Origins of the popular style: the antecedents of twentieth-century popular music
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Clarendon Pr.
1989
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIII, 352 S. Notenbeisp. |
| ISBN: | 0193161214 |
Internformat
MARC
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| 245 | 1 | 0 | |a Origins of the popular style |b the antecedents of twentieth-century popular music |c Peter van der Merwe |
| 264 | 1 | |a Oxford |b Clarendon Pr. |c 1989 | |
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| 650 | 7 | |a Populaire muziek |2 gtt | |
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Datensatz im Suchindex
| _version_ | 1804117584233103360 |
|---|---|
| adam_text | CONTENTS
A Note on the Musical Examples xi
Introduction 1
Words, Words, Words 4
Part One. The Historical Background 7
I. Europe and the Near East 9
1. THE OLD HIGH CULTURE 9
Antiquity 9
The Arab World of the MiddleAges 11
2. EUROPE 15
Some Thoughts on the Great Musical Schism 18
3. BRITISH FOLK MUSIC 21
Stanza Forms 23
Regional Differences 25
II. Africa 27
4. THE DEBT TO AFRICA 27
The Afro-Arab Culture 28
Other African Styles 30
5. SOME FUND AMENTALS OF AFRICAN MUSIC 32
The Purpose of Music 32
Music and Motion 32
Speech, Song, and Instrumental Sounds 33
End-orientation and End-repetition 37
The Sense of Dialogue 38
Note-position versus Note-length 39
III. North America 40
6. THEWHITES 40
The Scotch-Irish 45
The Catholic Irish 47
French, Spanish, and Others 49
viii CONTENTS
7. THE BLACKS 52
8. INSTRUMENTAL MUSIC 59
African Survivals 65
9. vocal music 68
Worksongs 69
Sea Shanties 73
Spirituals 75
Dance Songs 79
Ballads and Blues 82
African Survivals 88
Part Two. The Theoretical Foundation 91
10. THE MATRIX 93
The Subjectivity of the Matrix 95
The Life of the Matrix 97
Matrix Combinations 98
Matrices and Rules 99
11. MODALITY 101
Shifting Tonics and Note Frames 103
Floor Notes and Ceiling Notes 104
Degrees of Emphasis 104
12. WHOLENESS 107
13. THE BEAT HO
Part Three. The Blues 113
I. The Uniqueness of the Blues 115
14. THE PLACEOF THE BLUES IN AMERICAN MUSIC 115
15. THE BLUES MODE AND THE TWELVE-BAR FORM 118
The Blue Notes 119
Melodie Dissonance 120
TheLadderofThirds 120
The Blue Fifth 125
Blue Sevenths and Sixths 127
The Blues Mini-Modes 128
The Twelve-Bar Form 129
CONTENTS IX
II. African Origins of the Blues 131
16. THE BLUES MODE IN AFRICA 131
Pendular Thirds 131
Focus Contrast 132
The Triadic Mode 134
Arabic Influences 134
Praise Songs and Sermons 139
The Tapering Pattern and the Twelve-Bar Blues 141
Conclusion 145
17. THE TALKING BLUES 146
18. BLUES ACCOMPANIMENT 149
The Descending Strain as Accompaniment Figure 152
19. AFRO-AMERICAN RHYTHM 156
The West African Background 156
Cross-Rhythms 157
The United States 162
III. British Origins of the Blues 171
20. THE BLUES MODE IN BRITAIN .. 171
TheBlueThird 171
The Blue Seventh 172
The Ladderof Thirds 177
21. THE TWELVE-BAR BLUES: FRANKIE AND OTHERS 184
The Frankie-Boll Weevil Family 184
Proto-Rock and Roll 189
Pretty Polly and Po Lazarus 191
John Henry and the Ten-Bar Blues 194
Conclusion 196
IV. Blues Harmony 198
22. THE HISTORY OF GREGORY WALKER 198
The Birth of Gregory Walker 199
Gregory Walker and the Twelve-Bar Blues 202
Some Eight-Bar Patterns 203
23. MORE ABOUT PRIMITIVE HARMONY 205
Pendular Harmony 205
Levels and Shifts 208
X CONTENTS
V. The RiddleoftheTwelve-Bar Blues 213
24. THE STRANGE TRIUMPH OF THE BLUES 213
25. WHYTWELVE BARS? WHYBLUES? 216
WhyTwelveBars? 216
Why Blues? 216
The Problem of Completeness 217
Epilogue to the Blues 220
Part Four. Parlour Music and Ragtime 221
26. THE PARLOUR MODES 223
The Fury of Sir Hubert Parry 223
The Beginnings of the Parlour Modes 224
The Estrangement of Melody and Harmony 225
The Pseudo-Phrygian Mode and the White Paternoster 235
The Parlour Modes and Folk Music 238
The Parlour Modes and the Classics 241
27. PARLOUR HARMONY 243
Tonality 244
Modality and Modulation 247
Sequences 256
Arpeggios 258
Cadences 258
Decorative Chromaticism 261
Tonic Sevenths 264
28. PARLOUR RHYTHM 267
Syncopations in the Classics 271
29. RAGTIME 277
Howjigs becameRags 277
Ragtime and the Blues 284
Some Final Reflections 287
List of Musical Examples 291
Works Cited 306
Glossary 319
Index 323
|
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| indexdate | 2024-07-09T15:56:43Z |
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| isbn | 0193161214 |
| language | English |
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| publishDate | 1989 |
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| spelling | Van Der Merwe, Peter Verfasser aut Origins of the popular style the antecedents of twentieth-century popular music Peter van der Merwe Oxford Clarendon Pr. 1989 XIII, 352 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Geschichte 1900-1985 gnd rswk-swf Musique populaire - Histoire et critique Musique populaire - Histoire et critique ram Populaire muziek gtt Popular music History and criticism Popmusik (DE-588)4046781-8 gnd rswk-swf Volkstümliche Musik (DE-588)4331874-5 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Vorgeschichte (DE-588)4138921-9 gnd rswk-swf Volkstümliche Musik (DE-588)4331874-5 s Geschichte 1900-1985 z Vorgeschichte (DE-588)4138921-9 s DE-604 Popmusik (DE-588)4046781-8 s Geschichte (DE-588)4020517-4 s HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=002038299&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Van Der Merwe, Peter Origins of the popular style the antecedents of twentieth-century popular music Musique populaire - Histoire et critique Musique populaire - Histoire et critique ram Populaire muziek gtt Popular music History and criticism Popmusik (DE-588)4046781-8 gnd Volkstümliche Musik (DE-588)4331874-5 gnd Geschichte (DE-588)4020517-4 gnd Vorgeschichte (DE-588)4138921-9 gnd |
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| title | Origins of the popular style the antecedents of twentieth-century popular music |
| title_auth | Origins of the popular style the antecedents of twentieth-century popular music |
| title_exact_search | Origins of the popular style the antecedents of twentieth-century popular music |
| title_full | Origins of the popular style the antecedents of twentieth-century popular music Peter van der Merwe |
| title_fullStr | Origins of the popular style the antecedents of twentieth-century popular music Peter van der Merwe |
| title_full_unstemmed | Origins of the popular style the antecedents of twentieth-century popular music Peter van der Merwe |
| title_short | Origins of the popular style |
| title_sort | origins of the popular style the antecedents of twentieth century popular music |
| title_sub | the antecedents of twentieth-century popular music |
| topic | Musique populaire - Histoire et critique Musique populaire - Histoire et critique ram Populaire muziek gtt Popular music History and criticism Popmusik (DE-588)4046781-8 gnd Volkstümliche Musik (DE-588)4331874-5 gnd Geschichte (DE-588)4020517-4 gnd Vorgeschichte (DE-588)4138921-9 gnd |
| topic_facet | Musique populaire - Histoire et critique Populaire muziek Popular music History and criticism Popmusik Volkstümliche Musik Geschichte Vorgeschichte |
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