North German opera in the age of Goethe:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
1985
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XI, 444 Ill., Kt., Notenbeisp. |
| ISBN: | 0521260272 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents
! List of illustrations pageix
Acknowledgments xi
1 Introduction 1
Theatrical organization in Germany, 4 — The composers, 5 — The libret
tists, 7 — The problem of genre, 9 — Size, sources, and studies of the
repertory, 14 A preliminary summary, 17
I
2 The birth of Saxon opera 21
Before the beginning, 21 Koch and Leipzig s theaters, 27 Die
verwandelten Weiber, 28 — Hiller s operatic experiments with Schiebeier,
34 — The breakthrough to French derived komische Oper , 37 — Die
Jagd, 44 Other stirrings, 53
3 The diffusion of Saxon opera 56
The German theater and the rise of Saxon opera, 56 Leipzig and Berlin,
59 The new operas of Hiller and Weisse, 61 The early operas of
Reichardt and Neefe, 68 — Wolfs Comic operas for Weimar, 76 — In the
provinces: Breslau, Hamburg, and Brunswick, 83 Saxon opera: a
summary, 89
4 New directions: the Seyler Company 91
Seyler before Weimar, 94 — Weimar: Schweitzer^ operatic apprenticeship,
97 _ Alceste, 102 The transition to Gotha, 111 Walder, 116
Romeo und Julie, 124 — Seyler in Saxony, 129
5 Prussian stirrings and Goethe s early librettos 132
The Berlin stage, 1773 1777, 132 Other Prussian and Saxon
developments, 140 Unset librettos and the issues they raise, 145
Herder and German opera, 150 — Erwin und Elmire, 152 — Claudine von
Villa Bella, 168
viii Contents
6 Prussian dominion and the end of Saxon opera 174
Berlin: Döbbelin s theater, 174 The literary background: Bretzner s early
librettos, 179 Andre s operas for Berlin, 184 ~ Belmont und Constanze
and Mozart s Die Entführung aus dem Serail, 191 Other Prussian per
sonalities, 199 Theatrical decline at Hamburg, Gotha, and Weimar,
203 Leipzig: the last works of Weisse and Hiller, 208 The German
operatic efflorescence at Dresden, 211
7 Leanyears: 1784 1791 219
More unset librettos, 222 Döbbelin s end and the Berlin National Theater,
226 — Serious opera and Gluck s reception in North Germany, 230 —
Silesia and East Prussia, 243 Hamburg and the North: Viennese and
Italian opera in füll flood, 248 Weimar, Wolf, and Goethe s conversion
to Italian opera, 251
8 The assimilation of Southern styles 261
Three representative stages: Weimar, Berlin, and Hamburg, 261 New
operas, new librettists, 267 — Bretzner arid Kotzebue, 274 — North German
composers and the major librettists, 278 Other librettists and their com
posers, 286 Walter and Dittersdorf in the North, 295 Die Geisterinsel:
between two worlds, 310
Catalogue of North German operas, 1766 1799 323
INTRODUCTION, 325 Key to abbreviations, 327 Library sigla, 329
PART I: Settings of North German operas, 1766 1799: by composer, 332
PART II: The texts of North German opera, 1766 1799, Section A: Texts
composed for Performance, 371 — Section B: Unset published librettos, 410
PART III: Index of librettists, 416
Selective bibliography 428
Index 436
j
Illustrations
Figures
1 Map showing the location of North German operatic centers page 3
2 New operas produced in North Germany, 1766 1799 15
i
Plates
1 Die verwandelten Weiber, Frau von Liebreich upbraiding her 31
servants, act 1, scene 7
2 Die Jagd, the reunion of Christel and Michel, act 3, scene 3 49
3 Akeste, Franziska Koch in the title role 106
4 Erwin und Elmire, Sophie Huber as Elmire, scene 2 156
|
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| edition | 1. publ. |
| era | Geschichte 1700-1800 Geschichte 1766-1800 gnd Geschichte 1766-1799 gnd |
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| title | North German opera in the age of Goethe |
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