The perception of music:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Hillsdale, NJ [u.a.]
Erlbaum
1988
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIII, 375 S. graph. Darst., Notenbeisp. |
| ISBN: | 0898596882 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804115463446200320 |
|---|---|
| adam_text | The
PERCEPTION
of MUSIC
ROBERT FRANCES
University of Paris
translated by
W JAY DOWLING
LAWRENCE ERLBAUM ASSOCIATES, PUBLISHERS
1988 Hillsdale, New Jersey Hove and London
CONTENTS
PREFACE ix
FOREWORD xiii
INTRODUCTION 1
PART I SYNTAX
Chapter 1 SOUND AND MUSIC
Present Theories of Audition 9
The Generality of Audition and the Specificity of Musical
Perception 11
Specificity is not Found Solely in the Particular Aims of
Musical Perception 15
Note Abstraction 16
Experiment 1 19
The Physical Diversity of Auditor) Stimuli and the Abstract
Unity of the Musical Note 27
Chapter 2 THE MATERIAL 31
The Importance of Institutionalized Relationships of Pitch
Evidence from Psychopathology: Amusias 34
Naturalization of Intervals Imposed on Other Divisions of the
Octave 38
Interval Constancies 40
The Traditional Problem of Simple Relationships 43
vi CONTENTS
Chapter 3 SYNTAX
Intervallic and Syntactic Relationships 51
Cultural and Structural Integration 52
Basic Properties of Tonal Syntax 63
The Psychological Process of Interpretation 84
Chapter 4 PSYCHOLOGICAL ORIGINS AND
DEVELOPMENT OF THE SENSE OF
TONALITY
Precocity of Tonal Acculturation 92
Probable Stages of Acculturation: Melodic
and Harmonic Information 93
Experiment 5 95
Formative Elements Apart From Duration and Frequenq
Historical Evolution of the Sense of Tonality 107
The Dissolution of the Sense of Tonality in Various
Contemporary Systems 111
The Perception of Serial Music 116
Experiment 6 122
Music Notation as a Condition for Recent Syntactic
Developments 127
PART II RHETORIC 129
Chapter 5 MUSICAL DISCOURSE
Specificity of Musical Intelligence: Perception
and Thought 131
Definition of Musical Rhetoric 134
Rhetoric and Time in Music 136
Experiment 7 138
Chapter 6 PERCEPTION AND LINEAR ORGANIZATION 158
Influence of Syntactic Relationships on Linear
Organization 158
Punctuation of Musical Discourse: Cadences 159
Experiment 8 161
Formal Symbols and Conventional Signs in Linear
Organization 164
CONTENTS Vll
Melodic Transposition 168
Experiment 9 168
Pervasive Thematic Structures
Experiment 10 182
Experiment 11 188
Chapter 7 PERCEPTION AND SIMULTANEOUS
ORGANIZATION
Social and Historical Relativity 191
Melody and Harmony: Figure and Ground 192
Experiment 12 194
Various Types of Figure-Ground Relationship in
Musical Works 200
Polyphony 210
Experiment 13 204
The Idea of Integral Perception 220
PART III EXPRESSION AND MEANING 223
Chapter 8 THE PROBLEM OF MEANING
The Aesthetic Controversy 225
Importance of Sociocultural Attitudes 227
Results of Psychological Investigations 232
Reflective Observations of Musicologists 239
Expression, Evocation, and Significance 243
Chapter 9 CONSISTENCY AND COHERENCE OF
SEMANTIC JUDGMENTS 245
The Virtual Character of Signification
Experiment 14 246
Chapter 10 THEMES OF SIGNIFICATION: SYMBOLIC
ELEMENTS 276
Difficulties in the Analysis of Musical Structure 276
Musical Spatiality 277
Schemes of Tension and Relaxation 298
Problem Posed by Subjective Significations: Analysis of
Symbolic Relationships in the Musical Expression of
Emotion 305
viii CONTENTS
Chapter 11 THEMES OF SIGNIFICATION:
ASPECTS AND DEGREES OF CONVENTION 313
The Specific Character of Musical Signification 313
Ethos 316
Pure Convention: Significations of Timbre, iModc, and
Tonality 317
Mediated Convention 327
Discussion of the Theories of Helmholtz and Stumpf 328
Historical Character of Transfers 333
Experiment 16 337
Antithesis of Transfer and Knowledge of Signification and
Reflection 340
Historical-Cultural Significations 341
Chapter 12 CONCLUSION
REFERENCES
SUPPLEMENTARY BIBLIOGRAPHY
AUTHOR INDEX
SUBJECT INDEX
|
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| callnumber-first | M - Music |
| callnumber-label | ML3830 |
| callnumber-raw | ML3830 |
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| callnumber-subject | ML - Literature on Music |
| classification_rvk | CX 7500 |
| ctrlnum | (OCoLC)16754705 (DE-599)BVBBV001045566 |
| dewey-full | 781/.15 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781/.15 |
| dewey-search | 781/.15 |
| dewey-sort | 3781 215 |
| dewey-tens | 780 - Music |
| discipline | Psychologie Musikwissenschaft |
| format | Book |
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| isbn | 0898596882 |
| language | English |
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| physical | XIII, 375 S. graph. Darst., Notenbeisp. |
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| spelling | Francès-Rousseau, Pierre 1919-2012 Verfasser (DE-588)119434636 aut La perception de la musique The perception of music Robert Francès Hillsdale, NJ [u.a.] Erlbaum 1988 XIII, 375 S. graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Musik Music Philosophy and aesthetics Musical perception Musikwahrnehmung (DE-588)4126097-1 gnd rswk-swf Musikpsychologie (DE-588)4127817-3 gnd rswk-swf 1\p (DE-588)4113937-9 Hochschulschrift gnd-content Musikpsychologie (DE-588)4127817-3 s DE-604 Musikwahrnehmung (DE-588)4126097-1 s HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=000631929&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
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| subject_GND | (DE-588)4126097-1 (DE-588)4127817-3 (DE-588)4113937-9 |
| title | The perception of music |
| title_alt | La perception de la musique |
| title_auth | The perception of music |
| title_exact_search | The perception of music |
| title_full | The perception of music Robert Francès |
| title_fullStr | The perception of music Robert Francès |
| title_full_unstemmed | The perception of music Robert Francès |
| title_short | The perception of music |
| title_sort | the perception of music |
| topic | Musik Music Philosophy and aesthetics Musical perception Musikwahrnehmung (DE-588)4126097-1 gnd Musikpsychologie (DE-588)4127817-3 gnd |
| topic_facet | Musik Music Philosophy and aesthetics Musical perception Musikwahrnehmung Musikpsychologie Hochschulschrift |
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