Modern organ building: being a pract. explanation and description of the whole art of organ construction, with especial regard to pneumatic action ; incl. chapters on tuning, voicing, etc.
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | Undetermined |
| Veröffentlicht: |
Buren
Knuf
1986
|
| Ausgabe: | Unchanged repr. of the 1. ed., London 1911 |
| Schriftenreihe: | Bibliotheca organologica
77 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XII, 164 S. Ill. |
| ISBN: | 9060274954 9060274946 |
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Datensatz im Suchindex
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|---|---|
| adam_text | MODERN ORGAN BUILDING
Being a Practical Explanation and Description of the whole Art
of Organ Construction, with especial regard to Pneumatic
Action Including Chapters on Tuning, Voicing, etc
BY
WALTER amp; THOMAS LEWIS
(ORGAN BUILDERS)
WITH 76 ILLUSTRATIONS DRAWN TO
SCALE AND REPRODUCED FROM ACTUAL
WORKING DRAWINGS, TOGETHER WITH
DIAGRAMS, TABLES, etc
FRITS KNUF BUREN THE NETHERLANDS
CONTENTS
CHAPTER I
Ur-TO-DATE EXAMPLES OF ORGAN FARTS
Oldest type of sound-board—Pallets—Upper boards—Pipe racks—Explanation of slide
movement—Scoring—Runnings—Leathered tables—Robbings—Flooding sound-boards—
Tests for a slide sound-board—Roosevelt sound-boards—Explanation of the terms motor
and pallet—The newest systems of sound-board construction—Pedal sound-boards—
Borrowing pipes—Grooved basses—Planting pipes—Reeds—Faults in the speech of pipes
due to bad planting—Sympathy—Oil note blocks, why necessary 1
CHAPTER II
BUILDING FRAME, BELLOWS ; FEEDEUS AND CONTROLLING VALVES OF THE SAME, ETC
Building frame—Bellows—Leverage of the ribs—Springs on bellows—Single and double
rise bellows with inverted folds—The counterbalance—Bellows without ribs—Feeders,
hinged and square drop varieties—Feeder valves—First-class organ building—Long
wind trunks—Size of feeders—Test for sufficiency of capacity of bellows—Upon the con
struction of bellows and feeders—Measuring wind pressures—A scheme of wind pressures—
Cut-off valves—Waste pallets 14
CHAPTER III
PRACTICAL CONSTRUCTION OF VABIOUS ORGAN ACTIONS
General description of pneumatic actions—On designing organ actions—Accessibility
generally disregarded—A fault of some pneumatic actions—Dirt and extremes of tempera
ture—Draw-stop machines—-Ventils—Auxiliary sound-board actions—Secondary motors—
Relays—Various styles of pneumatic actions on both exhaust and supply systems—Key and
pedal touches—Pneumatic couplers—Manual to pedal couplers—Draw-rod and stop-key
actions—Composition actions, old and new—Pistons—Poppet pedals 26
CHAPTER IV
ORGAN BLOWING
The four sources of power for organ blowing—Water—Pressure necessary for hydraulic
engines—Why water power is the best—Electricity—Eccentric shafts and feeders—Fans
—Worm gears—On gearing methods in general—A suggestion—Resistances, wire and
water—Alternating current, fast and loose pulleys, and fans—On noise in blowing actions
—The drawbacks of gas and petrol motors for organ blowing 82
ix
i b
X MODERN ORGAN BUILDING
CHAPTER V
ORGAN PIFES AND THEIR TIMBRE
Flue-pipes—Reeds—Diaphones—The timbre of organ pipes—What timbre is—
Pure fundamental tone apparently impossible—Diapason, gamba and flute tone—Inter
mediate timbres—General remarks on the timbre of reeds—The effects of shape and scale
on a pipe s timbre—General rules on scaling pipes—Intensity and power—Large scales
for power—Effects of different environments—Wind pressures and timbre—Old diapasons
—Overblown pipes—Pressures for reeds, etc —Why reeds sometimes lose rapidly in quality
of tone—The importance of shape—The material of pipes—Metal—The thickness of
material in pipes—About tin—The only recommendation of zinc—Woods used for making
pipes—Hard-wood facings—Best wood to use—Nails tabooed in small wood pipes—The
effects of age on pipes—The life of an organ pipe—Overtones of open pipes—Over
tones of stopped pipes—Harmonic stops—Harmonic reeds—The increasing use of har
monic reeds—Resultant tones—Summation tones 86
CHAPTER VI
THE VOICING OF FLUE AND REED PIPES
What the voicer has to do—On the production of diapason tone—The metal—Dimen
sions of the mouths—Leathering diapasons—Nicking—On the production of gamba tone
—The metal—Shape—The use of beards—General remarks on the voicing of gambas—
Wind pressures—Scales—Slotting, etc —On flute toiie—The arrangement of the mouth—
The inverted mouth—Faults in the speech of flue-pipes, how rectified—Too loud; too soft,
etc —Reed voicing—Curving the tongue—Coarse tone, or rattling—How rectified or ob
viated—Faulty tubes—Faults in the speech and tone of reeds—An epitome of the reed
voicer s art—Regulating—The limits in loudening and softening pipes—All organ pipes
are on different wind pressures—Something to be avoided—Regulating reeds—The pitch
of organ pipes—Effect of shape and scale on the pitch—Why beating reeds are not used—
Synchrony—Standards of length—Standards of pitch mostly used—Limits of musical
sound and the largest and smallest pipe used at the present- day—Why some stops do not
blend—List and particulars of the principal stops now used—Orchestrally treated reeds—
Bells, glockenspiels and carillons 110
CHAPTER VII
PRACTICAL TUNING
The keyboard—The division of the organ scale—The perfect scale impossible—The
devices by which pipes are tuned—Tuning cones—Testing for sharpness or flatness—Tuning
and cleaning reeds—The part of a stop to start tuning on—Dust in reeds—Effect of tem
perature upon the pitch—Setting the pitch—A scheme for laying the bearings—On laying
the bearings mathematically correct—On pipes drawing out of tune—Pipes upon
enclosed sound-boards—Vox Celeste—Mixtures, Quintation stops, etc —Oil- tuning pedal
pipes—Rough tuning—Tests—All organ pipes are under different conditions 141
APPENDIX A
Particulars of an old sound-board from the London Encyclopaedia of 1829—Tw*
forms of reed—A triangular embouchure 157
APPENDIX B
On the beginnings of the modern organ—Inverted ribs the idea of Cummings—Flight,
the organ-builder, and its first application 159
APPENDIX C
The first- idea of a pneumatic assistance due to Joseph Booth—Barker responsible for
further development of the idea 159
|
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| id | DE-604.BV000735945 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T15:18:38Z |
| institution | BVB |
| isbn | 9060274954 9060274946 |
| language | Undetermined |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-000460734 |
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| physical | XII, 164 S. Ill. |
| publishDate | 1986 |
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| series | Bibliotheca organologica |
| series2 | Bibliotheca organologica |
| spelling | Lewis, Walter Verfasser aut Modern organ building being a pract. explanation and description of the whole art of organ construction, with especial regard to pneumatic action ; incl. chapters on tuning, voicing, etc. by Walter & Thomas Lewis Unchanged repr. of the 1. ed., London 1911 Buren Knuf 1986 XII, 164 S. Ill. txt rdacontent n rdamedia nc rdacarrier Bibliotheca organologica 77 Orgelbau (DE-588)4043846-6 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Orgelbau (DE-588)4043846-6 s DE-604 Lewis, Thomas Verfasser aut Bibliotheca organologica 77 (DE-604)BV026896751 77 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=000460734&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Lewis, Walter Lewis, Thomas Modern organ building being a pract. explanation and description of the whole art of organ construction, with especial regard to pneumatic action ; incl. chapters on tuning, voicing, etc. Bibliotheca organologica Orgelbau (DE-588)4043846-6 gnd |
| subject_GND | (DE-588)4043846-6 (DE-588)4151278-9 |
| title | Modern organ building being a pract. explanation and description of the whole art of organ construction, with especial regard to pneumatic action ; incl. chapters on tuning, voicing, etc. |
| title_auth | Modern organ building being a pract. explanation and description of the whole art of organ construction, with especial regard to pneumatic action ; incl. chapters on tuning, voicing, etc. |
| title_exact_search | Modern organ building being a pract. explanation and description of the whole art of organ construction, with especial regard to pneumatic action ; incl. chapters on tuning, voicing, etc. |
| title_full | Modern organ building being a pract. explanation and description of the whole art of organ construction, with especial regard to pneumatic action ; incl. chapters on tuning, voicing, etc. by Walter & Thomas Lewis |
| title_fullStr | Modern organ building being a pract. explanation and description of the whole art of organ construction, with especial regard to pneumatic action ; incl. chapters on tuning, voicing, etc. by Walter & Thomas Lewis |
| title_full_unstemmed | Modern organ building being a pract. explanation and description of the whole art of organ construction, with especial regard to pneumatic action ; incl. chapters on tuning, voicing, etc. by Walter & Thomas Lewis |
| title_short | Modern organ building |
| title_sort | modern organ building being a pract explanation and description of the whole art of organ construction with especial regard to pneumatic action incl chapters on tuning voicing etc |
| title_sub | being a pract. explanation and description of the whole art of organ construction, with especial regard to pneumatic action ; incl. chapters on tuning, voicing, etc. |
| topic | Orgelbau (DE-588)4043846-6 gnd |
| topic_facet | Orgelbau Einführung |
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