Contemporary photography in France :: between theory and practice /
Traces the broad arc of photography's development in France from the 1970s to the present day. A decade-by-decade account reveals unexpected points of convergence between practices that are not usually considered in a comparative perspective. These include photographic practices in contemporary...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leuven (Belgium) :
Leuven University Press,
[2022]
|
| Schriftenreihe: | Lieven Gevaert series ;
v. 32. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Traces the broad arc of photography's development in France from the 1970s to the present day. A decade-by-decade account reveals unexpected points of convergence between practices that are not usually considered in a comparative perspective. These include photographic practices in contemporary art, documentary, photojournalism, and fashion. Author Olga Smith sets these practices in dialogue with French philosophy -- the writings of Roland Barthes, Jean Baudrillard, and Jacques Rancière -- to produce an innovative study of the intersections between the photographic image, text, practice, and theory. This analysis is guided by an understanding of photography as deeply engaged with historical, cultural, and intellectual events that defined French national experience in the contemporary period. Landscape provides a particular focus to study issues of key significance, including national identification, colonial past, legacies of modernization and environmental breakdown. -- publisher's statement. |
| Beschreibung: | 1 online resource (228 pages) : illustrations (some color) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9789461664891 9461664893 |
Internformat
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| 245 | 1 | 0 | |a Contemporary photography in France : |b between theory and practice / |c Olga Smith. |
| 264 | 1 | |a Leuven (Belgium) : |b Leuven University Press, |c [2022] | |
| 264 | 4 | |c ©2022 | |
| 300 | |a 1 online resource (228 pages) : |b illustrations (some color) | ||
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| 505 | 0 | |a 1970s: Engagement and Subjectivity: Roland Barthes and the Science of Subjectivity -- From The Family of Man to Families in France : Documentary and Professional Photography -- Mythologies of the Self : Photography in Artistic Practices -- 1980s: Objectivity in a Dematerialized World: Jean Baudrillard : The Era of the Object -- A Quest for Legitimacy as Art -- Staged Photography and the Culture of Simulacra "The Form Tableau" : Photograph as Object and Picture -- 1990s-2000s: The Future of The Photographic Image: Jacques Rancière : Photography as Milieu Forms of Resistance and Participation -- After Photography -- Conclusion: The Landscapes of France: Landscape and the National Imaginary -- The DATAR Photographic Mission : Picturing "le territoire des Français" -- The Anthropogenic Landscape : The Environmental Perspective -- A Sense of Belonging : Territory, Borders, Identity -- Towards a Non-Nationalist History of Photography. | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 0 | |a Traces the broad arc of photography's development in France from the 1970s to the present day. A decade-by-decade account reveals unexpected points of convergence between practices that are not usually considered in a comparative perspective. These include photographic practices in contemporary art, documentary, photojournalism, and fashion. Author Olga Smith sets these practices in dialogue with French philosophy -- the writings of Roland Barthes, Jean Baudrillard, and Jacques Rancière -- to produce an innovative study of the intersections between the photographic image, text, practice, and theory. This analysis is guided by an understanding of photography as deeply engaged with historical, cultural, and intellectual events that defined French national experience in the contemporary period. Landscape provides a particular focus to study issues of key significance, including national identification, colonial past, legacies of modernization and environmental breakdown. -- publisher's statement. | |
| 588 | |a Description based on online resource; title from digital title page (viewed on May 30, 2023). | ||
| 650 | 0 | |a Photography |z France. | |
| 650 | 0 | |a Art and society. |0 http://id.loc.gov/authorities/subjects/sh85007975 | |
| 650 | 6 | |a Art et société. | |
| 650 | 6 | |a Photographie |z France. | |
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| adam_text | |
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| author | Smith, Olga, 1977- |
| author_GND | http://id.loc.gov/authorities/names/n2009036536 |
| author_facet | Smith, Olga, 1977- |
| author_role | aut |
| author_sort | Smith, Olga, 1977- |
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| callnumber-first | T - Technology |
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| callnumber-raw | TR71 .S65 2022 |
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| contents | 1970s: Engagement and Subjectivity: Roland Barthes and the Science of Subjectivity -- From The Family of Man to Families in France : Documentary and Professional Photography -- Mythologies of the Self : Photography in Artistic Practices -- 1980s: Objectivity in a Dematerialized World: Jean Baudrillard : The Era of the Object -- A Quest for Legitimacy as Art -- Staged Photography and the Culture of Simulacra "The Form Tableau" : Photograph as Object and Picture -- 1990s-2000s: The Future of The Photographic Image: Jacques Rancière : Photography as Milieu Forms of Resistance and Participation -- After Photography -- Conclusion: The Landscapes of France: Landscape and the National Imaginary -- The DATAR Photographic Mission : Picturing "le territoire des Français" -- The Anthropogenic Landscape : The Environmental Perspective -- A Sense of Belonging : Territory, Borders, Identity -- Towards a Non-Nationalist History of Photography. |
| ctrlnum | (OCoLC)1347696390 |
| dewey-full | 770.944 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770.944 |
| dewey-search | 770.944 |
| dewey-sort | 3770.944 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
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| id | ZDB-4-EBA-on1347696390 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:38Z |
| institution | BVB |
| isbn | 9789461664891 9461664893 |
| language | English |
| oclc_num | 1347696390 |
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| physical | 1 online resource (228 pages) : illustrations (some color) |
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| spelling | Smith, Olga, 1977- author. https://id.oclc.org/worldcat/entity/E39PCjMrtrbKkby6JTdb7VtxQm http://id.loc.gov/authorities/names/n2009036536 Contemporary photography in France : between theory and practice / Olga Smith. Leuven (Belgium) : Leuven University Press, [2022] ©2022 1 online resource (228 pages) : illustrations (some color) text txt rdacontent still image sti rdacontent computer c rdamedia online resource cr rdacarrier Lieven Gevaert series ; vol. 32 1970s: Engagement and Subjectivity: Roland Barthes and the Science of Subjectivity -- From The Family of Man to Families in France : Documentary and Professional Photography -- Mythologies of the Self : Photography in Artistic Practices -- 1980s: Objectivity in a Dematerialized World: Jean Baudrillard : The Era of the Object -- A Quest for Legitimacy as Art -- Staged Photography and the Culture of Simulacra "The Form Tableau" : Photograph as Object and Picture -- 1990s-2000s: The Future of The Photographic Image: Jacques Rancière : Photography as Milieu Forms of Resistance and Participation -- After Photography -- Conclusion: The Landscapes of France: Landscape and the National Imaginary -- The DATAR Photographic Mission : Picturing "le territoire des Français" -- The Anthropogenic Landscape : The Environmental Perspective -- A Sense of Belonging : Territory, Borders, Identity -- Towards a Non-Nationalist History of Photography. Includes bibliographical references and index. Traces the broad arc of photography's development in France from the 1970s to the present day. A decade-by-decade account reveals unexpected points of convergence between practices that are not usually considered in a comparative perspective. These include photographic practices in contemporary art, documentary, photojournalism, and fashion. Author Olga Smith sets these practices in dialogue with French philosophy -- the writings of Roland Barthes, Jean Baudrillard, and Jacques Rancière -- to produce an innovative study of the intersections between the photographic image, text, practice, and theory. This analysis is guided by an understanding of photography as deeply engaged with historical, cultural, and intellectual events that defined French national experience in the contemporary period. Landscape provides a particular focus to study issues of key significance, including national identification, colonial past, legacies of modernization and environmental breakdown. -- publisher's statement. Description based on online resource; title from digital title page (viewed on May 30, 2023). Photography France. Art and society. http://id.loc.gov/authorities/subjects/sh85007975 Art et société. Photographie France. Photography fast France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP History fast Print version: 9462703442 9789462703445 (OCoLC)1342248774 Lieven Gevaert series ; v. 32. http://id.loc.gov/authorities/names/no2005114071 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3306864 Volltext |
| spellingShingle | Smith, Olga, 1977- Contemporary photography in France : between theory and practice / Lieven Gevaert series ; 1970s: Engagement and Subjectivity: Roland Barthes and the Science of Subjectivity -- From The Family of Man to Families in France : Documentary and Professional Photography -- Mythologies of the Self : Photography in Artistic Practices -- 1980s: Objectivity in a Dematerialized World: Jean Baudrillard : The Era of the Object -- A Quest for Legitimacy as Art -- Staged Photography and the Culture of Simulacra "The Form Tableau" : Photograph as Object and Picture -- 1990s-2000s: The Future of The Photographic Image: Jacques Rancière : Photography as Milieu Forms of Resistance and Participation -- After Photography -- Conclusion: The Landscapes of France: Landscape and the National Imaginary -- The DATAR Photographic Mission : Picturing "le territoire des Français" -- The Anthropogenic Landscape : The Environmental Perspective -- A Sense of Belonging : Territory, Borders, Identity -- Towards a Non-Nationalist History of Photography. Photography France. Art and society. http://id.loc.gov/authorities/subjects/sh85007975 Art et société. Photographie France. Photography fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85007975 |
| title | Contemporary photography in France : between theory and practice / |
| title_auth | Contemporary photography in France : between theory and practice / |
| title_exact_search | Contemporary photography in France : between theory and practice / |
| title_full | Contemporary photography in France : between theory and practice / Olga Smith. |
| title_fullStr | Contemporary photography in France : between theory and practice / Olga Smith. |
| title_full_unstemmed | Contemporary photography in France : between theory and practice / Olga Smith. |
| title_short | Contemporary photography in France : |
| title_sort | contemporary photography in france between theory and practice |
| title_sub | between theory and practice / |
| topic | Photography France. Art and society. http://id.loc.gov/authorities/subjects/sh85007975 Art et société. Photographie France. Photography fast |
| topic_facet | Photography France. Art and society. Art et société. Photographie France. Photography France History |
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