Hollis Frampton :: navigating the infinite cinema /
"Within the history of American experimental film there are few figures as central as Hollis Frampton. Yet it is Frampton's navigation of multiple artistic media and discourses outside the hermetic experimental film universe that marks him as still relevant to twenty-first century aestheti...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Columbia University Press,
[2023]
|
| Schriftenreihe: | Film and culture.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Within the history of American experimental film there are few figures as central as Hollis Frampton. Yet it is Frampton's navigation of multiple artistic media and discourses outside the hermetic experimental film universe that marks him as still relevant to twenty-first century aesthetic and cultural debates. Throughout his career, Frampton explored related emerging image arts like early xerography, video, and computers. He was a pioneering digital artist who anticipated collaborative DIY open source programming through his Digital Media Lab. In short, Frampton's importance in American experimental film lies partly in the wide network of connections he represents to other arts, histories, and cultural frameworks. At the center of Frampton's work is his unfinished film, Magellan, which represents a key to understanding his legacy for contemporary art and cinema. Michael Zryd argues that, on one level, the Magellan metaphor is Frampton's way of yoking the modernist project of radical investigation of art and medium to the larger historical and epistemological tradition of Enlightenment thought. On another level, as Frampton begins to critique the modernist project-especially its purism, austerity, and hidden histories of power-he opens up the deeper problems of the Enlightenment tradition, especially the political legacy of capitalism and colonialism, as well as the totalizing logics behind it. While focusing on Magellan, Zryd also considers the full scope of Frampton's works and his exploration of how cinema attempts to capture and understand the world"-- |
| Beschreibung: | 1 online resource (xiv, 306 pages) : illustrations. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780231554169 0231554168 |
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| 505 | 0 | |a Introduction : from the chemistry of cobalt to the chemistry of dirt -- A brief introduction to Frampton's films before Magellan -- An introduction to Magellan -- Metahistory and the archive : "historical necessity" and tradition -- Encyclopedism, the universe, and everything -- Archeology : millennial allegories of art, representation, and politics in the camera arts -- The constellation -- Conclusion : virtual future metahistory. | |
| 520 | |a "Within the history of American experimental film there are few figures as central as Hollis Frampton. Yet it is Frampton's navigation of multiple artistic media and discourses outside the hermetic experimental film universe that marks him as still relevant to twenty-first century aesthetic and cultural debates. Throughout his career, Frampton explored related emerging image arts like early xerography, video, and computers. He was a pioneering digital artist who anticipated collaborative DIY open source programming through his Digital Media Lab. In short, Frampton's importance in American experimental film lies partly in the wide network of connections he represents to other arts, histories, and cultural frameworks. At the center of Frampton's work is his unfinished film, Magellan, which represents a key to understanding his legacy for contemporary art and cinema. Michael Zryd argues that, on one level, the Magellan metaphor is Frampton's way of yoking the modernist project of radical investigation of art and medium to the larger historical and epistemological tradition of Enlightenment thought. On another level, as Frampton begins to critique the modernist project-especially its purism, austerity, and hidden histories of power-he opens up the deeper problems of the Enlightenment tradition, especially the political legacy of capitalism and colonialism, as well as the totalizing logics behind it. While focusing on Magellan, Zryd also considers the full scope of Frampton's works and his exploration of how cinema attempts to capture and understand the world"-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on March 28, 2023). | ||
| 600 | 1 | 0 | |a Frampton, Hollis, |d 1936-1984 |x Criticism and interpretation. |
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| contents | Introduction : from the chemistry of cobalt to the chemistry of dirt -- A brief introduction to Frampton's films before Magellan -- An introduction to Magellan -- Metahistory and the archive : "historical necessity" and tradition -- Encyclopedism, the universe, and everything -- Archeology : millennial allegories of art, representation, and politics in the camera arts -- The constellation -- Conclusion : virtual future metahistory. |
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| spelling | Zryd, Michael, author. http://id.loc.gov/authorities/names/no2021038327 Hollis Frampton : navigating the infinite cinema / Michael Zryd. New York : Columbia University Press, [2023] 1 online resource (xiv, 306 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier Film and culture Includes bibliographical references and index. Introduction : from the chemistry of cobalt to the chemistry of dirt -- A brief introduction to Frampton's films before Magellan -- An introduction to Magellan -- Metahistory and the archive : "historical necessity" and tradition -- Encyclopedism, the universe, and everything -- Archeology : millennial allegories of art, representation, and politics in the camera arts -- The constellation -- Conclusion : virtual future metahistory. "Within the history of American experimental film there are few figures as central as Hollis Frampton. Yet it is Frampton's navigation of multiple artistic media and discourses outside the hermetic experimental film universe that marks him as still relevant to twenty-first century aesthetic and cultural debates. Throughout his career, Frampton explored related emerging image arts like early xerography, video, and computers. He was a pioneering digital artist who anticipated collaborative DIY open source programming through his Digital Media Lab. In short, Frampton's importance in American experimental film lies partly in the wide network of connections he represents to other arts, histories, and cultural frameworks. At the center of Frampton's work is his unfinished film, Magellan, which represents a key to understanding his legacy for contemporary art and cinema. Michael Zryd argues that, on one level, the Magellan metaphor is Frampton's way of yoking the modernist project of radical investigation of art and medium to the larger historical and epistemological tradition of Enlightenment thought. On another level, as Frampton begins to critique the modernist project-especially its purism, austerity, and hidden histories of power-he opens up the deeper problems of the Enlightenment tradition, especially the political legacy of capitalism and colonialism, as well as the totalizing logics behind it. While focusing on Magellan, Zryd also considers the full scope of Frampton's works and his exploration of how cinema attempts to capture and understand the world"-- Provided by publisher. Description based on online resource; title from digital title page (viewed on March 28, 2023). Frampton, Hollis, 1936-1984 Criticism and interpretation. Frampton, Hollis, 1936-1984 fast Experimental films United States History and criticism. Motion picture producers and directors United States Biography. Producteurs et réalisateurs de cinéma États-Unis Biographies. PERFORMING ARTS / Film / History & Criticism bisacsh Experimental films fast Motion picture producers and directors fast United States fast Electronic books. Biographies fast Criticism, interpretation, etc. fast Print version: Zryd, Michael. Hollis Frampton New York : Columbia University Press, [2023] 9780231201568 (DLC) 2022040559 Film and culture. http://id.loc.gov/authorities/names/n92059833 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3461661 Volltext |
| spellingShingle | Zryd, Michael Hollis Frampton : navigating the infinite cinema / Film and culture. Introduction : from the chemistry of cobalt to the chemistry of dirt -- A brief introduction to Frampton's films before Magellan -- An introduction to Magellan -- Metahistory and the archive : "historical necessity" and tradition -- Encyclopedism, the universe, and everything -- Archeology : millennial allegories of art, representation, and politics in the camera arts -- The constellation -- Conclusion : virtual future metahistory. Frampton, Hollis, 1936-1984 Criticism and interpretation. Frampton, Hollis, 1936-1984 fast Experimental films United States History and criticism. Motion picture producers and directors United States Biography. Producteurs et réalisateurs de cinéma États-Unis Biographies. PERFORMING ARTS / Film / History & Criticism bisacsh Experimental films fast Motion picture producers and directors fast |
| title | Hollis Frampton : navigating the infinite cinema / |
| title_auth | Hollis Frampton : navigating the infinite cinema / |
| title_exact_search | Hollis Frampton : navigating the infinite cinema / |
| title_full | Hollis Frampton : navigating the infinite cinema / Michael Zryd. |
| title_fullStr | Hollis Frampton : navigating the infinite cinema / Michael Zryd. |
| title_full_unstemmed | Hollis Frampton : navigating the infinite cinema / Michael Zryd. |
| title_short | Hollis Frampton : |
| title_sort | hollis frampton navigating the infinite cinema |
| title_sub | navigating the infinite cinema / |
| topic | Frampton, Hollis, 1936-1984 Criticism and interpretation. Frampton, Hollis, 1936-1984 fast Experimental films United States History and criticism. Motion picture producers and directors United States Biography. Producteurs et réalisateurs de cinéma États-Unis Biographies. PERFORMING ARTS / Film / History & Criticism bisacsh Experimental films fast Motion picture producers and directors fast |
| topic_facet | Frampton, Hollis, 1936-1984 Criticism and interpretation. Frampton, Hollis, 1936-1984 Experimental films United States History and criticism. Motion picture producers and directors United States Biography. Producteurs et réalisateurs de cinéma États-Unis Biographies. PERFORMING ARTS / Film / History & Criticism Experimental films Motion picture producers and directors United States Electronic books. Biographies Criticism, interpretation, etc. |
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