The Tudor drama: A history of English national drama to the retirement of Shakespeare
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Hamden, Conn. [u.a.]
Archon Books
1964
|
| Ausgabe: | Reprinted, [Nachdr. der Ausg.] 1939 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 461 S. Ill. |
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| 245 | 1 | 0 | |a The Tudor drama |b A history of English national drama to the retirement of Shakespeare |c by C. F. Tucker Brooke |
| 250 | |a Reprinted, [Nachdr. der Ausg.] 1939 | ||
| 264 | 1 | |a Hamden, Conn. [u.a.] |b Archon Books |c 1964 | |
| 300 | |a 461 S. |b Ill. | ||
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| 650 | 4 | |a English drama |y Early modern and Elizabethan, 1500-1600 |x History and criticism | |
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Datensatz im Suchindex
| _version_ | 1804117211102576640 |
|---|---|
| adam_text | CONTENTS
CHAPTER I
Scriptural ant> Miracle Drama
.........1—46
Knglish dramatic progress during the Tudor period
(1485—
1603), 1. —
Sources of English national drama,
2.—
The
Harrowing of Hell,
5. —
Shrewsbury Fragments, ibid.
—
The rise of the guild plays,
6. —
The various guild cycles,
7. —
Manner of guild presentation,
9. —
Introduction of comic
matter,
14. —
Developed clownage in the Wakefield cycle,
16.
—
The Ludus Coventrise, or
Hegge
plays,
17. —
Scrip¬
tural dramas unconnected with the guild cycles: Christ s
Burial and Resurrection,
20 ;
Dublin and
Brome
plays of
Abraham s Sacrifice,
21;
Candlemas Day,
23. —
Miracle
plays proper: Dux Moraud,
27;
the Croxton Play of the Sac¬
rament,
29;
The Conversion of St. Paul,
31;
Mary Magda¬
lene,
33. —
General survey of the religious drama at the open¬
ing of the Tudor period,
34. —
The influence of this drama
upon the Elizabethan theatre,
35. —
Bibliography,
38„
CHAPTER II
The Early Morality
............47-68
The relation of the morality to the mystery,
47. —·
Pater¬
noster and creed plays,
48. —
The connection of the morality
with profane allegorical literature,
49. —
The Pride of Life,
50. —
The Castle of Perseverance,
51. —
Significance of this
type of play for the later drama,
53. —
Circumstances of presen¬
tation,
55. —
The morality as an art form,
59. —
Mind, Will,
and Understanding
(or
Wisdom
), 61. —
Mankind,
63.—
The vulgarizing of the morality,
65. —
Bibliography,
67.
CHAPTER III
The Tudor Interlude
...........69-102
Origin and nature of the interlude,
69.—
Med
wall s Na¬
ture,
71. —
The Nature of the Four Elements,
73. —
Wit
viii CONTENTS
and Science and Wit and Wisdom interludes,
76. —
The
World and the Child,
78. —
Hickscorner,
80. —
The Inter¬
lude of Youth and Lusty
Juventus, 81. —
Political inter¬
ludes: SkeJton s Magnificence,
82;
minor satirical interludes
and dialogues,
83;
Respublica,
85. —
John Bale,
86. —
Lind¬
say s Satire of the Three Estates,
88. —
Interludes intended
for amusement solely
:
John Hey wood,
93. —
Heywood as dra¬
matic artist,
96. —
Bibliography,
98.
CHAPTER IV
The Interlude in Transition
. .*.....103-146
Complex affiliations of the later interlude,
103. —
John the
Evangelist,
104. —
Interludes pointing an economic moral:
Wealth and Health,
106;
Like Will to Like,
108;
Impa¬
tient Poverty,
109;
Albion Knight, ibid.
;
The Trial of Trea¬
sure, ibid.
—
The tendency to diffuseness in late interludes,
110.
—
L. Wager s Repentance of Mary Magdalene,
112.—
G.
Wapull, The Tide Tarrieth No Man,
113.—
Metrical fea¬
tures of the latter play,
115. —
T. Lupton,
АИ
for Money/*
117.—
W. Wager, The Longer Thou Livest the more Fool
Thou Art,
119. — N.
Woodes, The Conflict of Conscience,
120. —
The Contention between Liberality and Prodigality,
122. —
Interludes based on foreign models: Nice Wanton,
124;
T. Ingelend, The Disobedient Child,
125;
G. Gascoigne,
The Glass of Government,
127. —
Interludes introducing
real characters: John Bale s King John,
130;
Godly Queen
Hester,
131;
King Darius,
132;
Jacob and Esau,
133. —
Interludes based on romantic material: Calisto and
Melibea,
133;
John Phillip s Comedy of Meek and Patient
Grisseli,
135. —
Interludes presenting classic
ügures: Thersites,
135;
J. Pikering s Horestes and related plays,
138. —
The change
from interlude to Elizabethan comedy or tragedy,
140. —-
Bib¬
liography,
142.
CHAPTER V
Classical Influence in Comedy
........147-187
The narrow range t>f native English comedy,
147. —
Differ¬
ent manifestations of Latin influence on Elizabethan comedy»
148. —
Inheritances from Latin drama,
150. —
Vogue of Latin
comedy on the Continent and in England,
154. —
Translations
CONTENTS ix
of Terence and Plautus,
156. —
Jack Juggler/
156. — N.
Udall, Ralph Roister Doister/
158. —
Gammer Gurton a
Needle,
161. —
G. Gascoigne, The Supposes,
164.—
Misogonus,
165. —
The Bugbears,
168. —
Fedele
and
Fortunio/
169. —
John Lyly,
169—179.
His relation to classic
art and to court fashion,
170. —
Terem tian
imitation in
Mother
Bombie,
172,—
Artistic uncertainty in Campaspe,
173.
—
Lyly s six characteristic plays: courtly allegories and my¬
thological pastorals,
174. —
Mythological pastorals by other
writers: G. Peele, The Arraignment of Paris,
180;
The Rare
Triumphs of Love and Fortune/* ibid.
—
Bibliography,
181.
CHAPTER VI
Classical Influence in Tragedy
....... 188-229
Difference in the effect of classic influence in comedy and in
tragedy,
188. —
Seneca and his translators,
189. —
Borrowings
from Seneca,
190. —
Norton and SackviUe, Ferrex and
Рог«
rex (or Gorboduc ),
191.—
Blank verse in this play,
193. —
The dumb-show, ibid.
—
T. Hughes, etc., The Misfortunes of
Arthur,
194. —
Gascoigne and Kinwelmersh,
Jocasta,
195.
—
R- Wilmot, etc., Gismond of Salerne,
196. —
Later aca¬
demic tragedy
:
Lady Pembroke and her set, imitators of
Gamier,
198;
Fulke Greville,
201;
Sir William Alexander,
ibid.
—
The popularizing of the Latin tragic model,
204. —
Ten¬
tative works of the
Cambises type,
205. —
Locrine,
207. —
Thomas Kyd, The Spanish Tragedy,
.209. —
Characteristics
and limitations of
Kyďs
tragedy of blood/
210. —
The
First Part of
Jerónimo,
215. —
Soiiman and Perseda/
ibid.
—
Other successors of The Spanish Tragedy
:
the Or-
Hamlet,
217;
Titus Andronicus,
218;
The Jew of Malta/*
Lust s Dominion, Alphonsus of Germany/
219 ;
H.
Chettle s Hoffman,
220.—
The refinement of the type in
Romeo and Juliet/
221. —
Bibliography,
222.
CHAPTER
VII
The Heroic Play
.............230-255
Remote origins of heroic drama in literature of ballad and
romance,
230. —
The attitude of Elizabethan moralists and
scholars toward the species,
233.—
Sir Clyomon and Sir
Clámides,
236. —
Common Conditions,
237. —
The germs
χ
CONTENTS
of character portrayal in such works,
239. —
Later efforts in the
same strain: T. Hey wood s Four Prentices of London, etc.,
241. —
Marlowe s Tamburlaine,
243. —
Imitations of Tam-
burlaine : R. Greene s Alphonsus of Arragon, Looking
Glass for London, and Orlando
Furioso,
246;
The Wars of
Cyrus,
247. —
Marlowe s Doctor Faustus,
249. —
The dis¬
integration of the heroic play,
250. —
Influence of the type on
Marlowe s latest plays and on Shakespeare, ibid.
—
Biblio¬
graphy,
252.
CHAPTER
VIII
Romantic Comedy and Pastoral Comedy
.... 256-296
The influence of the prose romance upon the drama,
256.
Pastoral literature in Europe,
258. —
Longus, Daphnis
and Chloe ; Heliodorus,
iEthiopica,
259. —
Boccaccio s
Ameto,
260. —
Montemayor s Diana, ibid.
—
Characteris¬
tics of this type,
262. —
The nature of its influence on the
drama,
263.—·
R. Greene, Friar Bacon and Friar Bungay,
265. —
James the Fourth,
268.—
Greene s method in ro¬
mantic comedy contrasted with Shakespeare s,
269. —
Romantic
comedies possibly suggested by Greene: Fair Em,
270;
A. Munday s John a Kent and John a Cumber,
272,
and
Robert Earl of
Huntington, 273;
The Merry Devil of Ed¬
monton,
276.—
Shakespeare s romantic comedy,
279. —
Struc¬
tural peculiarities of this type in Shakespeare s presentation,
281.—
Slightness of responsibility and character development
among the dramatis personse,
283. —
Relation between Shake¬
speare s romantic comedies and his more realistic dramas,
285»
—
The mingling of realism and romance,
287. —
Italian pas¬
toral drama,
288. —
Tasso s Aminta, Guarini s
Pastor
Fido,
289. —
Imitation of this species by S. Daniel,
291.—
J. Fletcher, The Faithful Shepherdess,
292. —
Ben
Jonson,
The Sad Shepherd, ibid.
—
Bibliography,
292.
CHAPTER IX
The History Play
............297-351
Definition of the species,
297.—
Causes of its popularity:
growth of nationalism,
298;
demand for dramatic material,
300.
—
Lost chronicle plays mentioned by Henslowe,
301. —
Influ¬
ence of Tamburlaine upon this type,
302. —
Five classes of
history plays distinguished,
303. —
The Troublesome Reign
of John and Shakespeare s
King John,
304. —
The Fa-
CONTENTS xi
mous
Victories of Henry V,
306.—
The True Tragedy of Rich¬
ard III,
308. —
The Battle of Alcazar and Selimus,
311.
__
Thomas Lodge, The Wounds of Civil War,
312. —
The
Henry VI plays,
313. —
Biographical history plays: Stukely,
« Thomas Lord Cromwell, Sir John Oldcastle, Sir Thomas
More,
321. —
Marlowe, Edward II,
322. —
Shakespeare,
Richard III/
323;
Richard II,
326. —
The Tragedy of
Woodstock/
328. —
Macbeth, Antony and Cleopatra,
and Coriolanus,
329. —
Edward III,
331. —
Shakespeare,
Henry IV* and Henry V,
332;
Julius Caesar,
336,—
Plays on quasi-historical subjects
:
Peele s Edward I, etc.,
338. —
Look about You,
341, —
The Blind Beggar of
Bednal-Green, etc.,
342. —
A Larum
for London,
343. —
Thomas Hey wood: Edward IV,
343;
If You Know Not
Me, You Know Nobody,
344. —
Bibliography,
345.
CHAPTER X
Drama of Contemporary Incident
......352—389
Relation of the contemporary murder tragedy to the rude
chronicle play,
352. —
Lost murder plays,
353. —
Arden
of
Feversham,
355. —
A Warning for Fair Women,
3Ő7.
—
R.
Yarington s Two Tragedies in One,
362. —
A Yorkshire
Tragedy,
364. —
George Wiikins, The Miseries of Enforced
Marriage
:
its connection with the murder group and with real¬
istic comedy,
366.—
T. Heywood, A Woman Killed with
Kindness,
367. —
Other indications of the predilection of
dramatists for dealing with the immediate present,
369. —
The
Marprelate controversy,
370. —
Robert Greene s allusions,
371. —
The War of the Theatres,
372-386. —
The probable
extent of Jonson s connection with this quarrel,
373. —
Every
Man out of his Humor,
375.
Cynthia s Revels, ibid.
—
Mar-
ston s concern in the dispute,
378. —
Evidences of rivalry be¬
tween the Children of the Chapel and the Globe company,
380. —
Allusions in Hamlet,
381. —
The second part of
The Return from Parnassus,
383. —
Bibliography,
386.
CHAPTER XI
Realistic Comedy
............390-421
The difference between Elizabethan and Jacobean realism,
390. —
The Elizabethan attitude toward social distinctions,
xii CONTENTS
391. -—
Characteristic changes
ín
Jacobean society,
392. —
Shakespeare s realism,
394—401. —
Jonson
and Chapman as
realists,
402-406. —
Every Man in his Humor/
406.—
Patient Grissell by
Dekker, Chettle,
and Haughton,
408. —
The comedy of Timon,
410. —
The Parnassus group,
411- —■
Club Law,
412. —
Wily Beguiled,
413. —
How a Man
May Choose a Good Wife from a Bad, ibid.
—
The Jacobean
comedies of
1603-1608, 414. —
Bibliography,
416.
CHAPTER
XII
The Nature op Elizabeth an Drama
...... 422-446
Indoor and outdoor plays,
422. —
Original predominance of
the indoor, aristocratic species,
423. —
The peculiar status of
the actor under Elizabeth and its efEect on popular drama,
424.
—
Player and patron,
426. —
The evolution of public theatres,
427. —
Theatre and inn-yard,
428- —
Elizabethan staging,
430.
—
Comparatively high mechanical development of the profes¬
sional stage,
432. —
The influence of formal criticism upon the
drama: Puritan attacks,
435;
the struggle between classic and
romantic ideals,
436. —
Elizabethan drama as an art product,
438. —
Its connection with religion,
439. —
Causes of the
Jacobean decline,
442.
Index
.·<>·<,»<,
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|
| any_adam_object | 1 |
| author | Brooke, Tucker 1883-1946 |
| author_GND | (DE-588)122051572 |
| author_facet | Brooke, Tucker 1883-1946 |
| author_role | aut |
| author_sort | Brooke, Tucker 1883-1946 |
| author_variant | t b tb |
| building | Verbundindex |
| bvnumber | BV002917337 |
| callnumber-first | P - Language and Literature |
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| ctrlnum | (OCoLC)349992 (DE-599)BVBBV002917337 |
| dewey-full | 822.309 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.309 |
| dewey-search | 822.309 |
| dewey-sort | 3822.309 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| edition | Reprinted, [Nachdr. der Ausg.] 1939 |
| era | Geschichte 1485-1608 gnd Geschichte 1350-1612 gnd Geschichte 1485-1603 gnd |
| era_facet | Geschichte 1485-1608 Geschichte 1350-1612 Geschichte 1485-1603 |
| format | Book |
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| id | DE-604.BV002917337 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T15:50:47Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-001826329 |
| oclc_num | 349992 |
| open_access_boolean | |
| owner | DE-384 DE-739 DE-188 |
| owner_facet | DE-384 DE-739 DE-188 |
| physical | 461 S. Ill. |
| publishDate | 1964 |
| publishDateSearch | 1964 |
| publishDateSort | 1964 |
| publisher | Archon Books |
| record_format | marc |
| spelling | Brooke, Tucker 1883-1946 Verfasser (DE-588)122051572 aut The Tudor drama A history of English national drama to the retirement of Shakespeare by C. F. Tucker Brooke Reprinted, [Nachdr. der Ausg.] 1939 Hamden, Conn. [u.a.] Archon Books 1964 461 S. Ill. txt rdacontent n rdamedia nc rdacarrier Geschichte 1485-1608 gnd rswk-swf Geschichte 1350-1612 gnd rswk-swf Geschichte 1485-1603 gnd rswk-swf English drama Early modern and Elizabethan, 1500-1600 History and criticism Drama (DE-588)4012899-4 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Geschichte 1350-1612 z DE-604 Geschichte 1485-1603 z 1\p DE-604 Geschichte 1485-1608 z 2\p DE-604 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=001826329&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Brooke, Tucker 1883-1946 The Tudor drama A history of English national drama to the retirement of Shakespeare English drama Early modern and Elizabethan, 1500-1600 History and criticism Drama (DE-588)4012899-4 gnd Englisch (DE-588)4014777-0 gnd |
| subject_GND | (DE-588)4012899-4 (DE-588)4014777-0 |
| title | The Tudor drama A history of English national drama to the retirement of Shakespeare |
| title_auth | The Tudor drama A history of English national drama to the retirement of Shakespeare |
| title_exact_search | The Tudor drama A history of English national drama to the retirement of Shakespeare |
| title_full | The Tudor drama A history of English national drama to the retirement of Shakespeare by C. F. Tucker Brooke |
| title_fullStr | The Tudor drama A history of English national drama to the retirement of Shakespeare by C. F. Tucker Brooke |
| title_full_unstemmed | The Tudor drama A history of English national drama to the retirement of Shakespeare by C. F. Tucker Brooke |
| title_short | The Tudor drama |
| title_sort | the tudor drama a history of english national drama to the retirement of shakespeare |
| title_sub | A history of English national drama to the retirement of Shakespeare |
| topic | English drama Early modern and Elizabethan, 1500-1600 History and criticism Drama (DE-588)4012899-4 gnd Englisch (DE-588)4014777-0 gnd |
| topic_facet | English drama Early modern and Elizabethan, 1500-1600 History and criticism Drama Englisch |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=001826329&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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