Canyon Cinema :: the Life and Times of an Independent Film Distributor.
Bringing alive a remarkable moment in American cultural history, Scott MacDonald tells the colorful story of how a small, backyard organization in the San Francisco Bay Area emerged in the 1960s and evolved to become a major force in the development of independent cinema. Drawing from extensive conv...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
CA :
University of California Press,
2007.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Bringing alive a remarkable moment in American cultural history, Scott MacDonald tells the colorful story of how a small, backyard organization in the San Francisco Bay Area emerged in the 1960s and evolved to become a major force in the development of independent cinema. Drawing from extensive conversations with men and women crucial to Canyon Cinema, from its newsletter Canyon Cinemanews, and from other key sources, MacDonald offers a lively chronicle of the life and times of this influential, idiosyncratic film exhibition and distribution collective. His book features many primary documents. |
| Beschreibung: | Stan Brakhage: Remarks Following at Screening of "The Text of Light" at the San Francisco Art Institute on November 18, 1974. |
| Beschreibung: | 1 online resource (478 pages) |
| ISBN: | 9780520940611 052094061X |
Internformat
MARC
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| 100 | 1 | |a MacDonald, Scott, |d 1942- |1 https://id.oclc.org/worldcat/entity/E39PCjtYgqK96qH98YkPbVT9Mq |0 http://id.loc.gov/authorities/names/n80165705 | |
| 245 | 1 | 0 | |a Canyon Cinema : |b the Life and Times of an Independent Film Distributor. |
| 260 | |a CA : |b University of California Press, |c 2007. | ||
| 300 | |a 1 online resource (478 pages) | ||
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| 337 | |a computer |b c |2 rdamedia | ||
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| 505 | 0 | |a Introduction; 1. Formation; Portfoloio: Announcement of Publication of Canyon Cinema News, 1962; Saul Landau: An Essay on Censorship [1964]; Bruce Baillie: Report from on the Road, Filming ... [1964]; Gregoary Markopoulos: Denunciation of the Ann Arbor Film Festival [1965]; George Manupelli: Letter from the Ann Arbor Film Festival, April 1, 1965; George Manupelli: On His Blindness [1965]; 2. Incorporation; Conservation with Edith Kramer, July 2001; Portfolio: Bruce Baillie: Letter from Chapala, Mexico, January 1967; Bruce Conner: Letter from San Francisco, February 18, 1967. | |
| 505 | 8 | |a Robert Nelson: Open Letter to Film-makers, June 12, 1967Bruce Baillie: Letter [1967]; Robert Pike: Rebuttal to Robt. Nelson's "Open Letter to Film-makers" [1967]; Bruce Baillie: Bruce Baillie's Prejudiced Guide to Film Festivals [1967]; Emory Menefee: Review of Sheldon Renan's "An Introduction to the American Underground Film" [1967]; Will Hindle: Letter [1967]; Robert Nelson: The Brussels Festival [1968]; Robert Nelson: The Swedish Proposal for New American Cinema, and Some Miscellaneous Notes [1968]; Will Hindle: Letter from San Francisco, April 1968. | |
| 505 | 8 | |a Robert Pike: Notes from the Creative Film Society: Pros and Cons of Theatrical Bookings [1968]News from the Austrailian Undependents [1968]; Barry Spinello: Letter to John Schofill [1968]; Bruce Conner: Letter, August 6, 1968, and Emory Menefee's response; Robert Pike: The Story of a Closet Cine-Drama ... or ... From Isolation to Immorality [1968]; Robert Nelson: Some Thoughts about the Bellevue Film Festival Two Weeks after Judging It [1968]; Will Hindle: Letter, September 10 [1968]; Bruce Baillie: Letter, "August, Beginning of September" [1968]; Will Hindle: Letter [1969]. | |
| 505 | 8 | |a John Lennon: Fan Letter to Bruce Conner [1969]Barry Spinello: Letter from Oakland, California [1969]; Bruce Conner and Jonas Mekas: Exchanges (Letters) [1969]; Ed Emshwiller: Letter [1969]; Stan Brakhage: Letter [1970]; Will Hindle: Letter from Alabama, January 1970; Jon Jost: I Lost It at the Movies or Electro-Videograph Interface Meets Mr. Natural [1970]; Bruce Braillie: Letter [1970]; Canyon Cinema Board of Directors' Meeting Minutes [May 20, 1970]; Arthur Cantrill: Right Back to the Billabong [1970]; Scott Bartlett: Poem [1970]; Robert Nelson: Letter [1970]; Bruce Conner: Letter [1972]. | |
| 505 | 8 | |a Chick Strand: Letter [1972]Jon Jost: Underground Myths and Cinema Cooperrative Realities (Some Conrete Policy Suggestions) [1972]; Bruce Conner: Eight Drawings [1972]; Don Lloyd: Whatever Became of Canyon Cinema Co-operative? [1972]; Peter Hutton: Letter from Bangkok [1972]; Ken Defloux: Canyon Cinema, What Next? [1973]; 3. Revitalization; Conservation with Diane Kitchen, Marchh 2002; Portfolio: Peter Kubelka at the Cinematheque, October 3, 1974; Will Hindle: Recuperating at His Forest Place in the Mountains of North Alabama, September 1974. | |
| 500 | |a Stan Brakhage: Remarks Following at Screening of "The Text of Light" at the San Francisco Art Institute on November 18, 1974. | ||
| 520 | |a Bringing alive a remarkable moment in American cultural history, Scott MacDonald tells the colorful story of how a small, backyard organization in the San Francisco Bay Area emerged in the 1960s and evolved to become a major force in the development of independent cinema. Drawing from extensive conversations with men and women crucial to Canyon Cinema, from its newsletter Canyon Cinemanews, and from other key sources, MacDonald offers a lively chronicle of the life and times of this influential, idiosyncratic film exhibition and distribution collective. His book features many primary documents. | ||
| 588 | 0 | |a Print version record. | |
| 610 | 2 | 0 | |a Canyon Cinema. |0 http://id.loc.gov/authorities/names/n50081644 |
| 610 | 2 | 7 | |a Canyon Cinema |2 fast |
| 650 | 0 | |a Independent films |z United States. | |
| 650 | 6 | |a Films indépendants |z États-Unis. | |
| 650 | 7 | |a BUSINESS & ECONOMICS |x Industries |x Media & Communications. |2 bisacsh | |
| 650 | 7 | |a TECHNOLOGY & ENGINEERING |x Telecommunications. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Independent films |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
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| 776 | 0 | 8 | |i Print version: |a MacDonald, Scott. |t Canyon Cinema : The Life and Times of an Independent Film Distributor. |d CA : University of California Press, ©2007 |z 9780520250864 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBU-ocn773565083 |
|---|---|
| _version_ | 1804748433684168705 |
| adam_text | |
| any_adam_object | |
| author | MacDonald, Scott, 1942- |
| author_GND | http://id.loc.gov/authorities/names/n80165705 |
| author_facet | MacDonald, Scott, 1942- |
| author_role | |
| author_sort | MacDonald, Scott, 1942- |
| author_variant | s m sm |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1999 |
| callnumber-raw | PN1999.C335 |
| callnumber-search | PN1999.C335 |
| callnumber-sort | PN 41999 C335 |
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| collection | ZDB-4-EBU |
| contents | Introduction; 1. Formation; Portfoloio: Announcement of Publication of Canyon Cinema News, 1962; Saul Landau: An Essay on Censorship [1964]; Bruce Baillie: Report from on the Road, Filming ... [1964]; Gregoary Markopoulos: Denunciation of the Ann Arbor Film Festival [1965]; George Manupelli: Letter from the Ann Arbor Film Festival, April 1, 1965; George Manupelli: On His Blindness [1965]; 2. Incorporation; Conservation with Edith Kramer, July 2001; Portfolio: Bruce Baillie: Letter from Chapala, Mexico, January 1967; Bruce Conner: Letter from San Francisco, February 18, 1967. Robert Nelson: Open Letter to Film-makers, June 12, 1967Bruce Baillie: Letter [1967]; Robert Pike: Rebuttal to Robt. Nelson's "Open Letter to Film-makers" [1967]; Bruce Baillie: Bruce Baillie's Prejudiced Guide to Film Festivals [1967]; Emory Menefee: Review of Sheldon Renan's "An Introduction to the American Underground Film" [1967]; Will Hindle: Letter [1967]; Robert Nelson: The Brussels Festival [1968]; Robert Nelson: The Swedish Proposal for New American Cinema, and Some Miscellaneous Notes [1968]; Will Hindle: Letter from San Francisco, April 1968. Robert Pike: Notes from the Creative Film Society: Pros and Cons of Theatrical Bookings [1968]News from the Austrailian Undependents [1968]; Barry Spinello: Letter to John Schofill [1968]; Bruce Conner: Letter, August 6, 1968, and Emory Menefee's response; Robert Pike: The Story of a Closet Cine-Drama ... or ... From Isolation to Immorality [1968]; Robert Nelson: Some Thoughts about the Bellevue Film Festival Two Weeks after Judging It [1968]; Will Hindle: Letter, September 10 [1968]; Bruce Baillie: Letter, "August, Beginning of September" [1968]; Will Hindle: Letter [1969]. John Lennon: Fan Letter to Bruce Conner [1969]Barry Spinello: Letter from Oakland, California [1969]; Bruce Conner and Jonas Mekas: Exchanges (Letters) [1969]; Ed Emshwiller: Letter [1969]; Stan Brakhage: Letter [1970]; Will Hindle: Letter from Alabama, January 1970; Jon Jost: I Lost It at the Movies or Electro-Videograph Interface Meets Mr. Natural [1970]; Bruce Braillie: Letter [1970]; Canyon Cinema Board of Directors' Meeting Minutes [May 20, 1970]; Arthur Cantrill: Right Back to the Billabong [1970]; Scott Bartlett: Poem [1970]; Robert Nelson: Letter [1970]; Bruce Conner: Letter [1972]. Chick Strand: Letter [1972]Jon Jost: Underground Myths and Cinema Cooperrative Realities (Some Conrete Policy Suggestions) [1972]; Bruce Conner: Eight Drawings [1972]; Don Lloyd: Whatever Became of Canyon Cinema Co-operative? [1972]; Peter Hutton: Letter from Bangkok [1972]; Ken Defloux: Canyon Cinema, What Next? [1973]; 3. Revitalization; Conservation with Diane Kitchen, Marchh 2002; Portfolio: Peter Kubelka at the Cinematheque, October 3, 1974; Will Hindle: Recuperating at His Forest Place in the Mountains of North Alabama, September 1974. |
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| dewey-full | 384.806573 384/.80973 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 384 - Communications |
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| dewey-search | 384.806573 384/.80973 |
| dewey-sort | 3384.806573 |
| dewey-tens | 380 - Commerce, communications, transportation |
| discipline | Wirtschaftswissenschaften |
| format | Electronic eBook |
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| indexdate | 2024-07-16T15:03:48Z |
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| publisher | University of California Press, |
| record_format | marc |
| spelling | MacDonald, Scott, 1942- https://id.oclc.org/worldcat/entity/E39PCjtYgqK96qH98YkPbVT9Mq http://id.loc.gov/authorities/names/n80165705 Canyon Cinema : the Life and Times of an Independent Film Distributor. CA : University of California Press, 2007. 1 online resource (478 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Introduction; 1. Formation; Portfoloio: Announcement of Publication of Canyon Cinema News, 1962; Saul Landau: An Essay on Censorship [1964]; Bruce Baillie: Report from on the Road, Filming ... [1964]; Gregoary Markopoulos: Denunciation of the Ann Arbor Film Festival [1965]; George Manupelli: Letter from the Ann Arbor Film Festival, April 1, 1965; George Manupelli: On His Blindness [1965]; 2. Incorporation; Conservation with Edith Kramer, July 2001; Portfolio: Bruce Baillie: Letter from Chapala, Mexico, January 1967; Bruce Conner: Letter from San Francisco, February 18, 1967. Robert Nelson: Open Letter to Film-makers, June 12, 1967Bruce Baillie: Letter [1967]; Robert Pike: Rebuttal to Robt. Nelson's "Open Letter to Film-makers" [1967]; Bruce Baillie: Bruce Baillie's Prejudiced Guide to Film Festivals [1967]; Emory Menefee: Review of Sheldon Renan's "An Introduction to the American Underground Film" [1967]; Will Hindle: Letter [1967]; Robert Nelson: The Brussels Festival [1968]; Robert Nelson: The Swedish Proposal for New American Cinema, and Some Miscellaneous Notes [1968]; Will Hindle: Letter from San Francisco, April 1968. Robert Pike: Notes from the Creative Film Society: Pros and Cons of Theatrical Bookings [1968]News from the Austrailian Undependents [1968]; Barry Spinello: Letter to John Schofill [1968]; Bruce Conner: Letter, August 6, 1968, and Emory Menefee's response; Robert Pike: The Story of a Closet Cine-Drama ... or ... From Isolation to Immorality [1968]; Robert Nelson: Some Thoughts about the Bellevue Film Festival Two Weeks after Judging It [1968]; Will Hindle: Letter, September 10 [1968]; Bruce Baillie: Letter, "August, Beginning of September" [1968]; Will Hindle: Letter [1969]. John Lennon: Fan Letter to Bruce Conner [1969]Barry Spinello: Letter from Oakland, California [1969]; Bruce Conner and Jonas Mekas: Exchanges (Letters) [1969]; Ed Emshwiller: Letter [1969]; Stan Brakhage: Letter [1970]; Will Hindle: Letter from Alabama, January 1970; Jon Jost: I Lost It at the Movies or Electro-Videograph Interface Meets Mr. Natural [1970]; Bruce Braillie: Letter [1970]; Canyon Cinema Board of Directors' Meeting Minutes [May 20, 1970]; Arthur Cantrill: Right Back to the Billabong [1970]; Scott Bartlett: Poem [1970]; Robert Nelson: Letter [1970]; Bruce Conner: Letter [1972]. Chick Strand: Letter [1972]Jon Jost: Underground Myths and Cinema Cooperrative Realities (Some Conrete Policy Suggestions) [1972]; Bruce Conner: Eight Drawings [1972]; Don Lloyd: Whatever Became of Canyon Cinema Co-operative? [1972]; Peter Hutton: Letter from Bangkok [1972]; Ken Defloux: Canyon Cinema, What Next? [1973]; 3. Revitalization; Conservation with Diane Kitchen, Marchh 2002; Portfolio: Peter Kubelka at the Cinematheque, October 3, 1974; Will Hindle: Recuperating at His Forest Place in the Mountains of North Alabama, September 1974. Stan Brakhage: Remarks Following at Screening of "The Text of Light" at the San Francisco Art Institute on November 18, 1974. Bringing alive a remarkable moment in American cultural history, Scott MacDonald tells the colorful story of how a small, backyard organization in the San Francisco Bay Area emerged in the 1960s and evolved to become a major force in the development of independent cinema. Drawing from extensive conversations with men and women crucial to Canyon Cinema, from its newsletter Canyon Cinemanews, and from other key sources, MacDonald offers a lively chronicle of the life and times of this influential, idiosyncratic film exhibition and distribution collective. His book features many primary documents. Print version record. Canyon Cinema. http://id.loc.gov/authorities/names/n50081644 Canyon Cinema fast Independent films United States. Films indépendants États-Unis. BUSINESS & ECONOMICS Industries Media & Communications. bisacsh TECHNOLOGY & ENGINEERING Telecommunications. bisacsh PERFORMING ARTS Film & Video General. bisacsh Independent films fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq has work: Canyon Cinema (Text) https://id.oclc.org/worldcat/entity/E39PCFG7dTPp3V8Jqx6yHdwHmd https://id.oclc.org/worldcat/ontology/hasWork Print version: MacDonald, Scott. Canyon Cinema : The Life and Times of an Independent Film Distributor. CA : University of California Press, ©2007 9780520250864 FWS01 ZDB-4-EBU FWS_PDA_EBU https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=306073 Volltext |
| spellingShingle | MacDonald, Scott, 1942- Canyon Cinema : the Life and Times of an Independent Film Distributor. Introduction; 1. Formation; Portfoloio: Announcement of Publication of Canyon Cinema News, 1962; Saul Landau: An Essay on Censorship [1964]; Bruce Baillie: Report from on the Road, Filming ... [1964]; Gregoary Markopoulos: Denunciation of the Ann Arbor Film Festival [1965]; George Manupelli: Letter from the Ann Arbor Film Festival, April 1, 1965; George Manupelli: On His Blindness [1965]; 2. Incorporation; Conservation with Edith Kramer, July 2001; Portfolio: Bruce Baillie: Letter from Chapala, Mexico, January 1967; Bruce Conner: Letter from San Francisco, February 18, 1967. Robert Nelson: Open Letter to Film-makers, June 12, 1967Bruce Baillie: Letter [1967]; Robert Pike: Rebuttal to Robt. Nelson's "Open Letter to Film-makers" [1967]; Bruce Baillie: Bruce Baillie's Prejudiced Guide to Film Festivals [1967]; Emory Menefee: Review of Sheldon Renan's "An Introduction to the American Underground Film" [1967]; Will Hindle: Letter [1967]; Robert Nelson: The Brussels Festival [1968]; Robert Nelson: The Swedish Proposal for New American Cinema, and Some Miscellaneous Notes [1968]; Will Hindle: Letter from San Francisco, April 1968. Robert Pike: Notes from the Creative Film Society: Pros and Cons of Theatrical Bookings [1968]News from the Austrailian Undependents [1968]; Barry Spinello: Letter to John Schofill [1968]; Bruce Conner: Letter, August 6, 1968, and Emory Menefee's response; Robert Pike: The Story of a Closet Cine-Drama ... or ... From Isolation to Immorality [1968]; Robert Nelson: Some Thoughts about the Bellevue Film Festival Two Weeks after Judging It [1968]; Will Hindle: Letter, September 10 [1968]; Bruce Baillie: Letter, "August, Beginning of September" [1968]; Will Hindle: Letter [1969]. John Lennon: Fan Letter to Bruce Conner [1969]Barry Spinello: Letter from Oakland, California [1969]; Bruce Conner and Jonas Mekas: Exchanges (Letters) [1969]; Ed Emshwiller: Letter [1969]; Stan Brakhage: Letter [1970]; Will Hindle: Letter from Alabama, January 1970; Jon Jost: I Lost It at the Movies or Electro-Videograph Interface Meets Mr. Natural [1970]; Bruce Braillie: Letter [1970]; Canyon Cinema Board of Directors' Meeting Minutes [May 20, 1970]; Arthur Cantrill: Right Back to the Billabong [1970]; Scott Bartlett: Poem [1970]; Robert Nelson: Letter [1970]; Bruce Conner: Letter [1972]. Chick Strand: Letter [1972]Jon Jost: Underground Myths and Cinema Cooperrative Realities (Some Conrete Policy Suggestions) [1972]; Bruce Conner: Eight Drawings [1972]; Don Lloyd: Whatever Became of Canyon Cinema Co-operative? [1972]; Peter Hutton: Letter from Bangkok [1972]; Ken Defloux: Canyon Cinema, What Next? [1973]; 3. Revitalization; Conservation with Diane Kitchen, Marchh 2002; Portfolio: Peter Kubelka at the Cinematheque, October 3, 1974; Will Hindle: Recuperating at His Forest Place in the Mountains of North Alabama, September 1974. Canyon Cinema. http://id.loc.gov/authorities/names/n50081644 Canyon Cinema fast Independent films United States. Films indépendants États-Unis. BUSINESS & ECONOMICS Industries Media & Communications. bisacsh TECHNOLOGY & ENGINEERING Telecommunications. bisacsh PERFORMING ARTS Film & Video General. bisacsh Independent films fast |
| subject_GND | http://id.loc.gov/authorities/names/n50081644 |
| title | Canyon Cinema : the Life and Times of an Independent Film Distributor. |
| title_auth | Canyon Cinema : the Life and Times of an Independent Film Distributor. |
| title_exact_search | Canyon Cinema : the Life and Times of an Independent Film Distributor. |
| title_full | Canyon Cinema : the Life and Times of an Independent Film Distributor. |
| title_fullStr | Canyon Cinema : the Life and Times of an Independent Film Distributor. |
| title_full_unstemmed | Canyon Cinema : the Life and Times of an Independent Film Distributor. |
| title_short | Canyon Cinema : |
| title_sort | canyon cinema the life and times of an independent film distributor |
| title_sub | the Life and Times of an Independent Film Distributor. |
| topic | Canyon Cinema. http://id.loc.gov/authorities/names/n50081644 Canyon Cinema fast Independent films United States. Films indépendants États-Unis. BUSINESS & ECONOMICS Industries Media & Communications. bisacsh TECHNOLOGY & ENGINEERING Telecommunications. bisacsh PERFORMING ARTS Film & Video General. bisacsh Independent films fast |
| topic_facet | Canyon Cinema. Canyon Cinema Independent films United States. Films indépendants États-Unis. BUSINESS & ECONOMICS Industries Media & Communications. TECHNOLOGY & ENGINEERING Telecommunications. PERFORMING ARTS Film & Video General. Independent films United States |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=306073 |
| work_keys_str_mv | AT macdonaldscott canyoncinemathelifeandtimesofanindependentfilmdistributor |