Art and visual perception: a psychology of the creative eye ; the new version
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berkeley, Calif. [u.a.]
Univ. of California Press
1974
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| Ausgabe: | Expanded and rev. ed., with some new ill. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | X, 508 S. Ill., graph. Darst. |
| ISBN: | 9780520243835 0520026136 0520023277 0520243838 |
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Datensatz im Suchindex
| _version_ | 1804118031564013568 |
|---|---|
| adam_text | CONTENTS PREFACE TO THE NEW VERSION INTRODUCTION ix i I. BALANCE ю The hidden structure ofa square, io.What are perceptual forces? 16. Two disks in a square, 18» Psychological and physical balance, 19. Why balance? 20. Weight, 23. Direction, 26. Patterns of bal ance, 29. Top and bottom, 30. Right and left, 33. Balance and the human mind, 36. Madame Cezanne in a yellow chair, 37. II. SHAPE 42 Vision as active exploration, 42. Grasping the essentials, 43. Per ceptual concepts, 44. What is shape? 47. The influence of the past, 48. Seeing shape, 51. Simplicity, 55. Simplification demonstrated, 63. Leveling and sharpening, 66. A whole maintains itself, 67. Sub division, 69. Why the eyes often tell the truth, 73. Subdivision in the arts, 74. What is a part? 76. Similarity and difference, 79. Ex amples from art, 88. The structural skeleton, 92. III. FORM 96 Orientation in space, 98. Projections, 103. Which aspect is best? 106. The Egyptian method, 112. Foreshortening, 116. Overlapping, 120. What good does overlapping do? 123. Interplay of plane and depth, 127. Competing aspects, 130. Realism and reality, 134. What looks lifelike? 136. Form as invention, 139. Levels of abstraction, 144. La source, 152. Visual information, 156.
VÍ · CONTENTS IV. GROWTH 162 Why do children draw that way? 163. The intellectualistic theory, 164. They draw what they see, 167. Representational concepts, 169. Drawing as motion, 171. The primordial circle, 174. The law of differentiation, 179. Verticle and horizontal, 182. Obliqueness, 187. The fusion of parts, 191. Size, 195. The misnamed tadpoles, 197. Translation into two dimensions, 199. Educational consequences, 203. The birth of form in sculpture, 208. Sticks and slabs, 209. The cube and the round, 215. V. SPACE 218 Line and contour, 219. Contour rivalry, 223. Figure and ground, 227. Depth levels, 233. Application to painting, 234. Frames and windows, 239. Concavity in sculpture, 241. Why do we see depth? 245. Depth by overlapping, 248. Transparency, 253. Deformations create space, 258. Boxes in three dimensions, 261. Help from physi cal space, 269. Simple rather than truthful, 271. Gradients create depth, 275. Toward a convergence of space, 280. The two roots of central perspective, 283. Not a faithful projection, 285. Pyramidal space, 287. The symbolism of a focused world, 294. Centrality and infinity, 297. Playing with the rules, 298. VI. LIGHT 303 The experience of light, 303. Relative brightness, 305. Illumination, 309. Light creates space, 311. Shadows, 315. Painting without light ing, 320. The symbolism of light, 324. VII. COLOR 330 From light to color, 330. Shape and color, 332. How colors come about, 337. The generative primaries, 339. Addition and subtrac tion, 341. Generative complementaries, 342. A capricious medium, 344. The quest for harmony, 346.
The elements of the scale, 350. Syntax of combinations, 353. The fundamental complementaries, 357. Interaction of color, 362. Matisse and El Greco, 364. Reactions to color, 368. Warm and cold, 369. VIII. MOVEMENT 372 Happenings and time, 372. Simultaneity and sequence, 375. When do we see motion ? 378. Direction, 382. The revelations of speed,
CONTENTS vii 384. Stroboscopic movement, 387. Some problems of film editing, 392. Visible motor forces, 394. A scale of complexity, 398. The body as instrument, 403. The kinesthetic body image, 406. IX. DYNAMICS 410 Simplicity is not enough, 410. Dynamics and its traditional inter pretations, 412. A diagram of forces, 416. Experiments on directed tension, 419. Immobile motion, 423. The dynamics of obliqueness, 424. Tension in deformation, 428. Dynamic composition, 432. Stroboscopic effects, 434. How does dynamics come about? 437. Examples from art, 440. X. EXPRESSION 444 Traditional theories, 445. Expression embedded in structure, 449. The priority of expression, 454. Symbolism in art, 457. NOTES BIBLIOGRAPHY INDEX 463 487 503
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| any_adam_object | 1 |
| author | Arnheim, Rudolf 1904-2007 |
| author_GND | (DE-588)119142708 |
| author_facet | Arnheim, Rudolf 1904-2007 |
| author_role | aut |
| author_sort | Arnheim, Rudolf 1904-2007 |
| author_variant | r a ra |
| building | Verbundindex |
| bvnumber | BV003687567 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N70 |
| callnumber-raw | N70 |
| callnumber-search | N70 |
| callnumber-sort | N 270 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | LH 61080 |
| ctrlnum | (OCoLC)273500111 (DE-599)BVBBV003687567 |
| dewey-full | 701.15 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701.15 |
| dewey-search | 701.15 |
| dewey-sort | 3701.15 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| edition | Expanded and rev. ed., with some new ill. |
| era | Geschichte 1900-2000 gnd |
| era_facet | Geschichte 1900-2000 |
| format | Book |
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| geographic | Deutschland (DE-588)4011882-4 gnd |
| geographic_facet | Deutschland |
| id | DE-604.BV003687567 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T16:03:50Z |
| institution | BVB |
| isbn | 9780520243835 0520026136 0520023277 0520243838 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-002346329 |
| oclc_num | 273500111 |
| open_access_boolean | |
| owner | DE-12 DE-384 DE-19 DE-BY-UBM DE-20 DE-634 DE-188 DE-255 DE-210 DE-355 DE-BY-UBR DE-706 DE-Y3 DE-Y7 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-384 DE-19 DE-BY-UBM DE-20 DE-634 DE-188 DE-255 DE-210 DE-355 DE-BY-UBR DE-706 DE-Y3 DE-Y7 DE-473 DE-BY-UBG |
| physical | X, 508 S. Ill., graph. Darst. |
| publishDate | 1974 |
| publishDateSearch | 1974 |
| publishDateSort | 1974 |
| publisher | Univ. of California Press |
| record_format | marc |
| spelling | Arnheim, Rudolf 1904-2007 Verfasser (DE-588)119142708 aut Art and visual perception a psychology of the creative eye ; the new version Rudolf Arnheim Expanded and rev. ed., with some new ill. Berkeley, Calif. [u.a.] Univ. of California Press 1974 X, 508 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke Geschichte 1900-2000 gnd rswk-swf Art - Psychologie Perception visuelle Perception visuelle ram Psychologie - Et l'art ram Psychologie de l'art ram Kunst Art Psychology Visual perception Kunst (DE-588)4114333-4 gnd rswk-swf Psychologie (DE-588)4047704-6 gnd rswk-swf Sehen (DE-588)4054260-9 gnd rswk-swf Kunstbetrachtung (DE-588)4125321-8 gnd rswk-swf Ästhetische Wahrnehmung (DE-588)4193317-5 gnd rswk-swf Wahrnehmungspsychologie (DE-588)4079011-3 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Kunstpsychologie (DE-588)4033669-4 gnd rswk-swf Visuelle Wahrnehmung (DE-588)4078921-4 gnd rswk-swf Rezeptionsästhetik (DE-588)4129895-0 gnd rswk-swf Komposition (DE-588)4032012-1 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Kunstbetrachtung (DE-588)4125321-8 s Psychologie (DE-588)4047704-6 s DE-604 Rezeptionsästhetik (DE-588)4129895-0 s Deutschland (DE-588)4011882-4 g Ästhetik (DE-588)4000626-8 s Geschichte 1900-2000 z 1\p DE-604 Komposition (DE-588)4032012-1 s 2\p DE-604 Sehen (DE-588)4054260-9 s Kunst (DE-588)4114333-4 s 3\p DE-604 Visuelle Wahrnehmung (DE-588)4078921-4 s Kunstpsychologie (DE-588)4033669-4 s 4\p DE-604 Wahrnehmungspsychologie (DE-588)4079011-3 s 5\p DE-604 Ästhetische Wahrnehmung (DE-588)4193317-5 s 6\p DE-604 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=002346329&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 5\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 6\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Arnheim, Rudolf 1904-2007 Art and visual perception a psychology of the creative eye ; the new version Art - Psychologie Perception visuelle Perception visuelle ram Psychologie - Et l'art ram Psychologie de l'art ram Kunst Art Psychology Visual perception Kunst (DE-588)4114333-4 gnd Psychologie (DE-588)4047704-6 gnd Sehen (DE-588)4054260-9 gnd Kunstbetrachtung (DE-588)4125321-8 gnd Ästhetische Wahrnehmung (DE-588)4193317-5 gnd Wahrnehmungspsychologie (DE-588)4079011-3 gnd Ästhetik (DE-588)4000626-8 gnd Kunstpsychologie (DE-588)4033669-4 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Rezeptionsästhetik (DE-588)4129895-0 gnd Komposition (DE-588)4032012-1 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4047704-6 (DE-588)4054260-9 (DE-588)4125321-8 (DE-588)4193317-5 (DE-588)4079011-3 (DE-588)4000626-8 (DE-588)4033669-4 (DE-588)4078921-4 (DE-588)4129895-0 (DE-588)4032012-1 (DE-588)4011882-4 |
| title | Art and visual perception a psychology of the creative eye ; the new version |
| title_auth | Art and visual perception a psychology of the creative eye ; the new version |
| title_exact_search | Art and visual perception a psychology of the creative eye ; the new version |
| title_full | Art and visual perception a psychology of the creative eye ; the new version Rudolf Arnheim |
| title_fullStr | Art and visual perception a psychology of the creative eye ; the new version Rudolf Arnheim |
| title_full_unstemmed | Art and visual perception a psychology of the creative eye ; the new version Rudolf Arnheim |
| title_short | Art and visual perception |
| title_sort | art and visual perception a psychology of the creative eye the new version |
| title_sub | a psychology of the creative eye ; the new version |
| topic | Art - Psychologie Perception visuelle Perception visuelle ram Psychologie - Et l'art ram Psychologie de l'art ram Kunst Art Psychology Visual perception Kunst (DE-588)4114333-4 gnd Psychologie (DE-588)4047704-6 gnd Sehen (DE-588)4054260-9 gnd Kunstbetrachtung (DE-588)4125321-8 gnd Ästhetische Wahrnehmung (DE-588)4193317-5 gnd Wahrnehmungspsychologie (DE-588)4079011-3 gnd Ästhetik (DE-588)4000626-8 gnd Kunstpsychologie (DE-588)4033669-4 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Rezeptionsästhetik (DE-588)4129895-0 gnd Komposition (DE-588)4032012-1 gnd |
| topic_facet | Art - Psychologie Perception visuelle Psychologie - Et l'art Psychologie de l'art Kunst Art Psychology Visual perception Psychologie Sehen Kunstbetrachtung Ästhetische Wahrnehmung Wahrnehmungspsychologie Ästhetik Kunstpsychologie Visuelle Wahrnehmung Rezeptionsästhetik Komposition Deutschland |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=002346329&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT arnheimrudolf artandvisualperceptionapsychologyofthecreativeeyethenewversion |