Realizations: narrative, pictorial, and theatrical arts in nineteenth-century England
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| Format: | Buch |
| Sprache: | English |
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Princeton, NJ
Princeton Univ. Press
1983
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| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | XIX, 471 S. Ill. |
| ISBN: | 0691065535 9780691612935 |
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| 245 | 1 | 0 | |a Realizations |b narrative, pictorial, and theatrical arts in nineteenth-century England |c Martin Meisel |
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| 650 | 4 | |a Narration (Rhetoric) | |
| 650 | 4 | |a Narrative painting |z England | |
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Datensatz im Suchindex
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CONTENTS
f fr
ILLUSTRATIONS *x
A NOTE AND SOME ACKNOWLEDGMENTS XVÜ
A MATTER OF STYLE 3
PARTI: COORDINATES
1. THE MOMENT'S STORY: PAINTING 17
2. ILLUSTRATION AND REALIZATION 29
3. SPEAKING PICTURES: THE DRAMA 38
4. TELUNG SCENES: THE NOVEL 52
5. THE ART OF EFFECT 69
PART II: CONJUNCTIONS
6. PREAMBLE TO THE PICTURE PLAY 91
7. FROM HOGARTH TO CRUIKSHANK 97
8. THE POLITICS OF DOMESTIC DRAMA: DAVID WILKIE 142
9. THE MATERIAL SUBLIME: JOHN MARTIN, BYRON, AND 166
TURNER
10. perils of the deep 189
11. napoleon; or, history as spectacle 201
12. royal situations 229
13. novels in epitome 247
14. prisoners base 283
15. dickens' roman daughter 302
16. THE PARADOX OF THE COMEDIAN: THACKERAY AND 322
GOETHE
17. PRE RAPHAELJTE DRAMA 351
18. W. P. FRITH AND THE SHAPE OF MODERN LIFE 373
19. IRVING AND THE ARTISTS 402
THE LAST WORD 433
BIBLJOGRAPHY 439
INDEX 455
ILLUSTRATIONS
. f,^
1. Honort Daumier, Le Drame (1856 1860), Munich, Neue 9
Pinakothek.
2. John Martin, Belshazzais Feast (1821), engraving by John 21
Martin (1826), London, British Museum.
3. Titian, Bacchus and Ariadne (1523), London, National 23
Gallery.
4 6. Augustus Egg, Fast and Present (1858), London, Täte 25
Gallery.
7. Holman Hunt, Illustration for "The Beggar Maid," in Alfred 35
Tennyson, Poems (London, 1857).
8. George Cruikshank, "Oliver Escapes Being Bound Apprentice 55
to the Sweep" (1837), in Charles Dickens, Oliver Twist
(London, 1838).
9. H. Anelay, Illustration for Edwin F. Roberts, The Six Stages of 65
Punishment, in ReynoWs Miscellany, n.s. 2 (1849): 457
10. Daniel Maclise, The Play Scene in Hamlet (1842), London, 70
Täte Gallery.
11. William Etty, Judith [and Holofernes] (1827), copy (20 x 26V2 75
in.) of the original in the National Gallery of Scotland,
private collection.
12. Jean Baptiste Greuze, La Malidicüm paternelk (1777), Paris, 85
Louvre (clich6 des Musöes Nationaux).
13. Jean Baptiste Greuze, Le Fils puni (1778), Paris, Louvre 85
(clich6 des Muse'es Nationaux).
14. Jean Honor6 Fragonard, Le Grand Pretre Corisus s'immole 86
pour sauver Callirhoi (1765), Paris, Louvre (clich6 des
Musees Nationaux).
15. Philip Calderon, Broken Vaws (1856), engraving by W. H. 92
Simmons (1859), London, British Museum.
16. Poster for Sands oflwo Jima (1949), Republic Pictures. 95
17 22. William Hogarth, A Harlots Progress, engravings (1732), 100
London, British Museum.
23. William Hogarth, The Enraged Musician, engraving (1741), 105
London, British Museum.
24. Jean Baptiste Greuze, V AccorMe de village (1761), lithograph 107
by J. F. G. Llanta, Paris, Bibliotheque Nationale.
25. Carle Vanloo, La Conversation espagnole (1754), engraving by 109
J. F. Beauvarlet (1769), London, British Museum.
26. Charles Eastlake, Sonnino Woman and Brigand Asleep (1822), 112
engraving by William Say, London, British Museum.
27. Charles Eastlake, A Brigands Wife (1823), engraving by 113
Charles Turner (1824), London, British Museum.
28. Charles Eastlake, A Brigand Wounded and Other Figures 114
(1823), engraving by S. W. Reynolds as The Dying Brigand
(1826), London, British Museum.
29. William Hogarth, Marriage ä la Mode (1745), Plate 4: The 119
Countess's Levee, engraving by S. Ravenet (1745), London,
British Museum.
30 37. George Cruikshank, The Bottle (1847), glyphography, New 126
York Public Library, Print Collection.
38 45. George Cruikshank, The Drunkards Children (1848), 134
glyphography, New York Public Library, Print Collection.
46. Cover illustration for London by Night, Dicks' Standard Plays 140
#791 [1886].
47. David Wükie, Village Politidans (1806), engraving by 146
Abraham Raimbach (1814), London, British Museum.
48. David Wilkie, The Rent Day (1807), engraving by Abraham 148
Raimbach (1817), London, British Museum.
49. David Wilkie, Distraining for Rent (1815), engraving by 149
Abraham Raimbach (1828), London, British Museum.
50. David Wilkie, The Reading ofa Will (1820), lithograph, 159
London, British Museum.
51. David Wilkie, Chelsea Pensioners . ¦ ¦ (1822), engraving by 163
John Burnet as Chelsea Pensioners Reading the Gazette of the
Battle ofWaterloo (1831), London, British Museum.
52. Grieve family, Scene design for The Israelites in Egypt (1833), 172
University of London.
53. Francis Danby, The Delivery of Israel out of Egypt (1825), 172
engraving by G. H. Phillips as The Passage of the Red Sea
(1829), private collection.
54. Grieve family, Maquette drawing for The Israelites in Egypt 173
(1833), London, Victoria Albert Museum.
55. John Martin, The Fall ofNineveh (1828), engraving by John 174
Martin (1830), London, British Museum.
56. John Martin, Book 2, line 1 [Satan Presiding at the Infernal 176
Council] (1825), The Paradise Lost ofMilton (London,
1827).
57. Grieve family, Maquette drawing for Manfred (1834), 177
University of London
58. Isaac Taylor, Frontispiece [Eblis Enthroned] in William 177
Beckford, Vathek (London, 1815).
59. John Martin, Manfred and the Witch of the Alps (1837), 178
Manchester, Whitworth Art Gallery.
60. "Scene from 'Manfred' at Drury Lane Theatre: The Steinbach 179
Waterfall, Haunt of the Witch of the Alps," Illustrated
London News (17 Oct. 1863), p. 389.
61. "The Nineveh Room, at the British Museum," Illustrated 183
London News (26 Mar. 1853), p. 225.
62. "Scene from the Tragedy of 'Sardanapalus,' at the Princess's 183
Theatre.—The Hall of Nimrod," Illustrated London News
(18 June 1853), p. 493.
63. Thomas Cole, The Voyage ofLife: Childhood (1842), 185
Washington, National Gallery of Art.
64. William Gordon, Scene from A Midsummer Nighfs Dream, Act 187
II, scene 1, "A Wood Near Athens. Moonlight" (1856),
London, Victoria Albert Museum.
65. J.M.W. Turner, The Golden Bough (1834), London, Täte 187
Gallery.
66. "Scene from the New Drama of 'The Chain of Events.'—The 189
Shipwreck," lllustrated London News (24 Apr. 1852), p.
325.
67. Theodore G6ricault, Le Radeau de la "Meduse" (1819), Paris, 191
Louvre (cliche' des Muse^s Nationaux).
68. Robert Seymour, Illustration for Shipwreck of the Medusa by 191
W. T. Moncrieff, engraving by G. Armstrong, Richardson's
New Minor Drama, Vol. IV [1831].
69. Franc.ois Auguste Biard, Le Bapteme sous la ligne (1834), 193
engraving by J. P. M. Jazet as Un Bapttme des matelots sous
tiquateur, Paris, Bibliotheque Nationale.
70. Cdestin Nanteuil, Naufrage de la Meduse, Acte V, Le Monde 193
Dramaüque [Paris] 8 (1839), opp. 273.
71. Henry Edward Dawe, My Child! My Child! (1831), engraving 196
by Thomas Illman, in The Token (Boston, 1835).
72. Henry Edward Dawe, A Mother and Child Rescuedfrom a 196
Watery Grave (1832), engraving by Thomas Illman as
They're Saved! They're Saved!, in The Token (Boston, 1835).
73. Robert Cruikshank, Illustration for "The SeaP' by C. A. 197
Somerset, engraving by G. W. Bonner, Cumberland's Minor
Theatre, Vol. VII [ca. 1834].
74. Henry Nelson O'Neil, Eastward Ho! August 1857 (1858), 199
engraving by W. T. Davey (1860), private collection.
75. Clarkson Stanfield, The Abandoned (1855 56), from a collotype 200
print.
76. Antoine Jean Gros, Napoleon on the Field of the Batüe of Eylau 203
(1808), Paris, Louvre (cliche des Mus6es Nationaux).
77. Horace Vernet, The Battle of Jena (1836), Versailles, Musee. 205
78. Horace Vernet, The Battle of Wagram (1836), Versailles, 206
Musöe.
79. Nicolas Toussaint Charlet, 'Fla! quel plaisir . . . ditre soldat 207
[Ah! Hov) nice . .tobea soldier] (1826), Paris,
Bibliotheque Nationale.
80. Nicolas Toussaint Charlet, Tu as le respiraäon [sie] trop long 208
[Tour wind is too good] (1824), Paris, Bibliotheque
Nationale.
81. Bill Mauldin, "Gimme my canteen back, Willie. I see ya 208
soakin' yer beard füll" (1944), in Up Front (New York,
1945).
82. Auguste Raffet, Retreat of the "Bataillon Sacrf at Waterloo 209
(1835), Paris, Bibliotheque Nationale.
83. Hippolyte Bellange', Moscow (7 September 1812). Napoleon 209
Emperor. Taking of the Russian Great Redoubt by General
Walthier's Division of Cuirassiers; Death of General
Caulaincourt (1832), Paris, Bibliotheque Nationale.
84. Nicolas Toussaint Charlet, Episode in the Russian Campaign 210
(1836), Lyons, Mus6e des Beaux Arts.
85. "Death of the Duke of Brunswick at the Battle of Waterloo," 215
in J. H. Amherst, The Battle of Waterloo (1824), Lacy, Vol.
98.
86. Horace Vernet, Mazeppa and the Wolves (1826), lithograph by 217
Charpentier and Mellinet, after an engraving by L.F.M.
eleves de M. Laidet, Paris, Bibliotheque Nationale.
87. Pierre Gautherot, Napoleon Wounded before Ratisbonne (1810), 218
lithograph by C. Motte as Bataille de Ratisbonne, Paris,
Bibliotheque Nationale.
88. Carl von Steuben, The Death qf Napoleon (1830), formerly 218
collection of Peter Claas, London.
89. Horace Vernet, The Apotheosis of Napoleon (1821), London, 219
The Wallace Collection.
90. Horace Vernet, Les Adieux de Fontainbleau (1825), engraving 220
by J. P. M. Jazet (1829), London, British Museum.
91. Auguste Raffet, Vive tEmpereurW. Lutzen 1813 (1834), 223
Baltimore Museum of Art, George A. Lucas Collection.
92. Auguste Raffet, The Nocturnal Review (1836), Baltimore 223
Museum of Art, George A. Lucas Collection.
93. Horace Vernet, The Defense of Paris, 30 March 1814 (1820), 225
Paris, Louvre (cliche des Musees Nationaux).
94. Paul Delaroche, The Children of Edward IV (1831), London, 231
The Wallace Collection.
95. After Paul Delaroche, Cromwell and Charles I (1831), 233
unidentified engraving, rephotograph.
96. Heinrich Dähling, Napoleon 1 Visits the Tomb of Frederick II, 235
25 October 1806, engraving by J. F. Jügel, Paris,
Bibliotheque Nationale.
97. George Hayter, The Duke of Wellington Visiting the Effigy and 235
Personal Relics of Napoleon at Madame Tussauds (1852),
engraving by James Scott (1854), London, Victoria
Albert Museum.
98. Thomas Stothard, Charles I, Taking Leave ofHis Children, 241
engraving by W. Bromley (1794), in David Hume, History
of England (London, 1806).
99. Frederick Goodall, An Episode of the Happier Days of Charles I 243
(1853), engraving by Edward Goodall (1856), private
collection.
100. Hawes Craven, Act Drop, Lyceum Theater (1872), from The 243
Magazine of Art 18 (1895): 340.
101. Henry Joseph Fradelle, Chatelar Playing the Lute to Mary 245
Queen ofScots (1821), engraving by W. Say as Mary Queen
of Scots and her Secretary Chastelard, London, British
Museum.
102. Hablot K. Browne, "The Middle Aged Lady in the Double 253
Bedded Room" (1836), in Charles Dickens, Pickwick Papers
(London, 1836 37).
103. George Cruikshank, "Mr. Bumble and Mrs. Corney Taking 254
Tea" (1838), in Charles Dickens, Oliver Twist (London,
1838).
104. George Cruikshank, "The Burglary" (1838), in Charles 255
Dickens, Oliver Twist.
105. Pierce Egan, the Younger, Illustration for Oliver Twist by 257
George Almar (1838), The Acting National Drama, Vol.
VI.
106. George Cruikshank, "The Last Chance" (1838), in Charles 257
Dickens, Oliver Twist.
107. Scenes from Stirling's Nicholas Nickleby (1838), The Penny 258
Satirist (8 Dec. 1838), Enthoven.
108. Hablot K. Browne, "Nicholas Starts for Yorkshire" (1838), in 259
Charles Dickens, Nicholas Nickleby (London, 1838 39).
109. "Fortunes of Smike, Now Performing at the Adelphi Theatre" 261
(1840), The Penny Satirist (21 Mar. 1840), Enthoven.
110. Hablot K. Browne, Illustration for Charles Dickens, Bamaby 262
Rudge (1841), Chapter 3, tailpiece.
111. Hablot K. Browne, Illustration for Charles Dickens, Barnaby 262
Rudge, Chapter 23, tailpiece.
112. Hablot K. Browne, Illustration for Charles Dickens, Barnaby 263
Rudge, Chapter 23, headpiece.
113. Hablot K. Browne, Illustration for Charles Dickens, Barnaby 264
Rudge, Chapter 21.
114. "The March of Knowledge," The Penny Satirist (15 Dec. 266
1839), Enthoven.
115 17. George Cruikshank, "The Escape No. 1," "No. 2," and "No. 269
3," in W. H. Ainsworth, Jack Sheppard (London, 1839).
118. George Cruikshank, "The Name on the Beam," in W. H. 270
Ainsworth, Jack Sheppard.
119. George Cruikshank, "Mrs. Sheppard expostulating with her 270
Son," in W. H. Ainsworth, Jack Sheppard.
120. George Cruikshank, "Jack Sheppard escaping from the 270
condemned hold in Newgate," in W. H. Ainsworth, Jack
Sheppard.
121. "The manner of John Shepherd's Escape out of the 270
Condemn'd Hole in Newgate," in A Narrative ofAll the
Robberies, Escapes, $3c of John Sheppard, 8th ed. (1724).
122. George Cruikshank, "The Portrait," in W. H. Ainsworth, Jack 271
Sheppard.
123. Jack Sheppard, Dravnfrom the Life, London, British Library. 271
124. Nathaniel Parr [A Thiefs Progress], San Marino, Cal., 272
Huntington Library.
125. Poster for J. B. Buckstone's Jack Sheppard, Adelphi Theatre 273
(1839), Enthoven.
126. George Cruikshank, "The Storni," in W. H. Ainsworth, Jack 274
Sheppard.
127. George Cruikshank, "The Murder on the Thames," in W. H. 274
Ainsworth, Jack Sheppard.
128. George Cruikshank, "Jonathan Wild Throwing Sir Rowland 276
Trenchard down the Well Hole," in W. H. Ainsworth, Jack
Sheppard.
129. George Cruikshank, "The procession of Jack Sheppard from 276
Newgate to Tyburn," in W. H. Ainsworth, Jack Sheppard.
130. George Cruikshank, "The Last Scene," in W. H. Ainsworth, 276
Jack Sheppard.
131. George Cruikshank, "Dispersion of the Jacobite club and the 281
death of Cordwell Firebras," in W . H. Ainsworth, The
Miser's Daughter (London, 1842).
132. Joseph Wright of Derby, The Prisoner (1787 1789), New 284
Haven, Yale Center for British Art, Paul Mellon Collection.
133. Sarah Setchel, The Momentous Questton (1842), Victoria 287
Albert Museum.
134. W. Holman Hunt, Claudio and Isabella (1850 1853), 289
engraving by W. H. Simmons (1864), private collection.
135. Heinrich Fuseli, Illustration for Measure for Measure, 289
engraving by W. Broinley (1803), in William Shakespeare,
Plays, ed. Alexander Chalmers (London, 1805).
136. Scene from Measure for Measure, San Marino, Cal., 291
Huntington Library.
137. Charles R. Leslie, frontispiece for Walter Scott, Heart ofMid 291
Lothian, engraving by C. Rolls (London, 1823).
138. John Everett Millais, The Order ofRelease, 1746 (1853), 293
London, Täte Gallery.
139. Abraham Solomon, Waiüngfor the Verdict (1857), engraving 295
by W. H. Simmons (1866), London, British Museum.
140. Abraham Solomon, Not Guilty (1859), engraving by W. H. 298
Simmons as The Acquittal (1866), London, British Museum.
141. Frank Holl, Newgate: Commiüedfor Trial (1878), Egham, 299
Surrey, Royal Holloway College.
142. Augustus Egg, Illustration for "Come, Rest in This Bosom" 300
(1855), engraving by Francis Holl, in Thomas Moore, Irish
Melodies (London, 1856).
143. Joseph Hauber, Lear and Cordelia (before 1834), San Marino, 308
Cal., Huntington Library.
144. Andrea Sirani, Roman Charity (1630 1642), engraving by 309
J. Saunders (1799), London, British Museum.
145. Richard Westall, "Childe Harold" (1822), engraving by 311
A. Godefroy, in Oeuvres de Lord Byron, trans. Amedee Pichot,
4th ed. (Paris, 1822), Vol. 2.
146. Hablot K. Browne, "The Night" (1857), in Charles Dickens, 320
Little Dornt (London, 1855 1857).
147. W. M. Thackeray, Cover illustration for Pendennis (London, 324
1848 1850), monthly parts.
148. Sir Joshua Reynolds, Garrick Between Tragedy and Comedy 325
(1761), engraving by Charles Corbutt, London, British
Museum.
149. Daniel Maclise, The Choice of Hercules (1831), collection of 328
Hon. Christopher Lennox Boyd, Photo: Courtauld.
150. W. M. Thackeray, Pictorial capitals for Pendennis (London, 329
1850), Chapters I and II.
151. W. M. Thackeray, Illustrated title for Pendennis, Vol. I. 331
152. W. M. Thackeray, Illustration for Vanity Fair (London, 1847 332
48), Chapter 51.
153. Pierre Narcisse Guerin, Clytemnestra (1817), Paris, Louvre 336
(clich6 des Musees Nationaux).
154. W. M. Thackeray, "The Triumph of Clytemnestra," in Vanity 337
Fair, Chapter 51.
155. W. M. Thackeray, "Becky's second appearance in the character 337
of Clytemnestra," in Vanity Fair, Chapter 67.
156. George Romney, Cassandra Raving (. 1791), engraving by 339
Francis Legat (1795), London, British Museum.
157. Luciano Borzone, formerly attributed to Anthony Van Dyck, 344
Belisarius, engraving by G. Scotin as Date Obolum Belisario
(after 1730), from a drawing by I. Goupy, London, British
Museum.
158. Nicholas Poussin, Esther before Ahasuerus (ca. 1655 56), 344
engraving by F. de Poilly, London, British Museum.
159. Gerard Ter Borch, Gezelschap in Interieur (ca. 1654), 345
engraving by J. G. Wille as Instrucäon Paternelle (1765),
London, British Museum.
160. John Everett Millais, A Huguenot, on St. Bartkolomew's Day, 353
Refusing to Shield Himselffrom Danger by Wearing the
Roman Catholic Badge (1852), engraving by T. O. Barlow
(1857), private collection.
161. John Everett Millais, The Black Brunswicker (1860), engraving 357
by T. L. Atkinson (1865), London, British Museum.
162. W. Holman Hunt, The Light ofthe World (1851 1853), 361
engraving by W. H. Simmons (1860), private collection.
163. W. Holman Hunt, Valentine Rescuing Sylvia from Proteus 362
(1851), Birmingham, City Museum and Art Gallery.
164. W. Holman Hunt, Finished study for Claudio and Isabella 364
(1850), Cambridge, Fitzwilliam Museum.
165. W. Holman Hunt, Claudio and Isabella (1850 1853), detail, 365
London, Täte Gallery.
166. W. Holman Hunt, The Awakening Consäence (1853), London, 366
Täte Gallery.
167. Dante Gabriel Rossetti, Study for Found (1855), Birmingham, 370
City Museum and Art Gallery.
168. Scene from Watts Phillips' Lost in London, Illustrated Sporting 370
and Dramatic News (23 Mar. 1867), p. 184.
169. William Powell Frith, The Derby Day (1858), engraving by 377
Auguste Blanchard (1858), London, British Museum.
170. William Powell Frith, The Railway Station (1865), engraving 378
by Francis Holl (1866), private collection.
171. Poster for The Great City (1867), Enthoven. 383
172. William Powell Frith, Claude Duval (1859), engraving by 385
Lumb Stocks, London, British Museum.
173. Stock poster for Jack Sheppard, from Specimens of Show 385
Printing (Philadelphia, Ledger Job Printing Office, n.d.).
174 76. William Powell Frith, Finished studies for The Streets of 387
London (1862), formerly collection of Mrs. Gerald
Arbuthnot.
177 81. William Powell Frith, The Road to Ruin (1877 78), etched by 388
Leopold Flameng (1878), private collection.
182. H. Anelay, Illustration for Edwin F. Roberts, The Gamesteis 391
Progress, in ReynoWs Miscellany, n.s. 2 (1849): 617.
183 87. William Powell Frith, The Racefor Wealth (1877 1880), 393
Baroda, India, Museum and Picture Galleries.
188. Luke Fildes, Houseless and Hungry, in The Graphic (4 Dec. 397
1869), p. 9.
189. After Frederick Barnard, The East End of London m a 399
Saturday Night (1876), in Henry Blackburn, Pictures at the
Paris Exhibition, British School (London, 1878).
190. Gustave Dor6, "0 Cruches tobosines . . . ," in Dm Quixote 407
(Paris, 1863), Vol. II, chapter 18.
191. R. Taylor, "Faust at the Lyceum.—No. 2. The Summit of the 409
Brocken," Enthoven.
192. Gustave Dore, "They heard and were abashed . . . ," in John 410
Milton, Paradise Lost (1866), Book I.
193. Edwin Austin Abbey, Richard, Duke of Gloucester and the 412
Lady Anne (1896), New Haven, Yale University Art
Gallery (The Edwin Austin Abbey Memorial Collection).
194. H.C.S. Wright, " 'King Richard III,' at the Lyceum Theatre," 412
Illustrated London News (26 Dec. 1896), p. 882.
195. Ford Madox Brown, CordeMs Portim (1866), Port Sunlight, 419
Merseyside, Lady Lever Art Gallery.
196 213. Ford Madox Brown, Designs from King Lear (1843 44), 422
Manchester, Whitworth Art Gallery; and Birmingham, City
Museum and Art Gallery (Nos. 207 and 213).
214. Ford Madox Brown, Lear and Cordelia (1848 49), London, 425
Täte Gallery.
215. Hawes Craven, King Lear, Act I, scene 1, "King Lear's 427
Palace," scene design by Ford Madox Brown, built by
Joseph Harker, in Souvenir ofShakespeare's Tragedy King
Lear, Lyceum Theatre, London, 10 Nov. 1892.
216. Hawes Craven, King Lear, Act I, scene 3, "Duke of Albany's 427
Castle," after F. M. Brown and Joseph Harker, in Souvenir,
Lyceum.
217. Hawes Craven, King Lear, Act II, scene 1, "Court within 427
Gloster's Castle," after F. M. Brown and Joseph Harker, in
Souvenir, Lyceum.
218. J. Bernard Partridge, "Mr. Henry Irving as King Lear," 429
lllustrated London News (19 Nov. 1892), cover.
219. Forestier, "Mr. Irving and Miss Terry in 'King Lear,'" 430
lllustrated London News (3 Dec. 1892), pp. 716 17.
220. Arnold Böcklin, The Island of the Dead (1880), New York, 437
Metropolitan Museum of Art (Reisinger Fund, 1926). |
| any_adam_object | 1 |
| author | Meisel, Martin 1931- |
| author_GND | (DE-588)1083009877 |
| author_facet | Meisel, Martin 1931- |
| author_role | aut |
| author_sort | Meisel, Martin 1931- |
| author_variant | m m mm |
| building | Verbundindex |
| bvnumber | BV000207920 |
| classification_rvk | HL 1031 HL 1070 HL 1071 |
| ctrlnum | (OCoLC)185433461 (DE-599)BVBBV000207920 |
| dewey-full | 820 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 820 - English & Old English literatures |
| dewey-raw | 820 |
| dewey-search | 820 |
| dewey-sort | 3820 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1800-1900 Geschichte 1805-1902 gnd Geschichte 1800-1900 gnd |
| era_facet | Geschichte 1800-1900 Geschichte 1805-1902 |
| format | Book |
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| geographic | Großbritannien (DE-588)4022153-2 gnd |
| geographic_facet | Großbritannien |
| id | DE-604.BV000207920 |
| illustrated | Illustrated |
| indexdate | 2024-12-02T15:01:50Z |
| institution | BVB |
| isbn | 0691065535 9780691612935 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-000122673 |
| oclc_num | 185433461 |
| open_access_boolean | |
| owner | DE-12 DE-384 DE-473 DE-BY-UBG DE-70 DE-739 DE-20 DE-824 DE-19 DE-BY-UBM DE-83 DE-188 DE-255 DE-29 |
| owner_facet | DE-12 DE-384 DE-473 DE-BY-UBG DE-70 DE-739 DE-20 DE-824 DE-19 DE-BY-UBM DE-83 DE-188 DE-255 DE-29 |
| physical | XIX, 471 S. Ill. |
| publishDate | 1983 |
| publishDateSearch | 1983 |
| publishDateSort | 1983 |
| publisher | Princeton Univ. Press |
| record_format | marc |
| spelling | Meisel, Martin 1931- Verfasser (DE-588)1083009877 aut Realizations narrative, pictorial, and theatrical arts in nineteenth-century England Martin Meisel Princeton, NJ Princeton Univ. Press 1983 XIX, 471 S. Ill. txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke Geschichte 1800-1900 Geschichte 1805-1902 gnd rswk-swf Geschichte 1800-1900 gnd rswk-swf Engelska litteraturen Geschichte English literature 19th century History and criticism Narration (Rhetoric) Narrative painting England Serialized fiction England History and criticism Theater England History 19th century Erzählung (DE-588)4015464-6 gnd rswk-swf Illustration (DE-588)4123412-1 gnd rswk-swf Erzähltechnik (DE-588)4124854-5 gnd rswk-swf Fortsetzungsroman (DE-588)4155087-0 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Genremalerei (DE-588)4020173-9 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Englisch (DE-588)4014777-0 s Literatur (DE-588)4035964-5 s Erzähltechnik (DE-588)4124854-5 s Malerei (DE-588)4037220-0 s Geschichte 1805-1902 z DE-604 Theater (DE-588)4059702-7 s Großbritannien (DE-588)4022153-2 g Genremalerei (DE-588)4020173-9 s Geschichte 1800-1900 z Kunst (DE-588)4114333-4 s Fortsetzungsroman (DE-588)4155087-0 s Illustration (DE-588)4123412-1 s Erzählung (DE-588)4015464-6 s HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=000122673&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Meisel, Martin 1931- Realizations narrative, pictorial, and theatrical arts in nineteenth-century England Engelska litteraturen Geschichte English literature 19th century History and criticism Narration (Rhetoric) Narrative painting England Serialized fiction England History and criticism Theater England History 19th century Erzählung (DE-588)4015464-6 gnd Illustration (DE-588)4123412-1 gnd Erzähltechnik (DE-588)4124854-5 gnd Fortsetzungsroman (DE-588)4155087-0 gnd Literatur (DE-588)4035964-5 gnd Malerei (DE-588)4037220-0 gnd Genremalerei (DE-588)4020173-9 gnd Englisch (DE-588)4014777-0 gnd Kunst (DE-588)4114333-4 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4015464-6 (DE-588)4123412-1 (DE-588)4124854-5 (DE-588)4155087-0 (DE-588)4035964-5 (DE-588)4037220-0 (DE-588)4020173-9 (DE-588)4014777-0 (DE-588)4114333-4 (DE-588)4059702-7 (DE-588)4022153-2 |
| title | Realizations narrative, pictorial, and theatrical arts in nineteenth-century England |
| title_auth | Realizations narrative, pictorial, and theatrical arts in nineteenth-century England |
| title_exact_search | Realizations narrative, pictorial, and theatrical arts in nineteenth-century England |
| title_full | Realizations narrative, pictorial, and theatrical arts in nineteenth-century England Martin Meisel |
| title_fullStr | Realizations narrative, pictorial, and theatrical arts in nineteenth-century England Martin Meisel |
| title_full_unstemmed | Realizations narrative, pictorial, and theatrical arts in nineteenth-century England Martin Meisel |
| title_short | Realizations |
| title_sort | realizations narrative pictorial and theatrical arts in nineteenth century england |
| title_sub | narrative, pictorial, and theatrical arts in nineteenth-century England |
| topic | Engelska litteraturen Geschichte English literature 19th century History and criticism Narration (Rhetoric) Narrative painting England Serialized fiction England History and criticism Theater England History 19th century Erzählung (DE-588)4015464-6 gnd Illustration (DE-588)4123412-1 gnd Erzähltechnik (DE-588)4124854-5 gnd Fortsetzungsroman (DE-588)4155087-0 gnd Literatur (DE-588)4035964-5 gnd Malerei (DE-588)4037220-0 gnd Genremalerei (DE-588)4020173-9 gnd Englisch (DE-588)4014777-0 gnd Kunst (DE-588)4114333-4 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Engelska litteraturen Geschichte English literature 19th century History and criticism Narration (Rhetoric) Narrative painting England Serialized fiction England History and criticism Theater England History 19th century Erzählung Illustration Erzähltechnik Fortsetzungsroman Literatur Malerei Genremalerei Englisch Kunst Theater Großbritannien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=000122673&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT meiselmartin realizationsnarrativepictorialandtheatricalartsinnineteenthcenturyengland |