Seurat in perspective:
This book examines the controversial art of Georges Seurat. Writings by the artist and such contemporary critics as Felix Feneon, as well as studies by recent scholars including J. Carson Weber and William Innes Homer, explode the myths and resolve the misconceptions that stubbornly cling to this ar...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Englewood Cliffs, N.J.
Prentice-Hall
1978
|
| Ausgabe: | 1. print. |
| Schriftenreihe: | The artists in perspective series
A spectrum book |
| Schlagworte: | |
| Zusammenfassung: | This book examines the controversial art of Georges Seurat. Writings by the artist and such contemporary critics as Felix Feneon, as well as studies by recent scholars including J. Carson Weber and William Innes Homer, explode the myths and resolve the misconceptions that stubbornly cling to this artist and to his infamous technique of painting with small dots of pure color. Such noted writers and critics as Roger Fry, Robert Rey, and Daniel Catton Rich evaluate Seurat's art in formalist terms, as the product of a classical sensibility. Other scholars, including Meyer Shapiro, Robert Herbert, and Norma Broude, discuss Seurat's prophetically positive response to modern technology, suggesting the crucial ways in which Seurat influenced the development of twentieth-century art. |
| Beschreibung: | XI, 180 S. Ill. |
| ISBN: | 0138071152 0138071071 |
Internformat
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| 245 | 1 | 0 | |a Seurat in perspective |c ed. by Norma Broude. [Mitarb.: Georges Seurat] |
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| 300 | |a XI, 180 S. |b Ill. | ||
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| 490 | 0 | |a The artists in perspective series | |
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| 520 | 3 | |a This book examines the controversial art of Georges Seurat. Writings by the artist and such contemporary critics as Felix Feneon, as well as studies by recent scholars including J. Carson Weber and William Innes Homer, explode the myths and resolve the misconceptions that stubbornly cling to this artist and to his infamous technique of painting with small dots of pure color. Such noted writers and critics as Roger Fry, Robert Rey, and Daniel Catton Rich evaluate Seurat's art in formalist terms, as the product of a classical sensibility. Other scholars, including Meyer Shapiro, Robert Herbert, and Norma Broude, discuss Seurat's prophetically positive response to modern technology, suggesting the crucial ways in which Seurat influenced the development of twentieth-century art. | |
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Datensatz im Suchindex
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| building | Verbundindex |
| bvnumber | BV002100954 |
| callnumber-first | N - Fine Arts |
| callnumber-label | ND553 |
| callnumber-raw | ND553.S5 |
| callnumber-search | ND553.S5 |
| callnumber-sort | ND 3553 S5 |
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| ctrlnum | (OCoLC)3978705 (DE-599)BVBBV002100954 |
| dewey-full | 759.4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.4 |
| dewey-search | 759.4 |
| dewey-sort | 3759.4 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| edition | 1. print. |
| format | Book |
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| id | DE-604.BV002100954 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T15:40:21Z |
| institution | BVB |
| isbn | 0138071152 0138071071 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-001377288 |
| oclc_num | 3978705 |
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| physical | XI, 180 S. Ill. |
| publishDate | 1978 |
| publishDateSearch | 1978 |
| publishDateSort | 1978 |
| publisher | Prentice-Hall |
| record_format | marc |
| series2 | The artists in perspective series A spectrum book |
| spelling | Seurat in perspective ed. by Norma Broude. [Mitarb.: Georges Seurat] 1. print. Englewood Cliffs, N.J. Prentice-Hall 1978 XI, 180 S. Ill. txt rdacontent n rdamedia nc rdacarrier The artists in perspective series A spectrum book This book examines the controversial art of Georges Seurat. Writings by the artist and such contemporary critics as Felix Feneon, as well as studies by recent scholars including J. Carson Weber and William Innes Homer, explode the myths and resolve the misconceptions that stubbornly cling to this artist and to his infamous technique of painting with small dots of pure color. Such noted writers and critics as Roger Fry, Robert Rey, and Daniel Catton Rich evaluate Seurat's art in formalist terms, as the product of a classical sensibility. Other scholars, including Meyer Shapiro, Robert Herbert, and Norma Broude, discuss Seurat's prophetically positive response to modern technology, suggesting the crucial ways in which Seurat influenced the development of twentieth-century art. Seurat, Georges swd Seurat, Georges <1859-1891> Seurat, Georges 1859-1891 (DE-588)118613502 gnd rswk-swf Seurat, Georges 1859-1891 (DE-588)118613502 p DE-604 Broude, Norma Sonstige oth Seurat, Georges Sonstige oth |
| spellingShingle | Seurat in perspective Seurat, Georges swd Seurat, Georges <1859-1891> Seurat, Georges 1859-1891 (DE-588)118613502 gnd |
| subject_GND | (DE-588)118613502 |
| title | Seurat in perspective |
| title_auth | Seurat in perspective |
| title_exact_search | Seurat in perspective |
| title_full | Seurat in perspective ed. by Norma Broude. [Mitarb.: Georges Seurat] |
| title_fullStr | Seurat in perspective ed. by Norma Broude. [Mitarb.: Georges Seurat] |
| title_full_unstemmed | Seurat in perspective ed. by Norma Broude. [Mitarb.: Georges Seurat] |
| title_short | Seurat in perspective |
| title_sort | seurat in perspective |
| topic | Seurat, Georges swd Seurat, Georges <1859-1891> Seurat, Georges 1859-1891 (DE-588)118613502 gnd |
| topic_facet | Seurat, Georges Seurat, Georges <1859-1891> Seurat, Georges 1859-1891 |
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