Compositional techniques in the four-part isorhythmic motets of Philippe de Vitry and his contemporaries:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Partitur Buch |
| Sprache: | Undetermined |
| Veröffentlicht: |
New York u.a.
Garland
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| Schriftenreihe: | Outstanding dissertations in music from British universities
A Garland series |
| Schlagworte: | |
| Beschreibung: | Zugl.: Cambridge, Univ., Diss., 1982 |
| ISBN: | 0824020162 |
Internformat
MARC
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| 100 | 1 | |a Leech-Wilkinson, Daniel |e Komponist |4 cmp | |
| 245 | 1 | 0 | |a Compositional techniques in the four-part isorhythmic motets of Philippe de Vitry and his contemporaries |c Daniel Leech-Wilkinson |
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| 490 | 0 | |a A Garland series | |
| 500 | |a Zugl.: Cambridge, Univ., Diss., 1982 | ||
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| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
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Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author | Leech-Wilkinson, Daniel |
| author_facet | Leech-Wilkinson, Daniel |
| author_role | cmp |
| author_sort | Leech-Wilkinson, Daniel |
| author_variant | d l w dlw |
| building | Verbundindex |
| bvnumber | BV002520882 |
| classification_rvk | LP 21500 |
| ctrlnum | (OCoLC)643223578 (DE-599)BVBBV002520882 |
| discipline | Musikwissenschaft |
| format | Musical Score Book |
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| genre_facet | Hochschulschrift |
| id | DE-604.BV002520882 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T19:45:57Z |
| institution | BVB |
| isbn | 0824020162 |
| language | Undetermined |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-012164082 |
| oclc_num | 643223578 |
| open_access_boolean | |
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| publisher | Garland |
| record_format | marc |
| series2 | Outstanding dissertations in music from British universities A Garland series |
| spelling | Leech-Wilkinson, Daniel Komponist cmp Compositional techniques in the four-part isorhythmic motets of Philippe de Vitry and his contemporaries Daniel Leech-Wilkinson New York u.a. Garland ntm rdacontent n rdamedia nc rdacarrier Outstanding dissertations in music from British universities A Garland series Zugl.: Cambridge, Univ., Diss., 1982 Philippe Meaux, Bischof 1291-1361 (DE-588)118805517 gnd rswk-swf Motette (DE-588)4040357-9 gnd rswk-swf Isorhythmie (DE-588)4272856-3 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Philippe Meaux, Bischof 1291-1361 (DE-588)118805517 p Motette (DE-588)4040357-9 s DE-604 Isorhythmie (DE-588)4272856-3 s |
| spellingShingle | Leech-Wilkinson, Daniel Compositional techniques in the four-part isorhythmic motets of Philippe de Vitry and his contemporaries Philippe Meaux, Bischof 1291-1361 (DE-588)118805517 gnd Motette (DE-588)4040357-9 gnd Isorhythmie (DE-588)4272856-3 gnd |
| subject_GND | (DE-588)118805517 (DE-588)4040357-9 (DE-588)4272856-3 (DE-588)4113937-9 |
| title | Compositional techniques in the four-part isorhythmic motets of Philippe de Vitry and his contemporaries |
| title_auth | Compositional techniques in the four-part isorhythmic motets of Philippe de Vitry and his contemporaries |
| title_exact_search | Compositional techniques in the four-part isorhythmic motets of Philippe de Vitry and his contemporaries |
| title_full | Compositional techniques in the four-part isorhythmic motets of Philippe de Vitry and his contemporaries Daniel Leech-Wilkinson |
| title_fullStr | Compositional techniques in the four-part isorhythmic motets of Philippe de Vitry and his contemporaries Daniel Leech-Wilkinson |
| title_full_unstemmed | Compositional techniques in the four-part isorhythmic motets of Philippe de Vitry and his contemporaries Daniel Leech-Wilkinson |
| title_short | Compositional techniques in the four-part isorhythmic motets of Philippe de Vitry and his contemporaries |
| title_sort | compositional techniques in the four part isorhythmic motets of philippe de vitry and his contemporaries |
| topic | Philippe Meaux, Bischof 1291-1361 (DE-588)118805517 gnd Motette (DE-588)4040357-9 gnd Isorhythmie (DE-588)4272856-3 gnd |
| topic_facet | Philippe Meaux, Bischof 1291-1361 Motette Isorhythmie Hochschulschrift |
| work_keys_str_mv | AT leechwilkinsondaniel compositionaltechniquesinthefourpartisorhythmicmotetsofphilippedevitryandhiscontemporaries |