Photography in the modern era: European documents and critical writings, 1913 - 1940
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Metropolitan Museum of Art
[1989]
New York Aperture |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Auf der Rückseite des Titelblatts: This book is published on the occasion of the exhibition "The New Vision: photography between the world wars, Ford Motor Company Collection at The Metropolitan Museum of Art", held at The Metropolitan Museum of Art September 23 - December 31, 1989 |
Beschreibung: | XVII, 350 Seiten |
ISBN: | 0893814067 |
Internformat
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Datensatz im Suchindex
_version_ | 1804117033562931200 |
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adam_text | PHOTOGRAPHY
IN
THE
MODERN
ERA
EUROPEAN
DOCUMENTS
AND
CRITICAL
WRITINGS,
1913-1940
EDITED
AND
WITH
AN
INTRODUCTION
BY
CHRISTOPHER
PHILLIPS
THE
METROPOLITAN
MUSEUM
OF
ART/APERTURE
NEW
YORK
CONTENTS
INTRODUCTION
FRANCE
JEAN COCTEAU
AN OPEN LETTER
TO
M.
MAN RAY, AMERICAN PHOTOGRAPHER
(1922)
TRISTAN TZARA
PHOTOGRAPHY UPSIDE DOWN (1922)
ROBERT DESNOS
THE WORK OF MAN RAY (1923)
MAN RAY
DECEIVING APPEARANCES (1926)
FLORENT
FELS
PREFACE
TO
METAL
BY
GERMAINE KRULL (1927)
ROBERT DESNOS
SPECTACLES OF THE
STREET-EUGENE
ATGET (1928)
ALBERT VALENTIN
EUGENE ATGET (1928)
FLORENT
FELS
THE FIRST
SALON LNDEPENDANT DE LA PHOTOGRAPHIE
(1928)
PIERRE MAC ORLAN
THE LITERARY ART OF IMAGINATION
AND
PHOTOGRAPHY (1928)
PIERRE MAC ORLAN
ELEMENTS OF A SOCIAL FANTASTIC (1929)
SALVADOR
DALI
PHOTOGRAPHIC TESTIMONY (1929)
CARLO
RIM
ON THE SNAPSHOT (1930)
XI
1
4
7
11
13
16
18
23
27
31
34
37
-
VI
CONTENTS
PIERRE
MAC ORLAN
PREFACE
TO
ATGET PHOTOGRAPHE DE PARIS
(1930) 41
PHILIPPE
SOUPAULT
THE PRESENT STATE OF PHOTOGRAPHY ( 1931)
50
MAN
RAY
THE AGE OF LIGHT (1934)
52
TRISTAN
TZARA
WHEN OBJECTS DREAM (1934) 55
MAN
RAY
ON PHOTOGRAPHIC REALISM (1935)
57
LOUIS
ARAGON
JOHN HEARTFIELD AND REVOLUTIONARY BEAUTY (1935)
60
LOUIS
ARAGON
UNTITLED CONTRIBUTION
TO
THE QUARREL OVER REALISM
(1936)
68
GERMANY
LASZL6
MOHOL Y-NAGY
PRODUCTION-REPRODUCTION (1922)
79
LASZL6
MOHOLY-NAGY
UNPRECEDENTED PHOTOGRAPHY (1927)
83
LASZLO MOHOLY-NAGY
PHOTOGRAPHY IN ADVERTISING (1927)
86
ERNO
KALLAI,
WITH
RESPONSES
FROM
WILLI
BAUMEISTER,
ADOLF
BEHNE,
AND
LASZLO
MOHOLY-NAGY
PAINTING AND PHOTOGRAPHY; EXCERPTS (1927)
94
ALBERT RENGER-PATZSCH
AIMS ( 1927)
104
AUGUST SANDER
REMARKS ON
MY
EXHIBITION AT THE COLOGNE ART
_LJNION
(1927)
106
ALBERT RENGER-PATZSCH
JOY
BEFORE THE OBJECT (1928)
HUGO SIEKER
ABSOLUTE REALISM: ON THE PHOTOGRAPHS OF ALBERT
RENGER-PATZSCH (1928)
ERNO KALLAI
PICTORIAL PHOTOGRAPHY ( 1928)
JAN TSCHICHOLD
PHOTOGRAPHY AND TYPOGRAPHY (1928)
FRANZ HOLLERING
PHOTO MONTAGE ( 1928)
LASZL6
MOHOLY-NAGY
SHARP OR UNSHARP? A REPLY
TO
HANS WINDISCH (1929)
ERNO KALLAI
AND
ALBERT RENGER-PATZSCH
POSTSCRIPT
TO
PHOTO-INFLATION/BOOM TIMES (1929)
ALBERT RENGER-PATZSCH
PHOTOGRAPHY AND ART (1929)
KURT KARL EBERLEIN
ON THE QUESTION: ORIGINAL OR FACSIMILE REPRODUCTION?
(1929)
ALEXANDER DORNER
ORIGINAL AND FACSIMILE (1930)
WOLFGANG
BORN
PHOTOGRAPHIC WELTANSCHAUUNG (1929)
FRANZ
ROH
THE VALUE OF PHOTOGRAPHY (1930)
PAUL RENNER
THE PHOTOGRAPH (1930)
WALTER PETERHANS
ON THE PRESENT STATE OF PHOTOGRAPHY (1930)
CONTENTS
VII
108
LLO
LL6
121
128
132
140
142
145
151
155
160
164
170
VIII
CONTENTS
HANS
WINDISCH
SEEING (1929)
RAOUL HAUSMANN
PHOTOMONTAGE (1931)
DURUS (ALFRED KEMENY)
PHOTOMONTAGE, PHOTOGRAM (1931)
RUDOLPH ARNHEIM
EXCERPT FROM
FILM AS ART
(1932)
RAOUL HAUSMANN
AND
WERNER GRAFF
HOW DOES THE PHOTOGRAPHER SEE? (1933)
DURUS
(ALFRED KEMENY)
PHOTOMONTAGE AS A WEAPON IN CLASS STRUGGLE (1932)
ERNST
]UNGER
PHOTOGRAPHY AND THE SECOND CONSCIOUSNESS ;
AN EXCERPT FROM ON PAIN (1934)
USSR
[GUSTAV
KLUC1S?]
PHOTOMONTAGE (1924)
OSS1P
BRIK
THE PHOTOGRAPH VERSUS THE PAINTING (1926)
OSS1P
BRIK
WHAT THE EYE DOES
NOT
SEE (1926)
EL
LISSITZKY
THE ARCHITECT S EYE; A REVIEW OF ERICH MENDELSOHN S
AMERICA
(1926)
OSS1P
BRIK
FROM THE PAINTING
TO
THE PHOTOGRAPH (1928)
VARVARA
STEPANOVA
PHOTOMONTAGE (1928)
175
178
182
186
194
204
207
211
213
219
221
227
234
CONTENTS
IX
ALEXANDER RODCHENKO
AGAINST THE SYNTHETIC PORTRAIT,
FOR
THE SNAPSHOT (1928) 238
A
PHOTOGRAPHER
AN
ILLUSTRATED LETTER
TO
THE EDITOR:
AT
HOME AND ABROAD
(1928) 243
ALEXANDER RODCHENKO
DOWNRIGHT IGNORANCE OR A MEAN TRICK? (1928)
BORIS KUSHNER
OPEN LETTER
TO
RODCHENKO (1928)
SERGEI THETYAKOV
PHOTO-NOTES (1928)
ALEXANDER
RODCHENKO
THE PATHS OF MODERN PHOTOGRAPHY (1928)
ALEXANDER
RODCHENKO
A CAUTION (1928)
BORIS
KUSHNER
FULFILLING A REQUEST (1928)
[SERGEITHETYAKOV]
FROM
THE EDITOR (1928)
ALEXEI
FEDOROV-DAVYDOV
INTRODUCTION TO MOHOLY-NAGY S
PAINTING PHOTOGRAPHY
FILM
(1929)
ANONYMOUS
PROGRAM OF THE OCTOBER PHOTO SECTION (1931)
ITALY
ANTON
GIULIO
BRAGAGLIA
EXCERPTS FROM
FUTURIST PHOTODYNAMISM
(1913)
VINICIO PALADINI
PHOTOMONTAGE (1929)
245
249
252
256
264
267
270
273
283
287
296
X
CONTENTS
F.
T.
MARINETTI
AND
TATO
FUTURIST PHOTOGRAPHY (1930)
299
ARTURO BRAGAGLIA
FUTURIST PHOTOGRAPHY (1932)
301
NETHERLANDS
CESAR
DOMELA
NRNUWENHU1S
PHOTOMONTAGE (1931)
305
CZECHOSLOVAKIA
VILEM
SANTHOLZER
THE TRIUMPHANT BEAUTY OF PHOTOGRAPHY (1925)
309
KAREL
THIGE
THE TASKS OF MODERN PHOTOGRAPHY (1931)
312
J
ARO
MIR
FUNKE
FROM THE PHOTOGRAM
TO
EMOTION (1940)
323
BIBLIOGRAPHY 331
ACKNOWLEDGMENTS
348
|
any_adam_object | 1 |
author2 | Phillips, Christopher 1950- |
author2_role | edt |
author2_variant | c p cp |
author_GND | (DE-588)139020128 |
author_facet | Phillips, Christopher 1950- |
building | Verbundindex |
bvnumber | BV002655028 |
callnumber-first | T - Technology |
callnumber-label | TR185 |
callnumber-raw | TR185 |
callnumber-search | TR185 |
callnumber-sort | TR 3185 |
callnumber-subject | TR - Photography |
classification_rvk | AP 94200 |
ctrlnum | (OCoLC)20098095 (DE-599)BVBBV002655028 |
dewey-full | 770 |
dewey-hundreds | 700 - The arts |
dewey-ones | 770 - Photography, computer art, cinematography |
dewey-raw | 770 |
dewey-search | 770 |
dewey-sort | 3770 |
dewey-tens | 770 - Photography, computer art, cinematography |
discipline | Kunstgeschichte Allgemeines |
era | Geschichte 1913-1940 gnd |
era_facet | Geschichte 1913-1940 |
format | Book |
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spelling | Photography in the modern era European documents and critical writings, 1913 - 1940 edited and with an introduction by Christopher Phillips New York Metropolitan Museum of Art [1989] New York Aperture © 1989 XVII, 350 Seiten txt rdacontent n rdamedia nc rdacarrier Auf der Rückseite des Titelblatts: This book is published on the occasion of the exhibition "The New Vision: photography between the world wars, Ford Motor Company Collection at The Metropolitan Museum of Art", held at The Metropolitan Museum of Art September 23 - December 31, 1989 Geschichte 1913-1940 gnd rswk-swf Avant-garde gtt Fotografie gtt Photographie Photography Fotografie (DE-588)4045895-7 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Metropolitan Museum of Art 23.09.1989-31.12.1989 New York, NY gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content Fotografie (DE-588)4045895-7 s Geschichte 1913-1940 z DE-604 Phillips, Christopher 1950- (DE-588)139020128 edt win Metropolitan Museum of Art (DE-588)1008914-7 isb his Aperture Foundation (DE-588)3015613-0 isb V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=001702420&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Photography in the modern era European documents and critical writings, 1913 - 1940 Avant-garde gtt Fotografie gtt Photographie Photography Fotografie (DE-588)4045895-7 gnd |
subject_GND | (DE-588)4045895-7 (DE-588)4135467-9 (DE-588)4143413-4 |
title | Photography in the modern era European documents and critical writings, 1913 - 1940 |
title_auth | Photography in the modern era European documents and critical writings, 1913 - 1940 |
title_exact_search | Photography in the modern era European documents and critical writings, 1913 - 1940 |
title_full | Photography in the modern era European documents and critical writings, 1913 - 1940 edited and with an introduction by Christopher Phillips |
title_fullStr | Photography in the modern era European documents and critical writings, 1913 - 1940 edited and with an introduction by Christopher Phillips |
title_full_unstemmed | Photography in the modern era European documents and critical writings, 1913 - 1940 edited and with an introduction by Christopher Phillips |
title_short | Photography in the modern era |
title_sort | photography in the modern era european documents and critical writings 1913 1940 |
title_sub | European documents and critical writings, 1913 - 1940 |
topic | Avant-garde gtt Fotografie gtt Photographie Photography Fotografie (DE-588)4045895-7 gnd |
topic_facet | Avant-garde Fotografie Photographie Photography Ausstellungskatalog Metropolitan Museum of Art 23.09.1989-31.12.1989 New York, NY Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=001702420&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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