Eugene O'Neill, comments on the drama and the theater: a source book
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Tübingen
Narr
1987
|
Schriftenreihe: | Studies and texts in English
7 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | XXXV, 255 S. Ill. |
ISBN: | 3878084471 3878086695 |
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Datensatz im Suchindex
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adam_text | Contents
PREFACE
............................................................... xvü
A NOTE ON CITATIONS
............................................... xxiii
CHRONOLOGY: O NEILLS LIFE AND WORK
........................... xxiv
I. MATERIAL PUBLISHED DURING O NEILLS LIFETIME
(18881953)
1
From Barrett H. Clark, The Plays of Eugene G. O Neill11
................... 1
(New York Sun,
18
May
1919)
2
From Philip Mindil, Behind the Scenes 1
................................. ?.
(New York Tribune,
22
February
1920)
3
A Letter From O Neill [On Beyond the Horizon]
..........................
Ί
(New York Times,
11
April
1920)
4
From Olin Downes, Playwright Finds His Inspiration on Lonely Sand
Dunes by the Sea
.................................................... 6
(Boston Sunday Post,
29
August
1920)
5
Eugene O Neill s Credo and His Reason for His Faith
[A Defense of Diffrent]
................................................ 9
(New York Tribune,
13
February
1921)
6
From Eugene G. O Neill. [Letter] To the Dramatic Editor
[On Anna Christie]
.................................................... 11
(New York Times,
18
December
1921)
7
From Oliver M. Sayler, The Real Eugene O Neill
........................ 13
(Century Magazine, January
1922)
8
From Malcolm
Molían,
Making Plays with a Tragic End
................... 14
(Philadelphia Public Ledger,
22
January
1922)
9
The
Aitisi
of the Theater. A Colloquy Between Eugene G, O Neill
and Oliver Sayler
.................................,..,,............, . 18
(Shadowland, April
1922)
10
From Mary
В.
Mullett, The Extraordinary Story Of Eugene O Neill
........ 22
(American Magazine, November
1922)
11
From Young Boswell Interviews Eugene O Neill
........................ 26
(New York Tribune,
24
May
1923)
12
From J.F. O Neill, What a Sanatorium Did for Eugene O Neill
............ 28
(Journal of the Outdoor Life, June
1923)
13
From Charles A. Merrill, Eugene O Neill, World-Famed Dramatist,
and Family Live in Abandoned Coast Guard Station on Cape Cod
......... 29
(Boston Sunday Globe,
8
July
1923)
14
Eugene O Neill,
Strindberg
and Our Theatre
........................... 31
(Provincetown Playbill,
3
January
1924)
15
Eugene O Neill, [An Appreciation of W.E.B.
Du Bois]....................
32
(Dinner program,
13
April
1924)
16
From Louis
Kantor,
O Neill Defends His Play of Negro
[All God s Chillun Got Wings]
......................................... 33
(New York Times,
11
May
1924)
17
From Carol Bird, Eugene O Neill
-
The Inner Man
..................... 38
(Theatre Magazine, June
1924)
18
From Charles P. Sweeney, Back to the Source of Plays Written by
Eugene O Neill
.................................................... 40
(New York World,
9
November
1924)
19
From [Anonymous], Eugene O Neill Talks of His Own and the
Plays of Others
..................................................... 41
(New York Herald Tribune,
16
November
1924)
20
From Louis Kalonyme, O Neill Lifts Curtain on His Early Days
........... 43
(New York Times,
21
December
1924)
21
Eugene O Neill, [Set Designs for Desire Under the Elms]
................... 46
(Provincetown Playbill,
1924-25)
22
From Flora Merrill, Fierce Oaths and Blushing Complexes Find
No Place in Eugene O Neill s Talk
.................................... 47
(New York World,
19
July
1925)
23
Eugene O Neill, Are the Actors to Blame?
............................. 49
(Provincetown Playbill,
б
November
1925)
24 Eugene
O Neill, [A Statement on The Fountain and a List of His
Plays
(1913-1925)]................................................... 52
(Greenwich Playbill,
1925-26)
25
From Barrett H. Clark, Eugene O Neill
(1926)............................ 54
26
Eugene O Neill, [On Hart Crane s Poetry]
(1926)___..................... 58
27
From Isaac Goldberg, The Theatre of George Jean Nathan: Chapters
and Documents Toward a History of the New American Drama
(1926)........ 59
28
Eugene O Neill Writes About His Latest Play, The Great God Brown
....... 66
(New York Evening Post,
13
February
1926)
29
Eugene O Neill on [Franz
Werfeľs]
Goat Song. [Letter] To the
Dramatic Editor
.................................................... 68
(New York Times,
7
March
1926)
30
From Malcolm Cowley, Eugene O Neill: Writer of Synthetic Drama
.,..... 68
(Brentano
s Book Chat, July/August
1926)
31
From David Karsner, Eugene O Neill at Close Range In Maine
..,,,...,,. 69
(New York Herald Tribune,
8
August
1926)
32
From Arthur Hobson Quinn, A History of the Ametican Drama
From the Civil War to the Present Day
(1927).................,........... 70
33
Eugene O Neill, [On Navigator: The Story of Nathaniel Bowditch of
Salem, by Alfred Stanford]
(1927)...................................... 71
34
Eugene O Neill, Foreword [to Anathema! Litanies of Negation,
by Benjamin
De
Casseres]
(1928)...................................... 71
35
From [Anonymous], A Eugene O Neill Miscellany
...................... 73
(New York Sun,
12
January
1928)
36
From Richard Watts, Jr., Realism Doomed, O Neill Believes
............. 75
(New York Herald Tribune,
5
February
1928)
37
From Richard Watts, Jr., Regarding Mr. Eugene O Neill As a Writer
for the Cinema
..................................................... 77
(New York Herald Tribune,
4
March
1928)
38
From Barrett H. Clark, Eugene O Neill: The Man and His Plays
(1929) ....... 79
39
From George Jean Nathan, The Theatre.
ΠΙ.
The First of a Trilogy
........ 83
(American Mercury, January
1929)
40
From
Marthe
Carolyn Sparrow, The Influence of Psychoanalytical
Material on the Plays of Eugene O Neill
(1930).......................... 84
41
From Montiville Morris
Hansford,
O Neill As the Stage Never
Sees Him
.......................................................... 85
(Boston Evening Transcript,
22
March
1930)
42
Eugene O Neill, Mourning Becomes Electra
-
Working notes and
extracts from a fragmentary work diary
(1931)........................... 86
43
From Ernest K. Lindley, Exile Made Him Appreciate U.S.,
O Neill Admits
..................................................... 95
(New York Herald Tribune,
22
May
1931)
44
From
SJ.
Woolf,
O Neill Plots a Course for the Drama
................... 97
(New York Times,
4
October
1931)
45
From John Anderson, Eugene O Neill. I
............................... 99
(Theatre Arts Magazine, November
1931)
46
From Joseph Wood Krutch, Introduction to Nine Plays by
99
Eugene O Neill
(1932)................................................
47
From The Intimate Notebooks of George Jean Nathan
(1932)................ 100
48
From Lee
Simonson,
The Stage Is Set
(1932)............................. 103
49
From Fred Pasley, Odyssey of Eugene O Neill: The Ulysses
of the Drama
....................................................... 105
(New York Daily News,
24
and
25
January
1932)
50
From O Neill Says Soviet Stage Has Realized His Dream
[A Letter to the Kamerny Theater]
.............,....................... 106
(New York Herald Tribune,
19
June
1932)
51
Eugene O Neill, Memoranda on Masks
................................ 107
(American Spectator, November
1932)
52
Eugene O Neill, Second Thoughts
.................................... 109
(American Spectator, December
1932)
53
Eugene O Neill, A Dramatist s Notebook
.............................. 110
(American Spectator, January
1933)
54
From Richard Watts, Jr., O Neill Is Eager To See
[...]
Ah, Wilderness/ .
...... 112
(New York Herald Tribune,
9
September
1933)
55
From George Jean Nathan, Eugene O Neill
-
strong man of American
drama
.............................................................
ИЗ
(Vanity Fair, October
1933)
56
Eugene O Neill, [Prefatory Notes to The Plays of Eugene O Neill
(Wilderness Edition)]
(1934-35)........................................ 113
57
From Richard Dana Skinner, Eugene O Neill: A Poet s Quest
(1935).......... 122
58
Eugene O Neill, Professor G.P. Baker
................................. 124
(New York Times,
13
January
1935)
59
From George Jean Nathan, The Recluse of Sea Island
................... 126
(Redbook
Magazine, August
1935)
60
From Arthur Hobson Quinn, A History of the American Drama
From the Civil War to the Present Day. Rev.
ed.
(1936) ..................... 127
61
From John Mason Brown, Eugene O Neill Salutes Mr. Anderson s
Winterset .................
(New York Post,
6
April
1936)
Wintersei ........................................................... 128
62
From [Anonymous], Eugene O Neill Undramatic Over Honor of
Nobel Prize
....................................................___ 129
(Seattle Times,
12
November
1936)
63
From Richard L. Neuberger, O Neill Turns West Toward New
Horizons
.......................................................... 131
(New York Times,
22
November
1936)
64
Eugene O Neill, [The Nobel Prize Acceptance Speech]
.................... 133
(New York Times,
11
December
1936)
65
From Betty Turner, O Neill of
Napa
Valley
............................. 134
(San Francisco Chronicle,
12
January
1937)
66
Eugene O Neill, [A Tribute to Ibsen s Memory]
......................... . 135
(Nordisk Tidende,
2
June
1938)
67
From John Mason Brown
et al., eds.,
George Pierce Baker:
A Memorial
(1939)................................................... 135
68
From What Shall We Play?
-
Repertoires for a National Theatre ,
......... 136
(Theatre Arts Magazine, February
1941)
69
From Whit Burnett,
ed.,
This Is My Best: America s
93
Greatest Living
Authors Present Over
150
Self-Chosen and Complete Masterpieces,
Together With Their Reasons For Their Selections
(1942).................... 137
70
From Sister M. Vincentia [Burns],
O.P.,
The Function of Wagner s
Theory of the Union of the Arts in the Dramaturgy of Eugene
O Neill
(1943)...................................................... 137
71
From John S. Wilson, O Neill on the World and The Ice Man
.............. 138
(PM,
3
September
1946)
72
From S.J.
Woolf,
Eugene O Neill Returns After Twelve Years
............. 140
(New York Times,
15
September
1946)
73
From George Jean Nathan, The Theatre. Eugene O Neill after
Twelve Years
....................................................... 142
(American Mercury, October
1946)
74
From Karl Schriftgiesser, The Iceman Cometh
........................... 143
(New York Times,
6
October
1946)
75
From [James Agee], The Ordeal of Eugene O Neill
___..........___.... 144
(Time,
21
October
1946)
76
From Kyle Crichton, Mr. O Neill and The Iceman
....................... 146
(Collier s,
26
October
1946)
77
From Croswell Bowen, The Black Irishman
............................. 147
(PM,
3
November
1946)
78
From Barrett H. Clark,
eugene
o neill: the man and his plays.
Rev.
ed.
(1947)...................................................... 149
79
From George Middleton, These Things Are Mine: The Autobiography
of a Journeyman Playwright
(1947)...................................... 154
80
From Hamilton Basso, Profiles. The Tragic Sense
-
I
.................... 155
(The New Yorker,
28
February
1948)
81
From Hamilton Basso, Profiles. The Tragic Sense
■ 11 ................... 156
(The New Yorker,
6
March
1948)
82
From Hamilton Basso, Profiles. The Tragic Sense
■
III
.................. 157
(The New Yorker,
13
March
1948)
83
From Lawrence Langner, The Magic Curtain: The Stoiy of a Life in Two Fields,
Theatre and Invention, by the Founder of the Theatre Guild
(1951)............ 159
ц.
POSTHUMOUSLY PUBLISHED MATERIAL
t LETTERS AND EXCERPTS FROM LETTERS
84
To Jessica Rippin
(5
May
1914)........................................ 164
85
To Dr. David R. Lyman [Summer
1914]................................. 166
86
To George Pierce Baker
(16
July
1914).................................. 166
87
To George Pierce Baker
(29
July
1914).................................. 167
88
To Grace Rippin [November
1914] ....._____............................ 168
89
To
Felton
Elkins [June/July
1915]...................................... 168
90
To George Pierce Baker
(9
May
1919).................................. 169
91
To George Pierce Baker
(8
June
1919).................................. 170
92
To George Pierce Baker
(30
June
1919) ................................. 171
93
To John Peter Toohey
(5
November
1919)............................... 171
94
To Pierre Loving
(19
November
1919)___.............................. 172
95
To George C. Tyler
(17
March
1920)................................... 173
96
To Clayton Hamilton
(6
April
1920)___................................ 173
97
To George Jean Nathan
(7
May
1923).................................. 174
98
To Mary A. Clark
(5
August
1923)..................................... 175
99
To John Barrymore [ca. December
1923]................................ 176
100
To a Mr. Perlman
(5
February
1925).................................... 176
101
To Edward Sheldon
f
1926] ............................................ 176
102
To Manuel Komroff
(22
March
1926)...................................
í
77
103
To
Callotta
Monterey
(27
November
1926).............................. 178
104
To Lawrence Langner
(5
April
1927)...............................____ 178
Ю5
To Joseph Wood Kratch
(15
July
1927)................................. 180
106
To Benjamin
De Casseres
(11
August
1927)..............................
107
To Benjamin
De
Casseres
(12
March
[1929])............................. 182
108
To Dr. J.O. Lief
(16
March
1929)....................................... 182
109
To George Jean Nathan
(19
March
1929)................................ 183
110
To Eleanor Fitzgerald
(13
May
1929)................................... 183
111 To Barrett H. Clark
(21
June
1929)..................................... 184
112
To Joseph Wood Krutch
(27
July
1929).................................. 185
113
To Carlotta Monterey O Neill
(4
December
1929)........................ 185
114
To Ralph Sanborn [May
1930]......................................... 185
115
To Robert Sisk
(28
August
1930)....................................... 186
116
To Benjamin
De
Casseres
(12
November
1931)........................... 187
117
To Dudley Nichols
(29
May
1932) ...................................... 187
118
To Frederic I. Carpenter
(24
June
1932)................................. 188
119
To Philip Moeller
(19
August
1933)..................................... 188
120
To Robert Sisk
(15
October
1933)...................................... 189
121
To Bennett
Cerf
(6
November
1933).................................... 190
122
To Sean O Casey
(15
December
1933).................................. 190
123
To Charles O Brien Kennedy
(18
February
1934) ......................... 191
124
To
León
Mirlas
(19
December
1934).................................... 191
125
To Robert Sisk
(3
July
1935)........................................... 192
126
To Clifton Fadiman
(8
January
1938)................................... 193
127
To George Jean Nathan
(13
May
1939). ................................. 193
128
To George Jean Nathan
(8
February
1940)............................... 194
129
To Dudley Nichols
(22
April
1940)..................................... 195
130
To George Jean Nathan
(15
June
1940).............................-----
I95
131
To William R.
Agar
(15
February
1941)................................. 196
132
To George Jean Nathan
(2
May
1942).................................. 196
133
To George Jean Nathan
(19
June
1942)................................. 196
134
To Dudley Nichols
(16
December
1942)................................. 197
135
To Sean O Casey
(5
August
1943)...................................... 198
136
To Lawrence Langner
(13
May
1944)................................... 199
137
To Elizabeth Shepley Sergeant
(3
December
1944) ....................... 200
138
To Frederic I. Carpenter
(24
March
1945)............................... 200
139
To Rev. Wilfred Parsons
(23
March
1947)............................... 201
140
To the Royal Dramatic Theater, Stockholm
[1949
j
........................ 201
141
Letters to Theresa Helbum
(1928-1944)................................. 201
2.
INSCRIPTIONS
142
To Agnes Boulton
................................................... 207
(Inscription in a copy of Thirst and Other One Act Plays,
1914)
143
To George Pierce Baker
.............................................. 207
(Inscription in a copy of The Moon of the Caribbees and Six
Other Plays of the Sea,
1919)
144
To Carlotta Monterey O Neill
......................................... 208
(Inscription on the original manuscripts of Mourning Becomes
Electro,
1931,
and Long Day s Journey Into Night,
1941,
and in
a copy of A Moon for the Misbegotten,
1952)
3.
MS NOTES
145
For Lazarus Laughed
................................................ 210
146
For Days Without End.
............___.___.......................... 211
4.
OTHER
MATERIAL
147
From Mary Welch, Softer Tones for Mr. O Neill s Portrait
................ 212
{Theatre Arts Magazine, May
1957)
148
From George Jean Nathan, The Bright Face of Tragedy
.................. 212
{Cosmopolitan Magazine, August
1957)
149
From Malcolm Cowley, A Weekend With Eugene O Neill
................ 213
{Reporter,
5
September
1957)
150
From Agnes Boulton, Part of a Long Story
(1958)......................... 214
151
From Louis Sheaffer, O Neill: Son and Playwright
(1968)................... 215
152
From Louis Sheaffer, O Neill: Son and Artist
(1973)....................... 216
153
From
Ingrid
Bergman, A Meeting With O Neill
(1979)................... 220
APPENDIX
O Neill s Dramatic Writings
................................................ 221
O Neill s Nondramatic Writings
............................................. 225
A Chronological List of Letters by O Neill Cited in This Volume
................. 226
A List of O Neill s Published Set Designs
..................................... 231
Further Source Material: A Selective Chronological List of Texts
Excluded from This Volume
................................................ 233
A Chronological List of Books on O Neill
.................................... 237
Index of Names and Titles
................................................. 242
Analytic Subject-Index
..................................................... 252
|
any_adam_object | 1 |
author | O'Neill, Eugene 1888-1953 |
author_GND | (DE-588)118590014 |
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era_facet | Geschichte 1900-2000 Geschichte 1919-1951 |
format | Book |
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genre | (DE-588)4002214-6 Anthologie gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4135952-5 Quelle gnd-content |
genre_facet | Anthologie Aufsatzsammlung Quelle |
id | DE-604.BV000820468 |
illustrated | Illustrated |
indexdate | 2024-07-09T15:19:59Z |
institution | BVB |
isbn | 3878084471 3878086695 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-000514839 |
oclc_num | 29027806 |
open_access_boolean | |
owner | DE-12 DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-703 DE-739 DE-355 DE-BY-UBR DE-20 DE-29 DE-824 DE-83 |
owner_facet | DE-12 DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-703 DE-739 DE-355 DE-BY-UBR DE-20 DE-29 DE-824 DE-83 |
physical | XXXV, 255 S. Ill. |
publishDate | 1987 |
publishDateSearch | 1987 |
publishDateSort | 1987 |
publisher | Narr |
record_format | marc |
series | Studies and texts in English |
series2 | Studies and texts in English |
spelling | Eugene O'Neill, comments on the drama and the theater a source book coll. and ed., with crit. and biograph. notes, by Ulrich Halfmann Tübingen Narr 1987 XXXV, 255 S. Ill. txt rdacontent n rdamedia nc rdacarrier Studies and texts in English 7 O'Neill, Eugene <1888-1953> - Correspondance O'Neill, Eugene <1888-1953> - Et le théâtre O'Neill, Eugene <1888-1953> Correspondence O'Neill, Eugene <1888-1953> Quotations O'Neill, Eugene <1888-1953> Knowledge Performing arts O'Neill, Eugene 1888-1953 (DE-588)118590014 gnd rswk-swf Geschichte 1900-2000 Geschichte 1919-1951 gnd rswk-swf Dramaturges américains - 20e siècle - Correspondance Wissen Drama History and criticism Theory, etc Dramatists, American 20th century Correspondence Drama (DE-588)4012899-4 gnd rswk-swf Dramentheorie (DE-588)4070570-5 gnd rswk-swf Rezension (DE-588)4049712-4 gnd rswk-swf (DE-588)4002214-6 Anthologie gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4135952-5 Quelle gnd-content O'Neill, Eugene 1888-1953 (DE-588)118590014 p Drama (DE-588)4012899-4 s DE-604 Dramentheorie (DE-588)4070570-5 s Rezension (DE-588)4049712-4 s Geschichte 1919-1951 z Halfmann, Ulrich Sonstige oth O'Neill, Eugene 1888-1953 (DE-588)118590014 aut Comments on the drama and the theater Studies and texts in English 7 (DE-604)BV000018408 7 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=000514839&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | O'Neill, Eugene 1888-1953 Eugene O'Neill, comments on the drama and the theater a source book Studies and texts in English O'Neill, Eugene <1888-1953> - Correspondance O'Neill, Eugene <1888-1953> - Et le théâtre O'Neill, Eugene <1888-1953> Correspondence O'Neill, Eugene <1888-1953> Quotations O'Neill, Eugene <1888-1953> Knowledge Performing arts O'Neill, Eugene 1888-1953 (DE-588)118590014 gnd Dramaturges américains - 20e siècle - Correspondance Wissen Drama History and criticism Theory, etc Dramatists, American 20th century Correspondence Drama (DE-588)4012899-4 gnd Dramentheorie (DE-588)4070570-5 gnd Rezension (DE-588)4049712-4 gnd |
subject_GND | (DE-588)118590014 (DE-588)4012899-4 (DE-588)4070570-5 (DE-588)4049712-4 (DE-588)4002214-6 (DE-588)4143413-4 (DE-588)4135952-5 |
title | Eugene O'Neill, comments on the drama and the theater a source book |
title_alt | Comments on the drama and the theater |
title_auth | Eugene O'Neill, comments on the drama and the theater a source book |
title_exact_search | Eugene O'Neill, comments on the drama and the theater a source book |
title_full | Eugene O'Neill, comments on the drama and the theater a source book coll. and ed., with crit. and biograph. notes, by Ulrich Halfmann |
title_fullStr | Eugene O'Neill, comments on the drama and the theater a source book coll. and ed., with crit. and biograph. notes, by Ulrich Halfmann |
title_full_unstemmed | Eugene O'Neill, comments on the drama and the theater a source book coll. and ed., with crit. and biograph. notes, by Ulrich Halfmann |
title_short | Eugene O'Neill, comments on the drama and the theater |
title_sort | eugene o neill comments on the drama and the theater a source book |
title_sub | a source book |
topic | O'Neill, Eugene <1888-1953> - Correspondance O'Neill, Eugene <1888-1953> - Et le théâtre O'Neill, Eugene <1888-1953> Correspondence O'Neill, Eugene <1888-1953> Quotations O'Neill, Eugene <1888-1953> Knowledge Performing arts O'Neill, Eugene 1888-1953 (DE-588)118590014 gnd Dramaturges américains - 20e siècle - Correspondance Wissen Drama History and criticism Theory, etc Dramatists, American 20th century Correspondence Drama (DE-588)4012899-4 gnd Dramentheorie (DE-588)4070570-5 gnd Rezension (DE-588)4049712-4 gnd |
topic_facet | O'Neill, Eugene <1888-1953> - Correspondance O'Neill, Eugene <1888-1953> - Et le théâtre O'Neill, Eugene <1888-1953> Correspondence O'Neill, Eugene <1888-1953> Quotations O'Neill, Eugene <1888-1953> Knowledge Performing arts O'Neill, Eugene 1888-1953 Dramaturges américains - 20e siècle - Correspondance Wissen Drama History and criticism Theory, etc Dramatists, American 20th century Correspondence Drama Dramentheorie Rezension Anthologie Aufsatzsammlung Quelle |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=000514839&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV000018408 |
work_keys_str_mv | AT halfmannulrich eugeneoneillcommentsonthedramaandthetheaterasourcebook AT oneilleugene eugeneoneillcommentsonthedramaandthetheaterasourcebook |