ReFocus :: the literary films of Richard Brooks /
The first critical work to emphasize Richard Brook's literariness"Offers a critical assessment by well-known film scholarsExplores Brooks's engagement with intellectual and cultural trendsDiscusses Brooks's engagement with genresReFocus: The Literary Films of Richard Brooks highl...
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| Other Authors: | , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh :
Edinburgh University Press,
[2023]
|
| Series: | ReFocus, the American directors series.
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | The first critical work to emphasize Richard Brook's literariness"Offers a critical assessment by well-known film scholarsExplores Brooks's engagement with intellectual and cultural trendsDiscusses Brooks's engagement with genresReFocus: The Literary Films of Richard Brooks highlights the accomplishments of one of postwar America's most important and successful directors, with an emphasis on the "literary" aspects of his career, including his work as a screenwriter and adaptor of such modern classics as Cat on a Hot Tin Roof, Lord Jim, and The Brothers Karamazov." |
| Physical Description: | 1 online resource (xi, 287 pages) : illustrations. |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9781474496599 1474496598 9781474496605 1474496601 |
Staff View
MARC
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| 490 | 1 | |a ReFocus, the American directors series | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on March 16, 2023). | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Figures -- |t Notes on Contributors -- |t Acknowledgments -- |t Chapter 1. Introduction -- |t Chapter 2. The Brick Foxhole (1945): Richard Brooks's American Vision -- |t Chapter 3. The Muted Voices of Conscience and Responsibility in Crisis (1950) -- |t Chapter 4. Deadline -- U.S.A. (1952): A Fox Film of Fact -- |t Chapter 5. "Man Against the Times": Conformity, Anti-Statism, and the "Unknown" Korean War in Battle Circus (1953) -- |t Chapter 6. Captured Interiors: Female Performances in The Last Time I Saw Paris (1954) and The Happy Ending (1969) -- |t Chapter 7. Blackboard Jungle (1955): A Cinematic Education -- |t Chapter 8. Hunting and the Economics of Adaptation: The Last Hunt (1956) and The Professionals (1966) -- |t Chapter 9. The Curse of Money: Negotiating Marriage in The Catered Affair (1956) -- |t Chapter 10. Adapting Modernism: Richard Brooks and The Brothers Karamazov (1958) -- |t Chapter 11. Haunted: Cat on a Hot Tin Roof (1958) -- |t Chapter 12. A Bite of Salvation -- |t Chapter 13. "Monstrous Cinemascope": Richard Brooks Adapts Sweet Bird of Youth (1962) -- |t Chapter 14. Adapting the Unadaptables: Lord Jim (1965) -- |t Chapter 15. Adaptation as Mutation: In Cold Blood (1967) -- |t Chapter 16. Looking for Mr. Good Guy: Anatomizing '70s Fracture and Fragmentation -- |t Chapter 17. Failing to Locate Wrong is Right (1982) and What that Reveals about Cinematic Reality -- |t Bibliography -- |t Index |
| 520 | |a The first critical work to emphasize Richard Brook's literariness"Offers a critical assessment by well-known film scholarsExplores Brooks's engagement with intellectual and cultural trendsDiscusses Brooks's engagement with genresReFocus: The Literary Films of Richard Brooks highlights the accomplishments of one of postwar America's most important and successful directors, with an emphasis on the "literary" aspects of his career, including his work as a screenwriter and adaptor of such modern classics as Cat on a Hot Tin Roof, Lord Jim, and The Brothers Karamazov." | ||
| 600 | 1 | 0 | |a Brooks, Richard, |d 1912-1992 |x Criticism and interpretation. |
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| 650 | 0 | |a Motion picture producers and directors |z United States. |0 http://id.loc.gov/authorities/subjects/sh87006130 | |
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| 655 | 4 | |a Electronic books. | |
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| adam_text | |
| any_adam_object | |
| author2 | Palmer, R. Barton, 1946- Pettey, Homer B. |
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| author2_variant | r b p rb rbp h b p hb hbp |
| author_GND | http://id.loc.gov/authorities/names/n83059978 |
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| building | Verbundindex |
| bvnumber | localFWS |
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| callnumber-raw | PN1998.3.B7597 R44 2023 |
| callnumber-search | PN1998.3.B7597 R44 2023 |
| callnumber-sort | PN 41998.3 B7597 R44 42023 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Frontmatter -- Contents -- Figures -- Notes on Contributors -- Acknowledgments -- Chapter 1. Introduction -- Chapter 2. The Brick Foxhole (1945): Richard Brooks's American Vision -- Chapter 3. The Muted Voices of Conscience and Responsibility in Crisis (1950) -- Chapter 4. Deadline -- U.S.A. (1952): A Fox Film of Fact -- Chapter 5. "Man Against the Times": Conformity, Anti-Statism, and the "Unknown" Korean War in Battle Circus (1953) -- Chapter 6. Captured Interiors: Female Performances in The Last Time I Saw Paris (1954) and The Happy Ending (1969) -- Chapter 7. Blackboard Jungle (1955): A Cinematic Education -- Chapter 8. Hunting and the Economics of Adaptation: The Last Hunt (1956) and The Professionals (1966) -- Chapter 9. The Curse of Money: Negotiating Marriage in The Catered Affair (1956) -- Chapter 10. Adapting Modernism: Richard Brooks and The Brothers Karamazov (1958) -- Chapter 11. Haunted: Cat on a Hot Tin Roof (1958) -- Chapter 12. A Bite of Salvation -- Chapter 13. "Monstrous Cinemascope": Richard Brooks Adapts Sweet Bird of Youth (1962) -- Chapter 14. Adapting the Unadaptables: Lord Jim (1965) -- Chapter 15. Adaptation as Mutation: In Cold Blood (1967) -- Chapter 16. Looking for Mr. Good Guy: Anatomizing '70s Fracture and Fragmentation -- Chapter 17. Failing to Locate Wrong is Right (1982) and What that Reveals about Cinematic Reality -- Bibliography -- Index |
| ctrlnum | (OCoLC)1372511179 |
| dewey-full | 791.4302/33092 |
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| dewey-ones | 791 - Public performances |
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| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| indexdate | 2025-04-11T08:48:05Z |
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| isbn | 9781474496599 1474496598 9781474496605 1474496601 |
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| series2 | ReFocus, the American directors series |
| spelling | ReFocus : the literary films of Richard Brooks / edited by R. Barton Palmer and Homer B. Pettey. Edinburgh : Edinburgh University Press, [2023] 1 online resource (xi, 287 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier ReFocus, the American directors series Includes bibliographical references and index. Description based on online resource; title from digital title page (viewed on March 16, 2023). Frontmatter -- Contents -- Figures -- Notes on Contributors -- Acknowledgments -- Chapter 1. Introduction -- Chapter 2. The Brick Foxhole (1945): Richard Brooks's American Vision -- Chapter 3. The Muted Voices of Conscience and Responsibility in Crisis (1950) -- Chapter 4. Deadline -- U.S.A. (1952): A Fox Film of Fact -- Chapter 5. "Man Against the Times": Conformity, Anti-Statism, and the "Unknown" Korean War in Battle Circus (1953) -- Chapter 6. Captured Interiors: Female Performances in The Last Time I Saw Paris (1954) and The Happy Ending (1969) -- Chapter 7. Blackboard Jungle (1955): A Cinematic Education -- Chapter 8. Hunting and the Economics of Adaptation: The Last Hunt (1956) and The Professionals (1966) -- Chapter 9. The Curse of Money: Negotiating Marriage in The Catered Affair (1956) -- Chapter 10. Adapting Modernism: Richard Brooks and The Brothers Karamazov (1958) -- Chapter 11. Haunted: Cat on a Hot Tin Roof (1958) -- Chapter 12. A Bite of Salvation -- Chapter 13. "Monstrous Cinemascope": Richard Brooks Adapts Sweet Bird of Youth (1962) -- Chapter 14. Adapting the Unadaptables: Lord Jim (1965) -- Chapter 15. Adaptation as Mutation: In Cold Blood (1967) -- Chapter 16. Looking for Mr. Good Guy: Anatomizing '70s Fracture and Fragmentation -- Chapter 17. Failing to Locate Wrong is Right (1982) and What that Reveals about Cinematic Reality -- Bibliography -- Index The first critical work to emphasize Richard Brook's literariness"Offers a critical assessment by well-known film scholarsExplores Brooks's engagement with intellectual and cultural trendsDiscusses Brooks's engagement with genresReFocus: The Literary Films of Richard Brooks highlights the accomplishments of one of postwar America's most important and successful directors, with an emphasis on the "literary" aspects of his career, including his work as a screenwriter and adaptor of such modern classics as Cat on a Hot Tin Roof, Lord Jim, and The Brothers Karamazov." Brooks, Richard, 1912-1992 Criticism and interpretation. Brooks, Richard, 1912-1992 fast https://id.oclc.org/worldcat/entity/E39PBJcGrmTF7pGmQ48RDrwDMP Motion picture producers and directors United States. http://id.loc.gov/authorities/subjects/sh87006130 Producteurs et réalisateurs de cinéma États-Unis. PERFORMING ARTS / Film & Video / Direction & Production. bisacsh Motion picture producers and directors fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Electronic books. Criticism, interpretation, etc. fast Palmer, R. Barton, 1946- editor. https://id.oclc.org/worldcat/entity/E39PBJmTjwFf3hhvftRfD6RVG3 https://isni.org/isni/000000012144803X http://id.loc.gov/authorities/names/n83059978 Pettey, Homer B., editor. https://isni.org/isni/0000000443653220. Print version: Literary films of Richard Brooks 9781474496575 ReFocus, the American directors series. http://id.loc.gov/authorities/names/no2016033091 |
| spellingShingle | ReFocus : the literary films of Richard Brooks / ReFocus, the American directors series. Frontmatter -- Contents -- Figures -- Notes on Contributors -- Acknowledgments -- Chapter 1. Introduction -- Chapter 2. The Brick Foxhole (1945): Richard Brooks's American Vision -- Chapter 3. The Muted Voices of Conscience and Responsibility in Crisis (1950) -- Chapter 4. Deadline -- U.S.A. (1952): A Fox Film of Fact -- Chapter 5. "Man Against the Times": Conformity, Anti-Statism, and the "Unknown" Korean War in Battle Circus (1953) -- Chapter 6. Captured Interiors: Female Performances in The Last Time I Saw Paris (1954) and The Happy Ending (1969) -- Chapter 7. Blackboard Jungle (1955): A Cinematic Education -- Chapter 8. Hunting and the Economics of Adaptation: The Last Hunt (1956) and The Professionals (1966) -- Chapter 9. The Curse of Money: Negotiating Marriage in The Catered Affair (1956) -- Chapter 10. Adapting Modernism: Richard Brooks and The Brothers Karamazov (1958) -- Chapter 11. Haunted: Cat on a Hot Tin Roof (1958) -- Chapter 12. A Bite of Salvation -- Chapter 13. "Monstrous Cinemascope": Richard Brooks Adapts Sweet Bird of Youth (1962) -- Chapter 14. Adapting the Unadaptables: Lord Jim (1965) -- Chapter 15. Adaptation as Mutation: In Cold Blood (1967) -- Chapter 16. Looking for Mr. Good Guy: Anatomizing '70s Fracture and Fragmentation -- Chapter 17. Failing to Locate Wrong is Right (1982) and What that Reveals about Cinematic Reality -- Bibliography -- Index Brooks, Richard, 1912-1992 Criticism and interpretation. Brooks, Richard, 1912-1992 fast https://id.oclc.org/worldcat/entity/E39PBJcGrmTF7pGmQ48RDrwDMP Motion picture producers and directors United States. http://id.loc.gov/authorities/subjects/sh87006130 Producteurs et réalisateurs de cinéma États-Unis. PERFORMING ARTS / Film & Video / Direction & Production. bisacsh Motion picture producers and directors fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh87006130 |
| title | ReFocus : the literary films of Richard Brooks / |
| title_alt | Frontmatter -- Contents -- Figures -- Notes on Contributors -- Acknowledgments -- Chapter 1. Introduction -- Chapter 2. The Brick Foxhole (1945): Richard Brooks's American Vision -- Chapter 3. The Muted Voices of Conscience and Responsibility in Crisis (1950) -- Chapter 4. Deadline -- U.S.A. (1952): A Fox Film of Fact -- Chapter 5. "Man Against the Times": Conformity, Anti-Statism, and the "Unknown" Korean War in Battle Circus (1953) -- Chapter 6. Captured Interiors: Female Performances in The Last Time I Saw Paris (1954) and The Happy Ending (1969) -- Chapter 7. Blackboard Jungle (1955): A Cinematic Education -- Chapter 8. Hunting and the Economics of Adaptation: The Last Hunt (1956) and The Professionals (1966) -- Chapter 9. The Curse of Money: Negotiating Marriage in The Catered Affair (1956) -- Chapter 10. Adapting Modernism: Richard Brooks and The Brothers Karamazov (1958) -- Chapter 11. Haunted: Cat on a Hot Tin Roof (1958) -- Chapter 12. A Bite of Salvation -- Chapter 13. "Monstrous Cinemascope": Richard Brooks Adapts Sweet Bird of Youth (1962) -- Chapter 14. Adapting the Unadaptables: Lord Jim (1965) -- Chapter 15. Adaptation as Mutation: In Cold Blood (1967) -- Chapter 16. Looking for Mr. Good Guy: Anatomizing '70s Fracture and Fragmentation -- Chapter 17. Failing to Locate Wrong is Right (1982) and What that Reveals about Cinematic Reality -- Bibliography -- Index |
| title_auth | ReFocus : the literary films of Richard Brooks / |
| title_exact_search | ReFocus : the literary films of Richard Brooks / |
| title_full | ReFocus : the literary films of Richard Brooks / edited by R. Barton Palmer and Homer B. Pettey. |
| title_fullStr | ReFocus : the literary films of Richard Brooks / edited by R. Barton Palmer and Homer B. Pettey. |
| title_full_unstemmed | ReFocus : the literary films of Richard Brooks / edited by R. Barton Palmer and Homer B. Pettey. |
| title_short | ReFocus : |
| title_sort | refocus the literary films of richard brooks |
| title_sub | the literary films of Richard Brooks / |
| topic | Brooks, Richard, 1912-1992 Criticism and interpretation. Brooks, Richard, 1912-1992 fast https://id.oclc.org/worldcat/entity/E39PBJcGrmTF7pGmQ48RDrwDMP Motion picture producers and directors United States. http://id.loc.gov/authorities/subjects/sh87006130 Producteurs et réalisateurs de cinéma États-Unis. PERFORMING ARTS / Film & Video / Direction & Production. bisacsh Motion picture producers and directors fast |
| topic_facet | Brooks, Richard, 1912-1992 Criticism and interpretation. Brooks, Richard, 1912-1992 Motion picture producers and directors United States. Producteurs et réalisateurs de cinéma États-Unis. PERFORMING ARTS / Film & Video / Direction & Production. Motion picture producers and directors United States Electronic books. Criticism, interpretation, etc. |
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