Holdings: Music in European thought

Music in European thought: 1851 - 1912

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Bibliographic Details
Format:	Book
Language:	English
Published:	Cambridge u.a. Cambridge Univ. Pr. 1988
Edition:	1. publ.
Series:	Cambridge readings in the literature of music
Subjects:	Geschichte 1851-1918 Geschichte 1851-1912 Musikphilosophie Musikästhetik Westeuropa Quelle
Online Access:	Inhaltsverzeichnis
Physical Description:	XVIII, 414 S.
ISBN:	0521230500

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MARC


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adam_text	Contents Preface page xi Acknowledgments xvii List of abbreviations xviii General introduction i Part i: German aesthetics of music in the second half of the nineteenth Century i .1 Music as an autonomous being 7 Introduction 7 E. Hanslick, Vom Musikalisch-Schönen (1854) 11 R. Zimmermann, Allgemeine Aesthetik als Formwissenschaft (1865) 40 1.2 Music as an expressive force 51 Introduction 5x R. Wagner, Oper und Drama (1851) 5 6 R. Wagner, Beethoven (1870) 65 A. W. Ambros, Die Grenzen der Musik und Poesie (1855) 76 F. T. Vischer, Aesthetik oder Wissenschaft des Schönen (1857) 82 G. G. Gervinus, Händel und Shakespeare (1868) 90 F. Nietzsche, Die Geburt der Tragödie (1872) 96 F. Nietzsche, Der Fall Wagner (1888) 103 F. von Hausegger, Die Musik als Ausdruck (1885) 108 H. Kretzschmar, Anregungen zur Förderung musikalischer Hermeneutik from Jahrbuch der Musikbibliothek Peters (1903) 4 P. Mies, Über die Tonmalerei (1912) 121 1.3 The eclectic tendency I2-6 Introduction Ii6 F. Brendel, Die Aesthetik der Tonkunst from Neue Zeitschrift für Musik (18 57) 12.9 O. Hostinsky, Das Musikalisch-Schöne und das Gesamtkunstwerk (1877) 13a H. A. Köstlin, Die Tonkunst (1879) 15* G. E. Engel, Aesthetik der Tonkunst (1884) 159 E. von Hartmann, Philosophie des Schönen (1887) 165 vii viii Contents Part 2: Aesthetics of music in France and England 2.1 France *79 2.1.1 General works 179 Introduction 179 C. Beauquier, Philosophie de la musique (1865) 182 J. Combarieu, Les rapports de la musique et de la poesie (1894) 197 J. Combarieu, La musique, ses lois, son evolution (1907) 210 C. Lalo, Esquisse d une estheüque musicale scientifique (1908) 216 2.1.2 The impactof Wagner 222 Introduction 2.22 H. Berlioz, Concerts de Richard Wagner from Journal des debats (1860) 227 C. Baudelaire, Richard Wagner et Tannhäuser ä Paris from Revue europeenne (1861) 233 Extracts from Revue wagnerienne: 242 S. Mallarme, Richard Wagner, reverie d un poete franc.ais (1885) 242 T. de Wyzewa, La musique descriptive (1885) 247 T. de Wyzewa, Notes sur la musique wagnerienne (1886) 251 E. Hennequin, L esthetique de Wagner et la doctrine spencerienne (1885) 256 2.2 England 260 Introduction 2.60 E. Gurney, Thepower of sound (1880) 263 Part 3: Music and positivist thought 3.1 Psychology of music and the theory of Einfühlung (empathy) 275 Introduction 2.75 H. von Helmholtz, Die Lehre von den Tonempfindungen (1863) 280 G. T. Fechner, Vorschule der Aesthetik (1876) 284 E. Gurney, The power of sound (1880) 292. C. Stumpf, Tonpsychologie (1883) 294 T. Lipps, Ästhetik (1903) 299 3.2 Theories and speculation about the origin of music 305 Introduction 305 H. Spencer, The origin and function of music from Fraser s Magazine (1857) 309 C. Darwin, The descent of man (1871) 315 C. Darwin, The expression ofthe emotions in man and animals (1872.) 32.0 R. Wallaschek, Primitive music (1893) 3 22 K.Bücher, Arbeit und Rhythmus (1896) 327 C. Stumpf, Die Anfänge der Musik (1911) 334 Contents ix Part 4: Bridge between music theory and philosophy and the beginnings of musicology as an independent discipline Introduction 341 F. Chrysander, Vorwort und Einleitung from Jahrbücher für musikalische Wissenschaft (1863) 345 G. Adler, Umfang, Methode und Ziel der Musikwissenschaft from Vierteljahrsschrift für Musikwissenschaft (1885) 348 H. Riemann, Wiehören wir Musik? (1888) 356 H. Schenker, Harmonielehre (1906) 359 Part 5: New tendencies at the turn of the Century Introduction 365 5.1 Historical understanding 370 W. Dilthey, Das musikalische Verstehen (c. 1906) 370 W. Dilthey, Mozart (c. 1906) 375 5.2. Criticism of the theory of Einfühlung 379 M. Dessoir, Ästhetik und allgemeine Kunstwissenschaft (1906) 3 79 5.3 The past and the future of music 388 F. Busoni, Entwurf einer neuen Aesthetik der Tonkunst (1907) 388 Select bibliography 395 Index 408
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spellingShingle	Music in European thought 1851 - 1912 Musikphilosophie (DE-588)4123809-6 gnd Musikästhetik (DE-588)4040808-5 gnd
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title	Music in European thought 1851 - 1912
title_auth	Music in European thought 1851 - 1912
title_exact_search	Music in European thought 1851 - 1912
title_full	Music in European thought 1851 - 1912 ed. by Bojan Bujić
title_fullStr	Music in European thought 1851 - 1912 ed. by Bojan Bujić
title_full_unstemmed	Music in European thought 1851 - 1912 ed. by Bojan Bujić
title_short	Music in European thought
title_sort	music in european thought 1851 1912
title_sub	1851 - 1912
topic	Musikphilosophie (DE-588)4123809-6 gnd Musikästhetik (DE-588)4040808-5 gnd
topic_facet	Musikphilosophie Musikästhetik Westeuropa Quelle
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