Music in European thought: 1851 - 1912
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Cambridge u.a.
Cambridge Univ. Pr.
1988
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Cambridge readings in the literature of music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVIII, 414 S. |
| ISBN: | 0521230500 |
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| 245 | 1 | 0 | |a Music in European thought |b 1851 - 1912 |c ed. by Bojan Bujić |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Preface page xi
Acknowledgments xvii
List of abbreviations xviii
General introduction i
Part i: German aesthetics of music in the second half of the
nineteenth Century
i .1 Music as an autonomous being 7
Introduction 7
E. Hanslick, Vom Musikalisch-Schönen (1854) 11
R. Zimmermann, Allgemeine Aesthetik als Formwissenschaft
(1865) 40
1.2 Music as an expressive force 51
Introduction 5x
R. Wagner, Oper und Drama (1851) 5 6
R. Wagner, Beethoven (1870) 65
A. W. Ambros, Die Grenzen der Musik und Poesie (1855) 76
F. T. Vischer, Aesthetik oder Wissenschaft des Schönen (1857) 82
G. G. Gervinus, Händel und Shakespeare (1868) 90
F. Nietzsche, Die Geburt der Tragödie (1872) 96
F. Nietzsche, Der Fall Wagner (1888) 103
F. von Hausegger, Die Musik als Ausdruck (1885) 108
H. Kretzschmar, Anregungen zur Förderung musikalischer
Hermeneutik from Jahrbuch der Musikbibliothek Peters
(1903) 4
P. Mies, Über die Tonmalerei (1912) 121
1.3 The eclectic tendency I2-6
Introduction Ii6
F. Brendel, Die Aesthetik der Tonkunst from Neue Zeitschrift für
Musik (18 57) 12.9
O. Hostinsky, Das Musikalisch-Schöne und das Gesamtkunstwerk
(1877) 13a
H. A. Köstlin, Die Tonkunst (1879) 15*
G. E. Engel, Aesthetik der Tonkunst (1884) 159
E. von Hartmann, Philosophie des Schönen (1887) 165
vii
viii Contents
Part 2: Aesthetics of music in France and England
2.1 France *79
2.1.1 General works 179
Introduction 179
C. Beauquier, Philosophie de la musique (1865) 182
J. Combarieu, Les rapports de la musique et de la poesie (1894) 197
J. Combarieu, La musique, ses lois, son evolution (1907) 210
C. Lalo, Esquisse d une estheüque musicale scientifique (1908) 216
2.1.2 The impactof Wagner 222
Introduction 2.22
H. Berlioz, Concerts de Richard Wagner from Journal des debats
(1860) 227
C. Baudelaire, Richard Wagner et Tannhäuser ä Paris from Revue
europeenne (1861) 233
Extracts from Revue wagnerienne: 242
S. Mallarme, Richard Wagner, reverie d un poete franc.ais (1885) 242
T. de Wyzewa, La musique descriptive (1885) 247
T. de Wyzewa, Notes sur la musique wagnerienne (1886) 251
E. Hennequin, L esthetique de Wagner et la doctrine
spencerienne (1885) 256
2.2 England 260
Introduction 2.60
E. Gurney, Thepower of sound (1880) 263
Part 3: Music and positivist thought
3.1 Psychology of music and the theory of Einfühlung (empathy) 275
Introduction 2.75
H. von Helmholtz, Die Lehre von den Tonempfindungen (1863) 280
G. T. Fechner, Vorschule der Aesthetik (1876) 284
E. Gurney, The power of sound (1880) 292.
C. Stumpf, Tonpsychologie (1883) 294
T. Lipps, Ästhetik (1903) 299
3.2 Theories and speculation about the origin of music 305
Introduction 305
H. Spencer, The origin and function of music from Fraser s
Magazine (1857) 309
C. Darwin, The descent of man (1871) 315
C. Darwin, The expression ofthe emotions in man and animals
(1872.) 32.0
R. Wallaschek, Primitive music (1893) 3 22
K.Bücher, Arbeit und Rhythmus (1896) 327
C. Stumpf, Die Anfänge der Musik (1911) 334
Contents ix
Part 4: Bridge between music theory and philosophy and the
beginnings of musicology as an independent discipline
Introduction 341
F. Chrysander, Vorwort und Einleitung from Jahrbücher für
musikalische Wissenschaft (1863) 345
G. Adler, Umfang, Methode und Ziel der Musikwissenschaft from
Vierteljahrsschrift für Musikwissenschaft (1885) 348
H. Riemann, Wiehören wir Musik? (1888) 356
H. Schenker, Harmonielehre (1906) 359
Part 5: New tendencies at the turn of the Century
Introduction 365
5.1 Historical understanding 370
W. Dilthey, Das musikalische Verstehen (c. 1906) 370
W. Dilthey, Mozart (c. 1906) 375
5.2. Criticism of the theory of Einfühlung 379
M. Dessoir, Ästhetik und allgemeine Kunstwissenschaft (1906) 3 79
5.3 The past and the future of music 388
F. Busoni, Entwurf einer neuen Aesthetik der Tonkunst (1907) 388
Select bibliography 395
Index 408
|
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| era | Geschichte 1851-1918 gnd Geschichte 1851-1912 gnd |
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| title | Music in European thought 1851 - 1912 |
| title_auth | Music in European thought 1851 - 1912 |
| title_exact_search | Music in European thought 1851 - 1912 |
| title_full | Music in European thought 1851 - 1912 ed. by Bojan Bujić |
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