Shakespeare's dramatic meditations: An experiment in criticism
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English Italian |
| Veröffentlicht: |
Oxford
Clarendon Pr.
1976
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XI, 206 S. |
| ISBN: | 0198120737 |
Internformat
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Datensatz im Suchindex
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| adam_text | Titel: Shakespeare s dramatic meditations
Autor: Melchiori, Giorgio
Jahr: 1976
CONTENTS
I. THE USE OF STATISTICS
0. With this key: a foreword on method 1
1. The five samples: grammatical functions 6
2. Pronouns and public relations 9
3. The connotations of love and the importance of the
atypical 16
4. The I-less sonnets and the economy of Venus 19
5. The non-You sonnets: dramatic meditations 28
Excursus: A note on numerology 32
TEXT OF SONNET 94 34
II. LILIES THAT FESTER: THE STRATEGY
OF SONNET 94 AND THE ETHICS OF
POWER
0.1. The world of It 35
1.0. Metrical and logical pattern 37
1.1. Octave versus sestet 38
1.2. The lexical level 39
1.3. The octave 40
1.4. The sestet 41
1.5. The structural schema 42
2.0. The relevance of Edward III 42
2.1. Sidney versus Edward III (lines 1-4) 46
2.2. Hamlet s rightly and Malcolm s graces (line 5) 49
2.3. The economics of power (lines 5-6) 53
2.4. The Lords and the stewards (lines 7-8) 54
2.5. Great creating nature (lines 9-10) 56
2.6. Warwick speaks again (lines 13-14) 57
2.7. True and false syllogisms 58
2.8. Changing codes 60
2.9. The dignity of dress (line 12) 61
2.10. Deeds and weeds in Sonnet 69 62
2.11. The Garden-State and Richard II 64
2.12. The meaning of the form 68
CONTENTS
TEXT OF SONNET 121 70
III. TIS BETTER TO BE VILE: SONNET 121
AND THE ETHICS OF SOCIAL
BEHAVIOUR
0.1. From 94 to 121 71
0.2. The sonnet out of context 72
1.0. Antithesis 72
1.1. Semantic areas 73
1.2. Deeds and rank thoughts (line 12 and
Sonnets 69 and 94) 74
1.3. Reigning frailties (line 14 and Sonnet 109) 75
1.4. What peece of worke is a man 77
2.0. Metrical and logical structures 79
2.1. The functions of the rhyme-words 79
2.2. Finding a centre 80
2.3. The progress of pronouns 81
2.4. The structural pattern 84
3.0. The logic of meaning 84
3.1. Talbot s scorn 86
3.2. The lustful eyes 87
3.3. The new Machiavelli 90
3.4. Shakespeare s God 93
Excursus: The geometry of iteration—a note
to §3.3 101
INTERCHAPTER-. LOVE S USE AND MAN S
HUES IN SONNET 20
0. Spirit and Soul 105
1. Beauty is not Truth 109
2. The woman s part 111
3. The symmetry of the dual Eros 112
4. All Hues: the pattern of convergence 114
5. More matter, with less art 118
TEXT OF SONNET I 29 120
IV. TH EXPENSE OF SPIRIT: SONNET 129
AND THE ETHICS OF SEX
0.1. Occasionals: Sonnets 129 and 146 121
0.2. Critical hunting-ground 123
0.3. Emendations: Malone to Graves-Riding 125
0.4. Structural deception: Jakobson—Jones 127
1.0. The careless workman 129
CONTENTS
I. i. The forward thrust : the-sound-pattern 130
1.2. The progress of caesurae: the rhythmic pattern 133
i .3. Lust s bliss and woe : the logic of sound and rhythm 134
1.4. The world of men: the testimony of nouns 136
1.5. Abstract nouns versus adjectives 137
i .6. The progress of past participles 138
1.7. A mad world, my masters: past participles versus
abstract nouns 139
1.8. Grammatical categories versus rhetorical figures 141
2.0. The times of lust 144
2.1. The nibbler at the bait 148
2.2. The maker and the taker 152
2.3. Deceptive palinode 155
TEXT OF SONNET 146 l6o
V. POOR SOUL: SONNET 146 AND THE
ETHICS OF RELIGION
0.1. The Soul as Thou 161
0.2. Reversed concentric patterns and the emendation
of line 2 165
i .0. The Soul as vampyre : the morphologic
structure 169
1.1. The grasping landlord and the Body as mansion 172
1.2. The Body as servant and the Soul as Coriolanus 175
1.3. Reversing the sound-pattern 179
1.4. The gyres, the gyres: the basic structure 182
2.0. The rebel powers and they that have power
(Sonnet 94) 187
2.1. Corinthians and Colossians: Shakespeare versus
Paul 190
2.2. Poor man, the centre 194
APPENDIX. Statistical Tables (see Chapter I)
I. Words most frequently used in five sequences and
number of occurrences per sonnet 197
II. Personal pronominal forms in five sonnet sequences 198
III. Frequencies of connotative words 199
IV. I and Thou in Shakespeare s Sonnets 200
GENERAL INDEX 201
INDEX OF SHAKESPEARE S WORKS 205
|
| any_adam_object | 1 |
| author | Melchiori, Giorgio 1920-2009 |
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| dewey-ones | 821 - English poetry |
| dewey-raw | 821/.3 |
| dewey-search | 821/.3 |
| dewey-sort | 3821 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Book |
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| indexdate | 2024-07-09T15:56:39Z |
| institution | BVB |
| isbn | 0198120737 |
| language | English Italian |
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| spelling | Melchiori, Giorgio 1920-2009 Verfasser (DE-588)119446472 aut L'Uomo e il potere Shakespeare's dramatic meditations An experiment in criticism Oxford Clarendon Pr. 1976 XI, 206 S. txt rdacontent n rdamedia nc rdacarrier Shakespeare, William <1564-1616> / Sonnets Shakespeare, William <1564-1616> Sonnets Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Sonett (DE-588)4055555-0 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Sonett (DE-588)4055555-0 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=002035129&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Shakespeare's dramatic meditations An experiment in criticism |
| title_alt | L'Uomo e il potere |
| title_auth | Shakespeare's dramatic meditations An experiment in criticism |
| title_exact_search | Shakespeare's dramatic meditations An experiment in criticism |
| title_full | Shakespeare's dramatic meditations An experiment in criticism |
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| title_short | Shakespeare's dramatic meditations |
| title_sort | shakespeare s dramatic meditations an experiment in criticism |
| title_sub | An experiment in criticism |
| topic | Shakespeare, William <1564-1616> / Sonnets Shakespeare, William <1564-1616> Sonnets Shakespeare, William 1564-1616 (DE-588)118613723 gnd Sonett (DE-588)4055555-0 gnd |
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