Cognitive foundations of musical pitch:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY [u.a.]
Oxford Univ. Press
1990
|
| Schriftenreihe: | Oxford Psychology Series
17 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | X, 307 S. graph. Darst., Notenbeisp. |
| ISBN: | 019505475X 0195148363 |
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Datensatz im Suchindex
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| adam_text | Cognitive Foundations
of Musical Pitch
CAROL L KRUMHANSL
Department of Psychology
Cornell University
OXFORD PSYCHOLOGY SERIES NO 17
New York Oxford
OXFORD UNIVERSITY PRESS
Contents
1 OBJECTIVES AND METHODS, 3
The approach of cognitive psychology, 5
The plan of the research, 9
Outline of the following chapters, 12
2 QUANTIFYING TONAL HIERARCHIES
AND KEY DISTANCES, 16
The tonal hierarchy, 18
The first probe tone study: individual differences
with a major-key context, 21
Replication and extension to minor-key contexts, 25
A derived measure of interkey distance, 31
A spatial representation of interkey distance, 40
Theoretical maps of key relationships, 46
3 MUSICAL CORRELATES OF PERCEIVED
TONAL HIERARCHIES, 50
Tonal consonance, 51
Tonal consonance and tonal hierarchies, 55
Statistical analyses of tonal compositions, 62
Tonal distributions and tonal hierarchies, 66
Tonal hierarchies, tonal consonance, and tonal distributions, 75
4 A KEY-FINDING ALGORITHM BASED ON
TONAL HIERARCHIES 77
The key-finding algorithm, 78
Application I: initial segments of preludes of J S Bach,
Shostakovich, and Chopin, 81
Application II: fugue subjects of J S Bach and Shostakovich, 89
Application III: J S Bach s C Minor Prelude, Book II, 96
Limitations and possible extensions of the algorithm, 106
5 PERCEIVED RELATIONS BETWEEN MUSICAL TONES 111
Geometric representations of musical pitch, 112
Limitations of geometric models, 119
Experimental measures of tonal relations, 123
Correlations with tonal consonance and tonal distributions, 134
x Contents
6 PERCEPTUAL ORGANIZATION AND PITCH MEMORY, 138
Gestalt theory, 138
Three principles of tonal stability, 140
Perceptual organization in music: Segmentation and
melodic similarity, 152
7 QUANTIFYING HARMONIC HIERARCHIES
AND KEY DISTANCES, 165
Music-theoretical descriptions of harmony, 166
Quantifying the harmonic hierarchy, 168
Harmonic hierarchy of diatonic triads I—VII, 177
Deriving key distances from harmonic hierarchies, 182
8 PERCEIVED HARMONIC RELATIONS, 188
Perceived harmonic relations and key structure, 188
Perceived harmonic relations of diatonic triads I—VII, 192
Key context effects on perceived harmonic relations, 195
Key structure and memory for chord sequences, 199
Key context effects on memory for chord sequences, 203
Relational effects on memory for chord sequences, 207
Parallels between perceived tonal and harmonic structures, 210
9 PERCEIVING MULTIPLE KEYS: MODULATION
AND POLYTONALITY, 213
Tracing the developing and changing sense of key, 214
Tonal hierarchies and polytonality, 226
10 TONAL HIERARCHIES IN ATONAL
AND NON-WESTERN TONAL MUSIC, 240
Tonal hierarchies in 12-tone serial music, 241
Tonal hierarchies in North Indian music, 253
Tonal hierarchies in Balinese music, 266
Tonal hierarchies: some generalizations, 268
11 MUSIC COGNITION: THEORETICAL
AND EMPIRICAL GENERALIZATIONS, 271
Properties of the diatonic-harmonic system, 271
Properties of pentatonic, octatonic, and North Indian scales, 275
Properties emerging from the empirical studies, 280
References, 289
Author index, 301
Subject index, 304
COGNITIVE FOUNDATIONS
OF MUSICAL PITCH
|
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| discipline | Psychologie Musikwissenschaft |
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| indexdate | 2024-07-09T16:03:25Z |
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| isbn | 019505475X 0195148363 |
| language | English |
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| spelling | Krumhansl, Carol L. Verfasser aut Cognitive foundations of musical pitch Carol L. Krumhansl New York, NY [u.a.] Oxford Univ. Press 1990 X, 307 S. graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Oxford Psychology Series 17 Hier auch später erschienene, unveränderte Nachdrucke Tonhöhenwahrnehmung (DE-588)4185683-1 gnd rswk-swf Tonhöhe (DE-588)4185678-8 gnd rswk-swf Kognitiver Prozess (DE-588)4140177-3 gnd rswk-swf Musikpsychologie (DE-588)4127817-3 gnd rswk-swf Tonhöhe (DE-588)4185678-8 s Musikpsychologie (DE-588)4127817-3 s DE-604 Tonhöhenwahrnehmung (DE-588)4185683-1 s Kognitiver Prozess (DE-588)4140177-3 s Oxford Psychology Series 17 (DE-604)BV000005639 17 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=002329114&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Krumhansl, Carol L. Cognitive foundations of musical pitch Oxford Psychology Series Tonhöhenwahrnehmung (DE-588)4185683-1 gnd Tonhöhe (DE-588)4185678-8 gnd Kognitiver Prozess (DE-588)4140177-3 gnd Musikpsychologie (DE-588)4127817-3 gnd |
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| title | Cognitive foundations of musical pitch |
| title_auth | Cognitive foundations of musical pitch |
| title_exact_search | Cognitive foundations of musical pitch |
| title_full | Cognitive foundations of musical pitch Carol L. Krumhansl |
| title_fullStr | Cognitive foundations of musical pitch Carol L. Krumhansl |
| title_full_unstemmed | Cognitive foundations of musical pitch Carol L. Krumhansl |
| title_short | Cognitive foundations of musical pitch |
| title_sort | cognitive foundations of musical pitch |
| topic | Tonhöhenwahrnehmung (DE-588)4185683-1 gnd Tonhöhe (DE-588)4185678-8 gnd Kognitiver Prozess (DE-588)4140177-3 gnd Musikpsychologie (DE-588)4127817-3 gnd |
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