Cambridge Univ. Press 1990 XVI, 202 S. Ill. txt rdacontent n rdamedia nc rdacarrier Geschichte 1700-1800 Geschichte 1700-1800 gnd rswk-swf Geschichte 1700-1885 gnd rswk-swf Authenticiteit gtt Musique - 18e siècle - Analyse et appréciation Pratique de l'exécution (Musique) - 18e siècle Uitvoeringspraktijk gtt Geschichte Performance practice (Music) History 18th century Musikalische Aufführungspraxis (DE-588)4170800-3 gnd rswk-swf Musikalische Aufführungspraxis (DE-588)4170800-3 s Geschichte 1700-1885 z DE-604 Geschichte 1700-1800 z HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=002686111&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Le Huray, Peter 1930-1992 Authenticity in performance eighteenth-century case studies Authenticiteit gtt Musique - 18e siècle - Analyse et appréciation Pratique de l'exécution (Musique) - 18e siècle Uitvoeringspraktijk gtt Geschichte Performance practice (Music) History 18th century Musikalische Aufführungspraxis (DE-588)4170800-3 gnd |
| subject_GND | (DE-588)4170800-3 |
| title | Authenticity in performance eighteenth-century case studies |
| title_auth | Authenticity in performance eighteenth-century case studies |
| title_exact_search | Authenticity in performance eighteenth-century case studies |
| title_full | Authenticity in performance eighteenth-century case studies Peter LeHuray |
| title_fullStr | Authenticity in performance eighteenth-century case studies Peter LeHuray |
| title_full_unstemmed | Authenticity in performance eighteenth-century case studies Peter LeHuray |
| title_short | Authenticity in performance |
| title_sort | authenticity in performance eighteenth century case studies |
| title_sub | eighteenth-century case studies |
| topic | Authenticiteit gtt Musique - 18e siècle - Analyse et appréciation Pratique de l'exécution (Musique) - 18e siècle Uitvoeringspraktijk gtt Geschichte Performance practice (Music) History 18th century Musikalische Aufführungspraxis (DE-588)4170800-3 gnd |
| topic_facet | Authenticiteit Musique - 18e siècle - Analyse et appréciation Pratique de l'exécution (Musique) - 18e siècle Uitvoeringspraktijk Geschichte Performance practice (Music) History 18th century Musikalische Aufführungspraxis |
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