Jazz styles: history & analysis
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | |
| Sprache: | English |
| Veröffentlicht: |
Englewood Cliffs, NJ
Prentice Hall
1988
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| Ausgabe: | 3. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVIII, 445 S. Ill. 1 Kompaktkassette |
| ISBN: | 0135092175 |
Internformat
MARC
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| 100 | 1 | |a Gridley, Mark C. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Jazz styles |b history & analysis |
| 250 | |a 3. ed. | ||
| 264 | 1 | |a Englewood Cliffs, NJ |b Prentice Hall |c 1988 | |
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| 650 | 4 | |a Style musical | |
| 650 | 4 | |a Jazz musicians | |
| 650 | 4 | |a Jazz |x Analysis, appreciation | |
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Datensatz im Suchindex
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| adam_text | LIST OF TABLES AND ILLUSTRATIONS vii
PREFACE x
ACKNOWLEDGMENTS xv
AIDS FOR USING THIS BOOK xviii
1 INTRODUCTION 1
part I BASICS OF JAZZ
r WHAT IS JAZZ 4
Improvisation 4
Swing Feeling 5
Defining the Jazz Musician: Four Views 8
Is Jazz Populär? 10
O APPRECIATING JAZZ IMPROVISATION 12
Listening Techniques 13
Instrument Roles 15
Alternatives Available to the Improviser 25
Skills Possessed by the Improviser 27
Chord Progressions and Tune Construction 30
iii
part II PREMODERN JAZZ
A ORIGINSOFJAZZ 38
/T EARLY JAZZ: COMBO JAZZ PRIOR TO THE MIDDLE 1930s 56
Z SWING: THE EARLY 1930s TO THE LATE 1940s 86
~7 DUKE ELLINGTON 107
0 THE COUNT BASIE BANDS 128
part III MODERN JAZZ: THE EARLY 194Os
TO THE EARLY 196Os
Q BOP 143
~ (~ COOL JAZZ 177
Lennie Tristano and Lee Konitz 179
Birth of the Cool 181
West Coast Style of tbe 7 950s 182
11 HARDBOP 191
1 r MILES DAVIS, HIS GROUPS AND SIDEMEN 207
part IV MODERN JAZZ: THE EARLY 196Os
TO THE MID-198OS
1 O FREEJAZZ 226
Ornette Coleman 228
Albert Ayler 234
Don Cherry 236
Cecil Taylor 237
Free Drummers 238
Free Bassisfs 239
iv
1 A CHARLES MINGUS 243
1 O BILL EVANS, HERBIE HANCOCK, CHICK COREA,
J AND KEITH JARRETT 251
~j Z THE SCCOND CHICAGO SCHOOL 268
Sun Rer 269
Assoziation for the Advancement of Creafive Musicions 273
Art Ensemble of Chicago 274
Anthony Braxton 276
World Saxophone Quartet 276
1 7 JOHN COLTRANE 279
1 O WAYNE SHORTER, RON CARTER, AND TONY WILLIAMS 301
10 TWENTY YEARS OF JAZZ, ROCK, AND AMERICAN
IV POPULÄR MUSIC: THE MID-1960sTO THE MlD-1980$ 312
Distinguisbing Jazz frorn Rock and Funk 317
Blood, Sweat Tears, Chicago, and Ten Wheel Drive 317
Miles Davis 32 J
John McLaughlin 325
Larry Coryell 327
Don BUis 328
Jos^f Zawinul 329
Weather Report 331
Jaco Pastorius 336
Estahlished Greats Bmbrace Rock 338
Models for Jazz-Rock Players 339
Populär Appeal of Jazz-Rock 340
r)(^ BIG BANDS IN THE 1960$ AND 70s 344
Stan Kenton 344
Woody Herman 348
Maynard Ferguson 349
Thod Jones-Mel Lewis 351
APPENDIX
CHRONOLOGY OF JAZZ STYLES CHART 356
ELEMENTS OF MUSIC 358
Rhythm:
Beat 358
Tempo 358
Meter 359
Rhythm 359
syncopation 362
swing eighths 363
Scales, Keys, Tonality, and Modality 365
Blue Notes 371
Chords and Chord Progressions 372
Chord Voicing 374
The Blues 377
The Thirty-Two-Bar AABA Tune 378
Listening for the Twelve-Bar Blues and Thirty-Two-Bar Forms 378
Detecting Other Forms 382
Modal Forms 384
The Effects of Form on Improvisation 386
Phrasing in Relation to Form 387
Tone Color 388
GUIDE TO RECORD BUYING 392
GLOSSARY 401
SUPPLEMENTARY READING 406
SOURCES FOR NOTATED JAZZ SOLOS 412
FORMUSICIANS 415
A SMALL BASIC RECORD COLLECTION 432
INDEX 433
JAZZ STYLES CASSETTE 445
vi
TABLES
5.1 Early jazz musicians 58
5.2 New Orleans and Chicago musicjans 60
5.3 Compar/ng Lou/s Armstrong with Bix Beiderbecke 73
6.1 Swing-style musicians 87
6.2 Fletcher Henderson musicians 92
7-1 Duke Ellington musicians ??2
7.2 Johnny Hodges disciples J78
8.1 Kansas City musicians 132
8.2 Counf ßas/e musicians ]33
8.3 Comparing Coleman Hawkins and Lester Young 134
8.4 tesfer Young disciples 135
9.1 ßop mus/ c/ans 747
9.2 Charlie Parker disciples 152
9.3 Thelonious Monk disciples 157
10.1 West Coast musicians 183
10.2 S/an Kenfon and Woody Herman musicians 184
11.1 Hard bop musicians 192
11.2 Compar/ng West Coast style with hard bop style 193
v
11.3 Philadelphia and Detroit musicians 194
11.4 Horace Silver musicians 197
11.5 Art Blakey musicians 203
11.6 Comparing J. J. Johnson with Curtis Füller 204
12.1 Miles Davis saxophonists 208
12.2 Miles Davis guitarists 208
12.3 Miles Davis rhythm sections 210
12.4 Miles Davis disciples 212
13.1 Ornette Coleman disciples 233
13.2 Free-jazz musicians 240
15.1 Bill Evans disciples 252
17.1 McCoy Tyner disciples 293
17.2 John Coltrane disciples 296
19.1 Jazz-rock musicians 320
SPECIAL BOXED FEATURES
Vibrato 50
Distinguishing trumpet from cornet 71
Listening guide for Cottontail 111
Listening guide for Hartem Air Shaft 113
Listening guide for Take the A Train 122
Listening guide for Taxi War Dance 136
Listening guide for Lester Leaps In 138
Listening guide for Kind of Blue 217
LINE DRAWINGS AND INSTRUMENT PHOTOS
3.1 Possible visualizations of tone perceptions 14
3.2 String bass and electric bass guitar 16
3.3 Audience view of drum set 17
3.4 Drums 79
3.5 Open and closed high-hat cymbals 20
3.6 Sticks, brushes, and mallets 21
3.7 Bass drum—foot pedal 21
4.1 Guitar and banjo 47
4.2 Drop or fall-off 51
4.3 Scoop 57
4.4 Smear 51
viii
4.5 Do/7 52
4.6 Origins of Jazz 55
5.1 Clarinet and soprano Saxophone 76
5.2 Baritone Saxophone—bass Saxophone 78
5.3 Tuba 78
6.1 Alto, tenor, and barifone saxophones 89
7.1 Fluegelhorn 117
9.1 Piano keyboard Illustration of a whole-tone sequence 155
9.2 Vibraharp 159
16.1 Kettledrum 271
16.2 Piccolo, flute, clarinet, bass clarinet 271
16.3 English hörn, oboe, bassoon 271
17.1 Piano keyboard Illustration of fifths in left hand,
fourths in right hand 292
18.1 Piano keyboard Illustration of E.S.P. notes 305
19.1 Chart of parallel streams distinguishing jazz from rock
and jazz-rock 314
MUSICIAN PHOTOS
Jelly Roll Morton band 62
James P. Johnson 67
Louis Armstrong 69
Benny Goodman band 94
Coleman Hawkins 98
Duke Ellington band 108
Count Baste band 130
Charlie Parker and Miles Davis 144
Dave Brubeck quartet 187
Cannonball Adderley, Paul Chambers, Miles Davis,
John Coltrane 213
Ornette Coleman Trio 228
Charles Mingus 244
Art Ensemble of Chicago 274
John Coltrane Quartet 289
John Coltrane on soprano Saxophone 297
Ron Carter and Wayne Shorter 302
Miles Davis s electric band 323
Weather Report 332
Miles Davis 391
|
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| dewey-full | 785.42 |
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| discipline | Musikwissenschaft |
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| illustrated | Illustrated |
| indexdate | 2024-07-09T15:19:49Z |
| institution | BVB |
| isbn | 0135092175 |
| language | English |
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| spelling | Gridley, Mark C. Verfasser aut Jazz styles history & analysis 3. ed. Englewood Cliffs, NJ Prentice Hall 1988 XVIII, 445 S. Ill. 1 Kompaktkassette Jazz Musiciens de jazz Style musical Jazz musicians Jazz Analysis, appreciation Style, Musical Musikalischer Stil (DE-588)4170806-4 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Musikalischer Stil (DE-588)4170806-4 s Jazz (DE-588)4028532-7 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=000508089&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Gridley, Mark C. Jazz styles history & analysis Jazz Musiciens de jazz Style musical Jazz musicians Jazz Analysis, appreciation Style, Musical Musikalischer Stil (DE-588)4170806-4 gnd Jazz (DE-588)4028532-7 gnd |
| subject_GND | (DE-588)4170806-4 (DE-588)4028532-7 (DE-588)4078704-7 |
| title | Jazz styles history & analysis |
| title_auth | Jazz styles history & analysis |
| title_exact_search | Jazz styles history & analysis |
| title_full | Jazz styles history & analysis |
| title_fullStr | Jazz styles history & analysis |
| title_full_unstemmed | Jazz styles history & analysis |
| title_short | Jazz styles |
| title_sort | jazz styles history analysis |
| title_sub | history & analysis |
| topic | Jazz Musiciens de jazz Style musical Jazz musicians Jazz Analysis, appreciation Style, Musical Musikalischer Stil (DE-588)4170806-4 gnd Jazz (DE-588)4028532-7 gnd |
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