Connecting art markets :: Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade /
"Connecting Art Markets proposes that vertically-integrated art dealers operating on a large scale acted as cultural mediators, and offers an aggregate view that connects artistic and market developments at both sides of the Atlantic."--Publisher description
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Boston :
Brill,
2016.
|
Schriftenreihe: | Studies in the history of collecting & art markets ;
v. 1. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "Connecting Art Markets proposes that vertically-integrated art dealers operating on a large scale acted as cultural mediators, and offers an aggregate view that connects artistic and market developments at both sides of the Atlantic."--Publisher description |
Beschreibung: | Outgrowth of the author's thesis (doctoral--Duke University, 2015) under the title: Role of the Antwerp painter-dealer Guilliam Forchondt in the large-scale distribution of new imagery in Europe and the Americas during the seventeenth century. |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9789004334830 9004334831 |
Internformat
MARC
LEADER | 00000cam a22000008i 4500 | ||
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245 | 1 | 0 | |a Connecting art markets : |b Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade / |c by Sandra van Ginhoven. |
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490 | 1 | |a Studies in the history of collecting & art markets ; |v volume 1 | |
500 | |a Outgrowth of the author's thesis (doctoral--Duke University, 2015) under the title: Role of the Antwerp painter-dealer Guilliam Forchondt in the large-scale distribution of new imagery in Europe and the Americas during the seventeenth century. | ||
504 | |a Includes bibliographical references and index. | ||
588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
505 | 0 | |a Acknowledgments; List of Abbreviations; Introduction; Chapter 1 Art Dealers as Cultural Agents: The Case of Guilliam Forchondt; 1.1 A Markets Approach to Early Modern European and Latin American Art; 1.2 Art Dealers in Early Modern Art and Markets History; Guilliam Forchondt as Case Study; Chapter 2 The Southern Netherlands Factor in the Transatlantic Paintings Trade; 2.1 Transatlantic Art Trade through Shipping Documents; 2.2 The Transatlantic Journey and Traffic; The Planning Stage; The Transatlantic Journey; Transatlantic Traffic during the Seventeenth Century. | |
505 | 8 | |a Flemish Merchants in the American Trade2.3 Transatlantic Art Trade Flows, 1630-80; Artworks in the Carrera de Indias; 2.4 Selling Paintings from the Southern Netherlands in the New World; Reactions in Mexico and Peru to the Competition; Chapter 3 The Forchondt Business Model; 3.1 Antwerp's Painting Industry and Guilliam Forchondt; 3.2 The Forchondt Business; Valuation and Scope of the Business; Products, Processes and Profits; 3.3 Market Dynamics and the Changing Structure of the Firm; The Family Business; Contracting and Subcontracting Arrangements; Suppliers; Agents and Buyers. | |
505 | 8 | |a Chapter 4 Marketing Paintings through their Characteristics4.1 Antwerp Art Production for Exports and Buyers' Preferences; 4.2 Preferences for Paintings by Geographical Location; The Southern Netherlands; The Dutch Republic; France; Vienna and German Cities; The Iberian Peninsula and the Americas; Chapter 5 The Long-Distance Commercial Network with Spain and the Americas; 5.1 Early Modern Commercial Networks in the Art Trade; 5.2 Guilliam Forchondt's Commercial Network; Scope and Scale of Forchondt's Commercial Relationships; Shipping and Financial Intermediaries for the Iberian Peninsula. | |
505 | 8 | |a Forchondt's Art Trade Network with Spain and the AmericasChapter 6 Dealer Behavior in Spain and the Americas; 6.1 Flemish Paintings for the Iberian Peninsula and the New World; 6.2 Production and Reproduction of Paintings; 6.3 Dissemination of Multiple Originals and Adaptability of Visual Motifs; 6.4 Painters, Dealers and the Market for Paintings in Seville, Cadiz, Mexico and Peru; Conclusion; Appendices; Bibliography; Unpublished Primary Sources; Published Primary Sources; Secondary Sources; Index. | |
520 | |a "Connecting Art Markets proposes that vertically-integrated art dealers operating on a large scale acted as cultural mediators, and offers an aggregate view that connects artistic and market developments at both sides of the Atlantic."--Publisher description | ||
600 | 1 | 0 | |a Forchondt, Guilliam, |d 1608-1678. |
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650 | 0 | |a Art dealers |z Belgium |z Antwerp |x History |y 17th century. | |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBU-ocn958205581 |
---|---|
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adam_text | |
any_adam_object | |
author | Ginhoven, Sandra van |
author_facet | Ginhoven, Sandra van |
author_role | aut |
author_sort | Ginhoven, Sandra van |
author_variant | s v g sv svg |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | N - Fine Arts |
callnumber-label | N8660 |
callnumber-raw | N8660.F665 |
callnumber-search | N8660.F665 |
callnumber-sort | N 48660 F665 |
callnumber-subject | N - Visual Arts |
collection | ZDB-4-EBU |
contents | Acknowledgments; List of Abbreviations; Introduction; Chapter 1 Art Dealers as Cultural Agents: The Case of Guilliam Forchondt; 1.1 A Markets Approach to Early Modern European and Latin American Art; 1.2 Art Dealers in Early Modern Art and Markets History; Guilliam Forchondt as Case Study; Chapter 2 The Southern Netherlands Factor in the Transatlantic Paintings Trade; 2.1 Transatlantic Art Trade through Shipping Documents; 2.2 The Transatlantic Journey and Traffic; The Planning Stage; The Transatlantic Journey; Transatlantic Traffic during the Seventeenth Century. Flemish Merchants in the American Trade2.3 Transatlantic Art Trade Flows, 1630-80; Artworks in the Carrera de Indias; 2.4 Selling Paintings from the Southern Netherlands in the New World; Reactions in Mexico and Peru to the Competition; Chapter 3 The Forchondt Business Model; 3.1 Antwerp's Painting Industry and Guilliam Forchondt; 3.2 The Forchondt Business; Valuation and Scope of the Business; Products, Processes and Profits; 3.3 Market Dynamics and the Changing Structure of the Firm; The Family Business; Contracting and Subcontracting Arrangements; Suppliers; Agents and Buyers. Chapter 4 Marketing Paintings through their Characteristics4.1 Antwerp Art Production for Exports and Buyers' Preferences; 4.2 Preferences for Paintings by Geographical Location; The Southern Netherlands; The Dutch Republic; France; Vienna and German Cities; The Iberian Peninsula and the Americas; Chapter 5 The Long-Distance Commercial Network with Spain and the Americas; 5.1 Early Modern Commercial Networks in the Art Trade; 5.2 Guilliam Forchondt's Commercial Network; Scope and Scale of Forchondt's Commercial Relationships; Shipping and Financial Intermediaries for the Iberian Peninsula. Forchondt's Art Trade Network with Spain and the AmericasChapter 6 Dealer Behavior in Spain and the Americas; 6.1 Flemish Paintings for the Iberian Peninsula and the New World; 6.2 Production and Reproduction of Paintings; 6.3 Dissemination of Multiple Originals and Adaptability of Visual Motifs; 6.4 Painters, Dealers and the Market for Paintings in Seville, Cadiz, Mexico and Peru; Conclusion; Appendices; Bibliography; Unpublished Primary Sources; Published Primary Sources; Secondary Sources; Index. |
ctrlnum | (OCoLC)958205581 |
dewey-full | 709.2 |
dewey-hundreds | 700 - The arts |
dewey-ones | 709 - History, geographic treatment, biography |
dewey-raw | 709.2 |
dewey-search | 709.2 |
dewey-sort | 3709.2 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
era | 1600-1699 fast |
era_facet | 1600-1699 |
format | Electronic eBook |
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genre | History fast |
genre_facet | History |
geographic | Belgium Antwerp fast |
geographic_facet | Belgium Antwerp |
id | ZDB-4-EBU-ocn958205581 |
illustrated | Not Illustrated |
indexdate | 2024-11-26T14:49:24Z |
institution | BVB |
isbn | 9789004334830 9004334831 |
language | English |
lccn | 2016041468 |
oclc_num | 958205581 |
open_access_boolean | |
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owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource |
psigel | ZDB-4-EBU |
publishDate | 2016 |
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publishDateSort | 2016 |
publisher | Brill, |
record_format | marc |
series | Studies in the history of collecting & art markets ; |
series2 | Studies in the history of collecting & art markets ; |
spelling | Ginhoven, Sandra van, author. Connecting art markets : Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade / by Sandra van Ginhoven. 1612 Boston : Brill, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Studies in the history of collecting & art markets ; volume 1 Outgrowth of the author's thesis (doctoral--Duke University, 2015) under the title: Role of the Antwerp painter-dealer Guilliam Forchondt in the large-scale distribution of new imagery in Europe and the Americas during the seventeenth century. Includes bibliographical references and index. Print version record and CIP data provided by publisher; resource not viewed. Acknowledgments; List of Abbreviations; Introduction; Chapter 1 Art Dealers as Cultural Agents: The Case of Guilliam Forchondt; 1.1 A Markets Approach to Early Modern European and Latin American Art; 1.2 Art Dealers in Early Modern Art and Markets History; Guilliam Forchondt as Case Study; Chapter 2 The Southern Netherlands Factor in the Transatlantic Paintings Trade; 2.1 Transatlantic Art Trade through Shipping Documents; 2.2 The Transatlantic Journey and Traffic; The Planning Stage; The Transatlantic Journey; Transatlantic Traffic during the Seventeenth Century. Flemish Merchants in the American Trade2.3 Transatlantic Art Trade Flows, 1630-80; Artworks in the Carrera de Indias; 2.4 Selling Paintings from the Southern Netherlands in the New World; Reactions in Mexico and Peru to the Competition; Chapter 3 The Forchondt Business Model; 3.1 Antwerp's Painting Industry and Guilliam Forchondt; 3.2 The Forchondt Business; Valuation and Scope of the Business; Products, Processes and Profits; 3.3 Market Dynamics and the Changing Structure of the Firm; The Family Business; Contracting and Subcontracting Arrangements; Suppliers; Agents and Buyers. Chapter 4 Marketing Paintings through their Characteristics4.1 Antwerp Art Production for Exports and Buyers' Preferences; 4.2 Preferences for Paintings by Geographical Location; The Southern Netherlands; The Dutch Republic; France; Vienna and German Cities; The Iberian Peninsula and the Americas; Chapter 5 The Long-Distance Commercial Network with Spain and the Americas; 5.1 Early Modern Commercial Networks in the Art Trade; 5.2 Guilliam Forchondt's Commercial Network; Scope and Scale of Forchondt's Commercial Relationships; Shipping and Financial Intermediaries for the Iberian Peninsula. Forchondt's Art Trade Network with Spain and the AmericasChapter 6 Dealer Behavior in Spain and the Americas; 6.1 Flemish Paintings for the Iberian Peninsula and the New World; 6.2 Production and Reproduction of Paintings; 6.3 Dissemination of Multiple Originals and Adaptability of Visual Motifs; 6.4 Painters, Dealers and the Market for Paintings in Seville, Cadiz, Mexico and Peru; Conclusion; Appendices; Bibliography; Unpublished Primary Sources; Published Primary Sources; Secondary Sources; Index. "Connecting Art Markets proposes that vertically-integrated art dealers operating on a large scale acted as cultural mediators, and offers an aggregate view that connects artistic and market developments at both sides of the Atlantic."--Publisher description Forchondt, Guilliam, 1608-1678. Forchondt, Guilliam, 1608-1678 fast Art dealers Belgium Antwerp History 17th century. Painting Marketing History 17th century. Painting Collectors and collecting History 17th century. Marchands d'uvres d'art Belgique Anvers Histoire 17e siècle. Peinture Collectionneurs et collections Histoire 17e siècle. ART History General. bisacsh Art dealers fast Painting Collectors and collecting fast Painting Marketing fast Belgium Antwerp fast 1600-1699 fast History fast Print version: Ginhoven, Sandra van. Connecting art markets. Boston : Brill, 2016 9789004319745 (DLC) 2016041112 Studies in the history of collecting & art markets ; v. 1. http://id.loc.gov/authorities/names/no2017060351 FWS01 ZDB-4-EBU FWS_PDA_EBU https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1456104 Volltext |
spellingShingle | Ginhoven, Sandra van Connecting art markets : Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade / Studies in the history of collecting & art markets ; Acknowledgments; List of Abbreviations; Introduction; Chapter 1 Art Dealers as Cultural Agents: The Case of Guilliam Forchondt; 1.1 A Markets Approach to Early Modern European and Latin American Art; 1.2 Art Dealers in Early Modern Art and Markets History; Guilliam Forchondt as Case Study; Chapter 2 The Southern Netherlands Factor in the Transatlantic Paintings Trade; 2.1 Transatlantic Art Trade through Shipping Documents; 2.2 The Transatlantic Journey and Traffic; The Planning Stage; The Transatlantic Journey; Transatlantic Traffic during the Seventeenth Century. Flemish Merchants in the American Trade2.3 Transatlantic Art Trade Flows, 1630-80; Artworks in the Carrera de Indias; 2.4 Selling Paintings from the Southern Netherlands in the New World; Reactions in Mexico and Peru to the Competition; Chapter 3 The Forchondt Business Model; 3.1 Antwerp's Painting Industry and Guilliam Forchondt; 3.2 The Forchondt Business; Valuation and Scope of the Business; Products, Processes and Profits; 3.3 Market Dynamics and the Changing Structure of the Firm; The Family Business; Contracting and Subcontracting Arrangements; Suppliers; Agents and Buyers. Chapter 4 Marketing Paintings through their Characteristics4.1 Antwerp Art Production for Exports and Buyers' Preferences; 4.2 Preferences for Paintings by Geographical Location; The Southern Netherlands; The Dutch Republic; France; Vienna and German Cities; The Iberian Peninsula and the Americas; Chapter 5 The Long-Distance Commercial Network with Spain and the Americas; 5.1 Early Modern Commercial Networks in the Art Trade; 5.2 Guilliam Forchondt's Commercial Network; Scope and Scale of Forchondt's Commercial Relationships; Shipping and Financial Intermediaries for the Iberian Peninsula. Forchondt's Art Trade Network with Spain and the AmericasChapter 6 Dealer Behavior in Spain and the Americas; 6.1 Flemish Paintings for the Iberian Peninsula and the New World; 6.2 Production and Reproduction of Paintings; 6.3 Dissemination of Multiple Originals and Adaptability of Visual Motifs; 6.4 Painters, Dealers and the Market for Paintings in Seville, Cadiz, Mexico and Peru; Conclusion; Appendices; Bibliography; Unpublished Primary Sources; Published Primary Sources; Secondary Sources; Index. Forchondt, Guilliam, 1608-1678. Forchondt, Guilliam, 1608-1678 fast Art dealers Belgium Antwerp History 17th century. Painting Marketing History 17th century. Painting Collectors and collecting History 17th century. Marchands d'uvres d'art Belgique Anvers Histoire 17e siècle. Peinture Collectionneurs et collections Histoire 17e siècle. ART History General. bisacsh Art dealers fast Painting Collectors and collecting fast Painting Marketing fast |
title | Connecting art markets : Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade / |
title_auth | Connecting art markets : Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade / |
title_exact_search | Connecting art markets : Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade / |
title_full | Connecting art markets : Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade / by Sandra van Ginhoven. |
title_fullStr | Connecting art markets : Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade / by Sandra van Ginhoven. |
title_full_unstemmed | Connecting art markets : Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade / by Sandra van Ginhoven. |
title_short | Connecting art markets : |
title_sort | connecting art markets guilliam forchondt s dealership in antwerp c 1632 78 and the overseas paintings trade |
title_sub | Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade / |
topic | Forchondt, Guilliam, 1608-1678. Forchondt, Guilliam, 1608-1678 fast Art dealers Belgium Antwerp History 17th century. Painting Marketing History 17th century. Painting Collectors and collecting History 17th century. Marchands d'uvres d'art Belgique Anvers Histoire 17e siècle. Peinture Collectionneurs et collections Histoire 17e siècle. ART History General. bisacsh Art dealers fast Painting Collectors and collecting fast Painting Marketing fast |
topic_facet | Forchondt, Guilliam, 1608-1678. Forchondt, Guilliam, 1608-1678 Art dealers Belgium Antwerp History 17th century. Painting Marketing History 17th century. Painting Collectors and collecting History 17th century. Marchands d'uvres d'art Belgique Anvers Histoire 17e siècle. Peinture Collectionneurs et collections Histoire 17e siècle. ART History General. Art dealers Painting Collectors and collecting Painting Marketing Belgium Antwerp History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1456104 |
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