Thomas Mann:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York u.a.
Chelsea House
1986
|
| Schriftenreihe: | Modern critical views
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | X, 358 S. |
| ISBN: | 0877547254 |
Internformat
MARC
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Editor s
Note ix
Introduction
1
Harold Bloom
Thomas Mann s Royal Highness as Symbolic
Autobiography
11
Hermann J. Weigand
Structural Elements in Death in Venice
23
Vernon
Venable
Conversation on The Magic Mountain
35
Erich Heller
Thomas Mann s The Black Sivan
45
George C. Schoolfield
Doctor Faustus as a Historical Novel
71
Gunilla Bergsten
The Uses of Myth in Death in Venice
87
Is
ador
e
Traschen
A Modern Faust: The Novel in the Ironical Key
103
Eva
Schaper
The Ambivalent Leitmotif
123
Peter Heller
The Elect: The Holy Sinner and Felix Krull
143
Erich
Kahler
VI
CONTENTS
Thomas Mann s
Buddenbrooks: Bourgeois Society
and the
Inner Life 157
Larry David Nachman and Albert S. Braverman
Mynheer
Peeperkorn
and the Lofty Game
of Numbers
183
Oskar Seidlin
Virtuosity in
Thomas
Mann s Later Narrative
Technique
203
Hilary Heltay
Parody and Narrator in Thomas Mann s
Doctor Faustus
219
William M. Honsa, jr.
Structure, Parody, and Myth in
Tomo Kroger
227
Benjamin Bennett
Joseph and His Brothers: Myth, Historical Consciousness,
and God Emerging
241
Elaine Murdaugh
Determinism in Mario and the Magician
275
Allan J. Mclntyre
Truth and Poetry in Thomas Mann s Work
287
Michael Mann
Character in Thomas Mann s Early Work
299
Daniel Albright
Thomas Mann and Death on the Mountain
313
Lawrence L.
Langer
The Holy Sinner as Romance
319
Norman
Rab
kin
Felix Krull and the Comic Muse
325
Martin Price
Chronology
335
Contents
Contributors
339
Bibliography
343
Acknowledgments
345
Index
349
Like his vision of Goethe, Mann too now seems a child of nature rather than of the
spirit, but Uboring eloquently to burn through nature into the transformation that
converts deathliness into a superb dialectical art.
—
HAROLD BLOOM
The novel with [Thomas Mann) has become its own critique
—
which is to say that
the novel in his hands becomes fully ironical.
. . .
Irony, for modern man since
Kierkegaard, has become the last valid attitude in the face of the absurd.
—EVA
SCHAPER
Mann has taken the artist to the other side of art; beyond the austere discipline or
the effort to achieve an ordering vision.
. . .
The artist as comic hero creates a world
where, himself his own creation, he lives out his inventions, always eluding
—
as
a masterful dancer seems to defy gravity
—
the tug toward a reality he need not
acknowledge. —MARTIN PRICE
Modern Critical Views is a gathering of a representative selection of the best contem¬
porary criticism of the poets, novelists, essayists, and playwrights of the Western world
who are most widely studied and read. This series of over
200
volumes contains essays
from every major school of criticism and extends from the ancients to modern and
contemporary authors.
Each volume in the series opens with an introductory critical essay by Harold Bloom
and an editor s note that comments on the individual analyses that follow. Also included
are a bibliography, notes on the contributors, and a chronology of the author s life. The
series arranges authors into these groups: the Ancient World; the Middle Ages and
Renaissance; the Enlightenment; British and American Romantics; the Victorians; the
American Renaissance; Modern American Novelists and Short Story Writers; Modern
American Poets and Dramatists; Canadian Writers; Modern British Authors; Contem¬
porary British Authors; Contemporary American Novelists and Short Story Writers; Con¬
temporary American Poets and Dramatists; German, Scandinavian, and Russian Writers;
and French, Italian, Spanish, and Latin American Writers.
This series is a critical portrait of the writers who, from ancient times to the present,
have shaped Western tradition. Modern Critical Views reflects both the evolution of
literary styles and ideas in Western culture and the present standing of authors in the
estimate of all of today s major critical schools.
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| spelling | Thomas Mann ed. and with an introd. by Harold Bloom New York u.a. Chelsea House 1986 X, 358 S. txt rdacontent n rdamedia nc rdacarrier Modern critical views Mann, Thomas <1875-1955> Criticism and interpretation Mann, Thomas 1875-1955 (DE-588)118577166 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Mann, Thomas 1875-1955 (DE-588)118577166 p DE-604 Bloom, Harold 1930-2019 Sonstige (DE-588)119176602 oth Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=000388100&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=000388100&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Thomas Mann |
| title_auth | Thomas Mann |
| title_exact_search | Thomas Mann |
| title_full | Thomas Mann ed. and with an introd. by Harold Bloom |
| title_fullStr | Thomas Mann ed. and with an introd. by Harold Bloom |
| title_full_unstemmed | Thomas Mann ed. and with an introd. by Harold Bloom |
| title_short | Thomas Mann |
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